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STUDENT RESEaRch SympoSiUm 2010 - Graduate and Research ...

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AbstrActs<br />

in an intimate relationship (Wekerle & Wolfe, 1999). <strong>Research</strong><br />

suggests that some exogenous variables, such as parental conflict<br />

have an effect on childrens’ relationship violence later in life<br />

(Tschann et al. 2009). There have been many proposed suggestions,<br />

such as social learning theory (B<strong>and</strong>ura 1973), that explain<br />

the relationship between parental conflict <strong>and</strong> dating violence<br />

perpetration. Furthermore, research has shown that exposure<br />

to parental conflict is related to anger expressiveness (Clark &<br />

Phares, 2004), <strong>and</strong> that anger control is related to dating violence<br />

(Wolf & Foshee, 2003). It is possible that children exposed to parental<br />

conflict may not be learning the skills necessary to control<br />

their anger. Furthermore, Wolf & Foshee (2003) found that the<br />

link between familial violence <strong>and</strong> dating violence perpetration is<br />

weak for women, but strong for men. This study examines whether<br />

anger control can explain the relationship between parental<br />

conflict <strong>and</strong> relationship violence <strong>and</strong> whether the effect varies<br />

by gender. Three hundred sixty five college students completed a<br />

45 minute online survey, which included the Family Experiences<br />

Scale (FES), (Moos & Moos 1974), the Conflict in Adolescent<br />

Dating Relationship Inventory (CADRI), (Wolf & Colleagues, 2001),<br />

<strong>and</strong> the Self-Efficacy-Teen Conflict Survey (Bosworth & Espelage,<br />

1995). The results of the mediation analysis indicated that the<br />

relationship between parental conflict <strong>and</strong> relationship violence<br />

perpetration is partially mediated by anger control for men, but<br />

not for women. Possible reasons for the gender difference include<br />

male rates of violence compared to women’s rates, or differences<br />

in the expression of anger. The implications from this study for<br />

interventions, particularly, with respect to teaching young men<br />

anger control to prevent dating violence perpetration will be<br />

discussed.<br />

Session D-12<br />

Oral Presentation: Literature II<br />

Saturday, March 5, <strong>2010</strong>, 10:15 am<br />

Location: Council Chambers<br />

#426 10:15<br />

Love to Hate It: The Anti-F<strong>and</strong>om of Twilight<br />

Jacqueline Pinkowitz, TFM Critical Studies; English (U)<br />

Louisa Stein, Television, Film <strong>and</strong> New Media<br />

This project examines the anti-fans of the young adult vampire<br />

book <strong>and</strong> movie series Twilight. This paper argues that the<br />

dedicated fans of a cultural text are not all that different from the<br />

anti-fans on the opposite end of the spectrum; both participate<br />

in their respective f<strong>and</strong>om in similar ways, both factions exhibit<br />

intense emotional responses the source of their (anti-) f<strong>and</strong>om,<br />

<strong>and</strong> both experience a pleasure of identity <strong>and</strong> community in<br />

their status as fan or anti-fan. My primary research for this paper<br />

189<br />

came from Twilight fan <strong>and</strong> anti-fan websites including TwiligtersAnonymous.com,<br />

Bella<strong>and</strong>Edward.com, TheAntiTwilightMovement.com,<br />

<strong>and</strong> TwilightSucks.com. In looking at these sites of fan<br />

<strong>and</strong> anti-fan sentiment, I examined the format, content, style, <strong>and</strong><br />

apparent motivation, as well as forums in which users discussed<br />

both Twilight <strong>and</strong> unrelated issues. Scholar Jonathan Gray has<br />

written several articles outlining the “anti-fan,” including “Antif<strong>and</strong>om<br />

<strong>and</strong> the Moral Text” <strong>and</strong> New Audiences, New Textualities,<br />

which explore the personal rewards that such anti-fan (or<br />

fan) identities can provide. Scholar Vivi Theodoropoulou also<br />

examined anti-f<strong>and</strong>om in her essay “The Anti-Fan within the Fan”<br />

<strong>and</strong> discussed the animosity that arises between one cultural<br />

text’s fans <strong>and</strong> their anti-fans <strong>and</strong> the identity-formation involved<br />

in such rivalries. The main core of Twilight anti-fans are opposed<br />

to the emotional <strong>and</strong> erratic fans of Twilight as well as to a<br />

similarly emotional <strong>and</strong> violent group of Twilight anti-fans. These<br />

main anti-Twilighters profess to come from a position of rationality<br />

<strong>and</strong> civility <strong>and</strong> place themselves in contrast to the hostile fans<br />

<strong>and</strong> anti-fans whose angry diatribes <strong>and</strong> un-objective comments<br />

they post to their sites as proof of their own superiority. The<br />

main point for these anti-fans in citing the differences between<br />

themselves <strong>and</strong> the emotional fans <strong>and</strong> anti-fans comes in the<br />

formation of an identity, <strong>and</strong> the pleasures that come with that<br />

identity, like a community where they form valuable relationships<br />

that extend beyond the primary text. Thus, this project hopes to<br />

show that f<strong>and</strong>om (<strong>and</strong> anti-f<strong>and</strong>om) is a complex phenomenon<br />

which provides many sources of pleasure for its participants <strong>and</strong><br />

which should not be simply written off by scholars.<br />

#427 10:30<br />

Amending Masks <strong>and</strong> Secret Identities: The Journey of<br />

Asian American Superheroes <strong>and</strong> Portrayals<br />

Jonathan Valdez, Asian Studies (U)<br />

Harrod Suarez, Asian Studies<br />

As many iconic superheroes as Batman <strong>and</strong> Iron Man remain<br />

popular in contemporary society, the gap between White American<br />

superheroes <strong>and</strong> superheroes of color continues to widen.<br />

Asian <strong>and</strong> Asian American superheroes have limited visibility<br />

<strong>and</strong> have remained solely as secondary characters. The Asian<br />

American superheroes who have emerged <strong>and</strong> have gained<br />

popularity such as Jimmy Woo, the leader of the Agents of Atlas<br />

<strong>and</strong> more recently, the teenage genius Amadeus Cho exemplify<br />

Asian American characters created using racial preconceptions<br />

<strong>and</strong> stereotypes. The first section of this paper discusses the<br />

intersection of comic book roles <strong>and</strong> historical stereotypes Asian<br />

American comic book characters. Asian characters have evolved<br />

from villainous roles, to the job of the inscrutable sidekick, <strong>and</strong><br />

more recently the hero. These portrayals of the hero are associated<br />

with the West’s idea of the Asian such as the dangerous<br />

hordes of the Yellow Peril or the intelligent automatons of the<br />

<strong>STUDENT</strong> RESEARCH SYMPOSIUM <strong>2010</strong>

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