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Part 11 of ARDA 2 SECTION TWO A - Student Organizations ...

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From Dwelly’s Scots Gaelic Dictionary (get out the<br />

magnifying glass!) here is a description <strong>of</strong> a dance enacted in the<br />

Highlands up into the nineteenth century. We may be seeing here<br />

a descendent <strong>of</strong> a Druidic ritual or religious drama, There is also,<br />

apparently a bird named the black-headed Cailleach bird, but<br />

whether it has anything to do with the old Celtic Goddess is<br />

unclear.<br />

95. Cailleachag-cheann-dubh.<br />

cailleach an dùdan (cont.)—<br />

“It is danced by a man and a woman. The man has a rod in<br />

his right hand, variously called slachdan druidheachd, (druidic<br />

wand), slachdan geasachd, (magic wand). The man and the<br />

woman gesticulate and attitudinize before one another, dancing<br />

round and round, in and out, crossing and recrossing, changing<br />

and exchanging places. The man flourishes the wand over his<br />

own head and over the head <strong>of</strong> the woman, whom he touches<br />

with the wand, and who falls down, as if dead, at his feet. He<br />

bemoans his dead “carlin,” dancing and gesticulating round her<br />

body. He then lifts up her left hand, and looking into the palm,<br />

breathes upon it, and touches it with the wand. Immediately the<br />

limp hand becomes alive and moves from side to side and up and<br />

down. He rejoices, and dances round the figure on the floor. And<br />

having done the same to the right hand, and to the left and right<br />

foot in succession, they are also become alive and move. But<br />

although the limbs are living, the body is still inert. The man<br />

kneels over the woman and breathes into her mouth and touches<br />

her heart with the wand. The woman comes to life, and springs<br />

up, confronting the man. Then the two dance vigorously and<br />

joyously as in the first part. The tune varies with the varying<br />

phases <strong>of</strong> the dance. It is played by a piper or a fiddler, so sung as<br />

a “port-a-beul,” (mouth-tune) by a looker-on, or by the<br />

performers themselves. The air is quaint and irregular,” and the<br />

words are curious and archaic commence as follows:—<br />

“Cailleach an dùdain, dùdain, dùdain,<br />

Cailleach an dùdain, cum do dheireadh rium.”<br />

The Druids did not Build Stonehenge<br />

In Answer to Many Inquiries<br />

“If the Druids didn’t build Stonehenge, and weren’t even in<br />

Great Britain at the time, when and from where did they come”<br />

Most likely in several waves and from several sources, from Gaul<br />

and from Belgium, <strong>of</strong> course, but also from Ireland. The Celtic<br />

evidence in Ireland seems to predate that from the Sussex<br />

Stonehenge area by a number <strong>of</strong> centuries. So when did they<br />

arrive in Ireland And from where had they come<br />

Peter Harbison in our day, like Heinrich Schleimann, the<br />

self-made nineteenth century business man and amateur<br />

392<br />

antiquarian who, after hearing much debate about the<br />

whereabouts <strong>of</strong> Troy, and if, in fact, there has ever been a real<br />

city <strong>of</strong> Troy, took a shovel and a copy <strong>of</strong> the Iliad and found Troy<br />

right where Homer said it was, has advanced the theory for the<br />

origin <strong>of</strong> the Irish Celts right where legend and Leober Gabala<br />

said they come from: Spain. Not all <strong>of</strong> them, Celtic speaking<br />

people came to Ireland over a number <strong>of</strong> centuries. But there is<br />

evidence that a Q-Celtic speaking people came to the south and<br />

west <strong>of</strong> Ireland around 500 B.C. from the northern coast <strong>of</strong> Spain.<br />

They may have come first in “raid and trade” forays, then as<br />

small groups <strong>of</strong> warrior-aristocrats, younger sons, and their<br />

retinues. There is no evidence in the archeological record for any<br />

one, large scale invasion. Later whole clans may have been<br />

expelled from the Celto-Ligurian areas <strong>of</strong> Spain by the Roman<br />

conquests there from 133 B.C. onwards. The Book <strong>of</strong> the<br />

Invasions, Leobor Gabala, may be the story <strong>of</strong> one <strong>of</strong> these. The<br />

followers <strong>of</strong> King Mil were not even by their own claim the first<br />

Celts in Ireland. They fought against a distinctly Celtic native foe<br />

in a distinctly Celtic style heroic battle. One group <strong>of</strong> Celts<br />

displaced another, and there is the echo in the old poem <strong>of</strong> those<br />

other groups having displaced still older, Bronze Age, perhaps<br />

non-Indo-European populations. This theory, which coincides<br />

with legend, and which Pr<strong>of</strong>essor Hawks, calls his “gradual<br />

Celticization theory” <strong>of</strong> Irish pre-history, fits David Greene’s, the<br />

noted philologist’s, evidence that a Celtic language ancestral to<br />

modern Gaelic was being spoken in Ireland by 500 B.C.. This<br />

gradual Celtization <strong>of</strong> the Neolithic and Bronze Age cultures <strong>of</strong><br />

the island may have followed the model <strong>of</strong> the Anglization <strong>of</strong><br />

Britain by the Angles, Saxons and Jutes in historic times. Coming<br />

first as raiders, then as mercenaries hired during some <strong>of</strong> the<br />

endless intertribal conflicts, they remained and eventually made<br />

war on and conquered their former hosts. This is speculation <strong>of</strong><br />

course. But it is backed by the (non-conclusive) evidence <strong>of</strong> the<br />

gradual appearance <strong>of</strong> more and more Celtic types <strong>of</strong> artifacts,<br />

especially military ones, and objects <strong>of</strong> aristocratic ornament. The<br />

farming tools such as stone hoes continue in the native style. In<br />

the South and West there aristocratic items are <strong>of</strong> a non-La Tene<br />

style. This may tie them to the Spanish Celts rather than to the La<br />

Tene Celts north <strong>of</strong> the Pyrenees. The possibility is strengthened<br />

by the “chevaux-de-frise” style <strong>of</strong> fortifications on the Aran Isles<br />

in County Galway. Similar examples appear in Spain and none in<br />

Britain or Gaul. However, some archeologists would see a<br />

wooden version <strong>of</strong> this scatter-stone style <strong>of</strong> architecture in some<br />

early Belgian forts, hence the name. No chariot burials have ever<br />

been found in either Ireland, Britain, or Spain, though these<br />

figure prominently in the other Celtic areas. Burial rites are<br />

usually conservative, slow to change, and generally faithfully<br />

preserved by immigrants in their new homelands. This is true<br />

even when they adopt the better adapted technologies <strong>of</strong> the<br />

native farmers and craftsmen!<br />

The North <strong>of</strong> Ireland has always shown more influence<br />

from Britain and by way <strong>of</strong> Britain from the Continent, and this<br />

goes back at least as far as the late Hallstatt Period. Iron Halstatt<br />

style swords appear in both Britain and North Ireland.<br />

Later, scabbards <strong>of</strong> elaborate and uniquely British design<br />

appear in Antrium. But the influence was not all in one direction.<br />

The Celts <strong>of</strong> Ireland first raided and then settled in Wales,<br />

bringing Irish Druidic culture and the artifacts mentioned by<br />

Myles Dillon in his article “The Irish Settlements in Wales,” in<br />

the academic journal “Celtica” #l2. The first evidence <strong>of</strong> Celtic<br />

cultures in Britain are not so early as those in Ireland and are <strong>of</strong><br />

clearly Gaulish or Belgian origin. Again the pattern seems to be<br />

one <strong>of</strong> gradual Celticization with wave after wave arriving from<br />

the Continent all the way up to the arrival <strong>of</strong> the Belgae, who just<br />

precede Roman conquerors in the fourth century B.C. Thus the<br />

Heroic society <strong>of</strong> the Celtic epic warring chieftains, bards, and<br />

Druids may go back no farther than the La Tene Period in

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