HORROR - Nanyang Technological University
HORROR - Nanyang Technological University
HORROR - Nanyang Technological University
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CHRONICLE<br />
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19<br />
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05<br />
GILLMAN BARRACKS<br />
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YOU would not normally expect military<br />
regimentation and contemporary art to share<br />
a common heritage.<br />
But the Gillman Barracks made the<br />
intersection possible.<br />
Nestled in the serene atmosphere of<br />
Alexandra, the barracks — a former British<br />
military camp — houses 13 galleries featuring<br />
a variety of artists and medium, and is the<br />
National Arts Council’s (NAC) latest bid to<br />
groom Singapore to become Asia’s arts hub.<br />
Other than being a spot for art enthusiasts,<br />
the colonial-style building has also been<br />
transformed into a chill-out spot, with<br />
eateries like Timbre and fine-dining<br />
restaurant Masons in the vicinity.<br />
The NAC also aims to groom young local<br />
talent. Come 2013, students of the School of<br />
the Arts, Design and Media can display their<br />
works in the gallery space allocated to them.<br />
As part of the National Arts Outreach<br />
Program, the NAC also conducts free<br />
walking tours of the barracks.<br />
And We Dreamt We Were Birds<br />
<br />
This surreal installation featuring 12<br />
floating military beds by Singapore-based<br />
artist Donna Ong looks like a scene right<br />
out of the 2011 blockbuster hit Inception.<br />
The haunting, yet whimsical piece highlights<br />
Singapore’s colonial roots—with the bunk<br />
beds signifying the British soldiers who used<br />
to occupy the Barracks capturing the history<br />
of the Gillman Barracks in a poetic manner.<br />
Interaction with the exhibit is encouraged,<br />
blurring the lines between the art piece and<br />
the audience.<br />
Blended by Desire<br />
<br />
Ardent fans of graffiti street artist Banksy<br />
and sk0l (the sticker lady) should not miss<br />
this exhibit. “Blended by Desire” features<br />
the work of four Jakarta-based street artists<br />
in the form of installations, wall paintings<br />
and videos.<br />
This piece plays up the artists’ desires to<br />
express themselves amidst the noise and<br />
clutter that characterise the modern world.<br />
The installation includes a graffiti piece with<br />
tongue-in-cheek wordplay — “Stop following<br />
me” in reference to the social media twitter.<br />
Metallic<br />
<br />
This psychedelic installation by Japanese<br />
avant-garde artist Yaoyo Kusama features<br />
sculptures and paintings with colorful<br />
repetitive patterns.<br />
Plagued by psychiatric problems since<br />
young, Kusama finds creating repetitive<br />
patterns cathartic.<br />
This internationally acclaimed artist has<br />
works that have been featured in MoMa<br />
(Museum of Modern Art) in New York<br />
and collaborated with luxury brand Louis<br />
Vuitton. Metallic reflects her evolving style,<br />
as she explores different colours and shapes.<br />
Vertical Submarine<br />
<br />
Rebellious, thought-provoking, and done<br />
with a stroke of satire, art collective Vertical<br />
Submarine are three individuals who call<br />
themselves “part-time pranksters with fulltime<br />
jobs”.<br />
In fact, one of their tongue-in-cheek<br />
initiatives, “Flirting Point”, was a light<br />
installation, displayed outside the Singapore<br />
Art Museum in 2010. With a few benches<br />
and a sign that read “flirting point”, the team<br />
created a designated area for the forbidden<br />
act of flirting, mocking the restricted society<br />
we live in.<br />
Vertical Submarine has also ventured<br />
beyond doing art installations, releasing<br />
their first theatre production Dust in 2011.<br />
PULSE<br />
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<br />
<br />
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<br />
<br />
BRINGING in new blood, Pulse is an<br />
independent exhibition that aims to keep the<br />
heart of the art scene thumping in Singapore,<br />
featuring works from 10 young artists who<br />
are students, fresh graduates and amateur<br />
artists. It all began with three ambitious girls<br />
who wanted to support local artists by giving<br />
them an opportunity to showcase their work<br />
in a professional gallery.<br />
“The momentum has always been there,<br />
I only think that a lot of the independently<br />
initiated events do not receive a wide<br />
exposure and are isolated to certain groups,<br />
so you see the same people attending the<br />
same type of events,” said Ms Izziyana<br />
Suhaimi, a fresh graduate from the School<br />
of the Arts, Design and Media.<br />
Facing the cold realities of student debts<br />
fresh out of art school, Pulse recognizes that<br />
the world of a young artist is fraught with<br />
a compendium of contradictions, highs and<br />
lows, encouraging and discouraging factors<br />
that could make or break the young artist.<br />
As such, the exhibition exudes a keen spirit<br />
of hope, passion and fierce determination<br />
among these young artists, bringing their<br />
works from the periphery to centre stage.<br />
“What is really important to us is to<br />
showcase the artists’ processes and journey<br />
in making their art, and not only the final<br />
artwork,” says Ms Suhaimi. “Hence we<br />
have requested the artists to keep sending<br />
us photos of their processes. We will also<br />
be exhibiting some of their sketchbooks,<br />
which sometimes can be more interesting<br />
and revealing than the artworks.”<br />
In addition, the organising team also<br />
documented the artists at work on video—<br />
mostly from home—and interviewed them<br />
to seek out how they deal with the lack of<br />
support in terms of space, time, and funding.<br />
Pulse opens this Friday. Join local artists<br />
in an artsy celebration from 7 to 9pm with<br />
Mr Iskandar Jalil, a Cultural Medallion<br />
recipient for Visual Arts, as the Guest of<br />
Honour for the opening night in the heart<br />
of Kampung Glam.<br />
THE SPACE PROGRAM<br />
<br />
THE Space Program, a concept created<br />
by Foreign Policy Design Group—a local<br />
design company, aims to use design to<br />
redefine ordinary places in Singapore. By<br />
amalgamating principles of design, intellect<br />
and contemporary culture, The Space<br />
Program creates an experience that is part<br />
museum, part store and part installation.<br />
Their first exhibition, launched at the<br />
lobby of New Majestic Hotel, encourages<br />
the audience to reconsider the importance<br />
of heritage in contemporary Singapore.<br />
The highlight of the installation—a 2-meter<br />
washboard, represents the hard work and<br />
pain the founding fathers of Singapore had<br />
to go through.<br />
The collective hopes to eventually bring<br />
this concept of challenging the notion of<br />
space to cities all over the world.<br />
PHOTOS | JEMIMAH SEOW<br />
ART HIGH & ART LOW: (Left) In Metallic, Colourful and psychiadelic marks the work of Japanese avant-garde Yaoyo Kusama. (Above right) Military beds at the And We Dreamt We Were Birds exhibition invites its<br />
audience to float along with its poetic narratives. (Above) Blended by Desire was able to blend hard issues with a high element of fun.