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HORROR - Nanyang Technological University

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CHRONICLE<br />

<br />

19<br />

<br />

05<br />

GILLMAN BARRACKS<br />

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<br />

<br />

<br />

<br />

<br />

YOU would not normally expect military<br />

regimentation and contemporary art to share<br />

a common heritage.<br />

But the Gillman Barracks made the<br />

intersection possible.<br />

Nestled in the serene atmosphere of<br />

Alexandra, the barracks — a former British<br />

military camp — houses 13 galleries featuring<br />

a variety of artists and medium, and is the<br />

National Arts Council’s (NAC) latest bid to<br />

groom Singapore to become Asia’s arts hub.<br />

Other than being a spot for art enthusiasts,<br />

the colonial-style building has also been<br />

transformed into a chill-out spot, with<br />

eateries like Timbre and fine-dining<br />

restaurant Masons in the vicinity.<br />

The NAC also aims to groom young local<br />

talent. Come 2013, students of the School of<br />

the Arts, Design and Media can display their<br />

works in the gallery space allocated to them.<br />

As part of the National Arts Outreach<br />

Program, the NAC also conducts free<br />

walking tours of the barracks.<br />

And We Dreamt We Were Birds<br />

<br />

This surreal installation featuring 12<br />

floating military beds by Singapore-based<br />

artist Donna Ong looks like a scene right<br />

out of the 2011 blockbuster hit Inception.<br />

The haunting, yet whimsical piece highlights<br />

Singapore’s colonial roots—with the bunk<br />

beds signifying the British soldiers who used<br />

to occupy the Barracks capturing the history<br />

of the Gillman Barracks in a poetic manner.<br />

Interaction with the exhibit is encouraged,<br />

blurring the lines between the art piece and<br />

the audience.<br />

Blended by Desire<br />

<br />

Ardent fans of graffiti street artist Banksy<br />

and sk0l (the sticker lady) should not miss<br />

this exhibit. “Blended by Desire” features<br />

the work of four Jakarta-based street artists<br />

in the form of installations, wall paintings<br />

and videos.<br />

This piece plays up the artists’ desires to<br />

express themselves amidst the noise and<br />

clutter that characterise the modern world.<br />

The installation includes a graffiti piece with<br />

tongue-in-cheek wordplay — “Stop following<br />

me” in reference to the social media twitter.<br />

Metallic<br />

<br />

This psychedelic installation by Japanese<br />

avant-garde artist Yaoyo Kusama features<br />

sculptures and paintings with colorful<br />

repetitive patterns.<br />

Plagued by psychiatric problems since<br />

young, Kusama finds creating repetitive<br />

patterns cathartic.<br />

This internationally acclaimed artist has<br />

works that have been featured in MoMa<br />

(Museum of Modern Art) in New York<br />

and collaborated with luxury brand Louis<br />

Vuitton. Metallic reflects her evolving style,<br />

as she explores different colours and shapes.<br />

Vertical Submarine<br />

<br />

Rebellious, thought-provoking, and done<br />

with a stroke of satire, art collective Vertical<br />

Submarine are three individuals who call<br />

themselves “part-time pranksters with fulltime<br />

jobs”.<br />

In fact, one of their tongue-in-cheek<br />

initiatives, “Flirting Point”, was a light<br />

installation, displayed outside the Singapore<br />

Art Museum in 2010. With a few benches<br />

and a sign that read “flirting point”, the team<br />

created a designated area for the forbidden<br />

act of flirting, mocking the restricted society<br />

we live in.<br />

Vertical Submarine has also ventured<br />

beyond doing art installations, releasing<br />

their first theatre production Dust in 2011.<br />

PULSE<br />

<br />

<br />

<br />

<br />

<br />

<br />

<br />

BRINGING in new blood, Pulse is an<br />

independent exhibition that aims to keep the<br />

heart of the art scene thumping in Singapore,<br />

featuring works from 10 young artists who<br />

are students, fresh graduates and amateur<br />

artists. It all began with three ambitious girls<br />

who wanted to support local artists by giving<br />

them an opportunity to showcase their work<br />

in a professional gallery.<br />

“The momentum has always been there,<br />

I only think that a lot of the independently<br />

initiated events do not receive a wide<br />

exposure and are isolated to certain groups,<br />

so you see the same people attending the<br />

same type of events,” said Ms Izziyana<br />

Suhaimi, a fresh graduate from the School<br />

of the Arts, Design and Media.<br />

Facing the cold realities of student debts<br />

fresh out of art school, Pulse recognizes that<br />

the world of a young artist is fraught with<br />

a compendium of contradictions, highs and<br />

lows, encouraging and discouraging factors<br />

that could make or break the young artist.<br />

As such, the exhibition exudes a keen spirit<br />

of hope, passion and fierce determination<br />

among these young artists, bringing their<br />

works from the periphery to centre stage.<br />

“What is really important to us is to<br />

showcase the artists’ processes and journey<br />

in making their art, and not only the final<br />

artwork,” says Ms Suhaimi. “Hence we<br />

have requested the artists to keep sending<br />

us photos of their processes. We will also<br />

be exhibiting some of their sketchbooks,<br />

which sometimes can be more interesting<br />

and revealing than the artworks.”<br />

In addition, the organising team also<br />

documented the artists at work on video—<br />

mostly from home—and interviewed them<br />

to seek out how they deal with the lack of<br />

support in terms of space, time, and funding.<br />

Pulse opens this Friday. Join local artists<br />

in an artsy celebration from 7 to 9pm with<br />

Mr Iskandar Jalil, a Cultural Medallion<br />

recipient for Visual Arts, as the Guest of<br />

Honour for the opening night in the heart<br />

of Kampung Glam.<br />

THE SPACE PROGRAM<br />

<br />

THE Space Program, a concept created<br />

by Foreign Policy Design Group—a local<br />

design company, aims to use design to<br />

redefine ordinary places in Singapore. By<br />

amalgamating principles of design, intellect<br />

and contemporary culture, The Space<br />

Program creates an experience that is part<br />

museum, part store and part installation.<br />

Their first exhibition, launched at the<br />

lobby of New Majestic Hotel, encourages<br />

the audience to reconsider the importance<br />

of heritage in contemporary Singapore.<br />

The highlight of the installation—a 2-meter<br />

washboard, represents the hard work and<br />

pain the founding fathers of Singapore had<br />

to go through.<br />

The collective hopes to eventually bring<br />

this concept of challenging the notion of<br />

space to cities all over the world.<br />

PHOTOS | JEMIMAH SEOW<br />

ART HIGH & ART LOW: (Left) In Metallic, Colourful and psychiadelic marks the work of Japanese avant-garde Yaoyo Kusama. (Above right) Military beds at the And We Dreamt We Were Birds exhibition invites its<br />

audience to float along with its poetic narratives. (Above) Blended by Desire was able to blend hard issues with a high element of fun.

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