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Gryphon 1962 - Adm.monash.edu

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LORD OF THE FLIES<br />

Life is sacred; to kill is evil: th is is a natural<br />

instinct in all of us. We are carnivorous animals,<br />

hence we must kill to appease o ur Iust for m eat.<br />

These two instincts must , as is normally the cas e,<br />

a-surue their co rr ect proportions in each man's<br />

mind for it is dangerous to the preservation of<br />

the human ra ce if they d o not.<br />

The act of ca us ing the destruction of a li ving<br />

creature is abhorrent to our n ature, we are filled<br />

with shame if on taking a life we think of the<br />

act. Only he who resorts to camouflage JJlay<br />

by-pass shame. The first blood drawn is the<br />

hardest, for the m imi learns to live with the<br />

consc ience.<br />

The war-paint, ma sk of the savage, is an<br />

exa m ple of cam oufl age . He ma y tear a beast to<br />

pieces yet feel no sin, for he blames the mask, 1I0t<br />

the soul. The tribal dance, the re-enactment o f<br />

th e crime, r elieves any pt'essure on the con science,<br />

th e mind is o ver po wered by hysteria. H owever,<br />

d eep d own w.ithin the mind guilt will continue<br />

to exist.<br />

The mind is te rrorised by the mysteries of darkness.<br />

I t feels it self under the ob servation of an<br />

unknown being which can easily d estroy it . During<br />

daylight the " be ast" is hunted down, but to no<br />

ava il. Only darkness reveals its quarry but th e<br />

With day­<br />

courage returns. Their lust for the<br />

of th e immortal be ast soon dies and<br />

a respect for their foe develops. The<br />

up as a " God", and a part of their<br />

hunters lose their courage and run.<br />

light their<br />

destruction<br />

in its pl ace<br />

beast is set<br />

" Ki lls" is left as a n offering to satisfy the beast ,<br />

a sacrifice.<br />

What is the beast No material being, it is a<br />

part of all of us . It is the ca use of the hidden<br />

guilt, the fear that a part of US is ev il. An yone<br />

wh o tries to stop the fear is cut down by the<br />

beast. Once human blood is spilt others will fall ,<br />

the beast will crave for more bl ood , devising<br />

excuses to kill o r torture; nothing may st and in its<br />

way . The civilised become barbarians turning on<br />

any opposers or non-followers, unmercifully hunting<br />

them down and exterminating th em.<br />

Many civilizations have been destroyed in the<br />

history of our world. Our society, too , is not in ­<br />

vincible, and, as with the past, its d estruction will<br />

be due to itself . In t im es of cri ses, with th e scientific<br />

weapons now under our command, we could<br />

easily destroy not only ou rselves but a lso all other<br />

existing life on ou r planet.<br />

These points are, I believe, what William Golding<br />

in his book, " Lord o f the Fli es", is trying<br />

to m a ke. These points a re con tained within the<br />

sto ry about a group of schoolboys aged from six<br />

to twelve years who are the only survivors of an<br />

aeroplane crash on a coral island. At first they<br />

trea t the situatio n with enth us iasm, trying to act<br />

as they think adults would in the same situation;<br />

however , th eir inner natures get the better of<br />

th em . The de cline of the civilised to the sa vage<br />

is depicted vividly before OUr eyes. a situa tio n<br />

which may in the future be applied to our own<br />

socie ty.<br />

G. Ride. 7C .<br />

KAOS IN CE KLASRUM<br />

You must often have thought English spelli ng<br />

is unnecessarily difficult. Just look at words like<br />

cough, plough, rough, through and thorough. T he<br />

great writer , Bernard Shaw, wanted us to ch a nge<br />

our alphabet, an d someone worked o u t this way<br />

of doing it.<br />

In th e first year, for ex am ple , we would su ggest<br />

using's' instead of soft 'c'. Sertai nly all students<br />

in a ll sities of the land would reseivc this news<br />

with joy. Then th e hard 'c' would be replaced by<br />

'k', sinse both letters are pronounsed a like. :0< a t<br />

on ly would this klear up the konfusion in the<br />

m ind s of spe llers, but typewriters kould be all<br />

built with on e less letter.<br />

There would be gr eat exsiteme n t when it was<br />

at last announsed that the troublesome 'ph' would<br />

he nsefort h be w r itten T. This would make words<br />

lik e Fotograf twenty p er sent sh or ter in print.<br />

I n the third yea r puhlik intere st m a new<br />

alfabet kan be expekted to have reatshed a point<br />

wh ere more komplikated ch an ges a re necessary.<br />

'We would su ggest rem oving double letters whitsh<br />

have always ben a nuis anse and a deterent to<br />

akurate speJin g.<br />

W e would al agre that th e horible mes of silent<br />

"e's" in our language is disgra seful , Therfor, we<br />

kould drop thes and kontinu to read and writ<br />

merily along as though we wer in an atomik age of<br />

ed uka tion, Sins by this time it would be four<br />

years sins an ywun had used the leter 'c', we<br />

would then suggest substituting 'c' for ' rh',<br />

Kontinuing cis p roses yea r after yea r, we would<br />

even tual! have a real e sensib l writen lan guag.<br />

Aft er twenti years we ventyur t u sa eel' wud bi<br />

no mol' uv ces ter.ibl trublsum di fikultis. Even mr<br />

ya w wi beliv wud be hupi in ce noleg cat his<br />

drims finali karn tru.<br />

Fr om 'Astounding Stories', by Dolton Edwards.<br />

19

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