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Bo-Keys<br />
Got To Get<br />
Back!<br />
Electraphonic 106<br />
HHH1/2<br />
Steve<br />
Cropper<br />
Dedicated<br />
429 Records 17832<br />
HH1/2<br />
As part of the current soul renaissance, the<br />
Memphis-based Bo-Keys—the core group consists<br />
of young soul zealot Scott Bomar on bass<br />
and veterans Skip Pitts on guitar and Willie<br />
Hall on drums—strived for musical transcendence<br />
on their largely instrumental album The<br />
Royal Sessions in 2004. They fell short. Their<br />
new Got To Get Back! finds them in a special<br />
zone where the word “soulful” truly applies.<br />
Bomar was smart to enlist bona fide soul<br />
singers Otis Clay, Percy Wiggins, William Bell<br />
and Charlie Musslewhite. All four of these<br />
elders probe the deepest recesses of the heart for<br />
answers to questions on romance posed in topgrade<br />
songs mostly written by Bomar and other<br />
Bo-Keys. Clay, who made successful records in<br />
Memphis in the early ’70s, grabs the two-part<br />
“Got To Get Back (To My Baby)” by its neck<br />
from the very first bar and hurls it onto Otis<br />
Redding’s turf. He shows enough of his<br />
own gruffly passionate personality to<br />
escape charges of mimicry. Bell, a participating<br />
witness to the birth of Stax,<br />
gives an exquisite treatment of “Weak<br />
Spot.” No less impressive are Bomar<br />
and the instrumentalists, including legends<br />
Howard Grimes on drums and<br />
Ben Cauley on trumpet. They too bring<br />
honest, shimmering feeling to the tracks<br />
with the singers and to six on their own.<br />
Steve Cropper still has the magic.<br />
Dedicated is his tribute to his heroes the “5”<br />
Royales—the long-lasting Southern r&b vocal<br />
group that played an important role in the early<br />
stories of soul and rock ’n’ roll for their harmony<br />
singing and the amazing single-string guitar<br />
of Lowman Pauling (also a fine songwriter).<br />
Listeners are advised to give their undivided<br />
attention to Cropper’s lead and rhythm playing<br />
on updates of the Royales’ hits “Dedicated<br />
To The One I Love,” “Think” and lesserknown,<br />
underrated, “Say It.” Savor Cropper’s<br />
tone, his million-dollar licks, inerrant rhythmic<br />
sense and intimate understanding of when<br />
and where to leave space. He’s soulful and<br />
then some, not least on “Help Me Somebody,”<br />
where he exudes an easy authority and a delicate<br />
restraint. Three cheers for the contributions<br />
of David Hood, Spooner Oldham, Steve<br />
Ferrone and Steve Jordan.<br />
On the debit side, Cropper and co-producer<br />
Jon Tiven called on a number of singers to help<br />
them out. Steve Winwood, Lucinda Williams,<br />
John Popper, Bettye LaVette and the others<br />
have good intentions but they only succeed<br />
in pointing out how wonderful and definitive<br />
the lead singing of tenors Johnny and Eugene<br />
Tanner was on the originals. B.B. King and<br />
Shemekia Copeland sound terrific singing<br />
“Baby, Don’t Do It,” yet their friendliness pales<br />
next to the raw romantic pain the “5” Royales<br />
brought to their 1953 r&b chart hit.<br />
—Frank-John Hadley<br />
Got To Get Back!: Hi Roller; Got To Get Back (To My Baby); Just<br />
Chillin’; Catch This Teardrop; Jack And Ginger; Sundown On Beale;<br />
Weak Spot; 90 Days Same As Cash; I’m Going Home; Cauley<br />
Flower; Work That Sucker; Got To Get Back (To My Baby), Part<br />
Two. (40:05)<br />
Personnel: Scott Bomar, bass, percussion; Charles “Skip” Pitts,<br />
guitar, vocal (11); Howard Grimes, Willie Hall, drums and percussion;<br />
Archie “Hubble” Turner, Al Gamble, keyboards; Marc Franklin,<br />
Ben Cauley, trumpet; Derrick Williams, tenor saxophone; Kirk<br />
Smothers, tenor and baritone saxophone; Jim Spake, baritone<br />
saxophone; Otis Clay (2, 12), Percy Wiggins (4); William Bell (7),<br />
Charlie Musslewhite (9), vocals.<br />
Ordering info: thebokeys.com<br />
Dedicated: 30 Second Lover; Don’t Be Ashamed; Baby, Don’t Do<br />
It; Dedicated To The One I Love; My Sugar Sugar; Right Around The<br />
Corner; Help Me Somebody; I Do; Messin’ Up; Say It; The Slummer<br />
The Slum; Someone Made You For Me; Think; Come On And Save<br />
Me; When I Get Like This. (46:17)<br />
Personnel: Steve Cropper, guitar; Buddy Miller, guitar (11); David<br />
Hood, bass guitar; Spooner Oldman, acoustic and electric pianos,<br />
organ; Steve Ferrone, drums, percussion; Steve Jordan, drums;<br />
Neal Sugarman, Jon Tiven, tenor saxophones; Steve Winwood (1),<br />
Bettye LaVette (2, 10); Willie Jones (2); B. B. King (3), Shemekia<br />
Copeland (3); Lucinda Williams (4, 15), Dan Penn (4, 12); John Popper<br />
(5), Delbert McClinton (6), Brian May (8), Sharon Jones (9, 14),<br />
Buddy Miller (11), Dylan Leblanc (14), lead vocals; Angel Cropper,<br />
Harry Stinson, Beth Hooker, Dylan Lablanc, Leroy Parnell, Keb Mo,<br />
Billy Block, Jon Tiven, Brian May, Dan Penn, background vocals.<br />
Ordering info: 429records.com<br />
SEPTEMBER 2011 DOWNBEAT 53