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Bo-Keys<br />

Got To Get<br />

Back!<br />

Electraphonic 106<br />

HHH1/2<br />

Steve<br />

Cropper<br />

Dedicated<br />

429 Records 17832<br />

HH1/2<br />

As part of the current soul renaissance, the<br />

Memphis-based Bo-Keys—the core group consists<br />

of young soul zealot Scott Bomar on bass<br />

and veterans Skip Pitts on guitar and Willie<br />

Hall on drums—strived for musical transcendence<br />

on their largely instrumental album The<br />

Royal Sessions in 2004. They fell short. Their<br />

new Got To Get Back! finds them in a special<br />

zone where the word “soulful” truly applies.<br />

Bomar was smart to enlist bona fide soul<br />

singers Otis Clay, Percy Wiggins, William Bell<br />

and Charlie Musslewhite. All four of these<br />

elders probe the deepest recesses of the heart for<br />

answers to questions on romance posed in topgrade<br />

songs mostly written by Bomar and other<br />

Bo-Keys. Clay, who made successful records in<br />

Memphis in the early ’70s, grabs the two-part<br />

“Got To Get Back (To My Baby)” by its neck<br />

from the very first bar and hurls it onto Otis<br />

Redding’s turf. He shows enough of his<br />

own gruffly passionate personality to<br />

escape charges of mimicry. Bell, a participating<br />

witness to the birth of Stax,<br />

gives an exquisite treatment of “Weak<br />

Spot.” No less impressive are Bomar<br />

and the instrumentalists, including legends<br />

Howard Grimes on drums and<br />

Ben Cauley on trumpet. They too bring<br />

honest, shimmering feeling to the tracks<br />

with the singers and to six on their own.<br />

Steve Cropper still has the magic.<br />

Dedicated is his tribute to his heroes the “5”<br />

Royales—the long-lasting Southern r&b vocal<br />

group that played an important role in the early<br />

stories of soul and rock ’n’ roll for their harmony<br />

singing and the amazing single-string guitar<br />

of Lowman Pauling (also a fine songwriter).<br />

Listeners are advised to give their undivided<br />

attention to Cropper’s lead and rhythm playing<br />

on updates of the Royales’ hits “Dedicated<br />

To The One I Love,” “Think” and lesserknown,<br />

underrated, “Say It.” Savor Cropper’s<br />

tone, his million-dollar licks, inerrant rhythmic<br />

sense and intimate understanding of when<br />

and where to leave space. He’s soulful and<br />

then some, not least on “Help Me Somebody,”<br />

where he exudes an easy authority and a delicate<br />

restraint. Three cheers for the contributions<br />

of David Hood, Spooner Oldham, Steve<br />

Ferrone and Steve Jordan.<br />

On the debit side, Cropper and co-producer<br />

Jon Tiven called on a number of singers to help<br />

them out. Steve Winwood, Lucinda Williams,<br />

John Popper, Bettye LaVette and the others<br />

have good intentions but they only succeed<br />

in pointing out how wonderful and definitive<br />

the lead singing of tenors Johnny and Eugene<br />

Tanner was on the originals. B.B. King and<br />

Shemekia Copeland sound terrific singing<br />

“Baby, Don’t Do It,” yet their friendliness pales<br />

next to the raw romantic pain the “5” Royales<br />

brought to their 1953 r&b chart hit.<br />

—Frank-John Hadley<br />

Got To Get Back!: Hi Roller; Got To Get Back (To My Baby); Just<br />

Chillin’; Catch This Teardrop; Jack And Ginger; Sundown On Beale;<br />

Weak Spot; 90 Days Same As Cash; I’m Going Home; Cauley<br />

Flower; Work That Sucker; Got To Get Back (To My Baby), Part<br />

Two. (40:05)<br />

Personnel: Scott Bomar, bass, percussion; Charles “Skip” Pitts,<br />

guitar, vocal (11); Howard Grimes, Willie Hall, drums and percussion;<br />

Archie “Hubble” Turner, Al Gamble, keyboards; Marc Franklin,<br />

Ben Cauley, trumpet; Derrick Williams, tenor saxophone; Kirk<br />

Smothers, tenor and baritone saxophone; Jim Spake, baritone<br />

saxophone; Otis Clay (2, 12), Percy Wiggins (4); William Bell (7),<br />

Charlie Musslewhite (9), vocals.<br />

Ordering info: thebokeys.com<br />

Dedicated: 30 Second Lover; Don’t Be Ashamed; Baby, Don’t Do<br />

It; Dedicated To The One I Love; My Sugar Sugar; Right Around The<br />

Corner; Help Me Somebody; I Do; Messin’ Up; Say It; The Slummer<br />

The Slum; Someone Made You For Me; Think; Come On And Save<br />

Me; When I Get Like This. (46:17)<br />

Personnel: Steve Cropper, guitar; Buddy Miller, guitar (11); David<br />

Hood, bass guitar; Spooner Oldman, acoustic and electric pianos,<br />

organ; Steve Ferrone, drums, percussion; Steve Jordan, drums;<br />

Neal Sugarman, Jon Tiven, tenor saxophones; Steve Winwood (1),<br />

Bettye LaVette (2, 10); Willie Jones (2); B. B. King (3), Shemekia<br />

Copeland (3); Lucinda Williams (4, 15), Dan Penn (4, 12); John Popper<br />

(5), Delbert McClinton (6), Brian May (8), Sharon Jones (9, 14),<br />

Buddy Miller (11), Dylan Leblanc (14), lead vocals; Angel Cropper,<br />

Harry Stinson, Beth Hooker, Dylan Lablanc, Leroy Parnell, Keb Mo,<br />

Billy Block, Jon Tiven, Brian May, Dan Penn, background vocals.<br />

Ordering info: 429records.com<br />

SEPTEMBER 2011 DOWNBEAT 53

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