PRESS KIT - NewFilmmakers LA
PRESS KIT - NewFilmmakers LA
PRESS KIT - NewFilmmakers LA
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<strong>PRESS</strong> <strong>KIT</strong><br />
WEB:<br />
www.HogsToothFilm.com<br />
EMAIL: HogsToothFilm@gmail.com
SYNOPSIS<br />
Two American Scout Snipers are deployed to a small Iraqi village to provide cover for<br />
an American patrol.<br />
When the squad is ambushed by local insurgents, and tactical options fail, the snipers<br />
are thrown into the chaos of the fight.
POSITIONING STATEMENT<br />
TITLE<br />
H.O.G.’s Tooth<br />
TAGLINE<br />
Fallen, but not forgotten.<br />
SHORT SYNOPSIS<br />
When two American Scout Snipers fail to quell an insurgent attack on a small Iraqi<br />
village, the mission becomes a rescue operation when one of their own is taken behind<br />
enemy lines.<br />
MEDIUM SYNOPSIS<br />
Two American Scout Snipers are deployed to a small Iraqi village to provide cover for<br />
an American patrol.<br />
When the squad is ambushed by local insurgents and tactical options fail, the snipers<br />
are thrown into the chaos of the fight.<br />
LONG SYNOPSIS<br />
Joshua Bartle and Christopher Grey, two Army Scout Snipers, are tasked with providing<br />
security for a patrol of army reservists. When dispatched into known hostile territory, the<br />
mundane and typically unexciting mission is overshadowed by Grey’s personal<br />
frustration with the military lifestyle.<br />
But, when local insurgents unexpectedly ambush the patrol, Bartle and Grey find<br />
themselves unable suppress the escalating attack. Their mission compromised, the two<br />
snipers are forced into the midst of the firefight.<br />
Joining up with the scattered patrol, Bartle and Grey find themselves isolated and<br />
surrounded on all fronts by a guerrilla army.<br />
When one of their own is shot and abducted, the American soldiers are forced to<br />
withdraw without their fallen comrade.<br />
In order to save him, they find themselves gambling on a reckless rescue operation:<br />
They must venture deep into the insurgent-controlled village, unaware if the solider is<br />
living, or dead.<br />
H.O.G.’s Tooth is a film about the bond and friendships of soldiers, tested under<br />
extraordinary circumstances.
POSITIONING STATEMENT<br />
PRODUCTION NOTES<br />
A film like “H.O.G.’s Tooth” is a first for a number of the filmmakers involved: Most had<br />
never made a action movie, nevertheless, a war film like this.<br />
“H.O.G.’s Tooth” was developed and produced by four graduate students from the<br />
American Film Institute Conservatory in Los Angeles, CA. Written and directed by<br />
Iraq War veteran, Loren Gilley, the script was selected in the first round of submissions<br />
and went into development shortly thereafter. With the help of mentors such as<br />
Gill Dennis, (Walk the Line), the script was worked and re-worked until it became a<br />
tight “shoot-able” story. Producer Emily Moore, doubling as casting director, found four<br />
young actors to portray the American soliders, and locked down the use of Blue Cloud<br />
Movie Ranch in Santa Clarita, to serve as the rural Iraqi village.<br />
Production consisted of an intense 6 day shoot, split between a movie ranch in the<br />
desert hills of Santa Clarita, and a soundstage in downtown Inglewood. Top industry<br />
professionals were on set in order to help make the project come to life.<br />
Gilley frequently found himself being able to settle into a fast-paced rhythm, finding<br />
shots with the cinematographer, Colby Oliver. Encountering an unexpected rain-storm,<br />
production was able to shoot around the weather, and continue their dry desert<br />
aesthetic.<br />
The post-process has been amazing. The editor, Brett W. Bachman, was able to<br />
effortlessly transition into the role of Post-Production Supervisor. With Bachman’s<br />
attention to detail, and other vital skills, the process has gone very smoothly. Final<br />
sound mix was sweetened at Switch Studios right off Venice Beach.<br />
The final product is something that the team and their mentors are very proud of. If not<br />
for every single person involved, the short film would have only been a shell of what it<br />
had shaped up to be.<br />
DIRECTOR’S STATEMENT<br />
“So after nine years in the Army Reserves and a tour in Iraq in 2003, here I am making<br />
movies.”<br />
“I have found that over the years I’ve seen a ton of low budget movies that try to<br />
capture what it means to be a soldier, and to live in a culture that thrives on the ideas of<br />
brotherhood, duty, and valor.”<br />
“It’s an intricate world of friendships and rivalries, as well as fear, exhileration, and<br />
intense sorrow. In my time as a soldier I have felt fear, loss, freedom, and heroism.”<br />
“When you walk away from this film I hope to have given you just a little taste of the U.S.<br />
military in action.”<br />
“This is a dedication to what it means to serve one’s country voluntarilly, and to learn<br />
that it truly is about the man next to you. This is for my brothers and sisters in arms.”<br />
-Loren Gilley, Director
CREW<br />
LOREN GILLEY - DIRECTOR<br />
AFI FELLOW<br />
Loren has his A.S. in filmmaking and was accepted to the American<br />
Film Institute in 2009.<br />
This opportunity has allowed him to work with some of the most<br />
talented young filmmakers breaking into the industry today.<br />
He believes collaboration is always the key to creating the best<br />
project possible.<br />
Prior to his life at AFI, Loren was in the military, which took him to<br />
Iraq in 2003.<br />
The 11 months of his deployment gave him first hand insight into the<br />
lives of soldiers and their bond of brotherhood and friendship.<br />
EMILY MOORE - PRODUCER<br />
AFI FELLOW<br />
Emily Moore graduated cum laude at Brooks Institute of<br />
Photography in June 2008, with a B.A. in Film Production.<br />
Emily spent two years working in the Talent Management<br />
department of New Wave Entertainment assisting the head manager<br />
and producer, Barry Katz.<br />
She assisted on productions such as “Gary Unmarried,” “Frank TV,”<br />
and Dane Cook’s “Isolated Incident Tour.”<br />
While getting her MFA at the American Film Institute, Emily has also<br />
helped to produce the EPK for AMC’s “The Walking Dead.”<br />
COLBY OLIVER - CINEMATOGRAHPER<br />
AFI FELLOW<br />
Colby graduated from San Diego State University with an offer to<br />
work camera for the San Diego Padres in-house camera crew.<br />
Hard work, skillful operating, and an easy-going attitude, opened<br />
doors for Colby to work in the world of sports broadcast television.<br />
He has lensed camera for Fox-Sports and ESPN. After working<br />
under the guidance of cinematographer Cheeco Varese (A.M.C.) on<br />
HBO’s “True Blood”, Colby committed himself to narrative<br />
filmmaking.<br />
In 2009, Colby was asked to join the American Film Institute’s<br />
incoming class of 28 internationally selected cinematographers.
CREW<br />
KRISTYN INGLE - PRODUCTION DESIGNER<br />
After years of being a freelance artist, Kristyn Ingle moved her way<br />
into film production as a set decorator and production designer.<br />
Being a Northern Californian, she moved to Los Angeles in 2006 to<br />
fulfill her dreams.<br />
Her strong sense of style, aesthetic, and her passion to collaborate<br />
with others, has fueled her success.<br />
As a born enthusiast of life, Kristyn loves to surround herself with<br />
friends and family.<br />
She enjoys sports, and is an avid outdoorsman.<br />
BRETT W. BACHMAN - EDITOR<br />
AFI FELLOW<br />
Brett is a recent graduate of Western Washington University, and<br />
holds a B.A. in English, with a Creative Writing emphasis.<br />
As an undergraduate, he volunteered at his school’s television<br />
network, and acted as lead editor for two shows, “Viking Television”<br />
and “You Would!”<br />
In 2010, he completed sound editing work on the comedic short,<br />
“Gaykeith,” which went on to a very successful film festival circuit.<br />
“H.O.G.’s Tooth” is his second thesis film from AFI; the others being<br />
“Happy Birthday Michael Peck,” and “Young Money.”<br />
OWEN GRANICH-YOUNG - SUPERVISING<br />
SOUND EDITOR<br />
Owen Granich-Young was raised in Berkeley, California. He has a<br />
degree in sound for film from Hampshire College.<br />
Shortly after graduating, he spent a year as lead sound engineer for<br />
“Rien que la Verite”, a television show about HIV/AIDS awareness<br />
which shot and posted on location in the Democratic Republic of<br />
Congo.<br />
His recent work has been a festival winner at the Brooklyn<br />
International Film Festival, First Glance Film Festival, and GI Film<br />
Festival.<br />
He currently resides in Los Angeles, CA.
CREW<br />
JOSEPH TRAPANESE - COMPOSER<br />
Joseph Trapanese is a Los Angeles based composer, arranger,<br />
orchestrator, and producer of music for film, television, multimedia,<br />
theater, and concerts.<br />
He collaborated with Daft Punk on the soundtrack for Walt Disney<br />
Picture’s “Tron: Legacy” for two years.<br />
His work can be heard in Showtime’s “Dexter,” Universal’s “Fast<br />
Five,” and Sony Pictures Television’s original web series “The<br />
Bannen Way,” in addition to “Percy Jackson & the Olympians: The<br />
Lightning Thief,” “What Happens in Vegas,” “Burn Notice,” “Traitor,”<br />
and countless independent films such as “Mamitas” (premiered at<br />
the 2011 <strong>LA</strong> Film Festival).<br />
Trapanese also remains active composing for concerts and<br />
off-Broadway plays in New York City, in addition to producing and<br />
arranging music for the NFL and Victoria’s Secret.
CAST<br />
GRANT A<strong>LA</strong>N - JOSHUA BARTLE<br />
Grant Alan was raised in a small town in Oregon. After many years<br />
studying acting and dance, Grant was encouraged to take his<br />
talents to Los Angeles.<br />
Only three months into his Los Angeles journey he booked his first<br />
guest star appearance on the CBS hit show, “Cold Case.”<br />
Grant then went on to guest star on many other hit shows including<br />
“CSI: New York,” “CSI: Miami,” “Lie to Me,” and “Wizards of Waverly<br />
Place.”<br />
“H.O.G.’s Tooth” is his first AFI project, and he is honored to have<br />
been a part of such an amazing and collaborative process with the<br />
talents and guidance of the American Film Institute.<br />
JORDAN BUTCHER - CHRISTOPHER GREY<br />
Jordan Wyatt Butcher was born and raised in San Diego county,<br />
California, until he left home to attend college at California State<br />
University-Long Beach when he was eighteen.<br />
Just last year, he graduated with a Bachelor of Arts in Creative<br />
Writing. Since then, he has been vigorously pursuing his lifelong<br />
passion of acting.<br />
Jordan is extremely grateful for the opportunity to be working with<br />
the prestigious American Film Institute and it’s amazing students,<br />
and couldn’t have done any of this without the incredible support<br />
from family and friends.
CAST<br />
KENDRA THOMAS - PVT. KATIE JOHNSON<br />
Kendra Thomas grew up frequenting the stages and sets of theater,<br />
film, and television, where she developed a love for acting.<br />
She appeared in “Bloodhound’s Inc.” as a young adult before deciding<br />
to move to New York City to study theater at Fordham University.<br />
While on the east coast she appeared in several regional theater<br />
productions, including “Angels in America”, “Che”, and “Twelfth<br />
Night”. From there, she moved back to Hollywood to pursue film<br />
and television. Since moving back to Los Angeles, she has appeared<br />
in independent films such as “Be Mine,” and most recently<br />
“H.O.G.’s Tooth”. Kendra would like to thank Loren Gilley, Emily<br />
Moore, Grant Alan, Jordan Butcher and the rest of the cast and crew<br />
for making “H.O.G.’s Tooth” an amazing experience. Also, a big<br />
thanks to her family for all of their support in all of her endeavors.<br />
SAMUEL CAMBURN - PVT. SCANDROL<br />
Samuel Camburn, was born in Memphis, TN, and was raised<br />
outside of the town on a camp owned by the Memphis Presbytery.<br />
After high school, he played two years of semi-pro football and soon<br />
thereafter, headed for the Army.<br />
Samuel served with the 3 rd Ranger Battalion in Fort Benning, GA.<br />
He has been in Los Angeles for the past six years working as a<br />
personal trainer, and started his own business in the past year.<br />
He has been pursuing acting and writing for the last two years, and<br />
absolutely loves it.<br />
MOSHE YEHOSHOUA - WASEEM<br />
Moshe Yehoshoua was born on June 8th, 1965, in Jerusalem Israel.<br />
His parents immigrated from Iran in 1952 to Israel.<br />
At the age of twenty-three, he left home to study fine arts in London,<br />
and has now lived in California for over twenty years.
BEHIND THE SCENES<br />
Cinematographer Colby Oliver (left) & Writer/Director Loren Gilley (right) discuss blocking.<br />
Photo by Elizabeth Sarah Barr<br />
Cinematographer Colby Oliver on the set of H.O.G.’s Tooth<br />
with a practical scope attached to the Panavision Genesis.<br />
Photo by Elizabeth Sarah Barr
BEHIND THE SCENES<br />
Writer/Director Loren Gilley (left) blocks out an action scene.<br />
Photo by Elizabeth Sarah Barr<br />
Grant Alan (Joshua Bartle) rehearses a scene on the village set.<br />
Photo by Elizabeth Sarah Barr
BEHIND THE SCENES<br />
Jordan Butcher (Christopher Grey) waits for his cue during the fire fight.<br />
Photo by Elizabeth Sarah Barr<br />
Samuel Camburn (Pvt. Scandrol) rehearses a grenade throw.<br />
Photo by Elizabeth Sarah Barr
BEHIND THE SCENES<br />
Grant Alan (Joshua Bartle) waits for instructions.<br />
Photo by Elizabeth Sarah Barr<br />
Writer/Director Loren Gilley on the set of H.O.G.’s Tooth.<br />
Photo by Elizabeth Sarah Barr
BEHIND THE SCENES<br />
Kendra Thomas (left) & Samuel Camburn (right) wait for instructions.<br />
Photo by Elizabeth Sarah Barr<br />
Moshe Yehoshoua (left) & Grant Alan (right) on the set of H.O.G.’s Tooth.<br />
Photo by Elizabeth Sarah Barr
BEHIND THE SCENES<br />
Jordan Butcher (Christopher Grey) looks through a set window.<br />
Photo by Elizabeth Sarah Barr<br />
Grant Alan (Joshua Bartle) rehearsing the hallway scene.<br />
Photo by Elizabeth Sarah Barr
BEHIND THE SCENES<br />
Producer Emily Moore on the set of H.O.G.’s Tooth<br />
Photo by Elizabeth Sarah Barr<br />
Kendra Thomas (Pvt. Johnson) tries to catch a breath in between takes.<br />
Photo by Elizabeth Sarah Barr
CREDITS<br />
American Film Institute Presents<br />
H.O.G.’s Tooth<br />
-<br />
Writer & Director<br />
Loren F. Gilley<br />
Producer<br />
Emily Moore<br />
Cinematographer<br />
Colby Oliver<br />
Production Designer<br />
Kristyn Ingle<br />
Editor<br />
Brett W. Bachman<br />
Supervising Sound Editor<br />
Owen Granich-Young<br />
Composer<br />
Joseph Trapanese<br />
CAST<br />
Bartle<br />
Grey<br />
Scandrol<br />
Johnson<br />
Waseem<br />
Rhodes<br />
Smith<br />
Zaid<br />
Howell<br />
Insurgent #1<br />
Insurgent #2<br />
Insurgent #3<br />
Vegetable Merchant<br />
Female Villager<br />
Female Villager #2<br />
Arabic Background Voices<br />
Grant Alan<br />
Jordan Butcher<br />
Samuel Camburn<br />
Kendra Thomas<br />
Moshe Yehoshoua<br />
Rob Kugler<br />
Ceasar F. Barajas<br />
Saji Dias<br />
Clint Keepin<br />
Eddie Perez<br />
Ken Arata<br />
Daniel Garza<br />
Erwin Khachikian<br />
Maria Mencha<br />
Daiaa Alshuailat<br />
Ammar Awad<br />
Avam Karim<br />
Akeal Fadhel
CREW<br />
Unit Production Manager<br />
First Assistant Director<br />
Second Assistant Directors<br />
Script Supervisor<br />
Casting Director<br />
A Camera Operator<br />
B Camera Operators<br />
A Camera - 1 st ACs<br />
A Camera – 2 nd AC<br />
B Camera – 1 st AC<br />
B Camera – 2 nd AC<br />
DIT<br />
Still Photographer<br />
Gaffer<br />
Best Boy Electric<br />
Electrics<br />
Key Grip<br />
Best Boy Grip<br />
Grips<br />
Sound Mixers<br />
Boom Operators<br />
Costume Design<br />
Makeup and SFX Artist / Hair Stylist<br />
Reshoot Production Designer<br />
Set Decorator<br />
Prop Master<br />
On Set Dresser<br />
Lead Man<br />
Lead Construction<br />
Aaron Himmel<br />
Janet Van Etten<br />
Elaine Wood<br />
Luis Leano<br />
Christian Villarreal<br />
Emily Moore<br />
Tal Unreich<br />
Fatima Carmena<br />
Itay Gross<br />
Matt Cabinum<br />
Jasper Granderath<br />
Jason Huggins<br />
Juan Carlos Amaya<br />
Harold Escotet<br />
Josh Turner<br />
Elizabeth Sarah Barr<br />
Donald McKinnon<br />
Ashley Barron<br />
Nick Bupp<br />
Soren Hiorth<br />
Dan Lynn<br />
Dru Mungai<br />
Berenice Eveno<br />
Robert Arnold<br />
Teal Greyhavens<br />
Chris Babers<br />
Anthony Enns<br />
Matt Burgette<br />
Pon Franco<br />
Owen Granich-Young<br />
Alex Knickerbocker<br />
Ambre Wrigley<br />
Shannon Nicole<br />
Aleph Esquivel<br />
Victoria Kline<br />
Mary Ianniccheri<br />
Amy Wilk<br />
Aleph Esquivel<br />
Greg Pickard
CREW<br />
Catering<br />
Set Medic<br />
Special Effects<br />
Stunt Coordinator<br />
Transportation Coordinator<br />
Truck Drivers<br />
Cultural Advisor<br />
Production Assistant<br />
Visual Effects<br />
Ask For Mimi<br />
Whitney and Dawn Jackson<br />
Greg Stevens<br />
Steve Galich<br />
Eddie Perez<br />
Eugene Carranco<br />
Mike Tefler<br />
Mike McDowell<br />
April Keiter<br />
Mustafa Rony Zeno<br />
Sean Kroft<br />
Brett W. Bachman<br />
Re-Recording Mixer & Dialogue Editor<br />
Sound Effects Editor<br />
Foley Artist<br />
Brett Hinton<br />
Alex Knickerbocker<br />
Brooke Lowery<br />
Colorist<br />
Arnold Ramm
Mixed at Switch Studios in Venice, CA<br />
Filmed in Inglewood and Santa Clarita, California<br />
The Filmmakers wish to thank the following for their generous<br />
contributions in support of the making of this film:<br />
EXECUTIVE PRODUCERS<br />
Randy Moore<br />
Virginia Trask<br />
ASSOCIATE PRODUCERS<br />
Joellen Howell<br />
Wendy Winslow<br />
BENEFACTORS<br />
Cindy & Koby Moore<br />
SPONSORS<br />
Cris Conde<br />
Ronald Frickle<br />
Jansen Hillis<br />
Darrell & Vicky Jaeger<br />
Jim Oliver<br />
Kamaryn Tanner<br />
SUPPORTERS<br />
Mark Austin<br />
Charles Bachman<br />
David Bachman<br />
Jay Boyle<br />
Andrew Hottenstein<br />
Justin Klug<br />
Deborah McKeague<br />
David Merklinger<br />
Scott Moon<br />
Kathy & John Moreno<br />
Dorothy Moye<br />
Constantine Nasr<br />
Mike Oliver<br />
Daniel Pope<br />
Kerry Safdie<br />
Becky Shroff<br />
Tara Sturgeon<br />
Brittany Trask<br />
Richard Trask Sr.<br />
Rick Trask<br />
Tiffany Trask<br />
Lynn Upshaw<br />
Gary Winslow<br />
Xin & Lin Zhi
FRIENDS<br />
Britney Abbott<br />
Connie Bachman<br />
Heidi Bass<br />
Janette Bell<br />
Erin Blessing<br />
Alexandra Brody<br />
Gabriel Conroy<br />
Josh Cooperstein<br />
Carmine DeCrescente<br />
Deacon Dellucci<br />
David Desrochers<br />
Fidencio Fuentes<br />
Alejandra Gandara<br />
Forrest Gilley<br />
David Horvitz<br />
Laura Hurter<br />
Jessika Jones<br />
Pasha Kahn<br />
Josie Kline<br />
Sean Leonard<br />
Gary Levine<br />
Anthony Mastanouo<br />
Tim McKeague<br />
Shannon McKenzie<br />
Nicholas Mercurio<br />
Sherri Moberg<br />
Rachel Mullens<br />
Nick Nielsen<br />
Gene Odom<br />
Luke Odom<br />
Roger Palomino<br />
Charles Parsons<br />
Mike Payne<br />
Jimi Phillips<br />
Chris Poche<br />
Thomas Rasera<br />
Brenda Ridley<br />
Amber Roussel<br />
Darlene Tanner
SPECIAL THANKS<br />
Steve Galich<br />
Eddie Perez<br />
Evike<br />
Ask For Mimi Catering<br />
California Film Commission<br />
Film <strong>LA</strong><br />
The City of Inglewood<br />
Blue Cloud Movie Ranch<br />
Rene Valuzet<br />
Castex<br />
Rock Bottom Rentals<br />
Affordable Sound Stage<br />
Zander Villayne<br />
Budget Rent-A-Truck<br />
Panavision<br />
Universal Studios<br />
Warner Bros. Props<br />
Steve Yedlin<br />
Sam Kim<br />
Phil Radin<br />
Mike Dellatore<br />
Checco Varese A.S.C., A.M.C.<br />
Chris Manley A.S.C.<br />
Clairmont Camera.<br />
Edited on Avid Symphony DX.<br />
Videotape Equipment Courtesy of Sony Corporation of America.<br />
The characters and events depicted in this motion picture are fictitious.<br />
Any similarity to actual persons, living or dead, is purely coincidental.<br />
This motion picture is the property of the American Film Institute and is protected under the<br />
copyright laws of the United States and other countries. Unauthorized duplication, distribution, or exhibition may result in<br />
civil liability and criminal prosecution.<br />
Produced at the AFI Conservatory in partial fulfillment of the requirements for the<br />
Master of Fine Arts Degree or Certificate of Completion.<br />
Brett Bachman, AFI Editing Fellow<br />
Loren Gilley, AFI Directing Fellow<br />
Emily Moore, AFI Producing Fellow<br />
Colby Oliver, AFI Cinematography Fellow<br />
© MMXI<br />
American Film Institute