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D U K E
U N I V E R S I T Y P R E S S
BOOKS & JOURNALS F A L L & W I N T E R 2 0 1 4

GENERAL INTEREST
The Last Beach, Pilkey & Cooper 1
My Tibetan Childhood, Naktsang 2
What Animals Teach Us about Politics, Massumi 3
On The Wire, Williams 4
Postcolonial Modernism, Okeke-Agulu 5
Other Planes of There, Green 6
Speculation, Now, Rao, Krishnamurthy & Kuoni 7
My Father’s House, Dumm 8
Willful Subjects, Ahmed 9
Land’s End, Li 10
The Theater of Operations, Masco 11
The Life of Captain Cipriani, James 12
The Marcus Garvey and Universal Negro Improvement
Association Papers, Volume XII, Garvey 13
Dance Floor Democracy, Tucker 14
Traveling Heavy, Behar 15
Adam’s Gift, Creech 15
A Rock Garden in the South, Lawrence 16
Beautiful at All Seasons, Lawrence 16
ANTHROPOLOGY
Entrepreneurial Selves, Freeman 17
Aurality, Ochoa Gautier 17
Speculative Markets, Peterson 18
Second Chances, Whyte 18
Biomedicine in an Unstable Place, Street 19
How Climate Change Comes to Matter, Callison 19
The Multispecies Salon, Kirksey 20
Illusions of a Future, Schechter 20
The Republic Unsettled, Fernando 21
Rubble, Gordillo 21
Given to the Goddess, Ramberg 22
Cultivating the Nile, Barnes 22
CULTURAL STUDIES
Habeas Viscus, Weheliye 23
Oxford Street, Accra, Quayson 23
Utopias, Featherstone & Miles 24
Porn Archives, Dean, Ruszczycky & Squires 24
WOMEN’S STUDIES
A Taste for Brown Sugar, Miller-Young 25
Street Corner Secrets, Shah 25
contents
MUSIC
Roy Cape, Guilbault & Cape 28
MEDIA STUDIES
Beautiful Data, Halpern 28
Forensic Media, Siegel 29
Celebrities and Publics in the Internet Era, Marcus 29
AMERICAN STUDIES
New World Drama, Dillon 30
Formations of United States Colonialism, Goldstein 30
Orgies of Feeling, Anker 31
Soundtracks of Asian America, Wang 31
Staging the Blues, McGinley 32
Desire and Disaster in New Orleans, Thomas 32
Fighting for Recognition, Smith 33
AFRICAN AMERICAN STUDIES
Wandering, Cervenak 33
Skin Acts, Stephens 34
Black Atlas, Madera 34
INDIGENOUS & NATIVE AMERICAN STUDIES
A Nation Rising, Goodyear-Ka‘ōpua, Hussey & Wright 35
Colonial Genocide in Indigenous North America,
Woolford, Benvenuto & Hinton 35
LATIN AMERICAN STUDIES
Portrait of a Young Painter, Vaughan 36
The Great Depression in Latin America, Drinot & Knight 36
The Vanguard of the Atlantic World, Sanders 37
We Are Left without a Father Here, Findlay 37
The Invention of the Brazilian Northeast, Albuquerque Jr. 38
Rhythms of the Pachakuti, Gutiérrez Aguilar 38
GEOGRAPHY
Prostitution and the Ends of Empire, Legg 39
HISTORY
German Colonialism in a Global Age, Naranch & Eley 39
Body and Nation, Rosenberg & Fitzpatrick 40
Ten Books That Shaped the British Empire, Burton & Hofmeyr 40
POLITICAL SCIENCE
Developments in Russian Politics 8, White, Sakwa & Hale 41
GAY & LESBIAN / QUEER / TRANSGENDER STUDIES
A View from the Bottom, Nguyen 26
On the Visceral, Part I, Holland, Ochoa & Tompkins 26
Decolonizing the Transgender Imaginary, Aizura, Ochoa,
Vidal-Ortiz, Cotton & Balzer/LaGata 27
Queer Theory without Antinormativity, Wiegman & Wilson 27
JOURNALS
Miriam Hansen, Bathrick, Huyssen & Rentschler 41
Tikkun, Lerner 42
MIT and the Transformation of American Economics, Weintraub 42
journals 43
selected backlist & bestsellers 46
sales information & index Inside Back Cover
You
Tube
www.dukeupress.edu
COVER: Fay McKenzie dancing the jitterbug with a serviceman at the Hollywood Canteen, 1943.
Courtesy of hollywoodphotographs.com. From Dance Floor Democracy, page 14.

The Last Beach
orrin h. pilkey & j. andrew g. cooper
general interest
Orrin H. Pilkey and J. Andrew G. Cooper
the last beach
The Last Beach is an urgent call to save
the world’s beaches while there is still
time. The geologists Orrin H. Pilkey and
J. Andrew G. Cooper sound the alarm in
this frank assessment of our current
relationship with beaches and the grim
future if we do not change the way we
understand and treat our irreplaceable
shores. Combining case studies and
anecdotes from around the world, they
argue that many of the world’s developed
beaches, including some in Florida and
in Spain, are virtually doomed and that
we must act immediately to save imperiled
beaches.
After explaining beaches as dynamic ecosystems, Pilkey and Cooper assess
the harm done by dense oceanfront development, accompanied by the
construction of massive seawalls to protect new buildings from a shoreline
that encroaches as sea levels rise. They discuss the toll taken by sand mining,
trash that washes up on beaches, and pollution, which has contaminated
not only the water but also, surprisingly, the sand. Acknowledging the
challenge of reconciling our actions with our love of beaches, the geologists
offer suggestions for reversing course, insisting that given the space,
beaches can take care of themselves and provide us with multiple benefits.
Orrin H. Pilkey, deemed “America’s
foremost philosopher of the beaches,”
by the New York Times, is James B.
Duke Professor Emeritus of Geology at
the Nicholas School of the Environment
at Duke University, and Founder and
Director Emeritus of the Program for the
Study of Developed Shorelines, based at Western Carolina
University. Pilkey is a coauthor (with Keith C. Pilkey)
of Global Climate Change: A Primer, published by Duke
University Press, and of twenty books in the Press’s Living
with the Shore series, edited by Pilkey and William J. Neal.
The Orrin Pilkey Marine Science and Conservation Genetics
Center opened at the Duke Marine Lab in Beaufort,
North Carolina, in 2013. Pilkey lives in Hillsborough, North
Carolina.
J. Andrew G. Cooper is Professor
of Coastal Studies in the School of
Environmental Sciences at the University
of Ulster. He and Pilkey are coauthors
(with William J. Neal and Joseph T. Kelley)
of The World’s Beaches: A Global Guide
to the Science of the Shoreline and
coeditors of Pitfalls of Shoreline Stabilization. Well known
for his advocacy of nonintervention on shorelines and
his work on beaches and coasts worldwide, Cooper lives
in the town of Coleraine in Northern Ireland.
“We’re all used to lying on beaches and zoning out—but it turns out that if we want
those beaches to be there much longer we better stand up and make our voices
heard. This is fascinating new information about one of the planet’s most beloved
ecosystems.”—BILL MCKIBBEN, author of Wandering Home: A Long Walk Across
America’s Most Hopeful Landscape
also by Orrin H. Pilkey
“The Last Beach is a must-read for anyone interested in the plight of the world’s
beaches. This brave confrontation with coastal engineers, coastal planners, developers,
politicians, and beachfront property owners lays bare their adverse impact on the
world’s beaches.”—ANDREW SHORT, School of Geosciences, University of Sydney
Global Climate Change:
A Primer
Orrin H. Pilkey and Keith C. Pilkey,
with Mary Edna Fraser
paper, $19.95tr/£12.99
978–0–8223–5109–2 / 2011
ENVIRONMENT
November 272 pages, 69 color illustrations paper, 978–0–8223–5809–1, $19.95tr/£12.99 cloth, 978–0–8223–5798–8, $69.95/£46.00
1

general interest
My Tibetan Childhood
When Ice Shattered Stone
naktsang nulo
Translation edited and abridged by Angus Cargill
With a Foreword by Ralph Litzinger
and an Introduction by Robert Barnett
Naktsang Nulo (born in 1949) worked as an official
in the Chinese government, serving as a primary
school teacher, police officer, judge, prison governor,
and county leader in Qinghai province, China,
before retiring in 1993. Angus Cargill was formerly
a Lecturer in the Department of Tibetan Language
and Literature at Minzu University of China, Beijing.
Ralph A. Litzinger is the author of Other Chinas:
The Yao and the Politics of National Belonging.
Robert Barnett is the Director of Modern Tibetan
Studies at Columbia University and the author of
Lhasa: Streets with Memories.
“Equipped with a superbly comprehensive introduction,
this absorbing memoir of nomadic life in the 1950s takes
us deep into a Tibetan world neglected by both official
Chinese histories and narratives by Tibetans in exile.
Few books on Tibet have been as revelatory as this
one.”—PANKAJ MISHRA, author of From the Ruins of
Empire: The Revolt Against the West and the Remaking
of Asia
In My Tibetan Childhood, Naktsang Nulo
chronicles his life in Tibet’s Amdo region
during the 1950s. Recalling events as he
experienced them at the age of ten, he
describes his upbringing as a nomad on
the grasslands of Tibet’s eastern plateau.
He depicts pilgrimages to monasteries,
including a 1500-mile horseback expedition
his family made to Lhasa. A year or so
later, they attempted to flee by the same
route as troops of the People’s Liberation
Army advanced into their area. Naktsang’s
father was killed in the fighting that
ensued, part of a little-known wave of
unrest that took place throughout Amdo
in 1958, as Tibetans rose up against the imposition of social and religious
reforms by the Chinese forces. During the next year, the author and his brother
were imprisoned in a camp where, after the onset of famine, very few children
survived.
The narrative reveals, through the eyes of a child, the lived experience of the
forced and violent incorporation of the Tibetan heartlands into the People’s
Republic by Chinese troops in the 1950s. The author’s matter-of-fact accounts
cast the atrocities that he relays in stark relief. Remarkably, Naktsang lived
to tell his tale. His book was published in 2007 in China, where tens of
thousands of unofficial copies are believed to have circulated. It is one of
the most reprinted works in modern Tibetan literature. This translation offers
rare insight into a fascinating, painful period of modern Tibetan history.
“With little comment or condemnation, [My Tibetan Childhood] records the price paid
in lives and lifestyles by the author’s family and community for their incorporation into
modern China. . . . In many senses, it is a naive story, the chronicle of a world seen through
a child’s eyes. But to readers within Tibet, it was a revelation. It told of epochal events
that had rarely if ever been described before in print.”—ROBERT BARNETT, from the
introduction
2
TIBET/MEMOIR
November 356 pages, 30 illustrations paper, 978–0–8223–5726–1, $24.95tr/£15.99 cloth, 978–0–8223–5712–4, $89.95/£59.00

general interest
What Animals
Teach Us about Politics
brian massumi
BRIAN MASSUMI
What
Animals
Teach Us
about
Politics
In What Animals Teach Us about Politics,
Brian Massumi takes up the question
of “the animal.” By treating the human
as animal, he develops a concept of an
animal politics. His is not a human politics
of the animal, but an integrally animal
politics, freed from connotations of the
“primitive” state of nature and the accompanying
presuppositions about instinct
permeating modern thought. Massumi
integrates notions marginalized by the
dominant currents in evolutionary biology,
animal behavior, and philosophy—notions
such as play, sympathy, and creativity—
into the concept of nature. As he does
so, his inquiry necessarily expands, encompassing not only animal behavior
but also animal thought and its distance from, or proximity to, those capacities
over which human animals claim a monopoly: language and reflexive
consciousness.
For Massumi, humans and animals exist on a continuum. Understanding that
continuum, while accounting for difference, requires a new logic of “mutual
inclusion.” Massumi finds the conceptual resources for this logic in the work
of thinkers including Gregory Bateson, Henri Bergson, Gilbert Simondon, and
Raymond Ruyer. This concise book intervenes in Deleuze studies, posthumanism,
and animal studies, as well as areas of study as wide-ranging as affect
theory, aesthetics, embodied cognition, political theory, process philosophy,
the theory of play, and the thought of Alfred North Whitehead.
Brian Massumi is Professor in the Communication
Department at the University of Montreal. He is the
author of Semblance and Event: Activist Philosophy
and the Occurrent Arts and Parables for the Virtual:
Movement, Affect, Sensation, which is also published
by Duke University Press.
“This is a truly brilliant book, one of Brian Massumi’s best.
More than anyone else I have read, Massumi makes
real progress in untangling the relationship between play,
sympathy, politics, and animality. What Animals Teach Us
about Politics provides a fascinating and persuasively nonsubject-centered
account of sympathy, and it goes a long
way toward helping us to see how the practice and theorization
of ‘politics’ would be radically refigured within a processontology.”—JANE
BENNETT, author of Vibrant Matter:
A Political Ecology of Things
“In a remarkable work of speculative thought, Brian Massumi
reimagines what politics can be when we ramify the
importance of play—its excesses, surpluses, and transformative
energies—and how it intimately binds human beings to
other forms of life. This is not the ‘animal,’ and the ‘politics,’
you thought you knew.”—CARY WOLFE, author of Before
the Law: Humans and Other Animals in a Biopolitical Frame
also by Brian Massumi
Parables for the Virtual:
Movement, Affect, Sensation
paper, $24.95/£15.99
978–0–8223–2897–1 / 2002
POLITICAL THEORY/CULTURAL STUDIES
September 152 pages paper, 978–0–8223–5800–8, $21.95/£13.99 cloth, 978–0–8223–5772–8, $74.95/£49.00
3

general interest
On The Wire
linda williams
Linda Williams is Professor of
Film Studies and Rhetoric at the
University of California, Berkeley.
Her books include Screening
Sex and Porn Studies, both also
published by Duke University Press;
Playing the Race Card: Melodramas
of Black and White from Uncle Tom
to O. J. Simpson; Viewing Positions: Ways of Seeing
Film; and Hard Core: Power, Pleasure, and the “Frenzy
of the Visible.” In 2013, Williams received a Lifetime
Achievement Award from the Society for Cinema and
Media Studies.
“I must admit initially being skeptical of Linda Williams’s
thesis that The Wire is best understood as melodrama.
But after reading her convincing and compelling analysis,
I not only came away with new insights into a series
that I knew very well, but have fully revised my notions
of how serial melodrama applies to contemporary television.
This vital book is essential reading for scholars
and viewers of both The Wire and television drama
more broadly.”—JASON MITTELL, author of Television
and American Culture
“Linda Williams’s kaleidoscopic study compellingly
considers The Wire as art, as rhetoric, and as political
intervention. Her absorbing argument for the series
as ‘institutional melodrama’ upends conventional
discussions not only about this narrative but about
the broader practice of contemporary television drama.
We understand The Wire not as tragedy, not as a novel,
not as a piece of journalism; rather, we see and feel
the show at the intersection of home and the world,
as the orange couch in the courtyard of the low rises.”
—SEAN O’SULLIVAN, author of Mike Leigh
Many television critics, legions
of fans, even the President of the
United States, have cited The Wire
as the best television series ever.
On The Wire
In this sophisticated examination of
the HBO serial drama that aired from
2002 until 2008, Linda Williams,
a leading film scholar and authority
on the interplay between film, melodrama,
and issues of race, suggests
what exactly it is that makes The
Wire so good. She argues that while
the series is a powerful exploration
of urban dysfunction and institutional
failure, its narrative power
LINDA WILLIAMS
derives from its genre. The Wire is
popular melodrama, not Greek tragedy, as critics and the series creator David
Simon have claimed. Entertaining, addictive, funny, and despairing all at once,
it is a serial melodrama grounded in observation of Baltimore’s people and
institutions: of cops and criminals, schools and blue-collar labor, local government
and local journalism. The Wire transforms close observation into an
unparalleled melodrama by juxtaposing the good and evil of individuals with
the good and evil of institutions.
SPIN OFFS
A Series Edited by Lynn Spigel
also by Linda Williams
Screening Sex
paper, $27.95/£17.99
978–0–8223–4285–4 / 2008
Porn Studies
Linda Williams, editor
paper, $27.95/£17.99
978–0–8223–3312–8 / 2004
4
TELEVISION
August 272 pages, 60 color illustrations paper, 978–0–8223–5717–9, $23.95/£15.99 cloth, 978–0–8223–5706–3, $84.95/£55.00

general interest
Postcolonial Modernism
Art and Decolonization in Twentieth-Century Nigeria
chika okeke-agulu
postcolonial modernism
art and Decolonization in Twentieth-Century Nigeria
Chika Okeke-a gulu
Written by one of the foremost
scholars of African art and
featuring over 125 color images,
Postcolonial Modernism chronicles
the emergence of artistic
modernism in Nigeria in the
heady years surrounding political
independence in 1960, before
the outbreak of civil war in 1967.
Chika Okeke-Agulu traces the
artistic, intellectual, and critical
networks in several Nigerian
cities. Zaria is particularly important,
because it was there, at the
Nigerian College of Arts, Science
and Technology, that a group of
students formed the Art Society
and inaugurated “postcolonial modernism” in Nigeria. As Okeke-Agulu explains,
their works show both a deep connection with local artistic traditions and the
stylistic sophistication that we have come to associate with twentieth-century
modernist practices. He explores how these young Nigerian artists were
inspired by the rhetoric and ideologies of decolonization and nationalism in
the early- and mid-twentieth century and, later, by advocates of negritude
and pan-Africanism. They translated the experiences of decolonization into
a distinctive “postcolonial modernism” that has continued to inform the work
of major Nigerian artists.
Chika Okeke-Agulu is an
artist, curator, and Associate
Professor in the Department
of Art & Archaeology
and the Center for African
American Studies at Princeton
University. He is a coauthor of
Photo ©Chika Okeke-Agulu
Contemporary African Art since
1980 and coeditor (with Okwui Enwezor and Salah M. Hassan)
of Nka: Journal of Contemporary African Art, also published
by Duke University Press.
“With this impressive book, Chika Okeke-Agulu has written
an expansive, incisive, and dazzling account of the production
of a new spirit of postcolonial artistic modernity in Nigeria
at the denouement of colonialism in the 1950s. Postcolonial
Modernism: Art and Decolonization in Twentieth-Century
Nigeria is perhaps the most important book of its kind
to appear in years. In succinct and lucid language, and on
lavishly illustrated pages, it offers a vigorous analysis of the
artistic forces that lend a new understanding of the complex
formations of global art history.”—OKWUI ENWEZOR,
Director, Haus der Kunst, Munich
“In this work of prodigious scholarship, Chika Okeke-Agulu draws on a trove of previously
unexamined archival resources and he subjects the artistic and literary production
of Nigeria’s pioneer modernists to critical analysis. Redirecting our understanding
of the modern art movement in Nigeria, his book will interest a broad range of
scholars, including those studying comparative modernism, global art, visual culture,
history, and literature. This groundbreaking work affirms Okeke-Agulu as a rigorous
critical thinker and interdisciplinary scholar.”—SALAH M. HASSAN, Goldwin Smith
Professor, Department of History of Art and Africana Studies and Research Center,
Cornell University
ART/AFRICAN STUDIES
January 376 pages, 129 color illustrations paper, 978–0–8223–5746–9, $29.95tr/£19.99 cloth, 978–0–8223–5732–2, $99.95/£65.00
5

general interest
Other Planes of There
Selected Writings
renée green
Renée Green is an artist, writer, and filmmaker.
Her exhibitions, videos, and films have been seen
throughout the world in museums, biennales,
and festivals. A selection of her books includes
Endless Dreams and Time-Based Streams, Ongoing
Becomings, Between and Including, Shadows and
Signals, and, as editor, Negotiations in the Contact
Zone. Green’s essays and fiction have appeared in
magazines and journals such as Transition, October,
and Collapse. She is also a Professor at the MIT
Program in Art, Culture and Technology, School
of Architecture and Planning.
“More than a collection of an artist’s writings, Other
Planes of There is also a rigorous meditation on the
question of why artists are compelled to write. Along
the way, almost incidentally as it were, readers are
offered a self-conscious survey of the most advanced
thinking in the artistic practice of an artist who not
only dares to represent herself but also to put herself
forward, in that representation, as representative.”
—FRED MOTEN, author of In the Break: The Aesthetics
of the Black Radical Tradition and B Jenkins
“Renée Green’s far-reaching social and political interests
have led her into taking on the roles of artist-curatorarchivist-historian-exhibition
designer—and, perhaps
most unusual, adventuress-traveler. As indefatigable
explorer of circuits of ideas, objects, geographies,
histories, and categories, as challenger of historical
and cultural boundaries, she has accrued an extraordinary
body of work across at least four continents.
This remarkable selection of essays bears vivid witness
to the range of her ideas, the reach of her curiosity,
and her generosity and acuity of intellect.”—YVONNE
RAINER, avant-garde American dancer, choreographer,
and filmmaker
OTHER PLANES OF THERE
Selected Writings | RENÉE GREEN
For more than two decades, the artist
Renée Green has created an impressive
body of work in which language is an
essential element. Green is also a prolific
writer and a major voice in the international
art world. Other Planes of There
gathers for the first time a substantial
collection of the work she wrote between
1981 and 2010. The selected essays
initially appeared in publications in different
countries and languages, making their
availability in this volume a boon to those
wanting to follow Green’s artistic and
intellectual trajectory.
Charting this cosmopolitan artist’s thinking
through the decades, Other Planes of There brings essays, film scripts, reviews,
and polemics together with reflections on Green’s own artistic practice and
seminal artworks. It immerses the reader in three decades of contemporary art
showcasing the art and thought, the incisive critiques, and prescient observations
of one of our foremost artists and intellectuals. Sound, cinema, literature,
time-based media, and the relationship between art forms and other forms of
knowledge are just a few of the matters that Green takes up and thinks through.
Featuring a new visual essay created by the artist for this volume, Other Planes
of There is lavishly illustrated with 290 illustrations (with nearly 250 in color).
“The publication of Other Planes of There is a major intellectual event. Given Renée
Green’s stature and influence, both in the United States and abroad, her writing can
be surprisingly hard to track down. This volume will be an essential reference point
for anyone invested in critical practice of the last three decades and the shape of things
to come. We need this book.”—HUEY COPELAND, author of Bound to Appear: Art,
Slavery, and the Site of Blackness in Multicultural America
6
October 544 pages, 290 illustrations, including 249 in color paper, 978–0–8223–5703–2, $29.95tr/£19.99 cloth, 978–0–8223–5692–9, $99.95/£65.00
ART

Speculation, Now
Essays and Artwork
edited by vyjayanthi venuturupalli rao,
with prem krishnamurthy & carin kuoni
With an Afterword by Arjun Appadurai
general interest
Vyjayanthi Venuturupalli Rao is Assistant Professor
of Anthropology and International Affairs at The New
School. Prem Krishnamurthy, a designer and
curator based in New York, is a founder of the awardwinning
design studio Project Projects. Carin Kuoni
is Director and Curator of the New School’s Vera List
Center for Art and Politics, a public research laboratory
dedicated to exploring the relationship between political
and aesthetic practices. Arjun Appadurai is the Paulette
Goddard Professor of Media, Culture and Communication
at the Steinhardt School of Culture, Education and Human
Development at New York University.
Hans Haacke, photograph from !!..., created for Speculation, Now, 2014. Courtesy of the Vera List Center.
Interdisciplinary in design and concept, Speculation, Now illuminates
unexpected convergences between images, concepts, and language. Artwork
is interspersed among essays that approach speculation and progressive
change from surprising perspectives. A radical cartographer asks whether “the
speculative” can be represented on a map. An ethnographer investigates religious
possession in Islam to contemplate states between the divine and the
seemingly human. A financial technologist queries understandings of speculation
in financial markets. A multimedia artist and activist considers the relation
between social change and assumptions about the conditions to be changed,
and an architect posits purposeful neglect as political strategy. The book
includes an extensive glossary with more than twenty short entries in which
scholars contemplate such speculation-related notions as insurance, hallucination,
prophecy, the paradox of beginnings, and states of half-knowledge. The
book’s artful, nonlinear design mirrors and reinforces the notion of contingency
that animates it. By embracing speculation substantively, stylistically, seriously,
and playfully, Speculation, Now reveals its subversive and critical potential.
“Speculation can only occur in the course of action, in the
heat of practice, in the thick of experience. It is immanent
critique, insofar as it does not seek to distance itself from
experience but rather to intervene . . . through a particular
form of disciplined action. Hannah Arendt famously distinguished
action from behavior, by remarking that genuine
action begins something new in the world. So does speculation,
as the many projects, art works, and arguments in this
book so vividly illustrate.”—ARJUN APPADURAI, from the
afterword
Artists and Essayists include:
Arjun Appadurai, William Darity Jr., Filip De Boeck, Boris Groys, Hans Haacke, Darrick Hamilton,
Victoria Hattam, Angie Keefer, Laura Kurgan, Lin + Lam, Gary Lincoff, Lize Mogel, Christina Moon,
Trevor Paglen, Stefania Pandolfo, Satya Pemmaraju, Mary Poovey, Walid Raad, Sherene Schostak,
Robert Sember, Lucy Skaer, Srdjan Jovanović Weiss
PUBLISHED BY DUKE UNIVERSITY PRESS AND THE VERA LIST CENTER FOR ART
AND POLITICS AT THE NEW SCHOOL
ART/CULTURAL STUDIES
October 272 pages, 60 color illustrations paper, 978–0–8223–5829–9, $29.95tr/£19.99 cloth, 978–0–8223–5815–2, $99.95/£65.00
7

general interest
My Father’s House
On Will Barnet’s Paintings
thomas dumm
Photo by Judith Piotrkowski
Thomas Dumm is William H.
Hastie ’25 Professor of Political
Ethics at Amherst College. He is
the author of Loneliness as a Way
of Life, A Politics of the Ordinary,
Michel Foucault and the Politics
of Freedom, and Democracy and
Punishment: Disciplinary Origins
of the United States, and a
coeditor of Performances of
Violence.
“My Father’s House is a genuine and rare accomplishment.
Art criticism is often at its best when, rather than
dissecting objects, it follows their rhythms, twists, and
turns. Thomas Dumm does just that. One of this book’s
many strengths is the variety of ways that he evocatively
relates the experience of Will Barnet’s paintings. Another
is the magnificent introduction, which brings Emerson,
Melville, Cavell, and others into conversation with the
spirit of Barnet’s work and with Barnet himself.”—TOM
HUHN, author of Imitation and Society: The Persistence
of Mimesis in the Aesthetics of Burke, Hogarth, and Kant
“In this beautiful book, Thomas Dumm invents a new
genre of writing, neither art criticism nor memoir nor
philosophy nor psychology but something drawing from
each of those, something that tries to show more than
describe how works of art have power, a disseminating,
productive power that exceeds any biography. Dumm is
an extraordinary writer and courageous thinker.”—JANE
BENNETT, author of Vibrant Matter: A Political Ecology
of Things
:::
My Father’ s house
on will barnet’s paintings
Thomas Dumm
:::
In My Father’s House, the political philosopher
Thomas Dumm explores a series
of stark and melancholy paintings by the
American artist Will Barnet. Responding
to the physical and mental decline of his
sister Eva, who lived alone in the family
home in Beverly, Massachusetts, Barnet
began work in 1990 on what became
a series of nine paintings depicting Eva
and other family members as they once
were and as they figured in the artist’s
memory. Rendered in Barnet’s signature
quiet, abstract style, the paintings, each
featured in full color, present the ordinary and extraordinary aspects of a twentieth-century
American family.
Dumm first became acquainted with Barnet and his paintings in 2008. Given his
scholarly focus on the lives of ordinary people, he was immediately attracted
to the artist’s work. When they met, Dumm and Barnet began a friendship and
dialogue that lasted until the painter’s death in 2012, at the age of 101. This
book reflects the many discussions the two had concerning the series of paintings,
Barnet’s family, his early life in Beverly, and his eighty-year career as a
prominent New York artist. Reading the almost gothic paintings in conversation
with the writers and thinkers key to both his and Barnet’s thinking—Emerson,
Spinoza, Dickinson, Benjamin, Cavell, Nietzsche, Melville—Dumm’s haunting
meditations evoke broader reflections on family, mortality, the uncanny, and
the loss that comes with remembrance.
“Thomas Dumm’s unique intelligence, perceptual clarity, and philosophical erudition inform
this powerful homage to the artist Will Barnet and his series of paintings, My Father’s
House. Ralph Waldo Emerson, Henry David Thoreau, Walter Benjamin, and Stanley Cavell
are among those summoned to assist Dumm as he meditates on questions of place
and person, loss and love, past and present, conjured for him by Barnet’s haunting and
haunted works. This is a deeply moving account of how an encounter with art might allay
the turbulent loneliness of our age.”—ANN LAUTERBACH, author of Under the Sign
8
ART CRITICISM/POLITICAL THEORY & PHILOSOPHY
September 144 pages, 10 color illustrations cloth, 978–0–8223–5546–5, $24.95tr/£15.99

general interest
Willful Subjects
sara ahmed
In Willful Subjects Sara Ahmed
Willful Subjects
explores willfulness as a charge often
Sara Ahmed made by some against others. One
history of will is a history of attempts
to eliminate willfulness from the will.
Delving into philosophical and literary
texts, Ahmed examines the relation
between will and willfulness, ill will
and good will, and the particular
will and general will. Her reflections
shed light on how will is embedded
in a political and cultural landscape,
how it is embodied, and how will
and willfulness are socially mediated.
Attentive to the wayward, the wandering,
and the deviant, Ahmed considers
how willfulness is taken up by those who have received its charge. Grounded
in feminist, queer, and antiracist politics, her sui generis analysis of the
willful subject, the figure who wills wrongly or wills too much, suggests that
willfulness might be required to recover from the attempt at its elimination.
also by Sara Ahmed
Sara Ahmed is Professor of Race and
Cultural Studies at Goldsmiths College,
University of London. She is the
author of On Being Included: Racism
and Diversity in Institutional Life,
The Promise of Happiness, and Queer
Phenomenology: Orientations, Objects,
Others, all also published by Duke University Press, as well
as The Cultural Politics of Emotion, Strange Encounters:
Embodied Others in Post-Coloniality, and Differences That
Matter: Feminist Theory and Postmodernism.
“Like Sara Ahmed’s other works, which are known for their
originality, sharpness, and reach, Willful Subjects offers
here a vibrant, surprising, and philosophically rich analysis
of cultural politics, drawing on feminist, queer, and antiracist
uses of willingness and willfulness to explain forms of sustained
and adamant social disagreement as a constitutive
part of any radical ethics and politics worth its name.”
—JUDITH BUTLER, Maxine Elliot Professor of Comparative
Literature, University of California, Berkeley
“Willful Subjects is beautifully conceived and expertly
conducted, sentence by sentence, suggestion by suggestion.
Paradoxically, Sara Ahmed’s willfulness promises happiness
for her readers. Exquisite formulations engage our contemplation
and render real intellectual enjoyment. Followers
of Ahmed, of whom there are many, will not be disappointed.
This new instance of razor-sharp thinking powerfully builds
upon The Promise of Happiness to look at something
usefully slicing through contentment: the scissoring relations
between the will and willfulness. More than cutting-edge, this
is cutting thought.”—KATHRYN BOND STOCKTON, author
of The Queer Child, or Growing Sideways in the Twentieth
Century
On Being Included:
Racism and Diversity
in Institutional Life
paper, $22.95/£14.99
978–0–8223–5236–5 / 2012
The Promise
of Happiness
paper, $24.95/£15.99
978–0–8223–4725–5 / 2010
Queer Phenomenology:
Orientations,
Objects, Others
paper, $22.95/£14.99
978–0–8223–3914–4 / 2006
FEMINIST THEORY/CULTURAL STUDIES/PHILOSOPHY
August 304 pages paper, 978–0–8223–5783–4, $24.95/£15.99 cloth, 978–0–8223–5767–4, $89.95/£59.00
9

general interest
Land’s End
Capitalist Relations on an Indigenous Frontier
tania murray li
Tania Murray Li is Professor of
Anthropology at the University of
Toronto. She is the author of The
Will to Improve: Governmentality,
Development, and the Practice of
Politics, also published by Duke
University Press.
“This is a wonderful book. It may have the biggest
general impact of a book centered on Southeast Asian
rural social dynamics since James Scott’s seminal
Weapons of the Weak. With unusual clarity and great
persuasiveness, Tania Murray Li explores theoretical and
methodological issues through vivid depictions of peoples’
lives.”—HENRY BERNSTEIN, Professor Emeritus
of Development Studies, University of London
tania murray li
LAND’S END
Capitalist Relations on an Indigenous Frontier
Drawing on two decades of ethnographic
research in Sulawesi, Indonesia, Tania
Murray Li offers an intimate account of the
emergence of capitalist relations among
indigenous highlanders who privatized their
common land to plant a boom crop, cacao.
Spurred by the hope of ending their poverty
and isolation, some prospered, while others
lost their land and struggled to sustain their
families. Yet the winners and losers in this
transition were not strangers—they were kin
and neighbors. Li’s richly peopled account
takes the reader into the highlanders’ world,
exploring the dilemmas they faced as sharp
inequalities emerged among them.
The book challenges complacent modernization narratives promoted by development
agencies that assume inefficient farmers who lose out in the shift to
high-value export crops can find jobs elsewhere. Decades of uneven and often
jobless growth in Indonesia meant that for newly landless highlanders, land’s
end was a dead end. The book also has implications for social-movement activists,
who seldom attend to instances where enclosure is initiated by farmers
rather than coerced by the state or agribusiness corporations. Li’s attention to
the historical, cultural, and ecological dimensions of this conjuncture demonstrates
the power of the ethnographic method and its relevance to theory and practice
today.
also by Tania Murray Li
“Tania Murray Li, one of the foremost scholars of the native peoples, economies, and
ecologies of Southeast Asia, here tells the subtle and challenging story of the Lauje,
a group who defy clichés of indigeneity and whose destructive involvement in commodity
production was willingly embraced. Her analysis complicates our understanding of
the expansion of global capitalism, and the millions of people who do not fit easily into
narratives of modern rural transformation.”—MICHAEL R. DOVE, coeditor of Beyond
the Sacred Forest: Complicating Conservation in Southeast Asia
The Will to Improve:
Governmentality, Development,
and the Practice of Politics
paper, $26.95/£17.99
978–0–8223–4027–0 / 2007
10
ANTHROPOLOGY/SOCIAL THEORY
August 248 pages, 14 illustrations paper, 978–0–8223–5705–6, $23.95/£15.99 cloth, 978–0–8223–5694–3, $84.95/£55.00

general interest
The Theater of Operations
National Security Affect from
the Cold War to the War on Terror
joseph masco
How did the most powerful nation on
earth come to embrace terror as the
organizing principle of its security policy
THE
In The Theater of Operations, Joseph
Masco locates the origins of the presentday
U.S. counterterrorism apparatus
THEATER
in the Cold War’s “balance of terror.”
OF
He shows how, after the attacks of 9/11,
the U.S. Global War on Terror mobilized
OPERATIONS
a wide range of affective, conceptual,
and institutional resources established
during the Cold War to enable a new
planetary theater of operations. Tracing
NATIONAL SECURITY AFFECT FROM THE COLD WAR
how specific aspects of emotional
TO THE WAR ON TERROR
JOSEPH MASCO
management, existential danger, state
secrecy, and threat awareness have evolved as core aspects of the American
social contract, he draws on archival, media, and ethnographic resources to
offer a new portrait of American national security culture. Undemocratic and
unrelenting, this counterterror state prioritizes speculative practices over facts,
and ignores everyday forms of violence across climate, capital, and health in an
unprecedented effort to anticipate and eliminate terror threats—real, imagined,
and emergent.
Joseph Masco is Professor of
Anthropology at the University of
Chicago. He is the author of The Nuclear
Borderlands: The Manhattan Project
in Post–Cold War New Mexico, winner
of the J. I. Staley Prize from the School
for Advanced Research and the Rachel
Carson Prize from the Society for the
Social Studies of Science.
“What Joseph Masco shows us in The Theater of Operations
is an entire affective structure—the management of anxiety,
resilience, steadfastness, sacrifice—that is demanded of every
citizen. Alert to liquid containers above 2.4 ounces, hypervigilant
about abandoned bags, suspicious of loitering, and
prepared for the detonation of a thermonuclear weapon—
we learn to live our lives aware of tiny and apocalyptic things.
With an anthropologist’s eye long attuned to life in the parawartime
state, Masco is the perfect guide to the theater of
the security state.”—PETER GALISON, author of Einstein’s
Clocks, Poincaré’s Maps: Empires of Time
“Joseph Masco’s brilliance lies in his ability to make visible the complex affective and
discursive technologies that emerged from the long history of the Cold War, and to illuminate
their effects on our everyday perceptions of security and harm. This much-anticipated
book will be read widely in cultural anthropology and cultural studies. It is beautifully
written and argued. That one leaves The Theater of Operations a bit paranoid is a
tribute to Masco’s rhetorical skill.”—ELIZABETH A. POVINELLI, author of Economies
of Abandonment: Social Belonging and Endurance in Late Liberalism
ANTHROPOLOGY/AMERICAN STUDIES/CULTURAL STUDIES
November 288 pages, 57 illustrations paper, 978–0–8223–5806–0, $23.95/£15.99 cloth, 978–0–8223–5793–3, $84.95/£55.00
11

general interest
The Life of Captain Cipriani
An Account of British Government
in the West Indies with the pamphlet
The Case for West-Indian Self Government
c. l. r. james
With a New Introduction by Bridget Brereton
C. L. R. James (1901–1989), a Trinidadian historian,
political activist, and writer, is the author of The Black
Jacobins, an influential study of the Haitian Revolution.
His play Toussaint Louverture: The Story of the Only
Successful Slave Revolt in History and his now-classic
book on sport and culture, Beyond a Boundary, are
both published by Duke University Press. Bridget
Brereton is Emerita Professor of History at the
University of the West Indies, St. Augustine, Trinidad.
“The Life of Captain Cipriani and the excerpted
pamphlet, The Case for West-Indian Self Government,
are two of C. L. R. James’s most significant contributions
to the anticolonial cause. These early works
played a crucial part in the development of his career
as a writer and political thinker. They helped articulate
the case for independence for Trinidad and the West
Indies, and they effectively launched James’s career
as a public figure.”—KENT WORCESTER, author of
C. L. R. James: A Political Biography
“This volume is an indispensable introduction to
the dialectical synthesis of biography, sports, race,
politics, and poetics that the early James brought to
his encounter with Marxism. It was the later merging
of the codes of these two already complex and synthetic
discourses that made possible classic works like
The Black Jacobins and Beyond A Boundary.”—PAGET
HENRY, coeditor of C. L. R. James’s Caribbean
C. L. R. JAMES
THE LIFE OF
CAPTAIN CIPRIANI
THE STORY OF THE
ONLY SUCCESSFUL SLAVE
REVOLT IN HISTORY
A Play in Three Acts
AN ACCOUNT
OF BRITISH
GOVERNMENT
IN THE
WEST INDIES
WITH THE PAMPHLET The Case for West-Indian Self Government
The Life of Captain Cipriani (1932) is the earliest
full-length work of nonfiction by the Trinidadian
writer C. L. R. James, one of the most significant
historians and Marxist theorists of the twentieth
century. It is partly based on James’s interviews
with Arthur Andrew Cipriani (1876–1945). As
a captain with the British West Indies Regiment
during the First World War, Cipriani was greatly
impressed by the service of the black West Indian
troops and appalled at their treatment during and
after the war. After his return to the West Indies,
he became a Trinidadian political leader and advocate
for West Indian self-government. James’s book is as much polemic as
biography. Written in Trinidad and published in England, it is an early and powerful
statement of West Indian nationalism. An excerpt, The Case for West-Indian
Self Government, was issued by Leonard and Virginia Woolf’s Hogarth Press in
1933. This volume includes the biography, the pamphlet, and a new introduction
in which Bridget Brereton considers both texts and the young C. L. R. James
in relation to Trinidadian and West Indian intellectual and social history. She
discusses how James came to write his biography of Cipriani, how the book was
received in the West Indies and Trinidad, and how, throughout his career, James
would use biography to explore the dynamics of politics and history.
also in the C. L. R. James Archives
THE C. L. R. JAMES ARCHIVES
A Series Edited by Robert A. Hill
C. L. R. James
in Imperial Britain
Christian Høgsbjerg
paper, $24.95/£15.99
978–0–8223–5618–9 / 2014
Beyond a Boundary
C. L. R. James
paper, $24.95tr/£15.99
978–0–8223–5563–2 / 2013
Rights: U.S. only
Toussaint Louverture
C. L. R. James
paper, $23.95tr/£15.99
978–0–8223–5314–0 / 2012
12
HISTORY/CARIBBEAN STUDIES
July 200 pages paper, 978–0–8223–5651–6, $23.95/£15.99 cloth, 978–0–8223–5639–4, $84.95/£55.00

general interest
The Marcus Garvey and
Universal Negro Improvement Association Papers
The Caribbean Diaspora, 1920–1921 Volume XII
marcus garvey
robert a. hill, editor in chief
Volume XII of The Marcus Garvey and Universal
Negro Improvement Association Papers covers
a period of twelve months, from the opening of the
UNIA’s historic first international convention in New
the
marcus York, in August 1920, to Marcus Garvey’s return to
garvey
and
universal negro the United States in July 1921 after an extended tour
improvement
association
papers
of Cuba, Jamaica, Panama, Costa Rica, and Belize.
The Caribbean Diaspora, 1920–1921
Volume XII
In many ways the 1920 convention marked the high
robert a. hill
Editor in Chief
point of the Garvey movement in the United States,
while Garvey’s tour of the Caribbean, in the winter
and spring of 1921, registered the greatest outpouring
of popular support for the UNIA in its history. The period covered in the
present volume was the moment of the movement’s political apotheosis,
but also the moment when the finances of Garvey’s Black Star Line went into
free fall.
Robert A. Hill is Professor of History at the University
of California, Los Angeles, where he is Editor in Chief and
Project Director of The Marcus Garvey and Universal Negro
Improvement Association Papers Project at the James S.
Coleman African Studies Center.
PRAISE FOR THE MARCUS GARVEY AND UNIVERSAL
NEGRO IMPROVEMENT ASSOCIATION PAPERS
“The Marcus Garvey and Universal Negro Improvement
Association Papers will take its place among the most important
records of the Afro-American experience.”—ERIC FONER,
New York Times Book Review
“Robert A. Hill and his staff . . . have gathered over 30,000
documents from libraries and other sources in many
countries. . . . The Garvey papers will reshape our understanding
of the history of black nationalism and perhaps
increase our understanding of contemporary black politics.”
—CLAYBORNE CARSON, The Nation
Volume XII highlights the centrality of Caribbean people not only to the convention,
but also to the movement. The reports to the convention discussed the
range of social and economic conditions obtaining in the Caribbean, particularly
their impact on racial conditions. The quality of the discussions and debates
were impressive. Contained in these reports are some of the earliest and most
clearly enunciated statements in defense of social and political freedom in the
Caribbean. These documents form an underappreciated and still underutilized
record of the political awakening of Caribbean people of African descent.
“Now is our chance, through these important volumes,
to finally begin to come to terms with the significance
of Garvey’s complex, fascinating career and the meaning
of the movement he built.”—LAWRENCE W. LEVINE,
The New Republic
also available
About The Marcus Garvey and Universal Negro
Improvement Association Papers Project
A monumental archival undertaking, The Marcus Garvey and Universal Negro Improvement
Association Papers Project has collected thousands of historical documents related to
Marcus Garvey (1887–1940) and the Universal Negro Improvement Association (UNIA),
which spread Garvey’s influential message of racial pride, black nationalism, and Pan-
Africanism around the world. The Papers include letters, pamphlets, intelligence reports,
newspaper articles, speeches, legal records, and diplomatic dispatches carefully assembled,
editorially arranged, and annotated by Robert A. Hill and his research team.
For more information about The Marcus Garvey and Universal Negro Improvement
Association Papers, visit web.international.ucla.edu/africa/mgpp
The Marcus Garvey and Universal Negro
Improvement Association Papers, Volume
XI: The Caribbean Diaspora, 1910–1920
cloth, $120.00/£78.00
978–0–8223–4690–6 / 2011
HISTORY/AFRICAN AMERICAN STUDIES/CARIBBEAN STUDIES
September 480 pages, 15 illustrations cloth, 978–0–8223–5737–7, $120.00/£78.00
13

general interest
Sherrie Tucker is Professor of
American Studies at the University
of Kansas. She is the author of Swing
Shift: “All-Girl” Bands of the 1940s
and coeditor of Big Ears: Listening
for Gender in Jazz Studies, both also
published by Duke University Press.
“The publication of Dance Hall Democracy elevates cultural
studies scholarship to new levels of sophistication and
significance.”—GEORGE LIPSITZ, author of Midnight
at the Barrelhouse: The Johnny Otis Story
“Sherrie Tucker has given us a meticulously researched and
beautifully written evocation of the Hollywood Canteen.
This original and highly creative work is a model of cultural
history by a scholar of exemplary insight, intelligence, and
sensitivity. Tucker brilliantly reads the dance floor to reveal
meanings created, challenged, and negotiated by the dancers.
Dance Floor Democracy insists upon a complex and multidimensional
portrait of a period and a place too often viewed
through the lens of nostalgia.”—FARAH JASMINE GRIFFIN,
author of Harlem Nocturne: Women Artists and Progressive
Politics During World War II
Dance Floor Democracy
The Social Geography of Memory
at the Hollywood Canteen
sherrie tucker
Dance F loor Democ racy
Open from 1942 until 1945, the Hollywood
Canteen was the most famous of the
patriotic home-front nightclubs where civilian
hostesses jitterbugged with enlisted
men of the Allied Nations. Since the opening
night, when the crowds were so thick that
Bette Davis had to enter through the bathroom
window to give her welcome speech,
the storied dance floor where movie stars
danced with soldiers has been the subject
of much U.S. nostalgia about the “Greatest
Generation.” Drawing from oral histories
with civilian volunteers and military guests
who danced at the wartime nightclub,
Sherrie Tucker explores how jitterbugging swing culture has come to represent
the war in U.S. national memory. Yet her interviewees’ varied experiences and
recollections belie the possibility of any singular historical narrative. Some
recall racism, sexism, and inequality on the nightclub’s dance floor and in Los
Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian
ideals associated with the Hollywood Canteen and the “Good War” in popular
culture narratives. For Tucker, swing dancing’s torque—bodies sharing weight,
velocity, and turning power without guaranteed outcomes—is an apt metaphor
for the jostling narratives, different perspectives, unsteady memories, and
quotidian acts that comprise social history.
Sherrie Tucker
The Social GeoGraphy of MeMory aT The hollywood canTeen
also by Sherrie Tucker
Big Ears:
Listening for Gender
in Jazz Studies
Nichole T. Rustin and Sherrie Tucker, editors
pape, $27.95/£17.99
978–0–8223–4320–2 / 2008
Swing Shift:
“All–Girl” Bands of the 1940s
paper, $26.95tr/£17.99
978–0–8223–2817–9 / 2001
14
AMERICAN STUDIES
October 416 pages, 36 illustrations paper, 978–0–8223–5757–5, $26.95/£17.99 cloth, 978–0–8223–5742–1, $94.95/£62.00

general interest
NEW IN PAPERBACK
Traveling Heavy
A Memoir in between Journeys
ruth behar
“Ruth Behar’s vivid personal vignettes
sing of sorrow and joy, disappointment
and love. They range from family and
fieldwork to travel and returns to her
birthplace: Havana, Cuba. They explore
her mixedness, Jewish and Latina. She
is an ethnographer and a writer. Read
and join her moving quest for belonging
and home.”—RENATO ROSALDO,
author of The Day of Shelly’s Death:
The Poetry and Ethnography of Grief
“‘Travelers are those who go elsewhere
because they want to . . . .
Immigrants are those who go elsewhere
because they have to.’ Ruth Behar’s own story is one of being both
the reluctant immigrant and the enthusiastic traveler, and finally, perhaps
to appease both legacies, ‘an anthropologist who specializes in homesickness.’
Behar admits Spanish is her mother tongue, and yet she is a master
craftsperson in her father tongue, English. As always, her exquisite stories
leave me astonished, amused, exhilarated, illuminated, and forever transformed.”
—SANDRA CISNEROS, author of The House on Mango Street
“Ruth Behar takes us deep into geographies she has charted, transcending
anthropological reportage and finding the poetry that is there not
only in the places she has mapped but also in history. She has written an
observant and surprisingly compassionate book, full of warmth. I enjoyed
reading every page; it is full of wisdom and devastating sincerity.”—NILO
CRUZ, author of Anna in the Tropics, winner of the Pulitzer Prize for Drama
Ruth Behar was born in Havana, Cuba. She and her family moved
to New York City when she was five. In the years since, she has become
an internationally acclaimed writer and the Victor Haim Perera Collegiate
Professor of Anthropology at the University of Michigan. She is the
author of many books, including An Island Called Home: Returning
to Jewish Cuba, The Vulnerable Observer: Anthropology That Breaks
Your Heart, and Translated Woman: Crossing the Border with Esperanza’s
Story, a New York Times Notable Book of the Year. Behar has been
honored with many prizes, including a MacArthur “Genius” Award.
NEW IN PAPERBACK
Adam’s Gift
A Memoir of a Pastor’s Calling to Defy the
Church’s Persecution of Lesbians and Gays
jimmy creech
With a New Foreword by Frank Schaefer
“Adam’s Gift is the most engaging
and candid autobiography I have
Adam’s
come across. The extraordinary
Gift
journey of the Reverend Jimmy Creech
•
certainly reveals his innermost desire
A MeMoir of A
PAstor’s CAlling to to help allay the suffering that exists
Defy the ChurCh’s
on our planet. Viewed within this
PerseCution of
lesbiAns AnD gAys
context, it comes as no surprise that
as a young United Methodist minister
he became involved in the justice
issue that would rock the church from
within—the LGBTQ rights movement.
. . . Sadly, Jimmy’s message of inclusiveness
and acceptance of LGBTQ
jimmy creech
With a NeW ForeWord by FraNk SchaeFer
rights within the Christian community
was ahead of his time and was, therefore, not heard or correctly understood
by the leadership. In 1999, he was defrocked by a U.M. church trial
court. But that did not stop him from continuing his advocacy and activism
within the church. . . . Creech’s early witness and activism within the church
have provided a foundation for our new understanding of what ministerial
integrity means in the LGBTQ movement.”—FRANK SCHAEFER, from the
foreword
“Jimmy Creech is a man who puts his life where his Gospel is! His amazing
journey, as told in his memoir, is the story of a follower of Christ who,
like Christ, risked his own life and ministry for the sake of the marginalized
and scorned. The LGBT community will forever owe him a debt for his
sacrifice and his witness to the love of God for ALL of God’s children.”
—BISHOP GENE ROBINSON, Episcopal Bishop of New Hampshire
Jimmy Creech is a former United Methodist minister, now retired and
living in Raleigh, North Carolina. He has worked with many social action
organizations, including Soulforce, an interfaith movement confronting
spiritual violence against lesbian, gay, bisexual, and transgender
persons; the Methodist Federation for Social Action; the Raleigh Religious
Network for Gay and Lesbian Equality; and Faith in America, an organization
working to end religion-based bigotry. Frank Schaefer, a United
Methodist minister, was put on a church trial for performing his son’s
same-sex wedding.
ANTHROPOLOGY/JEWISH STUDIES/LATINO STUDIES
July 248 pages, 18 photographs
paper, 978–0–8223–5720–9, $19.95tr/£12.99
RELIGION/GAY & LESBIAN STUDIES/MEMOIR
July 362 pages, 17 color photographs
paper, 978–0–8223–5752–0, $22.95tr/£14.99
15

•
general interest
NEW IN PAPERBACK
A Rock Garden in the South
elizabeth lawrence
Edited by Nancy Goodwin with Allen Lacy
PRAISE FOR ELIZABETH LAWRENCE
“I have learned more about horticulture, plants, and garden history
and literature from Elizabeth Lawrence than from any other one person.”
—KATHARINE WHITE, The New Yorker
“As in all her gardening books, Elizabeth Lawrence writes from her own
experience and personal records and out of relish and delight. . . . She’s
written with the intimacy that comes of full knowledge, true and patient love,
a grower’s sense of continuity in the natural world, and a lyricist’s lifetime
practice of praise.”—EUDORA WELTY
Available in paperback for the first time,
ELIZABETH LAWRENCE
this book features the avid gardener
and beloved writer Elizabeth Lawrence’s
thoughts on rock gardening. She
addresses the unique problem of cultivating
rock gardens in the South, where
A Rock
Garden in
the South the growing season is prolonged and
EDITED BY NANCY GOODWIN
WITH ALLEN LACY the humidity and heat are not conducive
to such planting. Describing her experiences
making a rock garden, Lawrence
offers excellent advice on placing stones,
constructing steps, selecting plants, and making cuttings. At the
same time, A Rock Garden in the South is relevant to all kinds of
gardens; the renowned garden writer thoroughly discusses plants
she has tried, recommending bulbs and other perennials, annuals,
and woody plants. The editors have added an encyclopedia of plants
alphabetized by genus and species.
Elizabeth Lawrence (1904–1985) wrote a popular gardening column
for the Charlotte Observer from 1957 until 1971. She is the author of
A Southern Garden, Gardens in Winter, and Lob’s Wood, as well as
Beautiful at All Seasons, Gardening for Love, and The Little Bulbs, which
are published by Duke University Press. Nancy Goodwin is the author
of Montrose: Life in a Garden, also published by Duke University Press.
Allen Lacy, formerly a gardening columnist for the New York Times, is
the author of numerous gardening books. Goodwin and Lacy are coauthors
of A Year in Our Gardens: Letters by Nancy Goodwin and Allen Lacy.
NEW IN PAPERBACK
Beautiful at All Seasons
Southern Gardening and Beyond
with Elizabeth Lawrence
elizabeth lawrence
Edited by Ann L. Armstrong and Lindie Wilson
•
In 1957, the revered garden writer
Elizabeth Lawrence began a weekly
•
column for the Charlotte Observer.
This book presents 132 of the more
than 700 pieces that she wrote for
the Observer over fourteen years.
Beautiful at All Seasons
Southern Gardening and Beyond with Elizabeth Lawrence
elizabeth lawrence
ann l. armstrong & lindie wilson, editors
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“A . . . book of garden essays by the
incomparable Elizabeth Lawrence is a
cause for celebration.”—EMILY HERRING
WILSON, author of No One Gardens
Alone: A Life of Elizabeth Lawrence
“Lawrence displays the virtues of a dedicated plantswoman: she is
generous, patient, watchful and above all curious as she delves into
the histories of her favorite plants.”—JENNIFER POTTER, The Times
Literary Supplement
“All gardeners will welcome this splendidly edited collection of essays
by Elizabeth Lawrence. They will delight in her elegant prose and subtle
humor and will marvel at her breadth of knowledge of plants and literature.
I could hardly put it down.”—NANCY GOODWIN, author of Montrose:
Life in a Garden
“Reading Lawrence reminds us that gardening is a way to connect to our
community, our history and traditions and ultimately to the world around
us. This is one for the bedside table.”—DAVID BARE, Winston-Salem
Journal
Elizabeth Lawrence (1904–1985) wrote a popular gardening column
for the Charlotte Observer from 1957 until 1971. She is the author
of A Southern Garden, Gardens in Winter, and Lob’s Wood, as well as
A Rock Garden in the South, Gardening for Love, and The Little Bulbs,
which are published by Duke University Press. Ann L. Armstrong
is a garden lecturer and writer in Charlotte, North Carolina. She wrote
the Wing Haven Garden Journal, a garden planning and maintenance
calendar. Lindie Wilson owned Elizabeth Lawrence’s former
home in Charlotte, where for more than twenty years she maintained
the garden that Lawrence began in 1948.
16
GARDENING
September 240 pages
paper, 978–0–8223–5775–9, $19.95tr/£12.99
GARDENING
September 264 pages, 10 illustrations
paper, 978–0–8223–5776–6, $19.95tr/£12.99

anthropolog y
Entrepreneurial Selves
Neoliberal Respectability and the
Making of a Caribbean Middle Class
carla freeman
Aurality
Listening and Knowledge
in Nineteenth-Century Colombia
ana maría ochoa gautier
“Carla Freeman’s scholarship reveals a delicate omnivorousness. She
offers a unique perspective on the affective economies through which
neoliberal capitalism and its middle-class subjects are made and remade,
demonstrating that neoliberalism is not monolithic or guaranteed. Its
varied ‘structures of feeling’ are produced, contested, and differentiated.
Freeman’s way of making and working with theory is rare; it traverses
multiple registers, holding in tension the specific, the general, the abstract,
and the concrete.”—CINDI KATZ, author of Growing Up Global: Economic
Restructuring and Children’s Everyday Lives
Entrepreneurial Selves is an ethnography of neoliberalism. Bridging
political economy and affect studies, Carla Freeman turns a spotlight on
the entrepreneur, a figure saluted across the globe as the very embodiment
of neoliberalism. Steeped in more than a decade of ethnography
on the emergent entrepreneurial middle class of Barbados, she finds
dramatic reworkings of selfhood, intimacy, labor, and life amid the
rumbling effects of political-economic restructuring. She shows us that
the déjà vu of neoliberalism, the global hailing of entrepreneurial flexibility
and its concomitant project of self-making, can only be grasped
through the thickness of cultural specificity where its costs and pleasures
are unevenly felt. Freeman theorizes postcolonial neoliberalism by
reimagining the Caribbean cultural model of ‘reputation-respectability.’
This remarkable book will allow readers to see how the material social
practices formerly associated with resistance to capitalism (reputation)
are being mobilized in ways that sustain neoliberal precepts and,
in so doing, re-map class, race, and gender through a new emotional
economy.
Carla Freeman is Winship Distinguished Research Professor of Women’s,
Gender, and Sexuality Studies, and associated faculty in Anthropology
and Latin American and Caribbean Studies, at Emory University. She is
the author of High Tech and High Heels in the Global Economy: Women,
Work, and Pink Collar Identities in the Caribbean, also published by Duke
University Press, and a coeditor of Global Middle Classes: Theorizing
Through Ethnography.
NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES
A Series Edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman
duke
“Aurality shows how hearing, writing, speech, and song were central to
the constitution of modern personhood in the nineteenth century. Using
Colombia as her case study, Ana María Ochoa Gautier explores how
colonial intellectuals, creoles, and indigenous people spoke, sung, and
wrote across difference as they struggled to establish new kinds of political
subjectivity and nationality. Her book offers a vital alternative to
a literature that has too often taken Western Europe and Anglophone
North America as points of historical departure. Aurality will transform
our understandings of the human and the animal; nation and citizenship;
music and language; speech and writing; and modernity itself.”
—JONATHAN STERNE, author of MP3: The Meaning of a Format
In this audacious book, Ana María
Ochoa Gautier explores how listening
has been central to the production
of notions of language, music, voice,
and sound that determine the politics
of life. Drawing primarily from
nineteenth-century Colombian sources,
Ochoa Gautier locates sounds produced
AurAlity by different living entities at the juncture
of the human and nonhuman.
Listening & Knowledge in
Nineteenth-Century Colombia
Her “acoustically tuned” analysis of
Ana María Ochoa Gautier a wide array of texts reveals multiple
debates on the nature of the aural.
These discussions were central to a politics of the voice harnessed in
the service of the production of different notions of personhood and
belonging. In Ochoa Gautier’s groundbreaking work, Latin America
and the Caribbean emerge as a historical site where the politics of life
and the politics of expression inextricably entangle the musical and
the linguistic, knowledge and the sensorial.
Ana María Ochoa Gautier is Associate Professor of Music and Director
of the Center for Ethnomusicology at Columbia University. She is the author
of several books in Spanish.
SIGN, STORAGE, TRANSMISSION
A Series Edited by Jonathan Sterne and Lisa Gitelman
ANTHROPOLOGY/CARIBBEAN STUDIES
November 296 pages, 8 photographs
paper, 978–0–8223–5803–9, $24.95/£15.99
cloth, 978–0–8223–5792–6, $89.95/£59.00
ANTHROPOLOGY/SOUND STUDIES
November 304 pages, 3 illustrations
paper, 978–0–8223–5751–3, $24.95/£15.99
cloth, 978–0–8223–5736–0, $89.95/£59.00
17

anthropolog y
Speculative Markets
Drug Circuits and Derivative Life in Nigeria
kristin peterson
Second Chances
Surviving AIDS in Uganda
susan reynolds whyte, editor
“Speculative Markets brings exceptional clarity to a topic of genuine importance—the
relationship between transnational finance capital and pharmaceutical
supply in West Africa. This is a brilliant multisited ethnography
of a market, advancing new theoretical understandings of contemporary
economic life in Nigeria and beyond. Kristin Peterson also makes a vital
contribution to global health and pharmaceutical reasoning by raising
critical questions about drug procurement, distribution, and efficacy.”
—JULIE LIVINGSTON, author of Improvising Medicine: An African
Oncology Ward in an Emerging Cancer Epidemic
“Second Chances provides insight of impressive range and depth into the
impact of global health programs. It moves medical anthropology’s theoretical
agenda along by offering a subtle but sharp critique of contemporary
manifestations of biological/therapeutic citizenship. Yet its greatest innovation
may be methodological. As a convincing work of collective ethnography,
Second Chances reveals the productive potential of ‘team’ or ‘project’
anthropology.”—VINH-KIM NGUYEN, author of The Republic of Therapy:
Triage and Sovereignty in West Africa’s Time of AIDS
In this unprecedented account of the
dynamics of Nigeria’s pharmaceutical
markets, Kristin Peterson connects
multinational drug company policies,
oil concerns, Nigerian political and
economic transitions, the circulation
of pharmaceuticals in the Global
South, Wall Street machinations,
and the needs and aspirations of
individual Nigerians. Studying the
pharmaceutical market in Lagos,
Drug Circuits and Derivative Life in Nigeria
Nigeria, she places local market
KristiN PetersoN
social norms and credit and pricing
practices in the broader context of
regional, transnational, and global financial capital. Peterson explains
how a significant and formerly profitable African pharmaceutical market
collapsed in the face of U.S. monetary policies and neoliberal economic
reforms. And she illuminates the relation between that collapse and the
American turn to speculative capital during the 1980s. In the process,
she reveals the mutual constitution of financial speculation in the drug
industry and the structural adjustment plans that the IMF imposed on
African nations. Her book is a sobering ethnographic analysis of the
effects of speculation and “development” as they reverberate across
markets and continents, and play out in everyday interpersonal transactions
of the Lagos pharmaceutical market.
Kristin Peterson is Associate Professor of Anthropology at the University
of California, Irvine.
EXPERIMENTAL FUTURES:
TECHNOLOGICAL LIVES, SCIENTIFIC ARTS,
ANTHROPOLOGICAL VOICES
A Series Edited by Michael M. J. Fischer and Joseph Dumit
During the first decade
of this millennium, many
thousands of people in
Uganda who otherwise
would have died from
AIDS got second chances
at life. A massive global
health intervention, the
scaling up of antiretroviral
Photo by the author.
therapy (ART), saved them
and created a generation of people who learned to live with treatment.
As clients they joined programs that offered free antiretroviral medicine
and encouraged “positive living.” Because ART is not a cure but a
lifelong treatment regime, its consequences are far-reaching for society,
families, and individuals. Drawing on personal accounts and a broad
knowledge of Ugandan culture and history, the essays in this collection
explore ART from the perspective of those who received second chances.
Their concerns about treatment, partners, children, work, food, and
bodies reveal the essential sociality of Ugandan life. The collection is
based on research undertaken by a team of social scientists including
both Western and African scholars.
Contributors
Phoebe Kajubi, David Kyaddondo, Lotte Meinert, Hanne O. Mogensen, Godfrey Etyang
Siu, Jenipher Twebaze, Michael A. Whyte, Susan Reynolds Whyte
Susan Reynolds Whyte is Professor of Anthropology at the University of
Copenhagen. She is the author of Questioning Misfortune: The Pragmatics
of Uncertainty in Eastern Uganda, coauthor of Social Lives of Medicines, and
coeditor of Disability in Local and Global Worlds.
CRITICAL GLOBAL HEALTH: EVIDENCE, EFFICACY, ETHNOGRAPHY
Edited by Vincanne Adams and João Biehl
18
MEDICAL ANTHROPOLOGY/AFRICAN STUDIES
August 264 pages, 8 illustrations
paper, 978–0–8223–5702–5, $23.95/£15.99
cloth, 978–0–8223–5693–6, $84.95/£55.00
MEDICAL ANTHROPOLOGY/AFRICAN STUDIES
November 336 pages, 12 illustrations
paper, 978–0–8223–5808–4, $25.95/£16.99
cloth, 978–0–8223–5795–7, $94.95/£62.00

anthropolog y
Biomedicine in an Unstable Place
Infrastructure and Personhood
in a Papua New Guinean Hospital
alice street
“This compelling study achieves almost perfect pitch in the way it engages
quite different sources of understanding. At once true to the locale of a
hospital in the Pacific and to the world of institutions just round everyone’s
corner, it also conveys the unexpected accommodations that patients and
staff alike have to make to the predicaments in which they find themselves.
Closely observed, sympathetic, critical, this is contemporary ethnography
of the first order.”—MARILYN STRATHERN, University of Cambridge
Photo by the author.
Biomedicine in an
Unstable Place is
the story of people’s
struggle to make
biomedicine work
in a public hospital
in Papua New Guinea.
It is a story encompassing
the history of
hospital infrastructures as sites of colonial and postcolonial governance,
the simultaneous production of Papua New Guinea as a site of global
medical research and public health, and people’s encounters with
urban institutions and biomedical technologies. In Papua New Guinea,
a century of state building has weakened already inadequate colonial
infrastructures, and people experience the hospital as a space of institutional,
medical, and ontological instability.
In the hospital’s clinics, biomedical practitioners struggle amid severe
resource shortages to make the diseased body visible and knowable to
the clinical gaze. That struggle is entangled with attempts by doctors,
nurses, and patients to make themselves visible to external others—
to kin, clinical experts, global scientists, politicians, and international
development workers—as socially recognizable and valuable persons.
Here hospital infrastructures emerge as relational technologies that are
fundamentally fragile but also offer crucial opportunities for making
people visible and knowable in new, unpredictable, and powerful ways.
Alice Street is a Chancellors Fellow in Social Anthropology in the School
of Social and Political Science at the University of Edinburgh.
How Climate Change Comes to Matter
The Communal Life of Facts
candis callison
“A gifted storyteller who brings enormous empathy and nuance to each
group she documents, Candis Callison depicts the current discursive struggles
over climate change, as such diverse players as corporate responsibility
advocates, evangelical Christians, and Inuit tribal leaders, not to
mention scientists and journalists, seek to reconcile the need for dramatic
change with their existing sets of professional norms and cultural values.
This is essential reading for anyone who wants to better understand how
science gets refracted across an increasingly diverse media landscape and
for anyone who wants to understand how they might be more effective at
changing entrenched beliefs and practices.”—HENRY JENKINS, coauthor
of Spreadable Media: Creating Value and Meaning in a Networked Culture
During the past decade, skepticism about climate change has frustrated
those seeking to engage broad publics and motivate them to take
action on the issue. In this innovative ethnography, Candis Callison
examines the initiatives of social and professional groups as they
encourage diverse American publics to care about climate change. She
explores the efforts of science journalists, scientists who have become
expert voices for and about climate change, American evangelicals,
Indigenous leaders, and advocates for corporate social responsibility.
The disparate efforts of these groups illuminate the challenge of maintaining
fidelity to scientific facts while transforming them into ethical
and moral calls to action. Callison investigates the different vernaculars
through which we understand and articulate our worlds, as well as the
nuanced and pluralistic understandings of climate change evident in
different forms of advocacy. As she demonstrates, climate change offers
an opportunity to look deeply at how issues and problems that begin
in a scientific context come to matter to wide publics, and to rethink
emerging interactions among different kinds of knowledge and experience,
evolving media landscapes, and claims to authority and expertise.
Candis Callison is Assistant Professor in the Graduate School of
Journalism at the University of British Columbia.
EXPERIMENTAL FUTURES:
TECHNOLOGICAL LIVES, SCIENTIFIC ARTS,
ANTHROPOLOGICAL VOICES
A Series Edited by Michael M. J. Fischer and Joseph Dumit
EXPERIMENTAL FUTURES:
TECHNOLOGICAL LIVES, SCIENTIFIC ARTS,
ANTHROPOLOGICAL VOICES
A Series Edited by Michael M. J. Fischer and Joseph Dumit
MEDICAL ANTHROPOLOGY/GLOBAL HEALTH
October 328 pages, 13 illustrations
paper, 978–0–8223–5778–0, $24.95/£15.99
cloth, 978–0–8223–5761–2, $89.95/£59.00
ANTHROPOLOGY/SCIENCE STUDIES/ENVIRONMENT
December 328 pages
paper, 978–0–8223–5787–2, $24.95/£15.99
cloth, 978–0–8223–5771–1, $89.95/£59.00
19

anthropolog y
The Multispecies Salon
eben kirksey, editor
“This timely anthology offers a substantial and engaging introduction to
the field of multispecies studies, clearly presenting the core concepts of
an important and influential area of scholarship, which will become increasingly
central to anthropology, science studies, environmental studies,
and social theory. At the same time, The Multispecies Salon is in many
ways an art book. It features an extraordinary range of remarkable art
projects, which are fascinating in their own right and beautifully written
up.”—SARAH FRANKLIN, author of Biological Relatives: IVF, Stem Cells,
and the Future of Kinship
EBEN KIRKSEY, EDITOR
A new approach to writing culture has
arrived: multispecies ethnography.
Plants, animals, fungi, and microbes
appear alongside humans in this
singular book about natural and
cultural history. Anthropologists
have collaborated with artists and
biological scientists to illuminate
how diverse organisms are entangled
in political, economic, and cultural
systems. Contributions from influential
writers and scholars, such as
Dorion Sagan, Karen Barad, Donna
Haraway, and Anna Lowenhaupt
Tsing, are featured along with essays by emergent artists and cultural
anthropologists.
Delectable mushrooms flourishing in the aftermath of ecological
disaster, microbial cultures enlivening the politics and value of food,
and emergent life forms running wild in the age of biotechnology
all figure in this curated collection of essays and artifacts. Recipes
provide instructions on how to cook acorn mush, make cheese out
of human milk, and enliven forests after they have been clear-cut.
The Multispecies Salon investigates messianic dreams, environmental
nightmares, and modest sites of biocultural hope.
Contributors
The
MULTISPECIES
SALON
Karen Barad, Caitlin Berrigan, Karin Bolender, Maria Brodine, Brandon Costelloe-Kuehn,
David S. Edmunds, Christine Hamilton, Donna J. Haraway, Stefan Helmreich,
Angela James, Lindsay Kelley, Eben Kirksey, Linda Noel, Heather Paxson, Nathan Rich,
Anna Rodriguez, Dorion Sagan, Craig Schuetze, Nicholas Shapiro, Miriam Simun,
Kim TallBear, Anna Lowenhaupt Tsing
Eben Kirksey is a permanent faculty member in Environmental Humanities
at the University of New South Wales in Sydney, Australia. He is the author
of Freedom in Entangled Worlds: West Papua and the Global Architecture of
Power, also published by Duke University Press.
Illusions of a Future
Psychoanalysis and the Biopolitics of Desire
kate schechter
“Illusions of a Future is not only a careful, fightingly smart account of what
happens to middle-American psychoanalysis and its ‘crisis’ under neoliberal
conditions of risk and accountability. It is an argument for a rethinking of biopolitics.
Kate Schechter uses a rigorous historical and ethnographic account
of twentieth-century and contemporary psychoanalysis in Chicago to address
and extend both Foucauldian and Derridean readings of analysis and of Freud
at the very point where these readings appear to falter or reverse course.
She does so through empirical engagement with ‘local catalogs of resistances,’
a project that she terms ‘rethinking biopolitics with renovated psychoanalytic
resources’ and one that makes intense and rewarding demands on
its reader.”—LAWRENCE COHEN, author of No Aging in India: Alzheimer’s,
The Bad Family, and Other Modern Things
A pioneering ethnography of psychoanalysis,
Illusions of a Future explores the
ILLUSIONS political economy of private therapeutic
labor within industrialized medicine.
FUTURE
Focusing on psychoanalysis in Chicago,
psychoanalysis and the
biopolitics of desire
a historically important location in the
development and institutionalization of
kate schechter
psychoanalysis in the United States, Kate
Schechter examines the nexus of theory,
practice, and institutional form in the
original instituting of psychoanalysis,
its normalization, and now its “crisis.”
She describes how contemporary analysts
struggle to maintain conceptions
of themselves as capable of deciding what psychoanalysis is and how
to regulate it in order to prevail over market demands for the efficiency
and standardization of mental health treatments.
OF A
In the process, Schechter shows how deeply imbricated the analyst-patient
relationship is in this effort. Since the mid-twentieth century, the “real”
relationship between analyst and patient is no longer the unremarked
background of analysis but its very site. Psychoanalysts seek to validate
the centrality of this relationship with theory and, through codified “standards,”
to claim it as a privileged technique. It has become the means by
which psychoanalysts, in seeking to protect their disciplinary autonomy,
have unwittingly bound themselves to a neoliberal discourse of regulation.
Kate Schechter is Assistant Professor in the Department of Psychiatry at
Rush Medical College, Chair of Conceptual Foundations at the Institute for
Clinical Social Work, and Faculty at the Chicago Institute for Psychoanalysis.
She is in the private practice of psychoanalysis and psychotherapy in Chicago.
EXPERIMENTAL FUTURES:
TECHNOLOGICAL LIVES, SCIENTIFIC ARTS,
ANTHROPOLOGICAL VOICES
A Series Edited by Michael M. J. Fischer and Joseph Dumit
20
ANTHROPOLOGY/ART
October 344 pages, 86 illustrations (including 10 in color)
paper, 978–0–8223–5625–7, $25.95/£16.99
cloth, 978–0–8223–5610–3, $94.95/£62.00
ANTHROPOLOGY/PSYCHOANALYSIS
August 288 pages
paper, 978–0–8223–5721–6, $23.95/£15.99
cloth, 978–0–8223–5708–7, $84.95/£55.00

anthropolog y
The Republic Unsettled
Muslim French and the
Contradictions of Secularism
mayanthi l. fernando
Rubble
The Afterlife of Destruction
gastón r. gordillo
“The Republic Unsettled is a brilliant book, at once a concrete examination
of the experiences of Muslim French and a compelling analysis of the
structural and discursive obstacles they face. A major contribution to both
ethnography and political theory, this provocative, beautifully written work
will appeal to those interested in debates about Muslims in Europe and the
possibilities for thinking difference differently.”—JOAN WALLACH SCOTT,
author of The Fantasy of Feminist History
“At the edges of the dreamscapes put forward by the state and capital,
Gastón R. Gordillo shows us haunted places where phantoms and
curses join human bones and broken bricks: rubble. The Argentine Chaco
becomes a magical landscape wrapped in multiple pasts and presents.
Simultaneously erudite and evocative, Rubble: The Afterlife of Destruction
remakes the stories we tell about knowledge and history—and the legacy
of violent conquest from the Spanish empire to the soy boom.”—ANNA
LOWENHAUPT TSING, coeditor of Words in Motion: Toward a Global
Lexicon
Mayanthi L. Fernando
The Republic
unseTTled
In 1989, three Muslim schoolgirls
from a Paris suburb refused to
remove their Islamic headscarves in
class. The headscarf crisis signaled
an Islamic revival among the children
of North African immigrants;
it also ignited an ongoing debate
about the place of Muslims within
the secular nation-state. Based on
ten years of ethnographic research,
The Republic Unsettled alternates
between an analysis of Muslim
French religiosity and the contradictions
of French secularism
Muslim French and the contradictions of secularism
precipitated by this Muslim identity.
Mayanthi L. Fernando explores how Muslim French draw on both Islamic
and secular-republican traditions to create novel modes of ethical and
political life, reconfiguring those traditions to imagine a new future for
France. She also examines how the political discourses, institutions,
and laws that constitute French secularism regulate Islam, transforming
the Islamic tradition and what it means to be Muslim. Fernando traces
how long-standing tensions within secularism and republican citizenship
are displaced onto France’s Muslims, who are, as a result, rendered
illegitimate as political citizens and moral subjects. She argues, ultimately,
that the Muslim question is as much about secularism as it is
about Islam.
Mayanthi L. Fernando is Assistant Professor of Anthropology at the
University of California, Santa Cruz.
At the foot of the Argentine Andes,
bulldozers are destroying forests
and homes to create soy fields in
an area already strewn with rubble
from previous waves of destruction
and violence. Based on ethnographic
research in this region
//////////////////// The Afterlife of Destruction
where the mountains give way to
the Gran Chaco lowlands, Gastón
R. Gordillo shows how geographic
space is inseparable from the
material, historical, and affective
ruptures embodied in debris.
Gastón R. Gordillo His exploration of the significance
of rubble encompasses lost cities,
derelict train stations, overgrown Jesuit missions and Spanish forts,
stranded steamships, mass graves, and razed forests. Examining the
effects of these and other forms of debris on the people living on
nearby ranches and farms, and in towns, Gordillo emphasizes that for
the rural poor, the rubble left in the wake of capitalist and imperialist
endeavors is not romanticized ruin but the material manifestation of the
violence and dislocation that created it.
Gastón R. Gordillo is Professor of Anthropology at the University of
British Columbia. He is the author of Landscapes of Devils: Tensions of Place
and Memory in the Argentinean Chaco, also published by Duke University
Press.
ANTHROPOLOGY/FRANCE
September 336 pages
paper, 978–0–8223–5748–3, $25.95/£16.99
cloth, 978–0–8223–5734–6, $94.95/£62.00
ANTHROPOLOGY/LATIN AMERICAN STUDIES
July 336 pages, 65 illustrations
paper, 978–0–8223–5619–6, $26.95/£17.99
cloth, 978–0–8223–5614–1, $94.95/£62.00
21

anthropolog y
Given to the Goddess
South Indian Devadasis
and the Sexuality of Religion
lucinda ramberg
Cultivating the Nile
The Everyday Politics of Water in Egypt
jessica barnes
“Lucinda Ramberg’s powerful combination of ethnographic observation
and theoretical reflection connects the study of a particular social group
in South India (devadasis or jogatis) with general issues in anthropology
and feminist and queer studies. Given to the Goddess will prove relevant
to those, such as myself, who know very little about India but who are
concerned with related issues in different contexts.”—ÉRIC FASSIN,
Université Paris-8
Who and what are marriage and
sex for Whose practices and which
Given to the Goddess ways of talking to god can count as
Lucinda Ramberg
religion Lucinda Ramberg considers
these questions based on two years
of ethnographic research on an ongoing
South Indian practice of dedication
in which girls, and sometimes boys,
are married to a goddess. Called
devadasis, or jogatis, those dedicated
become female and male women who
conduct the rites of the goddess outside
the walls of her main temple and
SOUTH INDIAN DEVADASIS and the SEXUALITY of RELIGION
transact in sex outside the bounds
of conjugal matrimony. Marriage to the goddess, as well as the rites
that the dedication ceremony authorizes jogatis to perform, have long
been seen as illegitimate and criminalized. Kinship with the goddess is
productive for the families who dedicate their children, Ramberg argues,
and yet it cannot conform to modern conceptions of gender, family, or
religion. This nonconformity, she suggests, speaks to the limitations of
modern categories, as well as to the possibilities of relations—between
and among humans and deities—that exceed such categories.
Lucinda Ramberg is Assistant Professor in the Department of
Anthropology and the Program in Feminist, Gender & Sexuality Studies
at Cornell University.
“Cultivating the Nile is an impressive account of something we know little
about despite its growing urgency: the causes of water scarcity in any
particular region and the ways that the people affected deal with it.
A significant contribution to the growing literature on water sustainability
around the world, Cultivating the Nile is likely to be discussed for years
to come.”—STEVEN C. CATON, Harvard University
The waters of the Nile are fundamental
to life in Egypt. In this compelling
ethnography, Jessica Barnes explores
the everyday politics of water: a politics
anchored in the mundane yet vital
acts of blocking, releasing, channeling,
and diverting water. She examines
the quotidian practices of farmers,
government engineers, and international
donors as they interact with
The e veryday PoliT ics
Cultivating the Nile
of waT er in egyPT
the waters of the Nile flowing into and
through Egypt. Situating these local
jessica barnes
practices in relation to broader processes
that affect Nile waters, Barnes
moves back and forth from farmer to government ministry, from irrigation
canal to international water conference. By showing how the waters
of the Nile are constantly made and remade as a resource by people in
and outside Egypt, she demonstrates the range of political dynamics,
social relations, and technological interventions that must be incorporated
into understandings of water and its management.
Jessica Barnes is Assistant Professor in the Department of Geography
and the Environment and Sustainability Program at the University of South
Carolina.
NEW ECOLOGIES FOR THE TWENTY-FIRST CENTURY
A Series Edited by Arturo Escobar and Dianne Rocheleau
22
ANTHROPOLOGY OF RELIGION/SOUTH ASIA
September 304 pages, 25 illustrations
paper, 978–0–8223–5724–7, $24.95/£15.99
cloth, 978–0–8223–5710–0, $89.95/£59.00
ANTHROPOLOGY/ENVIRONMENTAL STUDIES
September 256 pages, 24 illustrations
paper, 978–0–8223–5756–8, $24.95/£15.99
cloth, 978–0–8223–5741–4, $89.95/£59.00

cultural studies
Habeas Viscus
Racializing Assemblages, Biopolitics,
and Black Feminist Theories of the Human
alexander g. weheliye
“Habeas Viscus is a major contribution to the discourses of race and
modern politics. Alexander G. Weheliye intervenes in contemporary
engagement with Agamben’s and Foucault’s scholarship on biopolitics
by opening new lines of inquiry for thinking through the problem of the
human. Weheliye turns to the work of two major scholars and theorists
of black studies, Hortense Spillers and Sylvia Wynter, revealing their
thinking about the material and discursive existence of black bodies as
vital analytical rubrics for conceptualizing the human.”—WAHNEEMA
LUBIANO, editor of The House That Race Built
HABEAS VISCUS
Habeas Viscus focuses attention on
the centrality of race to notions of
the human. Alexander G. Weheliye
develops a theory of “racializing
assemblages,” taking race as a
set of sociopolitical processes that
discipline humanity into full humans,
not-quite-humans, and nonhumans.
This disciplining, while not biological
per se, frequently depends
on anchoring political hierarchies
RACIALIZING ASSEMBLAGES, BIOPOLITICS, in human flesh. The work of the
AND BLACK FEMINIST THEORIES OF THE HUMAN
black feminist scholars Hortense
ALEXANDER G. WEHELIYE
Spillers and Sylvia Wynter is vital
to Weheliye’s argument. Particularly significant are their contributions
to the intellectual project of black studies vis-à-vis racialization and
the category of the human in western modernity. Wynter and Spillers
configure black studies as an endeavor to disrupt the governing conception
of humanity as synonymous with white, western man. Weheliye
posits black feminist theories of modern humanity as useful correctives
to the “bare life and biopolitics discourse” exemplified by the works
of Giorgio Agamben and Michel Foucault, which, Weheliye contends,
vastly underestimate the conceptual and political significance of race
in constructions of the human. Habeas Viscus reveals the pressing need
to make the insights of black studies and black feminism foundational
to the study of modern humanity.
Alexander G. Weheliye is Associate Professor of African-American
Studies and English at Northwestern University. He is the author of
Phonographies: Grooves in Sonic Afro-Modernity, also published by
Duke University Press.
Oxford Street, Accra
City Life and the Itineraries of Transnationalism
ato quayson
“Oxford Street, Accra is an erudite and accomplished book by one of Africa’s
most prominent literary and cultural critics. Ato Quayson is astute in his
use of critical theory to illuminate transforming African urban cultures,
and he is creative in the aspects of urban space he chooses to analyze.
He inventively depicts the tensions of the diverse imaginaries, calculations,
and ethical sensibilities that cut across the conventional zones and distinctions
of city life, giving rise to new connections near and far.”—ABDOU-
MALIQ SIMONE, author of For the City Yet to Come: Changing African
Life in Four Cities
O
SA
X
T
C
F
RC
O
E
R
R
E
A
D
T
City Life and the Itineraries of Transnationalism Ato Quayson
In Oxford Street, Accra, Ato Quayson
analyzes the dynamics of Ghana’s
capital city through a focus on Oxford
Street, part of Accra’s most vibrant
and globalized commercial district.
He traces the city’s evolution from
its settlement in the mid-seventeenth
century to the present day. He combines
his impressions of the sights,
sounds, interactions, and distribution
of space with broader dynamics,
including the histories of colonial and
postcolonial town planning and the
marks of transnationalism evident in
Accra’s salsa scene, gym culture, and commercial billboards. Quayson
finds that the various planning systems that have shaped the city—and
had their stratifying effects intensified by the IMF-mandated structural
adjustment programs of the late 1980s—prepared the way for the early-
1990s transformation of a largely residential neighborhood into a kinetic
shopping district. With an intense commercialism overlying, or coexisting
with, stark economic inequalities, Oxford Street is a microcosm of
historical and urban processes that have made Accra the variegated
and contradictory metropolis that it is today.
,
Ato Quayson is Professor of English and Director of the Centre for
Diaspora and Transnational Studies at the University of Toronto. He is
the author of Strategic Transformations in Nigerian Writing, Calibrations:
Reading for the Social, and Aesthetic Nervousness: Disability and the
Crisis of Representation, as well as editor of the two-volume Cambridge
History of Postcolonial Literature, coeditor of A Companion to Diaspora
and Transnationalism, and General Editor of the Cambridge Journal
of Postcolonial Literary Inquiry.
AFRICAN AMERICAN STUDIES/CRITICAL THEORY/CULTURAL STUDIES
August 224 pages, 14 illustrations
paper, 978–0–8223–5701–8, $23.95/£15.99
cloth, 978–0–8223–5691–2, $84.95/£55.00
AFRICAN STUDIES/CULTURAL STUDIES
August 320 pages, 20 illustrations
paper, 978–0–8223–5747–6, $25.95/£16.99
cloth, 978–0–8223–5733–9, $94.95/£62.00
23

cultural studies
Utopias
mark featherstone & malcolm miles,
special issue editors
a special issue of CULTURAL POLITICS
Following the collapse of
communist and socialist
utopianism in the twentieth
century, the global
economic crisis has
foreclosed the promise of
a neoliberal consumerist
utopia in the twenty-first.
This special issue of
Hut 11, a.k.a. the Bombe Room, a.k.a. “the hell hole.” Cultural Politics considers
what happens when
Photo by Gair Dunlop.
people believe that the system they currently inhabit does not work,
but they see few viable alternatives, and wide-scale change seems
impossible in any case. Considering history, fiction, art, and economic
theory, the contributors think about the ways in which a vital future
might emerge from an exhausted culture. Topics include narratives of
catastrophe and escape in Cold War fiction, the narcotic haze of amusement
culture in China, and the meaning of protest and utopian critique
in contemporary art. The issue also features an interview with autonomist
Paolo Virno on social individualism and imagination. Exploring
how the current dystopian worldview points toward alternative utopian
futures, the contributors seize a critical opportunity for new forms of
cultural politics to emerge.
Contributors
Thierry Bardini, John Beck, Mark Chou, Mark Dorrian, Gair Dunlop, Mark Featherstone,
Jonathan Harris, Malcolm Miles, Tao Dongfeng, Paolo Virno
Mark Featherstone is Senior Lecturer in Sociology at Keele University.
Malcolm Miles is Professor of Cultural Theory at the University of
Plymouth School of Architecture, Design and Environment.
Porn Archives
tim dean, steven ruszczycky
& david squires, editors
“Everyone working on porn will have to refer to this field-defining collection.
It is an important book, notable for its compelling argument, stellar
roster of contributors, intellectual heft, and broad theoretical scope.
It is the most exacting and exciting statement about porn studies to date.”
—ROBYN WIEGMAN, author of Object Lessons
While sexually explicit writing and
art have been around for millennia,
pornography—as an aesthetic, moral,
and juridical category—is a modern invention.
The contributors to Porn Archives
explore how the production and proliferation
of pornography has been intertwined
with the emergence of the archive as a
conceptual and physical site for preserving,
cataloguing, and transmitting documents
and artifacts. By segregating and regulating
access to sexually explicit material,
archives have helped constitute pornography
as a distinct genre. As a result,
porn has become a site for the production of knowledge, as well as
the production of pleasure.
Jess, Untitled “paste-up” (ca.
1950s). © The Jess Collins Trust,
used by permission.
The essays in this collection address the historically and culturally
varied interactions between porn and the archive. Topics range from
library policies governing access to sexually explicit material to the
growing digital archive of “war porn,” or eroticized combat imagery;
and from same-sex amputee porn to gay black comic book superhero
porn. Together the pieces trace pornography as it crosses borders,
transforms technologies, consolidates sexual identities, and challenges
notions of what counts as legitimate forms of knowledge. The collection
concludes with a valuable resource for scholars: a list of pornography
archives held by institutions around the world.
Contributors
Jennifer Burns Bright, Eugenie Brinkema, Joseph Bristow, Robert L. Caserio, Ronan
Crowley, Tim Dean, Robert Dewhurst, Lisa Downing, Frances Ferguson, Loren Glass,
Harri Kalha, Marcia Klotz, Prabha Manuratne, Mireille Miller-Young, Nguyen Tan Hoang,
John Paul Ricco, Steven Ruszczycky, Melissa Schindler, Darieck Scott, Caitlin Shanley,
Ramón E. Soto-Crespo, David Squires, Linda Williams
Tim Dean is Professor of English and Comparative Literature at SUNY
at Buffalo, where he is also the Director of the Center for the Study
of Psychoanalysis and Culture. He is the author of Unlimited Intimacy:
Reflections on the Subculture of Barebacking and Beyond Sexuality.
Steven Ruszczycky recently completed a PhD in English at SUNY at
Buffalo, where David Squires is a PhD candidate in English.
24
CULTURAL STUDIES
July 164 pages, 11 illustrations Vol. 10, no. 2
paper, 978–0–8223–6818–2, $15.00/£9.99
CULTURAL STUDIES/GENDER STUDIES
December 544 pages, 31 illustrations
paper, 978–0–8223–5680–6, $29.95/£19.99
cloth, 978–0–8223–5671–4, $99.95/£65.00

women’s studies
A Taste for Brown Sugar
Black Women in Pornography
mireille miller-young
Street Corner Secrets
Sex, Work, and Migration in the City of Mumbai
svati p. shah
“Finally: scholarship that centers black women’s labor and ideas in both
academia and the sex industries and gives crucial voice to underrepresented
workers and feminist thinkers. Accessible to scholars and general
readers alike, this book will enrage you, enlighten you, and make you
rethink everything you know about race and sex.”—TRISTAN TAORMINO,
author of True Lust: Adventures in Sex, Porn, and Peversion
A Taste for Brown Sugar boldly takes on
representations of black women’s sexuality
in the porn industry. It is based on
Mireille Miller-Young’s extensive archival
research and her interviews with dozens
of women who have worked in the adult
entertainment industry since the 1980s.
The women share their thoughts about
desire and eroticism, black women’s sexuality
and representation, and ambition
and the need to make ends meet. Miller-
Young documents their interventions into
the complicated history of black women’s
sexuality, looking at individual choices,
however small—a costume, a gesture, an improvised line—as small acts
of resistance, of what she calls “illicit eroticism.” Building on the work
of other black feminist theorists, and contributing to the field of sex
work studies, she seeks to expand discussion of black women’s sexuality
to include their eroticism and desires, as well as their participation
and representation in the adult entertainment industry. Miller-Young
wants the voices of black women sex workers heard, and the decisions
they make, albeit often within material and industrial constraints,
recognized as their own.
Jeannie Pepper, Cannes, France
1986. Courtesy of JohnDragon.com.
Mireille Miller-Young is Associate Professor of Feminist Studies at the
University of California, Santa Barbara. She is a coeditor of The Feminist
Porn Book: The Politics of Producing Pleasure.
“I learned a tremendous amount from Street Corner Secrets. Svati P. Shah
thoughtfully and passionately lays out the struggles poor women face every
day and their creative attempts to survive and move forward. Her concern
about and respect for the women she meets shines through on every page.
This is the best of engaged anthropology. It will become a classic on gendered
labor, sexual labor, and the precarity of informal work.”—DENISE BRENNAN,
author of Life Interrupted: Trafficking into Forced Labor in the United States
Street Corner Secrets challenges widespread
notions of sex work in India by
examining solicitation in three spaces
STREET CORNER SECRETS
within the city of Mumbai that are
seldom placed within the same analytic
frame—brothels, streets, and public
day-wage labor markets (nakas), where
sexual commerce may be solicited
discreetly alongside other incomegenerating
activities. Focusing on women
who migrated to Mumbai from rural, economically
underdeveloped areas within
Sex, Work, and Migration
in the City of Mumbai
SVATI P. SHAH India, Svati P. Shah argues that selling
sexual services is one of a number of
ways women working as laborers may earn a living, demonstrating that
sex work, like day labor, is a part of India’s vast informal economy. Here,
various means of earning—legitimized or stigmatized, legal or illegal—
overlap or exist in close proximity to one another, shaping a narrow field
of livelihood options that women navigate daily. In the course of this rich
ethnography, Shah discusses policing practices, migrants’ access to housing
and water, the idea of public space, critiques of states and citizenship,
and the discursive location of violence within debates on sexual commerce.
Throughout, the book analyzes the epistemology of prostitution, and the
silences and secrets that constitute the discourse of sexual commerce on
Mumbai’s streets.
Svati P. Shah is Assistant Professor in the Department of Women, Gender,
Sexuality Studies at the University of Massachusetts, Amherst.
NEXT WAVE: NEW DIRECTIONS IN WOMEN’S STUDIES
A Series Edited by Inderpal Grewal, Caren Kaplan, and Robyn Wiegman
WOMEN’S STUDIES/AFRICAN AMERICAN STUDIES
October 400 pages, 40 color illustrations
paper, 978–0–8223–5828–2, $27.95/£17.99
cloth, 978–0–8223–5814–5, $99.95/£65.00
ANTHROPOLOGY/SOUTH ASIA/WOMEN’S STUDIES
August 272 pages, 6 illustrations
paper, 978–0–8223–5698–1, $24.95/£15.99
cloth, 978–0–8223–5689–9, $89.95/£59.00
25

gay & lesbian / queer / transgender studies
A View from the Bottom
Asian American Masculinity
and Sexual Representation
nguyen tan hoang
“Nguyen Tan Hoang’s exciting book is a compelling account of the aesthetic,
political, and queer possibilities of racialized forms of ‘bottomhood.’
As someone who has been writing about masochism and passivity in
relation to queer femininities for a while, I realize that this is the book
I have needed in sorting through the complex forms of personhood, pleasure,
and power that bottomhood braids into the meanings of race, nation,
and sexuality.”—JACK HALBERSTAM, author of The Queer Art of Failure
A View from the Bottom offers a
major critical reassessment of male
effeminacy and its racialization in
visual culture. Examining portrayals
of Asian and Asian American men in
Hollywood cinema, European art film,
gay pornography, and experimental
documentary, Nguyen Tan Hoang
explores the cultural meanings that
accrue to sexual positions. He shows
how cultural fantasies around the
position of the sexual “bottom” overdetermine
and refract the meanings of
race, gender, sexuality, and nationality
in American culture in ways that both enable and constrain Asian
masculinity. Challenging the association of bottoming with passivity and
abjection, Nguyen suggests ways of thinking about the bottom position
that afford agency and pleasure. A more capacious conception of
bottomhood—as a sexual position, a social alliance, an affective bond,
and an aesthetic form—has the potential to destabilize sexual, gender,
and racial norms, suggesting an ethical mode of relation organized not
around dominance and mastery but around the risk of vulnerability and
shame. Thus reconceived, bottomhood as a critical category creates
new possibilities for arousal, receptiveness, and recognition, and offers
a new framework for analyzing sexual representations in cinema as well
as understanding their relation to oppositional political projects.
Nguyen Tan Hoang is Assistant Professor of English and Film Studies
at Bryn Mawr College. He is also a videomaker whose works include
look_im_azn, K.I.P., PIRATED! and Forever Bottom! His videos have been
screened at the Museum of Modern Art, The Getty Center, and the Centre
Pompidou.
On the Visceral, Part I
Race, Sex, and Other Gut Feelings
sharon holland, marcia ochoa &
kyla wazana tompkins, special issue editors
a special issue of GLQ
Using the gut as a starting point,
this special issue of GLQ focuses
on the idea of the visceral as a
trope for the carnal and bloody
logic that organizes life. It brings
together scholars working in food
studies, American studies, sexuality
and queer studies, and critical
race theory, who are keen not
only to understand patterns of
bodily production and consumption
but also to propose new
theoretical scaffoldings for our
understanding of the intersection
of race, food, the human, and
the animal. These essays highlight
the moments, texts, and
processes that link food, flesh,
and the alimentary tract to
systems of pleasure—as well as to historical and political systems of
inequality. The contributors seek to unearth structures of feeling, sensing,
and embodiment that have been obscured either by colonialist
historiography or political prejudice.
Sweetness January 20, 2006. gimmepicture@
dirtysurface.com.
Contributors
Leah Devun, Sharon Holland, Rachel Lee, Jennifer C. Nash, Marcia Ochoa, Kyla Wazana
Tompkins, Zeb Tortorici
Sharon Holland is Associate Professor of English at Duke University.
She is the author of The Erotic Life of Racism and Raising the Dead:
Readings of Death and (Black) Subjectivity, both published by Duke
University Press. Marcia Ochoa is Associate Professor of Feminist Studies
at the University of California, Santa Cruz. She is the author of Queen for
a Day: Transformistas, Beauty Queens, and the Performance of Femininity
in Venezuela, also published by Duke University Press. Kyla Wazana
Tompkins is Associate Professor of English and Gender and Women’s
Studies at Pomona College.
PERVERSE MODERNITIES
A Series Edited by Jack Halberstam and Lisa Lowe
26
QUEER THEORY/ASIAN AMERICAN STUDIES
July 312 pages, 39 illustrations
paper, 978–0–8223–5684–4, $24.95/£15.99
cloth, 978–0–8223–5672–1, $89.95/£59.00
CULTURAL STUDIES/QUEER THEORY
September 140 pages, 2 illustrations Vol. 20, no. 4
paper, 978–0–8223–6816–8, $12.00/£9.99

gay & lesbian / queer / transgender studies
Decolonizing the Transgender Imaginary
aren aizura, marcia ochoa, salvador
vidal-ortiz, trystan cotton & carsten Balzer/
Carla laGata, special issue editors
a special issue of TSQ: TRANSGENDER STUDIES QUARTERLY
Queer Theory without Antinormativity
robyn wiegman &
elizabeth a. wilson, special issue editors
a special issue of DIFFERENCES
What is at stake in acknowledging transgender studies’ Anglophone
roots in the global North and West What kinds of politics might
emerge from challenging the assumption that biological sex—or the
categories “man” and “woman”—is stable and self-evident across
time, space, and culture This special issue of TSQ: Transgender Studies
Quarterly asks how trans scholarship can decolonize, rather than
reproduce, dominant imaginaries of sexuality and gender.
The issue highlights roadblocks as well as unexpected openings in the
global circulation of trans politics and culture. A First Nations scholar
recovers lost tribal knowledge of non-Eurocentric gender. A Thai trans
filmmaker negotiates culturally incommensurable categories of self.
Two contributors consider what is lost as the term transgender replaces
local, vernacular categories of difference in India. A study of genderqueer
childhood in Peru disrupts colonial ethnographer-informant
roles, while another author critiques the colonialist ethnography on the
sarimbavy, gender nonconforming categories of Madagascar. Another
essay follows the global commodity chain of synthetic hormones to
explore the biopolitics of transgender bodies and race. Finally, a roundtable
discussion among transnational activists, culture makers, and
scholars offers perspectives ranging from the celebratory to the cynical
on decolonizing the transgender imaginary.
Contributors
Aren Aizura, Finn Jackson Ballard, Carsten Balzer/Carla LaGata, Karma Chavez,
Giancarlo Cornejo, Trystan Cotton, Aniruddha Dutta, Julian Gill-Peterson, Marcia Ochoa,
Seth Palmer, Jai Arun Ravine, Lara Rodriguez, Liz Rosenfeld, Raina Roy, T. J. Tallie,
Salvador Vidal-Ortiz, Saylesh Wesley, Cindy Wu
Aren Aizura is Assistant Professor of Women and Gender Studies in the
School of Social Transformation at Arizona State University. Marcia Ochoa
is Associate Professor of Feminist Studies at the University of California,
Santa Cruz. Salvador Vidal-Ortiz is Associate Professor of Sociology
at American University. Trystan Cotton is Associate Professor of Gender
Studies at California State University, Stanislaus. Carsten Balzer/Carla
LaGata is the senior researcher of Transgender Europe and lead researcher
of the Transrespect versus Transphobia Worldwide project.
The tyrannies of sexual normativity have been widely denounced
in queer theory. Heteronormativity, homonormativity, family values,
marriage, and monogamy have all been objects of sustained queer
critique, most often in purely oppositional form: as antinormativity.
The contributors to this special issue of differences ask a seemingly
simple question of this critical code: can queer theory proceed without
a primary allegiance to antinormativity These essays offer an affirmative
answer either by rethinking normativity or eschewing it altogether
in order to redirect the intellectual and political energies of the field.
Contributors
Erica Edwards, Annamarie Jagose, Vicki Kirby, Heather Love, Madhavi Menon,
Elizabeth A. Povinelli, Michael Warner, Robyn Wiegman, Elizabeth A. Wilson
Robyn Wiegman is Professor of Literature and Women’s Studies at
Duke University. She is the author of Object Lessons and editor of Women’s
Studies on Its Own: A Next Wave Reader in Institutional Change, both
published by Duke University Press. Elizabeth A. Wilson is Professor
of Women’s, Gender, and Sexuality Studies at Emory University. She is
the author of Psychosomatic: Feminism and the Neurological Body, also
published by Duke University Press.
TRANSGENDER STUDIES
August 176 pages Vol. 1, no. 3
paper, 978–0–8223–6817–5, $12.00/£9.99
QUEER THEORY
October 200 pages Vol. 26, no. 1
paper, 978–0–8223–6813–7, $14.00/£9.99
27

music
Roy Cape
A Life on the Calypso and Soca Bandstand
jocelyne guilbault & roy cape
Beautiful Data
A History of Vision and Reason since 1945
orit halpern
media studies
“Roy Cape is a true delight. It is an engagingly written portrayal of the
interplay of Roy Cape’s musicianship and life, demonstrating how his social
relations on the bandstand are inextricably connected to the way he lives
in the world. I like the way that the book moves from the conventions of
biography to a lively exchange between Roy and Jocelyne Guilbault, and
then becomes increasingly adventurous, only to slow down again before
the poignant afterword.”—RONALD RADANO, author of Lying Up a
Nation: Race and Black Music
“Beautiful Data is a wonderful book, deeply engaging and full of compelling
insights. Reading across fields, disciplines, borders, and issues, Orit
Halpern chronicles the emergence of a new way of thinking about the
world for the digital moment. It is crucial reading for anyone interested
in the new directions in which the humanities, the arts, and education are
moving.”—PRISCILLA WALD, author of Contagious: Cultures, Carriers,
and the Outbreak Narrative
joCeLyne guiLBAuLt
A Life on the CALypso
roy CApe
soCA BAndstAnd
Roy Cape is a Trinidadian saxophonist
active as a band musician for more
than fifty years and as a bandleader
for more than thirty. He is known
throughout the islands and the
Caribbean diasporas in North America
and Europe. Part ethnography, part
biography, and part Caribbean music
history, Roy Cape is about the making
of reputation and circulation, and
about the meaning of labor and work
ethics. An experiment in storytelling,
it joins Roy’s voice with that of
ethnomusicologist Jocelyne Guilbault.
The idea for the book emerged from an exchange they had while discussing
Roy’s journey as a performer and bandleader. In conversation,
they began experimenting with voice, with who takes the lead, who
says what, when, to whom, and why. Their book reflects that dynamic,
combining first-person narrative, dialogue, and the polyphony of Roy’s
bandmates’ voices. Listening to recordings and looking at old photographs
elicited more recollections, which allowed Roy to expand on
recurring themes and motifs. This congenial, candid book offers different
ways of knowing Roy’s labor of love—his sound and work through
sound, his reputation and circulation as a renowned musician and bandleader
in the world.
Jocelyne Guilbault is Professor of Music at the University of California,
Berkeley. She is the author of Governing Sound: The Cultural Politics
of Trinidad’s Carnival Musics and Zouk: World Music in the West Indies.
Roy Cape (born in Trinidad in 1942) is an internationally renowned calypso
and soca musician and bandleader. He has toured widely, played on hundreds
of recordings, and released eight albums with his band Roy Cape All
Stars.
Charles and Ray Eames, Glimpses of the USA, Moscow 1959. ©2013 Eames Office, LLC
(eamesoffice.com).
Beautiful Data is both a history of big data and interactivity, and
a sophisticated meditation on ideas about vision and cognition in the
second half of the twentieth century. Contending that our forms of
attention, observation, and truth are contingent and contested, Orit
Halpern historicizes the ways that we are trained, and train ourselves,
to observe and analyze the world. Tracing the postwar impact of
cybernetics and the communication sciences on the social and human
sciences, design, arts, and urban planning, she finds a radical shift in
attitudes toward recording and displaying information. These changed
attitudes produced what she calls communicative objectivity: new forms
of observation, rationality, and economy based on the management
and analysis of data. Halpern complicates assumptions about the value
of data and visualization, arguing that changes in how we manage and
train perception, and define reason and intelligence, are also transformations
in governmentality. She also challenges the paradoxical belief
that we are experiencing a crisis of attention caused by digital media, a
crisis that can be resolved only through intensified media consumption.
Orit Halpern is Assistant Professor of History at the New School for Social
Research and Eugene Lang College.
EXPERIMENTAL FUTURES:
TECHNOLOGICAL LIVES, SCIENTIFIC ARTS,
ANTHROPOLOGICAL VOICES
A Series Edited by Michael M. J. Fischer and Joseph Dumit
28
MUSIC/ANTHROPOLOGY
October 328 pages, 57 illustrations
paper, 978–0–8223–5774–2, $24.95/£15.99
cloth, 978–0–8223–5760–5, $89.95/£59.00
MEDIA STUDIES/SCIENCE STUDIES
January 384 pages, 108 illustrations
paper, 978–0–8223–5744–5, $27.95/£17.99
cloth, 978–0–8223–5730–8, $99.95/£65.00

media studies
Forensic Media
Reconstructing Accidents in Accelerated Modernity
greg siegel
Celebrities and Publics in the Internet Era
sharon marcus, special issue editor
a special issue of PUBLIC CULTURE
“An original historical analysis of the intersection of accidents and media,
this book resonates with the present climate of terror and risk, bringing a
significant historical dimension to our understanding of the contemporary
moment. Forensic Media demonstrates how thoroughly the technological
accident drives and is driven by parallel developments in modern recording
media. By raising crucial questions about the role of the mediated accident
in modern debates on causality, evidence, knowledge, and narrative, it
makes significant contributions to media archeology and the history of
science.”—KAREN BECKMAN, editor of Animating Film Theory
Photograph by and courtesy of Jeffrey Milstein.
www.jeffreymilstein.com
In Forensic Media, Greg
Siegel considers how photographic,
electronic, and
digital media have been
used to record and reconstruct
accidents, particularly
high-speed crashes and
catastrophes. Focusing in
turn on the birth of the
field of forensic engineering,
Charles Babbage’s invention
of a “self-registering
apparatus” for railroad trains, flight-data and cockpit voice recorders
(“black boxes”), the science of automobile crash-testing, and various
accident-reconstruction techniques and technologies, Siegel shows
how “forensic media” work to transmute disruptive chance occurrences
into reassuring narratives of causal succession. Through historical
and philosophical analyses, he demonstrates that forensic media are
as much technologies of cultural imagination as they are instruments
of scientific inscription, as imbued with ideological fantasies as they
are compelled by institutional rationales. By rethinking the historical
links and cultural relays between accidents and forensics, Siegel sheds
new light on the corresponding connections between media, technology,
and modernity.
Jay-Z and Marina Abramović. Still from Picasso Baby: A Performance Art Film, 2013 (director
Mark Romanek).
The contributors to Celebrities and Publics in the Internet Era ask how
new digital media platforms such as search engines, Twitter, Facebook,
Instagram, and YouTube have qualitatively changed celebrity culture.
Drawing on examples ranging from the luxury selfies of microcelebrities
including Kane Lim to performance artist Marina Abramović’s collaborations
with Jay-Z and Lady Gaga, from the karaoke standard in shows
such as American Idol to Syrian singer Assala’s media battle with the
Assad regime, and from the “emotion economy” of reality TV to the
influence of such network entrepreneurs as Tim O’Reilly, the essays in
this special issue of Public Culture identify core structural features that
contribute to the development of a new theory of celebrity.
Contributors
Laura Grindstaff, Marwan M. Kraidy, Christine Larson, Sharon Marcus, Alice E. Marwick,
Susan Murray, Sharrona Pearl, Dana Polan, Carlo Rotella, Karen Tongson, Fred Turner
Sharon Marcus is Orlando Harriman Professor of English and Comparative
Literature at Columbia University.
Greg Siegel is Associate Professor of Film and Media Studies at the
University of California, Santa Barbara.
SIGN, STORAGE, TRANSMISSION
A Series Edited by Jonathan Sterne and Lisa Gitelman
MEDIA STUDIES/SCIENCE STUDIES
November 296 pages, 57 illustrations
paper, 978–0–8223–5753–7, $24.95/£15.99
cloth, 978–0–8223–5739–1, $89.95/£59.00
MEDIA STUDIES/CULTURAL STUDIES
December 200 pages, 40 illustrations Vol. 27, no. 1
paper, 978–0–8223–6814–4, $16.00/£9.99
29

american studies
New World Drama
The Performative Commons
in the Atlantic World, 1649–1849
elizabeth maddock dillon
“Beginning with regicide and ending in riot, New World Drama revisits key
sites along the Atlantic rim to show how theatrical audiences, electing their
representatives from a ballot of dramatic characters, expanded the ‘public
sphere’ of the print world into a dynamic ‘performative commons.’ In this
innovative book, Elizabeth Maddock Dillon reframes discussion across
literature, history, cultural studies, and performance studies.”—JOSEPH
ROACH, author of Cities of the Dead: Circum-Atlantic Performance
In New World Drama, Elizabeth
Maddock Dillon turns to the riotous
E lizabeth
M addock
scene of theatre in the eighteenth-
DILLON
N EW
century Atlantic world to explore the
W ORLD
creation of new publics. Moving from
D RAMA
England to the Caribbean to the early
the
PERFORMATIVE
COMMONS
United States, she traces the theatri-
in the
ATLANTIC
cal emergence of a collective body
WORLD
1649–1849
in the colonized New World—one
that included indigenous peoples,
diasporic Africans, and diasporic
Europeans. In the raucous space of
the theatre, the contradictions of
colonialism loomed large. Foremost
among these was the central paradox of modernity: the coexistence of
a massive slave economy and a nascent politics of freedom.
Audiences in London eagerly watched the royal slave, Oroonoko, tortured
on stage, while audiences in Charleston and Kingston were
forbidden from watching the same scene. Audiences in Kingston and
New York City exuberantly participated in the slaying of Richard III on
stage, enacting the rise of the “people,” and Native American leaders
were enjoined to watch actors in blackface “jump Jim Crow.” Dillon
argues that the theater served as a “performative commons,” staging
debates over representation in a political world based on popular sovereignty.
Her book is a capacious account of performance, aesthetics, and
modernity in the eighteenth-century Atlantic world.
Formations of United States Colonialism
alyosha goldstein, editor
“This indispensable anthology makes a significant intervention in multiple
fields by bridging what has often been seen as two separate processes,
the consolidation of U.S. control over the continent and the rise of formal
overseas interests at the end of the nineteenth century. The collected
essays offer rich and substantive directions for future investigations to
scholars interested in what American Indian and Indigenous studies bring
to American studies and U.S. imperial studies.”—JODI A. BYRD, author
of The Transit of Empire: Indigenous Critiques of Colonialism
Bridging the multiple histories and present-day iterations of U.S.
settler colonialism in North America and its overseas imperialism
in the Caribbean and the Pacific, the essays in this groundbreaking
volume underscore the United States as a fluctuating constellation
of geopolitical entities marked by overlapping and variable practices
of colonization. By rethinking the intertwined experiences of Native
Americans, Puerto Ricans, Chamorros, Filipinos, Hawaiians, Samoans,
and others subjected to U.S. imperial rule, the contributors consider
how the diversity of settler claims, territorial annexations, overseas
occupations, and circuits of slavery and labor—along with their attendant
forms of jurisprudence, racialization, and militarism—both facilitate
and delimit the conditions of colonial dispossession. Drawing on the
insights of critical indigenous and ethnic studies, postcolonial theory,
critical geography, ethnography, and social history, this volume emphasizes
the significance of U.S. colonialisms as a vital analytic framework
for understanding how and why the United States is what it is today.
Contributors
Julian Aguon, Joanne Barker, Berenika Byszewski, Jennifer Denetdale, Augusto Espiritu,
Alyosha Goldstein, J. Kēhaulani Kauanui, Barbara Krauthamer, Lorena Oropeza, Vicente
L. Rafael, Dean Itsuji Saranillio, Lanny Thompson, Fa’anofo Lisaclaire Uperesa, Manu
Vimalassery
Alyosha Goldstein is Associate Professor of American Studies at the
University of New Mexico. He is the author of Poverty in Common: The
Politics of Community Action during the American Century, also published
by Duke University Press.
Elizabeth Maddock Dillon is Professor of English at Northeastern
University. She is the author of The Gender of Freedom: Fictions of
Liberalism and the Literary Public Sphere.
NEW AMERICANISTS
A Series Edited by Donald A. Pease
30
AMERICAN STUDIES/THEATER
August 360 pages, 17 illustrations
paper, 978–0–8223–5341–6, $26.95/£17.99
cloth, 978–0–8223–5324–9, $94.95/£62.00
AMERICAN STUDIES
October 424 pages, 14 illustrations
paper, 978–0–8223–5810–7, $27.95/£17.99
cloth, 978–0–8223–5796–4, $99.95/£65.00

american studies
Orgies of Feeling
Melodrama and the Politics of Freedom
elisabeth r. anker
Soundtracks of Asian America
Navigating Race through Musical Performance
grace wang
“Anyone who thinks that melodrama is inherently politically progressive
is advised to read this book, the first to systematically apply the role
of the American melodramatic mode to the politics of American heroic
sovereignty. Perhaps the boldest part of Elisabeth R. Anker’s thesis is not
simply the general argument that Americans often cast their politics into
narratives of victimization and vengeance, but the historical argument that
a new kind of melodrama has emerged ‘with a vengeance’ after the end of
the Cold War and especially after 9/11. I am in awe at this book’s boldness
and acuity.”—LINDA WILLIAMS, author of On The Wire
Melodrama is not just a film or literary
genre but a powerful political
discourse that galvanizes national
orgies of feeling sentiment to legitimate state violence.
Finding virtue in national suffering
and heroism in sovereign action,
melodrama and melodramatic political discourses
the politics of freedom
cast war and surveillance as moral
imperatives for eradicating villainy
and upholding freedom. In Orgies
elisabeth r. anker of Feeling, Elisabeth R. Anker boldly
reframes political theories of sovereignty,
freedom, and power by
analyzing the work of melodrama
and affect in contemporary politics. Arguing that melodrama animates
desires for unconstrained power, Anker examines melodramatic discourses
in the War on Terror, neoliberal politics, anticommunist rhetoric,
Hollywood film, and post-Marxist critical theory. Building on Friedrich
Nietzsche’s notion of “orgies of feeling,” in which overwhelming
emotions displace commonplace experiences of vulnerability and powerlessness
onto a dramatic story of injured freedom, Anker contends
that the recent upsurge in melodrama in the United States is an indication
of public discontent. Yet the discontent that melodrama reflects is
ultimately an expression of the public’s inability to overcome systemic
exploitation and inequality rather than an alarmist response to inflated
threats to the nation.
“Soundtracks of Asian America is smart and informed, capacious and beautifully
written. Arguing that the racialized imagination works similarly across
musical genres, Grace Wang explores senses of Asian and Asian American
belonging across the worlds of classical and popular music. From young
classical musicians’ parents as key sites of ideology formation to the
‘reverse migration’ of young Asian Americans to East Asian popular music
markets, her case studies are inspired and telling.”—DEBORAH WONG,
author of Speak It Louder: Asian Americans Making Music
In Soundtracks of Asian America, Grace Wang explores how Asian
Americans use music to construct narratives of self, race, class, and
belonging in national and transnational spaces. She highlights how they
navigate racialization in different genres by considering the experiences
of Asians and Asian Americans in Western classical music, U.S. popular
music, and Mandopop (Mandarin-language popular music). Her study
encompasses the perceptions and motivations of middle-class Chinese
and Korean immigrant parents intensely involved in their children’s classical
music training, and of Asian and Asian American classical musicians
whose prominence in their chosen profession is celebrated by some and
undermined by others. Wang interviews young Asian American singersongwriters
using YouTube to contest the limitations of a racialized U.S.
media landscape, and investigates the transnational modes of belonging
forged by Asian American pop stars pursuing recording contracts and
fame in East Asia. Foregrounding musical spaces where Asian Americans
are particularly visible, Wang examines how race matters and operates
in the practices and institutions of music making.
Grace Wang is Associate Professor of American Studies at the University
of California, Davis.
Elisabeth R. Anker is Assistant Professor of American Studies and
Political Science at George Washington University.
AMERICAN STUDIES/POLITICAL THEORY
August 344 pages, 14 illustrations
paper, 978–0–8223–5697–4, $25.95/£16.99
cloth, 978–0–8223–5686–8, $94.95/£62.00
ASIAN AMERICAN STUDIES/MUSIC
January 288 pages, 4 photographs
paper, 978–0–8223–5784–1, $23.95/£15.99
cloth, 978–0–8223–5769–8, $84.95/£55.00
31

american studies
Staging the Blues
From Tent Shows to Tourism
paige a. mcginley
Desire and Disaster in New Orleans
Tourism, Race, and Historical Memory
lynnell l. thomas
“This beautifully written and engaging account of how blues has been
staged will change for good how theater scholars think of musical performance,
and how music scholars think of theater. Paige A. McGinley’s observation
that ‘authenticity is produced theatrically, on stage, in the context of
the performance event’ deconstructs the binary between authenticity and
inauthenticity, allowing her to focus on black agency and subjectivity as it
is produced in and through performance.”—GAYLE WALD, author of Shout,
Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta
Tharpe
“This highly original book fills a significant gap in the literature on New
Orleans and on tourism in general by offering a rare look at African American
tourism within the dominant (white) tourism narrative. Desire and Disaster
in New Orleans will be vital reading for scholars working on New Orleans
and those examining representations of African Americans in modern
American culture. It is filled with astute analyses based on Lynnell L.
Thomas’s impressive interpretations of sources ranging from websites to
interviews.”—ANTHONY J. STANONIS, author of Creating the Big Easy:
New Orleans and the Emergence of Modern Tourism, 1918–1945
Singing was just one element of blues
performance in the early twentieth
century. Ma Rainey, Bessie Smith,
and other classic blues singers also
tapped, joked, and flaunted extravagant
costumes on tent show and black
vaudeville stages. The press even
described these women as “actresses”
long before they achieved worldwide
fame for their musical recordings. In
Staging the Blues, Paige A. McGinley
shows that even though folklorists,
record producers, and festival promoters
set the theatricality of early blues
aside in favor of notions of authenticity, it remained creatively vibrant
throughout the twentieth century. Highlighting performances by Rainey,
Smith, Lead Belly, Sister Rosetta Tharpe, Sonny Terry, and Brownie
McGhee in small Mississippi towns, Harlem theaters, and the industrial
British North, this pioneering study foregrounds virtuoso blues artists
who used the conventions of the theater, including dance, comedy,
and costume, to stage black mobility, to challenge narratives of racial
authenticity, and to fight for racial and economic justice.
Staging
the Blues
TO TOURISM
FROM TENT SHOWS
PAIGE A. MCGINLEY
Paige A. McGinley is Assistant Professor of Performing Arts at
Washington University in St. Louis.
Most of the narratives packaged for
New Orleans’s many tourists cultivate
a desire for black culture—jazz, cuisine,
dance—while simultaneously targeting
black people and their communities
as sources and sites of political, social,
and natural disaster. In this timely
DESirE &
book, the Americanist and New Orleans
DiSAStEr in nEw orLEAnS native Lynnell L. Thomas delves into
the relationship between tourism,
cultural production, and racial politics.
She carefully interprets the racial narratives
embedded in tourist websites,
tourism, race, and Historical Memory Lynnell L. thomas
travel guides, business periodicals,
and newspapers; the thoughts of tour guides and owners; and the
stories told on bus and walking tours as they were conducted both
before and after Katrina. She describes how, with varying degrees
of success, African American tour guides, tour owners, and tourism
industry officials have used their own black heritage tours and tourismfocused
businesses to challenge exclusionary tourist representations.
Taking readers from the Lower Ninth Ward to the White House, Thomas
highlights the ways that popular culture and public policy converge to
create a mythology of racial harmony that masks a long history of racial
inequality and structural inequity.
Lynnell L. Thomas is Associate Professor of American Studies at the
University of Massachusetts, Boston.
32
AMERICAN STUDIES/MUSIC
September 296 pages, 28 illustrations
paper, 978–0–8223–5745–2, $24.95/£15.99
cloth, 978–0–8223–5731–5, $89.95/£59.00
AMERICAN STUDIES/AFRICAN AMERICAN STUDIES
August 272 pages, 32 illustrations
paper, 978–0–8223–5728–5, $23.95/£15.99
cloth, 978–0–8223–5714–8, $84.95/£55.00

american studies
Fighting for Recognition
Identity, Masculinity, and the Act of Violence
in Professional Wrestling
r. tyson smith
Wandering
Philosophical Performances
of Racial and Sexual Freedom
sarah jane cervenak
african american studies
“Behind the hypermacho performance of pro wrestling, R. Tyson Smith
reveals a backstage where hard aggressive bodies are actually soft and
yielding, hypersensitive as lovers so that they don’t cripple each other.
It is more akin to ballet than battle, except that all the effort goes into
giving the opposite impression. This is one of the great ethnographies of
the backstage of occupations, of athletes, of show business, of the bodily
self—and of social performance itself.”—RANDALL COLLINS, author of
Violence: A Micro-sociological Theory
“The rigorous turns and supple overturnings in Wandering illuminate and
extend meditative resistance to the racial and sexual pathologization of
the irregular, antiregulative, social, and aesthetic movement animating
the history of black thought. Sarah Jane Cervenak’s devoted study of the
disruption of linearity, from David Walker to Gayl Jones, from Harriet Jacobs
to William Pope.L challenges and allows us to understand that the errand
of blackness is a wandering whose origin and end are dislocation, where
the new thing awaits.”—FRED MOTEN, author of B Jenkins
FIGHTING FOR
RECOGNITION
In Fighting for Recognition, R. Tyson
Smith enters the world of independent
professional wrestling,
a community-based entertainment
staged in community centers, highschool
gyms, and other modest
venues. Like the big-name, televised
pro-wrestlers who originally inspired
them, indie wrestlers engage in choreographed
fights in character. Smith
IDENTITY, MASCULINITY, AND THE ACT OF
VIOLENCE IN PROFESSIONAL WRESTLING details the experiences, meanings,
and motivations of the young men
R. TYSON SMITH
who wrestle as “Lethal” or “Southern
Bad Boy,” despite receiving little-tono
pay and risking the possibility of serious and sometimes permanent
injury. Exploring intertwined issues of gender, class, violence, and
the body, he sheds new light on the changing sources of identity in
a postindustrial society that increasingly features low wages, insecure
employment, and fragmented social support. Smith uncovers the
tensions between strength and vulnerability, pain and solidarity, and
homophobia and homoeroticism that play out both backstage and in
the ring as the wrestlers seek recognition from fellow performers and
devoted fans.
R. Tyson Smith is Visiting Assistant Professor of Sociology at Brown
University.
WANDER I NG
Philosophical Performances of
Racial and Sexual Freedom
Sarah Jane Cervenak
Combining black feminist theory,
philosophy, and performance studies,
Sarah Jane Cervenak ruminates
on the significance of physical and
mental roaming for black freedom.
She is particularly interested in the
power of wandering or daydreaming
for those whose mobility has been
under severe constraint, from the
slave era to the present. Since the
Enlightenment, wandering has been
considered dangerous and even criminal
when associated with people of
color. Cervenak engages artist-philosophers
who focus on wayward movement and daydreaming, or mental
travel, that transcend state-imposed limitations on physical, geographic
movement. From Sojourner Truth’s spiritual and physical roaming to the
rambling protagonist of Gayl Jones’s novel Mosquito, Cervenak highlights
modes of wandering that subvert Enlightenment-based protocols
of rationality, composure, and upstanding comportment. Turning to the
artists William Pope.L, Adrian Piper, and Carrie Mae Weems, Cervenak
argues that their work produces an otherworldly movement, an errant
kinesis that exceeds locomotive constraints, resisting the straighteningout
processes of post-Enlightenment, white-supremacist, capitalist,
sexist, and heteronormative modernity. Their roaming animates another
terrain, one where free, black movement is not necessarily connected
to that which can be seen, touched, known, and materially valued.
Sarah Jane Cervenak is Assistant Professor of Women’s and Gender
Studies and African American Studies at the University of North Carolina,
Greensboro.
SOCIOLOGY/SPORTS/AMERICAN STUDIES
August 240 pages, 27 illustrations
paper, 978–0–8223–5722–3, $23.95/£15.99
cloth, 978–0–8223–5709–4, $84.95/£55.00
AFRICAN AMERICAN STUDIES/PERFORMANCE STUDIES
September 232 pages, 10 photographs
paper, 978–0–8223–5727–8, $23.95/£15.99
cloth, 978–0–8223–5715–5, $84.95/£55.00
33

african american studies
Skin Acts
Race, Psychoanalysis,
and the Black Male Performer
michelle ann stephens
Black Atlas
Geography and Flow in
Nineteenth-Century African American Literature
judith madera
“Michelle Ann Stephens has written a book that anyone interested in race
and psychoanalysis will want to pay attention to, and one that even those
who do not consider themselves interested in the topic will have to pay
attention to. She has taken the most immediate and seemingly obvious site
of racialization, the skin, and given it a revelatory new genealogy. She sets
the standard for all future engagements with what Frantz Fanon termed
‘epidermalization.’ Through arresting readings of modern and contemporary
art and performance, Stephens unfolds the racializing and engendering
of skin within modernity, and makes a powerful argument for reading
it through the lens of feminist, antiracist, and haptic visuality.”—TAVIA
NYONG’O, author of The Amalgamation Waltz: Race, Performance, and
the Ruses of Memory
In Skin Acts, Michelle Ann Stephens
Skin Acts
michelle ann stephens
race, psychoanalysis,
and the black male performer
explores the work of four iconic
twentieth-century black male performers—Bert
Williams, Paul Robeson,
Harry Belafonte, and Bob Marley—to
reveal how racial and sexual difference
is both marked by and experienced
in the skin. She situates each figure
within his cultural moment, examining
his performance in the context of
contemporary race relations and
visual regimes. Drawing on Lacanian
psychoanalysis and performance
theory, Stephens contends that while
black skin is subject to what Frantz Fanon called the epidermalizing
and hardening effects of the gaze, it is in the flesh that other—intersubjective,
pre-discursive, and sensuous—forms of knowing take place
between artist and audience. Analyzing a wide range of visual, musical,
and textual sources, Stephens shows that black subjectivity and performativity
are structured by the tension between skin and flesh, sight
and touch, difference and sameness.
“In Black Atlas Judith Madera shows how the shifting territory comprising
the nation and the even more fluid relation of African Americans to that
evolving terrain enabled the writing of such key figures such as Martin
Delany, William Wells Brown, and Pauline Hopkins. In so doing, Madera
provides an important contribution to African American literary criticism;
the expanding corpus of material focused on territoriality, transnationalism,
and empire; and our understanding of the rise of the novel in the
Americas.”—CAROLINE F. LEVANDER, author of Where is American
Literature
Black Atlas presents definitive new approaches to black geography.
It focuses attention on the dynamic relationship between place and
African American literature during the long nineteenth century,
a volatile epoch of national expansion that gave rise to the Civil War,
Reconstruction, Pan-Americanism, and the black novel. Judith Madera
argues that spatial reconfiguration was a critical concern for the era’s
black writers, especially in response to legacies of containment and
territorialization. But she also demonstrates how the possibility for
new modes of representation could be found in the radical redistricting
of space.
In a series of impressive readings, Madera reveals how crucial geography
was to the genre-bending works of writers such as William Wells
Brown, Martin Delany, James Beckwourth, Pauline Hopkins, Charles
Chesnutt, and Alice Dunbar-Nelson. These authors intervened in major
nineteenth-century debates about free soil, regional production, Indian
deterritorialization, internal diasporas, pan-American expansionism,
and hemispheric circuitry. They staged spaces as multimodal, as sites
for creative dissent and invention. Black geographies stood in for what
was at stake in negotiating a shared world. Black Atlas shows how the
rethinking of place and scale can galvanize the study of black literature.
Judith Madera is Associate Professor of English and Environmental
Studies at Wake Forest University.
Michelle Ann Stephens is Associate Professor of English and Latino and
Hispanic Caribbean Studies at Rutgers University, New Brunswick. She is
the author of Black Empire: The Masculine Global Imaginary of Caribbean
Intellectuals in the United States, 1914–1962, also published by Duke
University Press.
34
AFRICAN AMERICAN STUDIES/CULTURAL STUDIES
August 304 pages, 55 illustrations
paper, 978–0–8223–5677–6, $24.95/£15.99
cloth, 978–0–8223–5668–4, $89.95/£59.00
AFRICAN AMERICAN STUDIES
January 320 pages, 12 illustrations
paper, 978–0–8223–5811–4, $24.95/£15.99
cloth, 978–0–8223–5797–1, $89.95/£59.00

indigenous & native american studies
A Nation Rising
Hawaiian Movements for Life, Land, and Sovereignty
noelani goodyear-ka‘ōpua, ikaika hussey
& erin kahunawaika’ala wright, editors
Photographs by Edward W. Greevy
Colonial Genocide in
Indigenous North America
andrew woolford, jeff benvenuto
& alexander laban hinton, editors
With a Foreword by Theodore Fontaine
“These are the voices of the beating heart of Kanaka Maoli resistance to the
usurpation of Hawaiian land and nationhood. Strong words by good minds,
the book is at once an honest reflection on the Hawaiian struggle and
a motivating call to action to protect the land and waters and heritage. It
is history, it is culture, it is wisdom, it is art, and it is an invaluable contribution
to the literature of Indigenous resurgence.”—TAIAIAKE ALFRED
(Kahnawà:ke Mohawk), Professor of Indigenous Governance, University of
Victoria
“Colonial Genocide in Indigenous North America is one of the best anthologies
I have read in the field of American Indian and Indigenous studies.
Within North American history, few have seriously tackled the central question
of this anthology: to what extent were Indigenous-settler relations
genocidal The failure of U.S. and Canadian scholars to address this question
in a deep and sustained way makes this insightful collection particularly
timely and important.”—NED BLACKHAWK, author of Violence over
the Land: Indians and Empires in the Early American West
A NAtioN RisiNg
A Nation Rising chronicles the political
struggles and grassroots initiatives collectively
known as the Hawaiian sovereignty
movement. Scholars, community organizers,
journalists, and filmmakers contribute
essays that explore Native Hawaiian
resistance and resurgence from the 1970s
to the early 2010s. Photographs and
vignettes about particular activists further
HAwAiiAN MoveMeNts for Life, LANd, and soveReigNty
Noelani Goodyear-Ka‘ōpua, Ikaika Hussey,
bring Hawaiian social movements to life.
and Erin Kahunawaika‘ala Wright, editors
Photographs by Edward W. Greevy
The stories and analyses of efforts to
protect land and natural resources, resist community dispossession, and
advance claims for sovereignty and self-determination reveal the diverse
objectives and strategies, as well as the inevitable tensions of the broadtent
sovereignty movement. The collection explores the Hawaiian political
ethic of ea, which both includes and exceeds dominant notions of statebased
sovereignty. A Nation Rising raises issues that resonate far beyond
the Hawaiian archipelago, issues such as Indigenous cultural revitalization,
environmental justice, and demilitarization.
Contributors
Noa Emmett Aluli, Ibrahim G. Aoudé, Kekuni Blaisdell, Joan Conrow, Noelani Goodyear-
Ka‘ōpua, Edward W. Greevy, Ulla Hasager, Pauahi Ho‘okano, Micky Huihui, Ikaika Hussey,
Manu Ka‘iama, Le‘a Malia Kanehe, J. Kēhaulani Kauanui, Anne Keala Kelly, Jacqueline
Lasky, Davianna Pōmaika‘i McGregor, Nālani Minton, Kalamaoka‘āina Niheu, Katrina-Ann
R. Kapā‘anaokalāokeola Nākoa Oliveira, Jonathan Kamakawiwo‘ole Osorio, Leon No‘eau
Peralto, Kekailoa Perry, Puhipau, Noenoe K. Silva, D. Kapua‘ala Sproat, Ty P. Kāwika
Tengan, Mehana Blaich Vaughan, Kūhiō Vogeler, Erin Kahunawaika‘ala Wright
Noelani Goodyear-Ka‘ōpua is Associate Professor of Political Science
at the University of Hawai‘i at Mānoa. Ikaika Hussey is the Founder and
Publisher of the award-winning news magazine the Hawai‘i Independent.
Erin Kahunawaika‘ala Wright is the Director of Native Hawaiian Student
Services in the Hawai‘inuiākea School of Hawaiian Knowledge at the University
of Hawai‘i at Mānoa. Edward W. Greevy is a freelance photographer whose
career spans more than forty years.
NARRATING NATIVE HISTORIES
A Series Edited by K. Tsianina Lomawaima, Florencia E. Mallon, Alcida Rita Ramos,
and Joanne Rappaport
INDIGENOUS STUDIES/AMERICAN STUDIES/HAWAII
September 416 pages, 83 photographs
paper, 978–0–8223–5695–0, $27.95/£17.99
cloth, 978–0–8223–5683–7, $99.95/£65.00
This important collection of essays expands the geographic, demographic,
and analytic scope of the term genocide to encompass
the effects of colonialism and settler colonialism in North America.
Colonists made multiple and interconnected attempts to destroy
Indigenous peoples as groups. The contributors examine these efforts
through the lens of genocide. Considering some of the most destructive
aspects of the colonization and subsequent settlement of North
America, several essays address Indigenous boarding school systems
imposed by both the Canadian and U.S. governments in attempts to
“civilize” or “assimilate” Indigenous children. Contributors examine
some of the most egregious assaults on Indigenous peoples and
the natural environment, including massacres, land appropriation, the
spread of disease, the near-extinction of the buffalo, and forced political
restructuring of Indigenous communities. Assessing the record of
these appalling events, the contributors maintain that North Americans
must reckon with colonial and settler colonial attempts to annihilate
Indigenous peoples.
Contributors
Jeff Benvenuto, Robbie Ethridge, Theodore Fontaine, Joseph P. Gone, Alexander Laban
Hinton, Tasha Hubbard, Kiera L. Ladner, Tricia E. Logan, David B. MacDonald, Benjamin
Madley, Jeremy Patzer, Julia Peristerakis, Christopher Powell, Colin Samson, Gray H.
Whaley, Andrew Woolford
Andrew Woolford is Professor of Sociology and Criminology and
Social Justice Research Coordinator at the University of Manitoba.
Jeff Benvenuto is a Ph.D. student in the Division of Global Affairs
at Rutgers University, Newark. Alexander Laban Hinton is the Director
of the Center for the Study of Genocide and Human Rights; Professor
of Anthropology and Global Affairs; and the UNESCO Chair on Genocide
Prevention at Rutgers University, Newark. Theodore Fontaine is the
author of Broken Circle: The Dark Legacy of Indian Residential Schools:
A Memoir.
INDIGENOUS STUDIES/HISTORY
October 392 pages, 13 illustrations
paper, 978–0–8223–5779–7, $26.95/£17.99
cloth, 978–0–8223–5763–6, $94.95/£62.00
35

latin american studies
Portrait of a Young Painter
Pepe Zúñiga and Mexico City’s Rebel Generation
mary kay vaughan
“Portrait of a Young Painter is one of the most original and engaging books
I have read in a long time. It is dazzling in its layers of perception, its
textures, and its intimate insights. It is genuinely original in both argument
and methodology, a remarkable work and a pleasure to read.”—BARBARA
WEINSTEIN, coeditor of The Making of the Middle Class: Toward a
Transnational History
In Portrait of a Young Painter, the
distinguished historian Mary Kay
Vaughan adopts a biographical
approach to understanding the
culture surrounding the Mexico
City youth rebellion of the 1960s.
Her chronicle of the life of painter
Pepe Zúñiga counters a literature
that portrays post-1940 Mexican
history as a series of uprisings
against state repression, injustice,
and social neglect that culminated
in the student protests of
1968. Rendering Zúñiga’s coming
José Zúñiga, Self-portrait, 1968. Courtesy of
of age on the margins of formal
the artist.
politics, Vaughan depicts midcentury
Mexico City as a culture of growing prosperity, state largesse,
and a vibrant, transnationally informed public life that produced a
multifaceted youth movement brimming with creativity and criticism
of convention. In an analysis encompassing the mass media, schools,
politics, family, sexuality, neighborhoods, and friendships, she subtly
invokes theories of discourse, phenomenology, and affect to examine
the formation of Zúñiga’s persona in the decades leading up to 1968.
By discussing the influences that shaped his worldview, she historicizes
the process of subject formation and shows how doing so offers new
perspectives on the events of 1968.
Mary Kay Vaughan is Professor of History Emerita at the University
of Maryland. She is the author of Cultural Politics in Revolution: Teachers,
Peasants, and Schools in Mexico, 1930–40, winner of both the Conference
on Latin American History’s Bolton Prize and the Latin American Studies
Association’s Bryce Wood Award, and a coeditor of Sex in Revolution:
Gender, Politics, and Power in Modern Mexico and The Eagle and the Virgin:
Nation and Cultural Revolution in Mexico, 1920–1940, both also published
by Duke University Press.
The Great Depression in Latin America
paulo drinot & alan knight, editors
“In The Great Depression in Latin America, leading Latin Americanists
address an important and timely topic from new perspectives, paying more
attention to the cultural and social repercussions of the Depression in Latin
America than have previous studies. A number of the essays take strong
revisionist stands that will garner a lot of attention, and Paulo Drinot’s
introduction and Alan Knight’s conclusion do a wonderful job of framing
and enhancing the already strong essays.”—STEVEN TOPIK, coeditor of
From Silver to Cocaine: Latin American Commodity Chains and the Building
of the World Economy, 1500–2000
Although Latin America weathered the Great Depression better than the
United States and Europe, the global economic collapse of the 1930s
had a deep and lasting impact on the region. The contributors to this
book examine the consequences of the Depression in terms of the role
of the state, party-political competition, and the formation of workingclass
and other social and political movements. Going beyond economic
history, they chart the repercussions and policy responses in different
countries, while noting common cross-regional trends, in particular,
a mounting critique of economic orthodoxy and greater state intervention
in the economic, social, and cultural spheres, both trends crucial
to the region’s subsequent development. The book also examines
how regional transformations interacted with and differed from global
processes. Taken together, these essays deepen our understanding of
the Great Depression as a formative experience in Latin America and
provide a timely comparative perspective on the recent global economic
crisis.
Contributors
Marcelo Bucheli, Carlos Contreras, Paulo Drinot, Jeffrey L. Gould, Roy Hora,
Alan Knight, Gillian McGillivray, Luis Felipe Sáenz, Angela Vergara, Joel Wolfe,
Doug Yarrington
Paulo Drinot is Senior Lecturer in Latin American History at the Institute
of the Americas, University College London. He is the author of The Allure
of Labor: Workers, Race, and the Making of the Peruvian State and editor
of Che’s Travels: The Making of a Revolutionary in 1950s Latin America,
both also published by Duke University Press. Alan Knight is Professor
of the History of Latin America at the University of Oxford. He is the author
of Mexico: The Colonial Era; Mexico: From the Beginning to the Spanish
Conquest; and The Mexican Revolution (two volumes).
36
LATIN AMERICAN STUDIES
December 328 pages, 52 illustrations
paper, 978–0–8223–5781–0, $24.95/£15.99
cloth, 978–0–8223–5765–0, $89.95/£59.00
LATIN AMERICAN STUDIES
September 376 pages
paper, 978–0–8223–5750–6, $26.95/£17.99
cloth, 978–0–8223–5738–4, $94.95/£62.00

latin american studies
The Vanguard of the Atlantic World
Creating Modernity, Nation, and Democracy
in Nineteenth-Century Latin America
james e. sanders
We Are Left without a Father Here
Masculinity, Domesticity, and Migration
in Postwar Puerto Rico
eileen j. suárez findlay
“The Vanguard of the Atlantic World is a fundamental contribution not
only to our understanding of nineteenth-century Latin America, but also
to the broader scholarly debate about the origins of modern democratic
republicanism. James E. Sanders argues that in the nineteenth century
Spanish America was the most democratic region of the world. In so
doing, he rejects claims that Latin America has always stood on the
margins of democratic culture and modernity, and he speaks directly to
current debates about the relationship between capitalism, modernity,
and democracy.”—REBECCA EARLE, author of The Return of the Native:
Indians and Mythmaking in Spanish America, 1810–1930
“In this fascinating study, Eileen J. Suárez Findlay reinterprets Puerto
Rican history in the mid-twentieth century by placing labor migration,
populist politics, and gender at the heart of her narrative. Thousands of
Puerto Rican migrant workers, seeking modernity and an escape from
the harsh colonialism on their home island, journeyed to sugar beet fields
in Michigan. There they found exploitation harsher than they had known.
Findlay eloquently explores their travels and travails and shows how
they reshaped both U.S. colonialism and Puerto Rican populism.”—JULIE
GREENE, author of The Canal Builders: Making America’s Empire at the
Panama Canal
The Vanguard
of the atlantic World
Creating Modernity, n ation, and d e M o C raC y
in n ineteenth-Century Latin aMeriC a
James e. sanders
In the nineteenth century, Latin
America was home to the majority
of the world’s democratic republics.
Many historians have dismissed
these political experiments as
corrupt pantomimes of governments
of Western Europe and the United
States. Challenging that perspective,
James E. Sanders contends that Latin
America in this period was a site of
genuine political innovation and popular
debate reflecting Latin Americans’
visions of modernity. Drawing on
archival sources in Mexico, Colombia,
and Uruguay, Sanders traces the circulation of political discourse and
democratic practice among urban elites, rural peasants, European immigrants,
slaves, and freed blacks to show how and why ideas of liberty,
democracy, and universalism gained widespread purchase across the
region, mobilizing political consciousness and solidarity among diverse
constituencies. In doing so, Sanders reframes the locus and meaning of
political and cultural modernity.
James E. Sanders is Associate Professor of History at Utah State
University. He is the author of Contentious Republicans: Popular Politics,
Race, and Class in Nineteenth-Century Colombia, also published by Duke
University Press.
We Are Left without a Father Here is a transnational history of working
people’s struggles and a gendered analysis of populism and colonialism
in mid-twentieth-century Puerto Rico. At its core are the thousands of
agricultural workers who, at the behest of the Puerto Rican government,
migrated to Michigan in 1950 to work in the state’s sugar beet fields.
The men expected to earn enough income to finally become successful
breadwinners and fathers. To their dismay, the men encountered
abysmal working conditions and pay. The migrant workers in Michigan
and their wives in Puerto Rico soon exploded in protest. Chronicling
the protests, the surprising alliances that they created, and the Puerto
Rican government’s response, Eileen J. Suárez Findlay explains that
notions of fatherhood and domesticity were central to Puerto Rican
populist politics. Patriarchal ideals shaped citizens’ understandings
of themselves, their relationship to Puerto Rican leaders and the state,
as well as the meanings they ascribed to U.S. colonialism. Findlay
argues that the motivations and strategies for transnational labor
migrations, colonial policies, and worker solidarities are all deeply
gendered.
Eileen J. Suárez Findlay is Associate Professor of Latin American and
Caribbean History at American University. She is the author of Imposing
Decency: The Politics of Sexuality and Race in Puerto Rico, 1870–1920, also
published by Duke University Press.
AMERICAN ENCOUNTERS/GLOBAL INTERACTIONS
A Series Edited by Gilbert M. Joseph and Emily S. Rosenberg
LATIN AMERICAN STUDIES
October 352 pages, 10 illustrations
paper, 978–0–8223–5780–3, $25.95/£16.99
cloth, 978–0–8223–5764–3, $94.95/£62.00
LATIN AMERICAN STUDIES/U.S. HISTORY
December 328 pages, 39 illustrations
paper, 978–0–8223–5782–7, $24.95/£15.99
cloth, 978–0–8223–5766–7, $89.95/£59.00
37

latin american studies
The Invention of the Brazilian Northeast
durval muniz de albuquerque jr.
With a Foreword by James N. Green
Translated by Jerry Dennis Metz
“In this modern classic of Brazilian cultural history, Durval Muniz de
Albuquerque Jr. provides a richly documented and theoretically illuminating
exploration of how the most ‘regional’ of all Brazilian regions has
been imagined, indeed ‘invented,’ as a space of alterity, poverty, and
authenticity during the past century. In doing so, he reveals the discursive
production of regions, the relations of power that produce them, and
the stereotypes that make them recognizable to a national audience.”
— CHRISTOPHER DUNN, coeditor of Brazilian Popular Music and
Citizenship
Rhythms of the Pachakuti
Indigenous Uprising and State Power in Bolivia
raquel gutiérrez aguilar
With a Foreword by Sinclair Thomson
Translated by Stacey Alba D. Skar
“This wonderful book is both a detailed historical account of the 2000–2005
uprisings in Bolivia and a significant theoretical intervention into central
contemporary questions about political action and revolution. In particular,
Raquel Gutiérrez Aguilar emphasizes the profound significance of indigenous
social organization and worldviews for the contemporary political
struggles in Bolivia and elsewhere.”—MICHAEL HARDT, coauthor of
Empire, Multitude, Commonwealth, and Declaration
Brazil’s Northeast has traditionally been considered one of the country’s
poorest and most underdeveloped areas. In this impassioned work,
the Brazilian historian Durval Muniz de Albuquerque Jr. investigates
why Northeasterners are marginalized and stereotyped not only by
inhabitants of other parts of Brazil but also by nordestinos themselves.
His broader question, though, is how “the Northeast” came into existence.
Tracing the history of its invention, he finds that the idea of
the Northeast was formed in the early twentieth century when elites
around Brazil became preoccupied with building a nation. Diverse
phenomena—from drought policies to messianic movements, banditry
to new regional political blocs—helped to consolidate this novel concept,
the Northeast. Politicians, intellectuals, writers, and artists, often
nordestinos, played key roles in making the region cohere as a space of
common references and concerns. Ultimately, Albuqerque urges historians
to question received notions, such as regions and regionalism, to
reveal their artifice and abandon static categories in favor of new, more
granular understandings.
Durval Muniz de Albuquerque Jr. is Professor of Brazilian History at the
Federal University of Rio Grande do Norte. An award-winning author, he is
considered one of Brazil’s leading historians. James N. Green is Professor
of Brazilian History and Culture at Brown University. He is the author of
We Cannot Remain Silent: Opposition to the Brazilian Military Dictatorship
in the United States, also published by Duke University Press. Jerry Dennis
Metz is translator and independent scholar, has a PhD in Latin American
History from the University of Maryland, College Park.
LATIN AMERICA IN TRANSLATION/EN TRADUCCIÓN/EM TRADUÇÃO
RHYTHMS OF THE PACHAKUTI
Indigenous Uprising and State Power in Bolivia
RAQUEL GUTIÉRREZ AGUILAR
with a foreword by sinclair thomson
In the indigenous Andean language
of Aymara, pachakuti refers to the
subversion and transformation
of social relations. Between 2000
and 2005, Bolivia was radically
transformed by a series of popular
indigenous uprisings against the country’s
neoliberal and antidemocratic
policies. In Rhythms of the Pachakuti,
Raquel Gutiérrez Aguilar documents
these mass collective actions, tracing
the internal dynamics of such disruptions
to consider how motivation and
execution incite political change.
“In Rhythms of the Pachakuti we can sense the reverberations of an extraordinary
historical process that took place in Bolivia at the start of the
twenty-first century. The book is the product of Raquel Gutiérrez Aguilar’s
political engagement in that historical process. . . . Though of Mexican
nationality, [she] was intimately involved in Bolivian politics for many years
and acquired a quasi-legendary status there as an intense, brilliant activist
and radical intellectual. . . . [Her account is] . . . itself a revolutionary document.
. . . Rhythms of the Pachakuti deserves to stand as a key text in the
international literature of radicalism and emancipatory politics in the new
century.”—SINCLAIR THOMSON, from the foreword
Raquel Gutiérrez Aguilar is Professor of Sociology at the Autonomous
University of Puebla. Sinclair Thomson is Associate Professor of History
at New York University. Stacey Alba D. Skar is Associate Professor of
Spanish at Western Connecticut State University.
NEW ECOLOGIES FOR THE TWENTY-FIRST CENTURY
A Series Edited by Arturo Escobar and Dianne Rocheleau
LATIN AMERICA IN TRANSLATION/EN TRADUCCIÓN/EM TRADUÇÃO
38
LATIN AMERICAN STUDIES
October 312 pages, 6 illustrations
paper, 978–0–8223–5785–8, $24.95/£15.99
cloth, 978–0–8223–5770–4, $89.95/£59.00
LATIN AMERICAN STUDIES
August 336 pages
paper, 978–0–8223–5604–2, $25.95/£16.99
cloth, 978–0–8223–5599–1, $94.95/£62.00

•
Prostitution and the Ends of Empire
Scale, Governmentalities, and Interwar India
stephen legg
“Prostitution and the Ends of Empire deftly reveals that the attack on the
brothel in interwar Delhi was more than just a city-specific act, but rather
demonstrated the power of international, imperial, and local networks.
Using Foucault’s and Agamben’s work Stephen Legg persuasively shows
the reimagining of the brothel as a space of danger that required its
suppression. Legg’s use of scalar analysis is carefully constructed and
brilliantly conclusive. This is an important and original reading of colonial
prostitution.”—PHILIPPA LEVINE, author of The British Empire: Sunrise
to Sunset
•
scale, governmentalities, and interwar india
stephen legg
prostitution and
the e nds of e mpire
geography
Officially confined to red-light
districts, brothels in British India were
tolerated until the 1920s. Yet, by
this time, prostitution reform campaigns
led by Indian, imperial, and
international bodies were combining
the social scientific insights of
sexology and hygiene with the moral
condemnations of sexual slavery and
human trafficking. These reformers
identified the brothel as exacerbating
rather than containing “corrupting
prostitutes” and the threat of
venereal diseases, and therefore
encouraged the suppression of brothels rather than their urban segregation.
In this book, Stephen Legg tracks the complex spatial politics
surrounding brothels in the interwar period at multiple scales, including
the local, regional, national, imperial, and global. Campaigns and state
policies against brothels did not just operate at different scales but
made scales themselves, forging new urban, provincial, colonial, and
international formations. In so doing, they also remade the boundary
between the state and the social, through which the prostitute was,
Legg concludes, “civilly abandoned.”
Stephen Legg is Associate Professor in the School of Geography at the
University of Nottingham. He is the author of Spaces of Colonialism: Delhi’s
Urban Governmentalities and the editor of Spatiality, Sovereignty and Carl
Schmitt: Geographies of the Nomos.
German Colonialism in a Global Age
bradley naranch & geoff eley, editors
“This landmark collection showcases the latest research in many areas
of German colonialism. As a state-of-the-art expression of a vibrant field,
German Colonialism in a Global Age will set a new benchmark and become
a standard reference.”—A. DIRK MOSES, author of German Intellectuals
and the Nazi Past
history
This collection provides a comprehensive treatment of the German colonial
empire and its significance. Leading scholars show not only how the
colonies influenced metropolitan life and the character of German politics
during the Bismarckian and Wilhelmine eras (1871–1918), but also
how colonial mentalities and practices shaped later histories during
the Nazi era. In introductory essays, editors Bradley Naranch and Geoff
Eley survey the historiography and broad developments in the imperial
imaginary of the nineteenth and twentieth centuries. Contributors then
examine diverse particular aspects, from science and the colonial state
to the disciplinary constructions of Africans as colonial subjects for
German administrative control. They consider the influence of imperialism
on German society and culture via the mass-marketing of imperial
imagery; conceptions of racial superiority in German pedagogy; and
the influence of colonialism on German anti-Semitism. The collection
concludes with several essays that address geopolitics and the broader
impact of the German imperial experience.
Contributors
Dirk Bönker, Jeff Bowersox, David Ciarlo, Sebastian Conrad, Christian S. Davis, Geoff
Eley, Jennifer Jenkins, Birthe Kundus, Klaus Mühlhahn, Bradley Naranch, Deborah Neill,
Heike Schmidt, J. P. Short, George Steinmetz, Dennis Sweeney, Brett M. Van Hoesen,
Andrew Zimmerman
Bradley Naranch is Visiting Assistant Professor of History at the
University of Montana. Geoff Eley is the Karl Pohrt Distinguished
University Professor of Contemporary History at the University of Michigan.
He is the author of Nazism as Fascism: Violence, Ideology, and the Ground
of Consent in Germany, 1930–1945, and A Crooked Line: From Cultural
History to the History of Society.
POLITICS, HISTORY, AND CULTURE
A Series Edited by Julia Adams and George Steinmetz
SOUTH ASIAN STUDIES/GEOGRAPHY
September 304 pages, 8 illustrations
paper, 978–0–8223–5773–5, $25.95/£16.99
cloth, 978–0–8223–5759–9, $94.95/£62.00
HISTORY
January 480 pages, 25 illustrations
paper, 978–0–8223–5723–0, $29.95/£19.99
cloth, 978–0–8223–5711–7, $99.95/£65.00
39

history
Body and Nation
The Global Realm of U.S. Body Politics
in the Twentieth Century
emily s. rosenberg &
shanon fitzpatrick, editors
“This unusually synthetic and well-conceived volume covers historical and
contemporary situations in which the bodies of civilians, combatants, and
those defined as outsiders are managed, mobilized, and politically tethered
to broad nationalist and imperial projects ‘at home’ and ‘abroad.’ In attending
to the details of bodily care and coercion, the contributors ask why,
how, and when bodies matter, demonstrating the blur between technologies
of war and ever more sophisticated forms of peacetime surveillance.
Taken together, their essays show that we need to know more about whose
bodies count in the changing landscape of national security and imperial
governance and in the embattled space between ‘care’ and ‘control.’”
—ANN LAURA STOLER, editor of Imperial Debris: On Ruins and Ruination
Body and Nation interrogates the connections
among the body, the nation, and the
world in twentieth-century U.S. history.
The idea that bodies and bodily characteristics
are heavily freighted with values that
body and nation
The Global Realm of
U.S. body PoliTicS in The
are often linked to political and social
TwenTieTh cenTURy
spheres remains underdeveloped in the
histories of America’s relations with the
rest of the world. Attentive to diverse state
Emily S. Rosenberg and
Shanon Fitzpatrick, editors
and nonstate actors, the contributors provide
historically grounded insights into the
transnational dimensions of biopolitics. Their subjects range from the
regulation of prostitution in the Philippines by the U.S. Army to Cold War
ideals of American feminine beauty, and from “body counts” as metrics
of military success to cultural representations of Mexican migrants in
the United States as public health threats. By considering bodies as
complex, fluctuating, and interrelated sites of meaning, the contributors
to this collection offer new insights into the workings of both soft and
hard power.
Contributors
Frank Costigliola, Janet M. Davis, Shanon Fitzpatrick, Paul A. Kramer, Shirley Jennifer
Lim, Mary Ting Yi Lui, Natalia Molina, Brenda Gayle Plummer, Emily S. Rosenberg,
Kristina Shull, Annessa C. Stagner, Marilyn B. Young
Ten Books That Shaped the British Empire
Creating an Imperial Commons
antoinette burton & isabel hofmeyr, editors
“The new critical history of empire and the freshly theorized transnational
history of the book are together at last, each enhancing the other in a
superb collection edited by the leading scholars in studies of the British
world. Neither ‘book’ nor ‘empire’ is a straightforward idea. Focusing
on ten influential works, the editors and contributors show how readers
appropriated ideas as they circulated—often without regard for intellectual
property—in periodical, pamphlet and volume forms.”—LESLIE HOWSAM,
author of Past into Print: The Publishing of History in Britain 1850–1950
Combining insights from imperial studies and transnational book
history, this provocative collection opens new vistas on both fields
through ten accessible essays, each devoted to a single book.
Contributors revisit well-known works associated with the British empire,
including Charlotte Brontë’s Jane Eyre, Thomas Macaulay’s History of
England, Charles Pearson’s National Life and Character, and Robert
Baden-Powell’s Scouting for Boys. They explore anticolonial texts in
which authors such as C. L. R. James and Mohandas K. Gandhi chipped
away at the foundations of imperial authority, and they introduce books
that may be less familiar to students of empire. Taken together, the
essays reveal the dynamics of what the editors call an “imperial commons,”
a lively, empire-wide print culture. They show that neither empire
nor book were stable, self-evident constructs. Each helped to legitimize
the other.
Contributors
Tony Ballantyne, Elleke Boehmer, Antoinette Burton, Catherine Hall, Isabel Hofmeyr,
Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha,
Tridip Suhrud, André du Toit
Antoinette Burton is Professor of History and Catherine C. and Bruce
A. Bastian Professor of Global and Transnational Studies at the University of
Illinois, Urbana-Champaign. She has written and edited many books, including
The First Anglo-Afghan Wars: A Reader and A Primer for Teaching World
History: Ten Design Principles, both also published by Duke University Press.
Isabel Hofmeyr is Professor of African Literature at the University of the
Witwatersrand in Johannesburg and Visiting Distinguished Global Professor
at New York University. Her prize-winning books include Gandhi’s Printing
Press: Experiments in Slow Reading and ‘We Spend Our Years as a Tale That
is Told’: Oral Historical Storytelling in a South African Chiefdom.
Emily S. Rosenberg is Professor of History at the University of California,
Irvine. She is the author of Financial Missionaries to the World: The Politics
and Culture of Dollar Diplomacy, 1900–1930, and A Date Which Will Live:
Pearl Harbor in American Memory, both also published by Duke University
Press. Shanon Fitzpatrick is a Faculty Lecturer in the Department of
History at McGill University.
AMERICAN ENCOUNTERS/GLOBAL INTERACTIONS
A Series Edited by Gilbert M. Joseph and Emily S. Rosenberg
40
HISTORY
August 344 pages, 16 illustrations
paper, 978–0–8223–5675–2, $26.95/£17.99
cloth, 978–0–8223–5664–6, $94.95/£62.00
HISTORY
December 304 pages
paper, 978–0–8223–5827–5, $24.95/£15.99
cloth, 978–0–8223–5813–8, $89.95/£59.00

political science
Developments in Russian Politics 8
stephen white, richard sakwa &
henry e. hale, editors
In Developments in Russian
Politics 8, leading experts provide
a broad-ranging assessment of
Putin’s third term in power. All
either new or comprehensively
rewritten for this volume, the
essays cover topics including
executive power, parliamentary
politics, the electoral process,
8
the rule of law, foreign policy,
the economy, and the military.
They also address matters such
as Russia’s media and political
communication in the digital
age, society and social divisions,
protest and challenge, and future
trajectories for Russian politics.
Developments in Russian Politics remains the first-choice introduction
to the politics of the world’s largest nation.
Contributors
Vladimir Gel’man, Henry E. Hale, Philip Hanson, Kathryn Hendley, Margot Light,
Jennifer Mathers, Ian McAllister, Sarah Oates, Thomas F. Remington, Graeme
Robertson, Richard Sakwa, Darrell Slider, Svetlana Stephenson, Stephen White,
John P. Willerton
Stephen White is James Bryce Professor of Politics at the University of
Glasgow, and also Visiting Professor at the Institute of Applied Politics in
Moscow. Richard Sakwa is Professor of Russian and European Politics
at the University of Kent, and an Associate Fellow of the Russia and Eurasia
Programme at Chatham House in London. Henry E. Hale is Associate
Professor of Political Science and International Affairs at The George
Washington University.
Miriam Hansen
Cinema, Experience, and the Public Sphere
david bathrick, andreas huyssen
& eric rentschler, special issue editors
a special issue of NEW GERMAN CRITIQUE
Miriam Hansen. Photo by Howard
Helsinger. Courtesy of Michael Geyer.
This special issue of New German
Critique is dedicated to the thought
and writing of Miriam Hansen, whose
contributions broke ground in film
history, film theory, and the politics
of mass culture and the public sphere.
The collection focuses on the areas in
which she was most influential: early
cinema, its reception, and the legacy of
vernacular modernism, including essays
touching on the concept’s impact on
contemporary thinking about Russian
and Chinese cinemas. The issue also
features extensive commentary on Hansen’s pioneering Cinema and
Experience, expanding on the book’s inquiry into the continuing legacy
of the Frankfurt School.
Contributors
Weihong Bao, David Bathrick, Bill Brown, Susan Buck-Morss, Edward Dimendberg,
Mary Anne Doane, Tom Gunning, Sabine Haenni, Andreas Huyssen, Martin Jay,
Anton Kaes, Gertrud Koch, Katharina Loew, Daniel Morgan, Laura Mulvey, Eric
Rentschler, D. N. Rodowick, Simon Rothöhler, Heide Schlüpmann, Yuri Tsivian,
Pamela Robertson Wojcik
journals
David Bathrick is Professor Emeritus of Theatre, Film and Dance, and
German Studies at Cornell University. Andreas Huyssen is Professor
of German and Comparative Literature at Columbia University. He is the
editor of Other Cities, Other Worlds: Urban Imaginaries in a Globalizing
Age, also published by Duke University Press. Eric Rentschler is Professor
of Germanic Languages and Literatures at Harvard University.
PRAISE FOR PREVIOUS EDITIONS
“Superbly researched and exceedingly well written . . . this is a very timely
and useful collection suitable for beginners and advanced scholars.”
—DIANA DIGOL, Europe-Asia Studies
“[Like] its predecessors, [this volume] provides a clear and up-to-date overview
of the politics of Russia. . . . The chapters in this book manage to
convey the complexity and uncertainty of the current situation in Russia.”
—MIKE BOWKER, Democratization
“A must-have for all those interested in contemporary Russia . . . .
Each of the book’s . . . chapters provides a treasure trove of current data.”
—JOHN MURRAY, Political Studies
POLITICAL SCIENCE
September 336 pages, 18 tables, 2 maps, 9 figures
paper, 978–0–8223–5812–1, $26.95/£17.99
cloth, 978–0–8223–5799–5, $94.95/£62.00
Rights: U.S., Canada, and Dependencies
FILM THEORY
July 188 pages Vol. 41, no. 2 (#122)
paper, 978–0–8223–6815–1, $16.00/£9.99
41

journals
Tikkun
michael lerner, editor
The magazine Tikkun brings together religious, secular, and humanist
voices to offer analysis, commentary, and unconventional critique of
politics, spirituality, social theory, and culture. Tikkun, whose name is
derived from the concept of mending and transforming a fragmented
world, creates a space for the emergence of a religious Left to counter
the influence of the religious Right and to discuss social transformation,
political change, and the evolution of religious traditions.
MIT and the Transformation
of American Economics
e. roy weintraub, editor
a supplement to HISTORY OF POLITICAL ECONOMY
MIT and the Transformation of American Economics seeks to remedy
historians’ neglect of the influential and luminary economics department
at the Massachusetts Institute of Technology. The department, bolstered
by an influx of innovative young scholars, was one of the most distinguished
research economics departments in North America by the late
1950s. In another decade it would become the most highly regarded
economics department in the world. This volume documents the history
of this process and the ways in which MIT’s rise to prominence coincided
with the remarkable transformation of American economics in the postwar
period. Many developments influenced this history: the Keynesian
revolution, the emergent technical nature of economics, the Cold War,
the international hold of American economics, the GI Bill, and the institution’s
openness to Jewish economists.
Subscribers to History of Political Economy will receive a copy of MIT
and the Transformation of American Economics.
Contributors
Roger E. Backhouse, Mauro Boianovsky, Beatrice Cherrier, William A. Darrity Jr., Pedro
Garcia Duarte, Yann Gould, Verena Halsmayer, Kevin D. Hoover, Arden Kreeger, Harro
Maas, Stephen Meardon, Perry Mehrling, Andrej Svorenc˘ik, Pedro Teixeira, Peter Temin,
William Thomas, E. Roy Weintraub
Individuals: To subscribe, visit tikkun.org.
Bookstores: To place a standing order, contact Ingram Periodicals.
Libraries: To subscribe, visit dukeupress.edu/tikkun.
E. Roy Weintraub is Professor of Economics at Duke University.
He is the author of How Economics Became a Mathematical Science,
also published by Duke University Press.
42
HISTORY OF ECONOMICS
November 325 pages Vol. 46, no. 5
cloth, 978–0–8223–6812–0, $59.95/£39.00

journals
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The Collected Letters
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journals
44
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Faculty of the Sage School of
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editors
Quarterly, current volume 123
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Tom Sellar, editor
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45

selected backlist & bestsellers
The
ChILe
ReadeR
History, Culture, PolitiCs
The
dominican republic
reader
History, Culture, PolitiCs
Elizabeth Quay Hutchison,
Thomas Miller Klubock,
Nara B. Milanich,
and Peter Winn, editors
Eric Paul Roorda, Lauren Derby, and Raymundo González, editors
The Argentina Reader:
History, Culture, Politics
Gabriela Nouzeilles and
Graciela Montaldo, editors
2002
978–0–8223–2914–5
paper, $27.95tr/£17.99
The Chile Reader:
History, Culture, Politics
Elizabeth Quay Hutchison,
Thomas Miller Klubock, Nara B.
Milanich, and Peter Winn, editors
2013
978–0–8223–5360–7
paper, $29.95tr/£19.99
The Cuba Reader:
History, Culture, Politics
Aviva Chomsky, Barry Carr, and
Pamela Maria Smorkaloff, editors
2004
978–0–8223–3197–1
paper, $29.95tr/£19.99
The Dominican Republic Reader:
History, Culture, Politics
Eric Paul Roorda, Lauren Derby,
and Raymundo González, editors
2014
978–0–8223–5700–1
paper, $27.95tr/£17.99
tHis reader brings togetHer more than 200 texts and images in a
broad introduction to Guatemala’s history, culture, and politics. In choosing
the selections, the editors sought to avoid representing the country only in
terms of its long experience of conflict, racism, and violence. And so, while
offering many perspectives on that violence, this anthology portrays Guatemala
as a real place where people experience joys and sorrows that cannot
be reduced to the contretemps of resistance and repression. It includes
not only the opinions of politicians, activists, and scholars, but also poems,
songs, plays, jokes, novels, short stories, recipes, art, and photographs that
capture the diversity of everyday life in Guatemala. The editors introduce
all of the selections, from the first piece, an excerpt from the Popol vuh, a
mid-sixteenth-century text believed to be the single most important source
documenting pre-Hispanic Maya culture, through the final selections, which
explore contemporary Guatemala in relation to neoliberalism, multiculturalism,
and the dynamics of migration to the United States and of immigrant
life. Many pieces were originally published in Spanish, and most of those appear
in English for the first time.
“The Guatemala Reader is captivating both because Guatemalan history is so
compelling, and because the editors have done a fantastic job of choosing
the texts and images to include. Their selections offer great variety in terms
of vision, perspective, and genre, and their introductions to those pieces are
uniformly superb.”—steve striffler, co-editor of The Ecuador Reader:
History, Culture, Politics
“This excellent and comprehensive collection of historical and contemporary
materials about Guatemala is a seminal addition to the literature. It is brilliantly
put together, and it will be useful not only as an introduction for students
but also as a reference source for scholars.”—beatriz Manz, author
of Paradise in Ashes: A Guatemalan Journey of Courage, Terror, and Hope
greg grandin is Professor of History at New York University and a member
of the American Academy of Arts and Sciences. He is the author of Fordlandia:
The Rise and Fall of Henry Ford’s Forgotten Jungle City, a finalist for the
Pulitzer Prize in History. deboraH t. levenson is Associate Professor
of History at Boston College and the author of Trade Unionists against Terror:
Guatemala City, 1954–1985 and Adiós Niño: Political Violence and the Gangs of Guatemala
City, forthcoming from Duke University Press. elizabetH oglesby
is Associate Professor in the School of Geography and Development and the
Center for Latin American Studies at the University of Arizona. She previously
worked as the editor of Central America Report and the associate editor
for NACLA Report on the Americas.
duke university Press
Box 90660, Durham, NC 27708-0660 www.dukeupress.edu
Cover: Easter celebrations in Guatemala City, April 2010.
Photo by James Rodríguez, mimundo.org.
Travel / Latin
American
Studies
tHe
latin
aMeriCa
readers
A Series
Edited by
Robin Kirk
and
Orin Starn
Grandin,
Levenson
&
Oglesby,
editors
The GuaTemala ReadeR
History, Culture, PolitiCs
duke
The
GuaTemala
ReadeR
History,
Culture,
PolitiCs
Edited by Greg Grandin, Deborah T. Levenson, & Elizabeth Oglesby
The Ecuador Reader:
History, Culture, Politics
Carlos de la Torre
and Steve Striffler, editors
2009
978–0–8223–4374–5
paper, $26.95tr/£17.99
The Guatemala Reader:
History, Culture, Politics
Greg Grandin, Deborah T. Levenson,
and Elizabeth Oglesby, editors
2011
978–0–8223–5107–8
paper, $29.95tr/£19.99
The Mexico Reader:
History, Culture, Politics
Gilbert M. Joseph and
Timothy J. Henderson, editors
2003
978–0–8223–3042–4
paper, $27.95tr/£17.99
The Paraguay Reader:
History, Culture, Politics
Peter Lambert and
Andrew Nickson, editors
2013
978–0–8223–5268–6
paper, $27.95tr/£17.99
The
SouTh AfricA
reAder
The Sri Lanka Reader is a sweeping introduction to the epic history of the
island nation located just off the southern tip of India. The island’s recorded
history of more than two and a half millennia encompasses waves of immigration
from the South Asian subcontinent, the formation of Sinhala Buddhist
and Tamil Hindu civilizations, the arrival of Arab Muslim traders, and
European colonization by the Portuguese, then the Dutch, and finally the
British. Selected texts depict perceptions of the country’s multiple linguistic
and religious communities, as well as its political travails after independence
in 1948, especially the ethnic violence that recurred from the 1950s until 2009,
when the Liberation Tigers of Tamil Eelam were defeated by the Sri Lankan
government’s armed forces. This wide-ranging anthology covers the aboriginal
Veddhas, the earliest known inhabitants of the island; the Kings of Kandy,
Sri Lanka’s last indigenous dynasty; twenty-first-century women who leave
the island to work as housemaids in the Middle East; the forty thousand Sri
Lankans killed by the tsunami in December 2004; and, through cutting-edge
journalism and heart-wrenching poetry, the protracted violence that has
scarred the country’s contemporary political history. Along with fifty-four images
of paintings, sculptures, and architecture, The Sri Lanka Reader includes
more than ninety classic and contemporary texts written by Sri Lankans and
foreigners.
History, Culture, PolitiCs
Sri Lanka/Travel
the The
World
readers SRI Lanka
A Series ReadeR
Edited by
Robin Kirk John Clifford Holt,
and
Orin Starn editor
The
SRI Lanka
ReadeR
history, Culture, PolitiCs
“The Sri Lanka Reader is unprecedented. Never before has there been a book
so synoptic in its treatment of Sri Lankan history, politics, and culture. The
overall organization, the selections chosen for inclusion, and the introductions
to the individual pieces are all of the highest order. This book will be
welcomed by specialists in Sri Lankan studies, as well as the more general,
educated reader.”—roger r. JaCkson, John W. Nason Professor of Asian
Studies and Religion, Carleton College
“John Holt’s The Sri Lanka Reader gives many insights into contemporary Sri
Lanka while providing an in-depth picture of its rich history. Holt effectively
weaves together documents, analytical accounts, photographs, and poetic
works to produce a balanced work that is consistent in quality and readability
despite accommodating many viewpoints. It is a book that you will return to
time and again. It will undoubtedly become the standard collection of documents
on Sri Lanka and its history.”—Chandra r. de silva, author of Sri
Lanka: A History
John Clifford holt is William R. Kenan, Jr., Professor of the Humanities
in Religion and Asian Studies at Bowdoin College.
duke university Press
Box 90660, Durham, NC 27708-0660
Clifton Crais www.dukeupress.edu
and Thomas V. McClendon, editors
Cover photograph courtesy of Adele Barker
duke
John Clifford holt, editor
46
The Peru Reader:
History, Culture, Politics,
SECOND EDITION
Orin Starn, Carlos Iván Degregori,
and Robin Kirk, editors
2005
978–0–8223–3649–5
paper, $28.95tr/£18.99
The Bangladesh Reader:
History, Culture, Politics
Meghna Guhathakurta and
Willem van Schendel, editors
2013
978–0–8223–5318–8
paper, $27.95tr/£17.99
The South Africa Reader:
History, Culture, Politics
Clifton Crais and Thomas
V. McClendon, editors
2013
978–0–8223–5529–8
paper, $29.95tr/£19.99
The Sri Lanka Reader:
History, Culture, Politics
John Clifford Holt, editor
2011
978–0–8223–4982–2
paper, $34.95tr/£22.99

selected backlist & bestsellers
SEX, OR THE UNBEARABLE
LAUREN BERLANT AND LEE EDELMAN
Sex, or the Unbearable
Lauren Berlant and Lee Edelman
2014
978–0–8223–5594–6
paper, $21.95/£13.99
Cruel Optimism
Lauren Berlant
2011
978–0–8223–5111–5
paper, $24.95/£15.99
No Future:
Queer Theory and the Death Drive
Lee Edelman
2004
978–0–8223–3369–2
paper, $22.95/£14.99
MP3:
The Meaning of a Format
Jonathan Sterne
2012
978–0–8223–5287–7
paper $24.95/£15.99
Denise Brennan
Life Interrupted
A Matter of Rats
a short biography
of patna
Duke
trafficking into forced labor in the united states
amitava kumar
Postmodernism, or, The Cultural
Logic of Late Capitalism
Fredric Jameson
1991
978–0–8223–1090–7
$26.95tr/£17.99
Rights: World, excluding Europe
and British Commonwealth
(except Canada)
Fear of Small Numbers:
An Essay on the Geography
of Anger
Arjun Appadurai
2006
978–0–8223–3863–5
paper, $21.95tr/£13.99
Life Interrupted:
Trafficking into Forced Labor
in the United States
Denise Brennan
2014
978–0–8223–5633–2
paper, $23.95tr/£15.99
A Matter of Rats:
A Short Biography of Patna
Amitava Kumar
2014
978–0–8223–5704–9
cloth, $19.95tr/£12.99
Rights: World except South Asia
R E N A T O R O S A L D O
New Orleans
Brass Bands
roll with it
in the Streets of
Alternative Medicine
RAFAEL CAMPO
THE
DAY OF
SHELLY’S
che
on
my
mind
che
on
my
mind
DEATH
THE POETRY AND ETHNOGRAPHY OF GRIEF
margaret randall
Matt Sakakeeny
ArtwOrk By
willie Birch
Alternative Medicine
Rafael Campo
2014
978–0–8223–5587–8
paper, $19.95tr/£12.99
The Day of Shelly’s Death:
The Poetry and Ethnography
of Grief
Renato Rosaldo
2014
978–0–8223–5661–5
paper, $19.95tr/£12.99
Che on My Mind
Margaret Randall
2013
978–0–8223–5592–2
paper, $19.95tr/£12.99
Roll With It:
Brass Bands in the Streets
of New Orleans
Matt Sakakeeny
2013
978–0–8223–5567–0
paper, $23.95tr/£15.99
47

selected backlist & bestsellers
Vibrant Matter:
A Political Ecology of Things
Jane Bennett
2010
978–0–8223–4633–3
paper, $22.95/£14.99
World–Systems Analysis:
An Introduction
Immanuel Wallerstein
2004
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Gerard H. Gaskin
2013
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Trevor Schoonmaker, editor
2013
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2013
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2013
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Chandra Talpade Mohanty
2003
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2011
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Joseph Dumit
2012
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2013
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2009
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48

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INDEX
Ackerman, Josef 44
Adams, Michael 43
Aers, David 44
Ahmed, Sara 9
Aizura, Aren 27
Albuquerque Jr.,
Durval Muniz de 38
Allen, Tony 48
Allison, Anne 48
Anker, Elisabeth R. 31
Appadurai, Arjun 7, 47
Armitage, John 43
Armstrong, Ann L. 16
Armstrong, Nancy 45
Balzer, Carsten/Carla LaGata 27
Barlow, Tani 45
Barnes, Jessica 22
Barnett, Robert 2
Bathrick, David 41, 45
Behar, Ruth 15
Bennett, Jane 48
Benvenuto, Jeff 35
Berlant, Lauren 47
Bishop, Ryan 43
Bové, Paul A. 43
Brereton, Bridget 12
Brennan, Denise 47
Brown, Marshall 44
Burton, Antoinette 40
Cai, Zong-Qi 44
Callison, Candis 19
Campbell, Ian M. 43
Campo, Rafael 47
Cape, Roy 28
Cargill, Angus 2
Carr, Barry 46
Cervenak, Sarah Jane 33
Cholak, Peter 45
Chomsky, Aviva 46
Christianson, Aileen 43
Cohn, Richard 44
Cooper, J. Andrew G. 1
Cornett, Michael 44
Cotton, Trystan 27
Crais, Clifton 46
Creech, Jimmy 15
Currah, Paisley 45
Dean, Tim 24
Degregori, Carlos Iván 46
de la Torre, Carlos 46
Derby, Lauren 46
Detlefsen, Michael 45
Dillon, Elizabeth Maddock 30
Drinot, Paulo 36
Dumit, Joseph 48
Dumm, Thomas 8
Edelman, Lee 47
Eley, Geoff 39
Enwezor, Okwui 45
Ethridge, Robbie 44
Faculty of the Sage
School of Philosophy 45
Featherstone, Mark 24
Fernando, Mayanthi L. 21
Findlay, Eileen J. Suárez 37
Fink, Leon 44
Finucci, Valeria 44
Fitzpatrick, Shanon 40
Fontaine, Theodore 35
Fraser, Mary Edna 1
Freeman, Carla 17
Freeman, Elizabeth 44
French, John 44
Fuchs, Rachel G. 44
Garofalo, Daniela 44
Garvey, Marcus 13
Gaskin, Gerard H. 48
Goldstein, Alyosha 30
González, Raymundo 46
Goodyear-Ka‘ōpua, Noelani 35
Goodwin, Nancy 16
Gopalan, Lalitha 43
Gordillo, Gastón R. 21
Grandin, Greg 46
Green, James N. 38
Green, Renée 6
Greevy, Edward W. 35
Grogan, Colleen 44
Grubbs, David 48
Guhathakurta, Meghna 46
Guilbault, Jocelyne 28
Gutiérrez Aguilar, Raquel 38
Halberstam, Judith 48
Hale, Henry E. 41
Halpern, Orit 28
Hardt, Michael 45
Hassan, Salah M. 45
Henderson, Timothy J. 46
Hesselholt, Lars 45
Hill, Robert A. 13
Hinton, Alexander Laban 35
Ho, Karen 48
Hofmeyr, Isabel 40
Holberg, Jennifer L. 45
Holland, Sharon 26
Holt, John Clifford 46
Hoover, Kevin D. 44
Hussey, Ikaika 35
Hutchinson, Elizabeth Quay 46
Huyssen, Andreas 41, 45
Izumi, Masaki 44
James, C. L. R. 12
Jameson, Fredric 47
Joseph, Gilbert M. 46
Joyrich, Lynne 43
Kellner, Douglas 43
King, Homay 43
Kinser, Brent E. 43
Kirk, Robin 46
Kirksey, Eben 20
Klinenberg, Eric 45
Klubock, Thomas Miller 46
Knight, Alan 36
Krishnamurthy, Prem 7
Kumar, Amitava 47
Kuoni, Carin 7
Lacy, Allen 16
LaGata, Carla/Carsten Balzar 27
Lambert, Peter 46
Lawrence, Elizabeth 16
Legg, Stephen 39
Lerner, Michael 42, 45
Levenson, Deborah T. 46
Li, Tania Murray 10
Litzinger, Ralph 2
Madera, Judith 34
Marcus, Sharon 29
Masco, Joseph 11
Massumi, Brian 3
McCants, Anne 45
McCarthy, Anna 45
McClendon, Thomas V. 46
McGinley, Paige A. 32
Metz, Jerry Dennis 38
Milanich, Nara B. 46
Miles, Malcolm 24
Miller-Young, Mireille 25
Mitchell, Timothy 43
Mohanty, Chandra Talpade 48
Montaldo, Graciela 46
Naktsang Nulo 2
Namikawa, Yoshinori 44
Naranch, Bradley 39
Nguyen, Hoang Tan 26
Nickson, Andrew 46
Nordloh, David J. 43
Nouzeilles, Gabriela 46
Nyong’o, Tavia 45
Ochoa, Marcia 26, 27
Ochoa Gautier, Ana María 17
Oglesby, Elizabeth 46
Okeke-Agulu, Chika 5, 45
Olcott, Jocelyn 44
Pagedas, Constantine 44
Penley, Constance 43
Perl, Jeffrey M. 43
Peterson, Kristin 18
Pilkey, Keith C. 1
Pilkey, Orrin H. 1
Powell, Richard J. 48
Quayson, Ato 23
Rabinbach, Anson 45
Radical History Review
editorial collective 45
Ramberg, Lucinda 22
Randall, Margaret 47
Rao, Anupama 43
Rao, Vyjayanthi Venuturupalli 7
Rentschler, Eric 41
Restall, Matthew 44
Reverand, Cedric D. 43
Roberts, Jane 43
Rooney, Ellen 43
Roorda, Eric Paul 46
Rosaldo, Renato 47
Rosenberg, Emily S. 40
Rowe, George E. 43
Rustin, Nicohle T. 14
Ruszczycky, Steven 24
Sakakeeny, Matt 47
Sakwa, Richard 41
Sanders, James E. 37
Schaefer, Frank 15
Scharnhorst, Gary 43
Schechter, Kate 20
Schoonmaker, Trevor 48
Scott, David 45
Sellar, Tom 45
Shah, Nayan 44
Shah, Svati P. 25
Siegel, Greg 29
Sigal, Peter 44
Skar, Stacey Alba D. 38
Smith, R. Tyson 33
Smorkaloff, Pamela Maria 46
Sorenson, David R. 43
Squires, David 24
Starn, Orin 46
Stephens, Michelle Ann 34
Sternberg, Meir 45
Sterne, Jonathan 47
Street, Alice 19
Striffler, Steve 46
Stryker, Susan 45
Sutherland, Liz 43
Tadiar, Neferti 45
Takahashi, Tess 43
Taylor, Marcy 45
Thomas, Lynnell L. 32
Thomson, Sinclair 38
Tompkins, Kyla Wazana 26
Tucker, Sherrie 14
van Schendel, Willem 46
Vaughan, Mary Kay 36
Veal, Michael E. 48
Vidal-Ortiz, Salvador 27
Wahl, Jonathan 43
Wald, Priscilla 43
Wallerstein, Immanuel 48
Wang, Grace 31
Watson, Janell 44
Weed, Elizabeth 43
Weheliye, Alexander G. 23
Weintraub, E. Roy 42
White, Patricia 43
White, Stephen 41
Whyte, Susan Reynolds 18
Wiegman, Robyn 27
Wild, Jonathan 43
Williams, Linda 4
Willis, Sharon 43
Wilson, Elizabeth A. 27
Wilson, Lindie 16
Winn, Peter 46
Woolford, Andrew 35
Wright, Erin Kahunawaika‘ala 35
Wright, Kent 44
Wu, Chia-Ling 44
Xingpei, Yuan 44

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