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gay & lesbian / queer / transgender studies<br />

A View from the Bottom<br />

Asian American Masculinity<br />

and Sexual Representation<br />

nguyen tan hoang<br />

“Nguyen Tan Hoang’s exciting book is a compelling account of the aesthetic,<br />

political, and queer possibilities of racialized forms of ‘bottomhood.’<br />

As someone who has been writing about masochism and passivity in<br />

relation to queer femininities for a while, I realize that this is the book<br />

I have needed in sorting through the complex forms of personhood, pleasure,<br />

and power that bottomhood braids into the meanings of race, nation,<br />

and sexuality.”—JACK HALBERSTAM, author of The Queer Art of Failure<br />

A View from the Bottom offers a<br />

major critical reassessment of male<br />

effeminacy and its racialization in<br />

visual culture. Examining portrayals<br />

of Asian and Asian American men in<br />

Hollywood cinema, European art film,<br />

gay pornography, and experimental<br />

documentary, Nguyen Tan Hoang<br />

explores the cultural meanings that<br />

accrue to sexual positions. He shows<br />

how cultural fantasies around the<br />

position of the sexual “bottom” overdetermine<br />

and refract the meanings of<br />

race, gender, sexuality, and nationality<br />

in American culture in ways that both enable and constrain Asian<br />

masculinity. Challenging the association of bottoming with passivity and<br />

abjection, Nguyen suggests ways of thinking about the bottom position<br />

that afford agency and pleasure. A more capacious conception of<br />

bottomhood—as a sexual position, a social alliance, an affective bond,<br />

and an aesthetic form—has the potential to destabilize sexual, gender,<br />

and racial norms, suggesting an ethical mode of relation organized not<br />

around dominance and mastery but around the risk of vulnerability and<br />

shame. Thus reconceived, bottomhood as a critical category creates<br />

new possibilities for arousal, receptiveness, and recognition, and offers<br />

a new framework for analyzing sexual representations in cinema as well<br />

as understanding their relation to oppositional political projects.<br />

Nguyen Tan Hoang is Assistant Professor of English and Film Studies<br />

at Bryn Mawr College. He is also a videomaker whose works include<br />

look_im_azn, K.I.P., PIRATED! and Forever Bottom! His videos have been<br />

screened at the Museum of Modern Art, The Getty Center, and the Centre<br />

Pompidou.<br />

On the Visceral, Part I<br />

Race, Sex, and Other Gut Feelings<br />

sharon holland, marcia ochoa &<br />

kyla wazana tompkins, special issue editors<br />

a special issue of GLQ<br />

Using the gut as a starting point,<br />

this special issue of GLQ focuses<br />

on the idea of the visceral as a<br />

trope for the carnal and bloody<br />

logic that organizes life. It brings<br />

together scholars working in food<br />

studies, American studies, sexuality<br />

and queer studies, and critical<br />

race theory, who are keen not<br />

only to understand patterns of<br />

bodily production and consumption<br />

but also to propose new<br />

theoretical scaffoldings for our<br />

understanding of the intersection<br />

of race, food, the human, and<br />

the animal. These essays highlight<br />

the moments, texts, and<br />

processes that link food, flesh,<br />

and the alimentary tract to<br />

systems of pleasure—as well as to historical and political systems of<br />

inequality. The contributors seek to unearth structures of feeling, sensing,<br />

and embodiment that have been obscured either by colonialist<br />

historiography or political prejudice.<br />

Sweetness January 20, 2006. gimmepicture@<br />

dirtysurface.com.<br />

Contributors<br />

Leah Devun, Sharon Holland, Rachel Lee, Jennifer C. Nash, Marcia Ochoa, Kyla Wazana<br />

Tompkins, Zeb Tortorici<br />

Sharon Holland is Associate Professor of English at Duke University.<br />

She is the author of The Erotic Life of Racism and Raising the Dead:<br />

Readings of Death and (Black) Subjectivity, both published by Duke<br />

University Press. Marcia Ochoa is Associate Professor of Feminist Studies<br />

at the University of California, Santa Cruz. She is the author of Queen for<br />

a Day: Transformistas, Beauty Queens, and the Performance of Femininity<br />

in Venezuela, also published by Duke University Press. Kyla Wazana<br />

Tompkins is Associate Professor of English and Gender and Women’s<br />

Studies at Pomona College.<br />

PERVERSE MODERNITIES<br />

A Series Edited by Jack Halberstam and Lisa Lowe<br />

26<br />

QUEER THEORY/ASIAN AMERICAN STUDIES<br />

July 312 pages, 39 illustrations<br />

paper, 978–0–8223–5684–4, $24.95/£15.99<br />

cloth, 978–0–8223–5672–1, $89.95/£59.00<br />

CULTURAL STUDIES/QUEER THEORY<br />

September 140 pages, 2 illustrations Vol. 20, no. 4<br />

paper, 978–0–8223–6816–8, $12.00/£9.99

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