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gay & lesbian / queer / transgender studies<br />
A View from the Bottom<br />
Asian American Masculinity<br />
and Sexual Representation<br />
nguyen tan hoang<br />
“Nguyen Tan Hoang’s exciting book is a compelling account of the aesthetic,<br />
political, and queer possibilities of racialized forms of ‘bottomhood.’<br />
As someone who has been writing about masochism and passivity in<br />
relation to queer femininities for a while, I realize that this is the book<br />
I have needed in sorting through the complex forms of personhood, pleasure,<br />
and power that bottomhood braids into the meanings of race, nation,<br />
and sexuality.”—JACK HALBERSTAM, author of The Queer Art of Failure<br />
A View from the Bottom offers a<br />
major critical reassessment of male<br />
effeminacy and its racialization in<br />
visual culture. Examining portrayals<br />
of Asian and Asian American men in<br />
Hollywood cinema, European art film,<br />
gay pornography, and experimental<br />
documentary, Nguyen Tan Hoang<br />
explores the cultural meanings that<br />
accrue to sexual positions. He shows<br />
how cultural fantasies around the<br />
position of the sexual “bottom” overdetermine<br />
and refract the meanings of<br />
race, gender, sexuality, and nationality<br />
in American culture in ways that both enable and constrain Asian<br />
masculinity. Challenging the association of bottoming with passivity and<br />
abjection, Nguyen suggests ways of thinking about the bottom position<br />
that afford agency and pleasure. A more capacious conception of<br />
bottomhood—as a sexual position, a social alliance, an affective bond,<br />
and an aesthetic form—has the potential to destabilize sexual, gender,<br />
and racial norms, suggesting an ethical mode of relation organized not<br />
around dominance and mastery but around the risk of vulnerability and<br />
shame. Thus reconceived, bottomhood as a critical category creates<br />
new possibilities for arousal, receptiveness, and recognition, and offers<br />
a new framework for analyzing sexual representations in cinema as well<br />
as understanding their relation to oppositional political projects.<br />
Nguyen Tan Hoang is Assistant Professor of English and Film Studies<br />
at Bryn Mawr College. He is also a videomaker whose works include<br />
look_im_azn, K.I.P., PIRATED! and Forever Bottom! His videos have been<br />
screened at the Museum of Modern Art, The Getty Center, and the Centre<br />
Pompidou.<br />
On the Visceral, Part I<br />
Race, Sex, and Other Gut Feelings<br />
sharon holland, marcia ochoa &<br />
kyla wazana tompkins, special issue editors<br />
a special issue of GLQ<br />
Using the gut as a starting point,<br />
this special issue of GLQ focuses<br />
on the idea of the visceral as a<br />
trope for the carnal and bloody<br />
logic that organizes life. It brings<br />
together scholars working in food<br />
studies, American studies, sexuality<br />
and queer studies, and critical<br />
race theory, who are keen not<br />
only to understand patterns of<br />
bodily production and consumption<br />
but also to propose new<br />
theoretical scaffoldings for our<br />
understanding of the intersection<br />
of race, food, the human, and<br />
the animal. These essays highlight<br />
the moments, texts, and<br />
processes that link food, flesh,<br />
and the alimentary tract to<br />
systems of pleasure—as well as to historical and political systems of<br />
inequality. The contributors seek to unearth structures of feeling, sensing,<br />
and embodiment that have been obscured either by colonialist<br />
historiography or political prejudice.<br />
Sweetness January 20, 2006. gimmepicture@<br />
dirtysurface.com.<br />
Contributors<br />
Leah Devun, Sharon Holland, Rachel Lee, Jennifer C. Nash, Marcia Ochoa, Kyla Wazana<br />
Tompkins, Zeb Tortorici<br />
Sharon Holland is Associate Professor of English at Duke University.<br />
She is the author of The Erotic Life of Racism and Raising the Dead:<br />
Readings of Death and (Black) Subjectivity, both published by Duke<br />
University Press. Marcia Ochoa is Associate Professor of Feminist Studies<br />
at the University of California, Santa Cruz. She is the author of Queen for<br />
a Day: Transformistas, Beauty Queens, and the Performance of Femininity<br />
in Venezuela, also published by Duke University Press. Kyla Wazana<br />
Tompkins is Associate Professor of English and Gender and Women’s<br />
Studies at Pomona College.<br />
PERVERSE MODERNITIES<br />
A Series Edited by Jack Halberstam and Lisa Lowe<br />
26<br />
QUEER THEORY/ASIAN AMERICAN STUDIES<br />
July 312 pages, 39 illustrations<br />
paper, 978–0–8223–5684–4, $24.95/£15.99<br />
cloth, 978–0–8223–5672–1, $89.95/£59.00<br />
CULTURAL STUDIES/QUEER THEORY<br />
September 140 pages, 2 illustrations Vol. 20, no. 4<br />
paper, 978–0–8223–6816–8, $12.00/£9.99