Spring 2008 - Art Gallery of Western Australia
Spring 2008 - Art Gallery of Western Australia
Spring 2008 - Art Gallery of Western Australia
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
artifactsr magazine <strong>of</strong> the friends <strong>of</strong> the art gallery <strong>of</strong> western australia<br />
<strong>Spring</strong> <strong>2008</strong><br />
PRINT POST APPROVED PP665002/00118
ARTIFACTS is published<br />
quarterly by the Friends <strong>of</strong> the<br />
<strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong> (Inc.)<br />
Start your week with an ADFAS adventure<br />
Telephone: (08) 9492 6750<br />
Facsimile: (08) 9492 6755<br />
Email: friends@artgallery.wa.gov.au<br />
Post: PO Box 48, Northbridge 6865<br />
EDITOR<br />
Rebecca Bird<br />
Contributors<br />
Craig Ingrey, David Dolan, Lorna White,<br />
Rosita Valladares<br />
GRAPHIC DESIGN<br />
Johanna Standish-Hansen<br />
printing<br />
Barry Green<br />
Account Manager, Lamb Print<br />
Telephone (08) 9427 3500<br />
paper<br />
Graham Cole – Sales Executive,<br />
Spicers Paper<br />
Telephone (08) 9376 9150<br />
ARTIFACTS ADVERTISING<br />
Advertisers are welcome – contact the Friends <strong>of</strong>fice for<br />
further details. Publication <strong>of</strong> an advertisement does<br />
not necessarily imply endorsement by the Friends <strong>of</strong> the <strong>Art</strong><br />
<strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong> (Inc)<br />
Peggy Griffiths<br />
Jinamoom <strong>2008</strong> 140 x 100 cm<br />
Natural ochre on canvas<br />
Courtesy <strong>of</strong> the artist, Waringarri Aboriginal <strong>Art</strong>s<br />
& Seva Frangos <strong>Art</strong><br />
I recently joined with other Friends to<br />
see a new play: Portraits <strong>of</strong> Modern<br />
Evil – Albert Tucker: Painter,<br />
Visionary, Acquaintance <strong>of</strong> a Killer<br />
Playwright Robert Reid takes a free<br />
approach to Tucker’s story, which got<br />
me thinking about how artists’<br />
reputations are constructed during<br />
and after their lifetime.<br />
There are some amazing stories in<br />
circulation about the antics <strong>of</strong> various<br />
artists, past and present. In the 20th<br />
century, Jackson Pollock probably<br />
had the worst reputation, but<br />
precedents include John Hamilton<br />
Mortimer: the wild man <strong>of</strong> English<br />
18th century art.<br />
Albert Tucker is among the most<br />
interesting 20th century <strong>Australia</strong>n<br />
artists, represented in the ‘Home’<br />
theme <strong>of</strong> Wonderlust at our <strong>Gallery</strong>.<br />
I recently came across his name<br />
linked to those <strong>of</strong> <strong>Art</strong>hur Boyd who is<br />
also in Wonderlust along with Charles<br />
Blackman whose Triptych Alice was<br />
a gift from the Friends in 1988.<br />
I was enjoying reading Mixed Dozen:<br />
The Story Of <strong>Australia</strong>n Winemaking<br />
Since 1788 by Charles Gent. It<br />
includes the story <strong>of</strong> Samuel Wynn<br />
who migrated to <strong>Australia</strong> in 1913<br />
and established himself as a supplier<br />
to and partner in various Melbourne<br />
wine bars and restaurants. We read:<br />
“The [Café] Florentino became a<br />
haunt <strong>of</strong> artists (<strong>Art</strong>hur Boyd, Albert<br />
Tucker and Charles Blackman were<br />
regulars by the 1930s)…”.<br />
Something worried me about this bit<br />
<strong>of</strong> bohemian mythologising. Boyd,<br />
born in 1920, was an impoverished<br />
student and under the legal drinking<br />
age during the 1930s. Tucker, born<br />
1914, struggled through the great<br />
Double your discount at the <strong>Gallery</strong> Shop<br />
Friends will receive 20% <strong>of</strong>f all purchases during<br />
November and December.<br />
And get them gift wrapped ready for Christmas!<br />
Just present your membership card when you pay.<br />
From the President<br />
Depression in Melbourne and is<br />
unlikely to have been a regular at<br />
Florentino. We can’t check with<br />
them, as both died in 1999.<br />
Blackman is 80 this year, but we<br />
needn’t bother him. He grew up in<br />
Sydney and moved to Melbourne in<br />
1950. Born 1928, he was two years<br />
old at the start <strong>of</strong> the 1930s and<br />
eleven when the decade ended in<br />
1939. So, whatever Tucker was doing<br />
in Melbourne in the 1930s, he wasn’t<br />
drinking with Blackman at Florentino.<br />
Many <strong>of</strong> us are occasionally<br />
confronted with fantasised or<br />
exaggerated stories <strong>of</strong> youthful<br />
adventures and excesses – as if the<br />
truth wasn’t bad enough! It helps to<br />
remember that the ancient Greek<br />
stoic philosophers identified<br />
reputation as one <strong>of</strong> those things you<br />
must accept as ultimately beyond<br />
your control.<br />
The image <strong>of</strong> Tucker, Boyd and<br />
Blackman propping up the bar at<br />
Florentino when they should have<br />
been in school may be part <strong>of</strong><br />
<strong>Australia</strong>n folklore, but it is not<br />
reliable art history. Fortunately for us,<br />
they are together, we might even say<br />
re-united, in our <strong>Gallery</strong>’s Collection<br />
and exhibitions, where we can all join<br />
them for a quiet think if not a drink.<br />
DAVID DOLAN<br />
Please note: The Friends' <strong>of</strong>fice will be<br />
closed from 19 December to 27 January.<br />
Thank you to Graham and Carol Baker from<br />
For the C<strong>of</strong>fee Table, purveyors <strong>of</strong> gourmet<br />
biscuits in Floreat, for their delicious<br />
support <strong>of</strong> Alice in Wonderlust. The tarts<br />
were a hit!<br />
The 2009 lecture series from the Association<br />
<strong>of</strong> Decorative and Fine <strong>Art</strong>s Societies will<br />
whisk you away to distant continents and<br />
long-gone eras. Join us we discover Sickert’s<br />
secrets, revel in 18th century England’s<br />
elegance and lust after Lalique’s exquisite<br />
<strong>Art</strong> Nouveau jewellery.<br />
Pietro da Cortona The Golden Age<br />
Monday 23 February<br />
The Mystery & Splendour <strong>of</strong> Golden<br />
Ages in the <strong>Art</strong>s<br />
Mrs Patricia Wright BA (Hons)<br />
ARICS (rtd) NADFAS<br />
What makes a particular place at<br />
a particular time suddenly become<br />
so creative that its influence echoes<br />
down the ages And how strange that<br />
such lightning-strikes <strong>of</strong> splendour<br />
rarely recur in the same place ever<br />
again. This wide-ranging lecture<br />
explores both the fascination <strong>of</strong><br />
some past Golden Ages and tries to<br />
identify just a few <strong>of</strong> the factors which<br />
triggered them.<br />
Walter Sickert<br />
Mornington Crescent Nude, contre-jour 1907<br />
Monday 27 April<br />
Sickert and the Camden Town Group<br />
Mrs Sandra Pollard BA MA NADFAS<br />
The common image <strong>of</strong> Edwardian<br />
England is that <strong>of</strong> elegant parties in<br />
country houses as reflected in John<br />
Singer Sargent’s paintings. However,<br />
this lecture looks at the works <strong>of</strong> the<br />
Camden Town Group, which showed<br />
an alternative view <strong>of</strong> society. Music<br />
halls, north London bedsitters,<br />
new suburbs and commuter towns<br />
were painted in a lively and <strong>of</strong>ten<br />
colourful style. The group’s leader<br />
Walter Sickert was no stranger to<br />
controversy with his paintings <strong>of</strong> a<br />
well-known murder at the time giving<br />
a new dimension to the meaning <strong>of</strong><br />
Mornington Crescent!<br />
Monday 29 June<br />
René Lalique – Master <strong>of</strong> <strong>Art</strong><br />
Nouveau Jewellery and <strong>Art</strong><br />
Deco Glass<br />
Dr Anne Anderson BA PhD FSA<br />
NADFAS<br />
Although Lalique is best known for<br />
his <strong>Art</strong> Deco glass <strong>of</strong> the inter-war<br />
years, his career began in the early<br />
1890s as the designer <strong>of</strong> the finest<br />
<strong>Art</strong> Nouveau jewellery. His jewels<br />
were about design and craftsmanship<br />
rather than vulgar ostentation<br />
or flashy diamonds. As his fame<br />
spread his style was copied and<br />
debased until Lalique felt that he had<br />
exhausted the potential <strong>of</strong> jewellery.<br />
A fortuitous commission led to the<br />
creation <strong>of</strong> the first customised<br />
perfume bottle, which marked the<br />
start <strong>of</strong> his affair with glass.<br />
Monday 27 July<br />
Exotic Encounters: Indo-European<br />
furniture from South Asia (India<br />
and Sri Lanka) during the 18th and<br />
19th centuries<br />
Dr Robin Jones BA (Hons) PhD<br />
NADFAS<br />
We will explore the tradition <strong>of</strong><br />
furniture making by South Asian<br />
wood workers for Europeans,<br />
who were resident in the Indian<br />
Subcontinent from the 17th century<br />
onwards. Before European contact<br />
socialising typically took place at floor<br />
level, seated cross-legged on textiles<br />
or mats. This lecture addresses<br />
the gradual introduction <strong>of</strong> western<br />
furniture forms into the east and<br />
examines the furniture produced at<br />
key centres in India and Sri Lanka.<br />
SUBSCRIBE AND SAVE!<br />
Monday 24 August<br />
Manners and Music: Life in 18th<br />
Century England<br />
Ms Jeanne Dolmetsch LRAM<br />
NADFAS<br />
Manners and Music transports<br />
us back to the 18th century to an<br />
age <strong>of</strong> elegance and taste, wit and<br />
satire, extravagant fashions and a<br />
complex code <strong>of</strong> manners. Daniel<br />
Defoe takes us to the magnificent<br />
Palladian Palace <strong>of</strong> Cannons, and<br />
we eavesdrop with Jane Austen on<br />
a musical evening at Netherfield.<br />
We behold the fantastic toilette <strong>of</strong><br />
the lady <strong>of</strong> fashion in Pope’s Rape<br />
<strong>of</strong> the Lock and are reminded by<br />
Lord Chesterfield <strong>of</strong> the importance<br />
<strong>of</strong> dancing the Minuet with a good<br />
grace and air. These and other vivid<br />
accounts will be complemented by<br />
the music <strong>of</strong> the period.<br />
Monday 28 September<br />
The Alderley Edge Project<br />
Pr<strong>of</strong> John Prag MA Dip Class Arch<br />
DPhil (Oxon) FSA NADFAS<br />
In 1992 a 4000 year old wooden<br />
shovel reappeared, first discovered<br />
in 1875 at Alderley Edge in Cheshire<br />
and then lost. Three years later<br />
a hoard <strong>of</strong> 550 Roman coins was<br />
unearthed at the top <strong>of</strong> an old<br />
mine-shaft and the Alderley Edge<br />
Landscape Project was born. Alderley<br />
Edge has a rich, complex history <strong>of</strong><br />
geology, archaeology, early mining<br />
and social history. Take a journey<br />
with project coordinator John Prag as<br />
he unearths the physical and human<br />
landscape <strong>of</strong> Alderley.<br />
6 lecture membership card $120.00 ($20 per lecture)<br />
5 lecture membership card $110.00 ($22 per lecture)*<br />
* lectures for this option must be nominated when booking.<br />
The single ticket price is $30 for members and $40 for guests.<br />
Alexander Library Auditorium, Perth Cultural Centre.<br />
6.15pm light refreshments / 6.45pm lecture starts.
New <strong>Gallery</strong> Director<br />
Coming Up at the Friends<br />
Dr Stefano Carboni joins the <strong>Gallery</strong><br />
in October as its new Director. He<br />
comes to us from New York’s<br />
Metropolitan Museum <strong>of</strong> <strong>Art</strong>, where<br />
he was the Curator and Administrator<br />
<strong>of</strong> the Department <strong>of</strong> Islamic <strong>Art</strong>.<br />
With an outstanding curatorial,<br />
academic and teaching background<br />
Dr Carboni has an extensive record<br />
<strong>of</strong> exhibitions and publications as<br />
well as broad lecturing experience<br />
Exhibition<br />
Gordon Bennett<br />
Since his first major solo exhibition in<br />
1989, Gordon Bennett has achieved<br />
international critical acclaim for the<br />
complex ways in which his work<br />
engages with historical and<br />
contemporary questions <strong>of</strong> cultural<br />
and personal identity, with a specific<br />
focus on <strong>Australia</strong>’s colonial past and<br />
its postcolonial present.<br />
Bennett’s idiosyncratic art is founded<br />
on his critical enquiry into the power<br />
and effects <strong>of</strong> language to structure<br />
ideologies, and social and cultural<br />
systems. His work has been guided<br />
by a postmodernist aesthetic that has<br />
enabled him to deconstruct and<br />
represent the histories and politics<br />
that determine identities and the<br />
national and international social<br />
landscapes in which, through his<br />
work, he seeks to locate a place<br />
for himself.<br />
Presenting 20 years <strong>of</strong> Bennett’s<br />
work this exhibition will bring<br />
together many <strong>of</strong> the Notes to<br />
Basquiat paintings and selected<br />
works from the Home Décor series.<br />
throughout Europe, Asia and the<br />
United States.<br />
His exhibition Venice and the Islamic<br />
World 828 – 1797 was ranked as<br />
one <strong>of</strong> the five best <strong>of</strong> the year for<br />
2007 by the Wall Street Journal and<br />
the catalogue <strong>of</strong> his exhibition The<br />
Legacy <strong>of</strong> Genghis Khan, <strong>Art</strong> and<br />
Culture in <strong>Western</strong> Asia 1258 – 1356<br />
won the prestigious Alfred H Barr<br />
Prize in 2002.<br />
Dr Carboni takes an active role in<br />
international art issues. He was a key<br />
member <strong>of</strong> the team <strong>of</strong> directors,<br />
curators and conservators who<br />
proposed actions to be taken to stem<br />
the looting <strong>of</strong> Iraq’s artistic heritage<br />
and its dispersal after the occupation<br />
<strong>of</strong> that country by the allied forces<br />
led by the United States in 2003.<br />
“Dr Carboni will bring a fresh and<br />
truly international perspective and<br />
vision to the <strong>Gallery</strong> and the WA arts<br />
The exhibition will examine the<br />
manner in which Bennett’s focus on<br />
the disenfranchisement <strong>of</strong><br />
colonialism resonates globally<br />
beyond his specifically <strong>Australia</strong>n<br />
context, and the challenge his work<br />
makes to political conservatism and<br />
social complacency.<br />
Please be advised that some artwork in this<br />
exhibition contains graphic material that may not<br />
be suitable for all audiences.<br />
20 December <strong>2008</strong> – 22 March 2009<br />
A National <strong>Gallery</strong> <strong>of</strong> Victoria Touring Exhibition<br />
community, building on the<br />
significant strengths <strong>of</strong> our staff and<br />
curatorial team,” said AGWA Chair<br />
Helen Cook.<br />
“Importantly, with internationally<br />
acclaimed credentials from the<br />
Universities <strong>of</strong> London and Venice,<br />
Dr Carboni has a deep<br />
understanding <strong>of</strong> cherishing and<br />
fostering art heritage and will bring<br />
this discipline to the future<br />
development <strong>of</strong> the <strong>Gallery</strong> as an<br />
institution that celebrates and<br />
collects significant contemporary,<br />
historical and Indigenous art.”<br />
Dr Carboni’s vision for his new role<br />
includes encouraging more touring<br />
exhibitions to Perth, firming up plans<br />
to redevelop the main gallery<br />
building, growing the State <strong>Art</strong><br />
Collection through the new<br />
acquisition fund, and continuing to<br />
engage young people in the visual<br />
arts through the <strong>Gallery</strong>.<br />
Check out your State <strong>Art</strong><br />
Collection online<br />
In September, the <strong>Gallery</strong> opened a<br />
virtual door to its Collection. As part<br />
<strong>of</strong> the Gordon Darling Digitisation<br />
Project art lovers can now view 225<br />
paintings, sculptures and design<br />
objects from the State <strong>Art</strong> Collection<br />
as well as interpretive texts online.<br />
To view the online collection visit<br />
www.artgallery.wa.gov.au and click<br />
on ‘Search the Collection’ on the<br />
‘Collections’ page.<br />
Gordon Bennett<br />
Born <strong>Australia</strong> 1955<br />
Camouflage #2 2003<br />
synthetic polymer paint on canvas<br />
182.5 x 182.5 cm<br />
Collection Gene and Brian Sherman, Sydney<br />
Photography: John O’Brien<br />
© Courtesy <strong>of</strong> the artist<br />
Butterfly dreaming with<br />
Peggy Griffiths<br />
Wednesday 12 November<br />
This November the Friends will<br />
celebrate the opening <strong>of</strong> Peggy<br />
Griffiths' new exhibition at Seva<br />
Frangos <strong>Art</strong> in Subiaco.<br />
Peggy was the first Indigenous artist<br />
to win the Fremantle Print Award<br />
in 1995.<br />
This long awaited exhibition depicts<br />
Peggy’s traditional country within the<br />
Keep River National Park, located<br />
along the Northern Territory and<br />
<strong>Western</strong> <strong>Australia</strong>n border.<br />
The exhibition specifically shows<br />
Jinamoom, the Keep River, as it flows<br />
through the gorges and where it is<br />
joined by the many tributaries which<br />
flow to capacity during the wet<br />
season. The artworks also depict<br />
Spinifex country and the movement<br />
<strong>of</strong> the grass seeds in the wind across<br />
the country, blanketing the country in<br />
glorious colours.<br />
Peggy has been painting Spinifex<br />
country for the last five years and her<br />
dreaming, the butterfly, is <strong>of</strong>ten<br />
symbolised by a subtle butterfly<br />
shape which can be discerned in<br />
many <strong>of</strong> her paintings.<br />
Special Friends' Screening<br />
<strong>of</strong> Caravaggio<br />
Saturday 25 October<br />
As part <strong>of</strong> the <strong>2008</strong> Lavazza Italian<br />
Film Festival, the good folk at<br />
Cinema Paradiso have arranged a<br />
special screening <strong>of</strong> Caravaggio for<br />
the Friends, which coincides with the<br />
only public screening <strong>of</strong> the film.<br />
The movement <strong>of</strong><br />
the seeds, so<br />
superbly captured<br />
in Peggy’s<br />
paintings, is also<br />
symbolic <strong>of</strong> the<br />
presence <strong>of</strong> the<br />
Dreamtime Spirit<br />
which is alive today<br />
and moving<br />
throughout the<br />
country.<br />
Peggy’s elegant and fluid paintings<br />
are produced entirely with natural<br />
ochres and pigments.<br />
In her 60s, Peggy paints with the<br />
Waringarri Aboriginal <strong>Art</strong> Centre in<br />
Kununurra. She is a long-serving<br />
chairperson <strong>of</strong> this centre, which is<br />
wholly Aboriginal owned by the artist<br />
community. Deeply committed to her<br />
culture and heritage, Peggy is a<br />
traditional performer and teaches<br />
young students both painting<br />
and dancing.<br />
Caravaggio was the most innovative<br />
painter <strong>of</strong> his time and one <strong>of</strong> the<br />
greatest artists <strong>of</strong> any age.<br />
Alessio Boni plays Michelangelo<br />
"Michele" Merisi, born into a humble<br />
family in the town <strong>of</strong> Caravaggio<br />
(from which the future artist would<br />
derive his pr<strong>of</strong>essional moniker).<br />
Cursed with a violent temper,<br />
Michele becomes as well known for<br />
his brawling as for his art,<br />
frequenting the seamier side <strong>of</strong><br />
Rome and using its prostitutes and<br />
thieves as models, even for his<br />
religious paintings.<br />
Eventually, his art creates a fervent<br />
group <strong>of</strong> admirers, while his personal<br />
life establishes an equally dedicated<br />
battery <strong>of</strong> enemies.<br />
See the Calendar <strong>of</strong> Events<br />
for booking information.<br />
Peggy Griffiths<br />
Jinamoom and Water Lily<br />
<strong>2008</strong> 140 x 100 cm<br />
Natural ochre on canvas<br />
Courtesy <strong>of</strong> the artist, Waringarri Aboriginal <strong>Art</strong>s & Seva Frangos <strong>Art</strong><br />
The whimsical world <strong>of</strong> Leon Pericles<br />
Friday 24 October<br />
We will join Leon in his studio, which his wife Moira<br />
describes as ‘vibrant, warm and busy’, to explore his<br />
artistic world. It is one that features intricate etchings,<br />
screenprints and hand coloured collagraphs, which<br />
<strong>of</strong>ten depict Leon’s absurdist view <strong>of</strong> landscape,<br />
society and culture.<br />
Leon is a story teller. His sharp satirical wit is ever<br />
present in his work and his constant reinvention <strong>of</strong><br />
himself as an artist keeps his audience wondering<br />
what will happen next.<br />
Close mentor and friend Robert Juniper says <strong>of</strong> Leon,<br />
“The outstanding quality <strong>of</strong> Pericles' work is<br />
his youthful exuberance; smiling and witty,<br />
his puckish humour touches all subjects.<br />
Combined with a mastery <strong>of</strong> technique and<br />
experimentation he manages to put laughter<br />
on a higher plane.”
Snapshots<br />
Alice in Wonderlust<br />
1 2<br />
3 4 5<br />
6 7 8 9 10<br />
11 12 13 14 15<br />
1 Anastasia Stonehouse and Samantha<br />
Coad-Ward<br />
2 Alice and the White Rabbit<br />
3 Jeffery Grey and Tammi and Gail Le Breton<br />
4 Robert Gouldson and Jonnie Love<br />
5 Melody West, Tanya Young, Nadine Redmond,<br />
Emaly Black, Mariella Zanello and Dana Hodges<br />
6 Renato Sansalone, Mark Lennard and<br />
Ricky Arnold<br />
7 France Smithson and David Stephens<br />
8 Ashley and Kendra Frew and Maree Even<br />
9 Davina Hannaford and Carmen Price-Tudor<br />
10 Bec Bird and Gemma Jones<br />
<strong>Art</strong> in Bloom allocation night<br />
11 Kellie Morrow and Stephen McDonnell<br />
12 Yolanda Stapleton and Eva Asmussen<br />
13 Hannah Whiteman, Andrew Lim and<br />
Didi Paolucci<br />
14 Han Machielse and Rosita Valladares<br />
15 Greg James, Janet Nixon and Ian de Souza<br />
<strong>Gallery</strong> Guide<br />
Exhibition Program<br />
OCTOBER – DECEMBER<br />
Culture Warriors:<br />
National Indigenous <strong>Art</strong> Triennial<br />
Finishes 23 November<br />
<strong>Western</strong> <strong>Australia</strong>n Premier’s<br />
Indigenous <strong>Art</strong> Awards <strong>2008</strong><br />
1 November – 11 January 2009<br />
Gordon Bennett<br />
20 December – 22 March 2009<br />
Wonderlust<br />
New journeys Your collection<br />
Ongoing<br />
WESFARMERS ARTS Walk-in Tours<br />
Generously guided by <strong>Art</strong> <strong>Gallery</strong><br />
volunteer guides<br />
OCTOBER<br />
Sunday 5 at 2pm<br />
Culture Warriors <strong>Art</strong>ist Floor Talk<br />
Julie Dowling<br />
Sunday 26 at 2pm<br />
Culture Warriors <strong>Art</strong>ist Floor Talk<br />
Destiny Deacon and Virginia Fraser<br />
Monday 27 – Friday 31 at 12pm<br />
(Seniors Week Tour)<br />
Memories <strong>of</strong> years gone by<br />
Tuesdays at 11am & 1pm<br />
Wonderlust - Presence<br />
Wednesdays at 11am & 1pm<br />
Culture Warriors<br />
Thursdays at 11am & 1pm<br />
Wonderlust - Material Gesture<br />
Friday Focus at 12.30pm<br />
Kimberley landscape by Paddy<br />
Tjamitji<br />
Fridays at 2pm<br />
Wonderlust - Story<br />
Saturdays at 1pm<br />
A tour <strong>of</strong> your <strong>Gallery</strong><br />
Sundays at 11am & 1pm<br />
Culture Warriors<br />
NOVEMBER<br />
Thursday 6 & Friday 7 at 12pm<br />
Seniors Week Tour<br />
Memories <strong>of</strong> years gone by<br />
Sunday 9 @ 2pm<br />
Culture Warriors <strong>Art</strong>ist Floor Talk<br />
Chris Pease<br />
Sunday 9 @ 2.30pm<br />
Culture Warriors <strong>Art</strong>ist Floor Talk<br />
Vernon Ah Kee<br />
Tuesdays at 11am & 1pm<br />
Wonderlust – Home<br />
Wednesdays at 11am & 1pm<br />
Indigenous <strong>Art</strong> Awards<br />
Thursdays at 11am & 1pm<br />
A fresh look at pottery in the<br />
Centenary Galleries<br />
Friday Focus at 12.30pm<br />
The great metaphysical interior<br />
by Imants Tillers<br />
Fridays at 2pm<br />
Treasures from the WA Collection<br />
Saturdays at 1pm<br />
A tour <strong>of</strong> your collection<br />
Sunday 2, 9, 16 & 23 at 11am<br />
& 1pm<br />
Culture Warriors<br />
Sunday 30 at 11am & 1pm<br />
A tour <strong>of</strong> your collection<br />
DECEMBER<br />
Tuesdays at 11am & 1pm<br />
Wonderlust – Story<br />
Wednesdays at 11am & 1pm<br />
Wonderlust – Presence<br />
Thursdays at 11am & 1pm<br />
Wonderlust – Mapping<br />
Friday Focus at 12.30pm<br />
Tete de Denus by Renoir<br />
Fridays at 2pm<br />
Wonderlust – Material Gesture<br />
Saturdays at 1pm<br />
A tour <strong>of</strong> your State Collection<br />
Sundays at 11am & 1pm<br />
Indigenous <strong>Art</strong> Awards<br />
Advertised tours may be subject to change.<br />
We apologise for any inconvenience.<br />
The <strong>Gallery</strong> will be closed on<br />
Christmas Day. There will be<br />
no tours on Boxing Day.<br />
<strong>Art</strong> in Bloom <strong>2008</strong><br />
The floral frenzy that is <strong>Art</strong> in Bloom has<br />
settled for another year.<br />
Like bees to the honey visitors swarmed to<br />
see this year’s event. The Friends<br />
welcomed around 14,000 people over the<br />
three days <strong>of</strong> <strong>Art</strong> in Bloom.<br />
The opening night was a triumph. Drawing<br />
inspiration from Jean-Honoré Fragonard’s<br />
Girl on a swing it featured a gob-smacking<br />
burlesque trapeze against a back drop <strong>of</strong><br />
film noir images from throughout the ages.<br />
With thousands <strong>of</strong> fresh and handmade<br />
flowers on display, and creative genius<br />
filling every nook and cranny the <strong>Gallery</strong><br />
was a spectacle to behold.<br />
The People have spoken<br />
Congratulations to the <strong>Art</strong> in Bloom<br />
entrants who were voted best in show by<br />
our visitors.<br />
Taking out first place was Rebecca Grace<br />
who created a sublime pastel orb<br />
fashioned using delicate orchids<br />
illuminated by a light box as a tribute to<br />
Howard Taylor’s Day time moon.<br />
Thank you to our generous <strong>Art</strong> in Bloom<br />
sponsors for <strong>2008</strong>.<br />
Partner<br />
Media Partner<br />
We look forward to seeing you at the 10th<br />
anniversary <strong>of</strong> <strong>Art</strong> in Bloom in 2010.<br />
1st place<br />
Rebecca Grace – Florist<br />
Day time moon – Howard Taylor<br />
Above: 2nd place<br />
Kelly Canby – Floral designer<br />
Old Waterwheel – Authur Boyd<br />
Below: Honourable mention<br />
Lovell Anstee-Brook – <strong>Art</strong>ist<br />
Untitled (Body painting) – Emily Kngwarreye<br />
Above: 3rd place<br />
Susan Shepherd – Florist/artist and Kaylene<br />
Poon – Secretary, Chung Wah Association<br />
La Robe Chinoise – Hilda Rix Nicholas<br />
Below: Honourable mention<br />
Tanya Lee and Jacqueline Ball –<br />
Honors <strong>Art</strong> Students<br />
The Seven Sisters – Angilya Mitchell<br />
Honourable mention<br />
Gary Giles – Interior designer<br />
Looking towards Mornington Crescent<br />
Station, Night – Frank Auerbach
Calendar <strong>of</strong> Events<br />
ADFAS LECTURE<br />
Worcester Porcelain with Royal Connections<br />
Mr Harry Frost<br />
Since the 1770s the Worcester factory has been<br />
producing porcelain for the Royal family. This lecture will<br />
be dripping with breathtaking porcelain examples<br />
including some <strong>of</strong> the finest banqueting services ever<br />
produced, ornamental items and presentation pieces.<br />
Don’t miss the opportunity to see and learn about the<br />
services manufactured for the marriage <strong>of</strong> Queen<br />
Elizabeth II in 1947.<br />
Monday 6 October, Alexander Library Auditorium<br />
6.15pm refreshments / 6.45pm lecture commences<br />
$30 members / $40 guests<br />
WELCOME MORNING FOR NEW MEMBERS<br />
Meet some <strong>of</strong> the Councillors and fellow new members at<br />
this informal morning tea in the Friends’ Room. It’s a great<br />
opportunity to learn how to make the most <strong>of</strong> your<br />
membership. The morning also includes a guided tour <strong>of</strong><br />
the <strong>Gallery</strong>.<br />
Sunday 12 October and Sunday 23 November, 10.30am<br />
Friends’ Room, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong><br />
Free to new members / $5 existing members and guests<br />
RSVP to 9492 6750<br />
STUDIO VISIT: Leon Pericles<br />
Leon Pericles opens his studio to the Friends for a fun<br />
and thought-provoking evening. His works are detailed<br />
and whimsical flights <strong>of</strong> artistic imagination. Join us as we<br />
explore Leon’s rich tapestry <strong>of</strong> paintings, etchings and<br />
collagraphs, while enjoying fine wine and canapés, and <strong>of</strong><br />
course entertaining company.<br />
Friday 24 October<br />
6.00pm – 8.00pm (address on ticket)<br />
$20 members / $28 guests<br />
SPECIAL FRIENDS’ SCREENING: Caravaggio<br />
Caravaggio is a mesmerizing and beguiling new biopic<br />
about the master Renaissance painter that captures the<br />
man as well as his work.<br />
As part <strong>of</strong> the <strong>2008</strong> Lavazza Italian Film Festival, our<br />
friends at Cinema Paradiso have arranged this special<br />
screening <strong>of</strong> Caravaggio for the Friends, coinciding with<br />
the only public screening <strong>of</strong> the film. See page 5 for more<br />
information.<br />
Saturday 25 October, Cinema Paradiso<br />
1.30pm afternoon tea / 2.15pm film screening<br />
$21 members / $26 guests<br />
If you would like to receive more information about<br />
Friends events in our e-update please send your<br />
email address to friends@artgallery.wa.gov.au<br />
LUNCH AMIDST THE ROSES<br />
Helen and John Hyde open their magnificent home and<br />
grounds at Ellenbee Chidlow to the Friends. Enjoy a<br />
delicious lunch surrounded by the classic splendour <strong>of</strong><br />
550 rose bushes bursting with blooms, encircled by the<br />
raw beauty <strong>of</strong> native bushland. Then venture inside to view<br />
the Hyde’s collection <strong>of</strong> <strong>Australia</strong>n and European art and<br />
etchings, including special pieces by their daughter Ros.<br />
Sunday 2 November, noon at the venue<br />
Address (with map) on ticket<br />
$45 members / $55 guests (event only – self drive)<br />
$72 members / $77 guests (event and bus transport –<br />
departs Beaufort Street at 10.30am)<br />
GALLERY VISIT: Seva Frangos <strong>Art</strong><br />
Join us at Seva Frangos’ Subiaco gallery to celebrate the<br />
opening <strong>of</strong> Peggy Griffiths’ new exhibition which depicts<br />
her traditional country within the Keep River National Park<br />
in the East Kimberley. A sumptuous morning tea will be<br />
served. See page 5 for more information.<br />
Wednesday 12 November<br />
10.00am - 11.30am (address on ticket)<br />
$18 members / $25 guests<br />
CHRISTMAS PARTY – Bubbles and baubles<br />
on the Terrace<br />
As we farewell another fun-filled year, we welcome the<br />
<strong>Gallery</strong>’s new Director Dr Stefano Carboni, who will join<br />
us to spread some festive cheer at the Friends<br />
Christmas Party.<br />
This stellar occasion will come with all the trimmings –<br />
chilled champagne, fine wines and gourmet treats.<br />
Sunday 7 December, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong><br />
6.00pm – 8.00pm<br />
$25 members / $35 guests<br />
FILM MORNING: Kabbarli – a story <strong>of</strong><br />
Daisy Bates<br />
Our film, Kabbarli (grandmother) explores the<br />
extraordinary life <strong>of</strong> Daisy Bates and her passionate<br />
involvement with <strong>Australia</strong>n Aborigines. The film<br />
interweaves fiction, biography, history and memory.<br />
We’ll then head upstairs to view Monnop, a painting by<br />
Christopher Pease. Monnop performed the last corroboree<br />
in Perth in 1907 and Daisy included him in her writings.<br />
Monday 15 December, <strong>Art</strong> <strong>Gallery</strong> Theatrette<br />
10.00am morning tea / 10.30am film / 11.30am tour<br />
$18 members / $23 guests<br />
Peggy Griffiths<br />
Jinamoom and<br />
Water Lily (detail)<br />
<strong>2008</strong> 140 x 100 cm<br />
Natural ochre<br />
on canvas<br />
Courtesy <strong>of</strong> the artist,<br />
Waringarri Aboriginal<br />
<strong>Art</strong>s & Seva<br />
Frangos <strong>Art</strong><br />
FOR BOOKINGS PHONE 9492 6750