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Spring 2008 - Art Gallery of Western Australia

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artifactsr magazine <strong>of</strong> the friends <strong>of</strong> the art gallery <strong>of</strong> western australia<br />

<strong>Spring</strong> <strong>2008</strong><br />

PRINT POST APPROVED PP665002/00118


ARTIFACTS is published<br />

quarterly by the Friends <strong>of</strong> the<br />

<strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong> (Inc.)<br />

Start your week with an ADFAS adventure<br />

Telephone: (08) 9492 6750<br />

Facsimile: (08) 9492 6755<br />

Email: friends@artgallery.wa.gov.au<br />

Post: PO Box 48, Northbridge 6865<br />

EDITOR<br />

Rebecca Bird<br />

Contributors<br />

Craig Ingrey, David Dolan, Lorna White,<br />

Rosita Valladares<br />

GRAPHIC DESIGN<br />

Johanna Standish-Hansen<br />

printing<br />

Barry Green<br />

Account Manager, Lamb Print<br />

Telephone (08) 9427 3500<br />

paper<br />

Graham Cole – Sales Executive,<br />

Spicers Paper<br />

Telephone (08) 9376 9150<br />

ARTIFACTS ADVERTISING<br />

Advertisers are welcome – contact the Friends <strong>of</strong>fice for<br />

further details. Publication <strong>of</strong> an advertisement does<br />

not necessarily imply endorsement by the Friends <strong>of</strong> the <strong>Art</strong><br />

<strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong> (Inc)<br />

Peggy Griffiths<br />

Jinamoom <strong>2008</strong> 140 x 100 cm<br />

Natural ochre on canvas<br />

Courtesy <strong>of</strong> the artist, Waringarri Aboriginal <strong>Art</strong>s<br />

& Seva Frangos <strong>Art</strong><br />

I recently joined with other Friends to<br />

see a new play: Portraits <strong>of</strong> Modern<br />

Evil – Albert Tucker: Painter,<br />

Visionary, Acquaintance <strong>of</strong> a Killer<br />

Playwright Robert Reid takes a free<br />

approach to Tucker’s story, which got<br />

me thinking about how artists’<br />

reputations are constructed during<br />

and after their lifetime.<br />

There are some amazing stories in<br />

circulation about the antics <strong>of</strong> various<br />

artists, past and present. In the 20th<br />

century, Jackson Pollock probably<br />

had the worst reputation, but<br />

precedents include John Hamilton<br />

Mortimer: the wild man <strong>of</strong> English<br />

18th century art.<br />

Albert Tucker is among the most<br />

interesting 20th century <strong>Australia</strong>n<br />

artists, represented in the ‘Home’<br />

theme <strong>of</strong> Wonderlust at our <strong>Gallery</strong>.<br />

I recently came across his name<br />

linked to those <strong>of</strong> <strong>Art</strong>hur Boyd who is<br />

also in Wonderlust along with Charles<br />

Blackman whose Triptych Alice was<br />

a gift from the Friends in 1988.<br />

I was enjoying reading Mixed Dozen:<br />

The Story Of <strong>Australia</strong>n Winemaking<br />

Since 1788 by Charles Gent. It<br />

includes the story <strong>of</strong> Samuel Wynn<br />

who migrated to <strong>Australia</strong> in 1913<br />

and established himself as a supplier<br />

to and partner in various Melbourne<br />

wine bars and restaurants. We read:<br />

“The [Café] Florentino became a<br />

haunt <strong>of</strong> artists (<strong>Art</strong>hur Boyd, Albert<br />

Tucker and Charles Blackman were<br />

regulars by the 1930s)…”.<br />

Something worried me about this bit<br />

<strong>of</strong> bohemian mythologising. Boyd,<br />

born in 1920, was an impoverished<br />

student and under the legal drinking<br />

age during the 1930s. Tucker, born<br />

1914, struggled through the great<br />

Double your discount at the <strong>Gallery</strong> Shop<br />

Friends will receive 20% <strong>of</strong>f all purchases during<br />

November and December.<br />

And get them gift wrapped ready for Christmas!<br />

Just present your membership card when you pay.<br />

From the President<br />

Depression in Melbourne and is<br />

unlikely to have been a regular at<br />

Florentino. We can’t check with<br />

them, as both died in 1999.<br />

Blackman is 80 this year, but we<br />

needn’t bother him. He grew up in<br />

Sydney and moved to Melbourne in<br />

1950. Born 1928, he was two years<br />

old at the start <strong>of</strong> the 1930s and<br />

eleven when the decade ended in<br />

1939. So, whatever Tucker was doing<br />

in Melbourne in the 1930s, he wasn’t<br />

drinking with Blackman at Florentino.<br />

Many <strong>of</strong> us are occasionally<br />

confronted with fantasised or<br />

exaggerated stories <strong>of</strong> youthful<br />

adventures and excesses – as if the<br />

truth wasn’t bad enough! It helps to<br />

remember that the ancient Greek<br />

stoic philosophers identified<br />

reputation as one <strong>of</strong> those things you<br />

must accept as ultimately beyond<br />

your control.<br />

The image <strong>of</strong> Tucker, Boyd and<br />

Blackman propping up the bar at<br />

Florentino when they should have<br />

been in school may be part <strong>of</strong><br />

<strong>Australia</strong>n folklore, but it is not<br />

reliable art history. Fortunately for us,<br />

they are together, we might even say<br />

re-united, in our <strong>Gallery</strong>’s Collection<br />

and exhibitions, where we can all join<br />

them for a quiet think if not a drink.<br />

DAVID DOLAN<br />

Please note: The Friends' <strong>of</strong>fice will be<br />

closed from 19 December to 27 January.<br />

Thank you to Graham and Carol Baker from<br />

For the C<strong>of</strong>fee Table, purveyors <strong>of</strong> gourmet<br />

biscuits in Floreat, for their delicious<br />

support <strong>of</strong> Alice in Wonderlust. The tarts<br />

were a hit!<br />

The 2009 lecture series from the Association<br />

<strong>of</strong> Decorative and Fine <strong>Art</strong>s Societies will<br />

whisk you away to distant continents and<br />

long-gone eras. Join us we discover Sickert’s<br />

secrets, revel in 18th century England’s<br />

elegance and lust after Lalique’s exquisite<br />

<strong>Art</strong> Nouveau jewellery.<br />

Pietro da Cortona The Golden Age<br />

Monday 23 February<br />

The Mystery & Splendour <strong>of</strong> Golden<br />

Ages in the <strong>Art</strong>s<br />

Mrs Patricia Wright BA (Hons)<br />

ARICS (rtd) NADFAS<br />

What makes a particular place at<br />

a particular time suddenly become<br />

so creative that its influence echoes<br />

down the ages And how strange that<br />

such lightning-strikes <strong>of</strong> splendour<br />

rarely recur in the same place ever<br />

again. This wide-ranging lecture<br />

explores both the fascination <strong>of</strong><br />

some past Golden Ages and tries to<br />

identify just a few <strong>of</strong> the factors which<br />

triggered them.<br />

Walter Sickert<br />

Mornington Crescent Nude, contre-jour 1907<br />

Monday 27 April<br />

Sickert and the Camden Town Group<br />

Mrs Sandra Pollard BA MA NADFAS<br />

The common image <strong>of</strong> Edwardian<br />

England is that <strong>of</strong> elegant parties in<br />

country houses as reflected in John<br />

Singer Sargent’s paintings. However,<br />

this lecture looks at the works <strong>of</strong> the<br />

Camden Town Group, which showed<br />

an alternative view <strong>of</strong> society. Music<br />

halls, north London bedsitters,<br />

new suburbs and commuter towns<br />

were painted in a lively and <strong>of</strong>ten<br />

colourful style. The group’s leader<br />

Walter Sickert was no stranger to<br />

controversy with his paintings <strong>of</strong> a<br />

well-known murder at the time giving<br />

a new dimension to the meaning <strong>of</strong><br />

Mornington Crescent!<br />

Monday 29 June<br />

René Lalique – Master <strong>of</strong> <strong>Art</strong><br />

Nouveau Jewellery and <strong>Art</strong><br />

Deco Glass<br />

Dr Anne Anderson BA PhD FSA<br />

NADFAS<br />

Although Lalique is best known for<br />

his <strong>Art</strong> Deco glass <strong>of</strong> the inter-war<br />

years, his career began in the early<br />

1890s as the designer <strong>of</strong> the finest<br />

<strong>Art</strong> Nouveau jewellery. His jewels<br />

were about design and craftsmanship<br />

rather than vulgar ostentation<br />

or flashy diamonds. As his fame<br />

spread his style was copied and<br />

debased until Lalique felt that he had<br />

exhausted the potential <strong>of</strong> jewellery.<br />

A fortuitous commission led to the<br />

creation <strong>of</strong> the first customised<br />

perfume bottle, which marked the<br />

start <strong>of</strong> his affair with glass.<br />

Monday 27 July<br />

Exotic Encounters: Indo-European<br />

furniture from South Asia (India<br />

and Sri Lanka) during the 18th and<br />

19th centuries<br />

Dr Robin Jones BA (Hons) PhD<br />

NADFAS<br />

We will explore the tradition <strong>of</strong><br />

furniture making by South Asian<br />

wood workers for Europeans,<br />

who were resident in the Indian<br />

Subcontinent from the 17th century<br />

onwards. Before European contact<br />

socialising typically took place at floor<br />

level, seated cross-legged on textiles<br />

or mats. This lecture addresses<br />

the gradual introduction <strong>of</strong> western<br />

furniture forms into the east and<br />

examines the furniture produced at<br />

key centres in India and Sri Lanka.<br />

SUBSCRIBE AND SAVE!<br />

Monday 24 August<br />

Manners and Music: Life in 18th<br />

Century England<br />

Ms Jeanne Dolmetsch LRAM<br />

NADFAS<br />

Manners and Music transports<br />

us back to the 18th century to an<br />

age <strong>of</strong> elegance and taste, wit and<br />

satire, extravagant fashions and a<br />

complex code <strong>of</strong> manners. Daniel<br />

Defoe takes us to the magnificent<br />

Palladian Palace <strong>of</strong> Cannons, and<br />

we eavesdrop with Jane Austen on<br />

a musical evening at Netherfield.<br />

We behold the fantastic toilette <strong>of</strong><br />

the lady <strong>of</strong> fashion in Pope’s Rape<br />

<strong>of</strong> the Lock and are reminded by<br />

Lord Chesterfield <strong>of</strong> the importance<br />

<strong>of</strong> dancing the Minuet with a good<br />

grace and air. These and other vivid<br />

accounts will be complemented by<br />

the music <strong>of</strong> the period.<br />

Monday 28 September<br />

The Alderley Edge Project<br />

Pr<strong>of</strong> John Prag MA Dip Class Arch<br />

DPhil (Oxon) FSA NADFAS<br />

In 1992 a 4000 year old wooden<br />

shovel reappeared, first discovered<br />

in 1875 at Alderley Edge in Cheshire<br />

and then lost. Three years later<br />

a hoard <strong>of</strong> 550 Roman coins was<br />

unearthed at the top <strong>of</strong> an old<br />

mine-shaft and the Alderley Edge<br />

Landscape Project was born. Alderley<br />

Edge has a rich, complex history <strong>of</strong><br />

geology, archaeology, early mining<br />

and social history. Take a journey<br />

with project coordinator John Prag as<br />

he unearths the physical and human<br />

landscape <strong>of</strong> Alderley.<br />

6 lecture membership card $120.00 ($20 per lecture)<br />

5 lecture membership card $110.00 ($22 per lecture)*<br />

* lectures for this option must be nominated when booking.<br />

The single ticket price is $30 for members and $40 for guests.<br />

Alexander Library Auditorium, Perth Cultural Centre.<br />

6.15pm light refreshments / 6.45pm lecture starts.


New <strong>Gallery</strong> Director<br />

Coming Up at the Friends<br />

Dr Stefano Carboni joins the <strong>Gallery</strong><br />

in October as its new Director. He<br />

comes to us from New York’s<br />

Metropolitan Museum <strong>of</strong> <strong>Art</strong>, where<br />

he was the Curator and Administrator<br />

<strong>of</strong> the Department <strong>of</strong> Islamic <strong>Art</strong>.<br />

With an outstanding curatorial,<br />

academic and teaching background<br />

Dr Carboni has an extensive record<br />

<strong>of</strong> exhibitions and publications as<br />

well as broad lecturing experience<br />

Exhibition<br />

Gordon Bennett<br />

Since his first major solo exhibition in<br />

1989, Gordon Bennett has achieved<br />

international critical acclaim for the<br />

complex ways in which his work<br />

engages with historical and<br />

contemporary questions <strong>of</strong> cultural<br />

and personal identity, with a specific<br />

focus on <strong>Australia</strong>’s colonial past and<br />

its postcolonial present.<br />

Bennett’s idiosyncratic art is founded<br />

on his critical enquiry into the power<br />

and effects <strong>of</strong> language to structure<br />

ideologies, and social and cultural<br />

systems. His work has been guided<br />

by a postmodernist aesthetic that has<br />

enabled him to deconstruct and<br />

represent the histories and politics<br />

that determine identities and the<br />

national and international social<br />

landscapes in which, through his<br />

work, he seeks to locate a place<br />

for himself.<br />

Presenting 20 years <strong>of</strong> Bennett’s<br />

work this exhibition will bring<br />

together many <strong>of</strong> the Notes to<br />

Basquiat paintings and selected<br />

works from the Home Décor series.<br />

throughout Europe, Asia and the<br />

United States.<br />

His exhibition Venice and the Islamic<br />

World 828 – 1797 was ranked as<br />

one <strong>of</strong> the five best <strong>of</strong> the year for<br />

2007 by the Wall Street Journal and<br />

the catalogue <strong>of</strong> his exhibition The<br />

Legacy <strong>of</strong> Genghis Khan, <strong>Art</strong> and<br />

Culture in <strong>Western</strong> Asia 1258 – 1356<br />

won the prestigious Alfred H Barr<br />

Prize in 2002.<br />

Dr Carboni takes an active role in<br />

international art issues. He was a key<br />

member <strong>of</strong> the team <strong>of</strong> directors,<br />

curators and conservators who<br />

proposed actions to be taken to stem<br />

the looting <strong>of</strong> Iraq’s artistic heritage<br />

and its dispersal after the occupation<br />

<strong>of</strong> that country by the allied forces<br />

led by the United States in 2003.<br />

“Dr Carboni will bring a fresh and<br />

truly international perspective and<br />

vision to the <strong>Gallery</strong> and the WA arts<br />

The exhibition will examine the<br />

manner in which Bennett’s focus on<br />

the disenfranchisement <strong>of</strong><br />

colonialism resonates globally<br />

beyond his specifically <strong>Australia</strong>n<br />

context, and the challenge his work<br />

makes to political conservatism and<br />

social complacency.<br />

Please be advised that some artwork in this<br />

exhibition contains graphic material that may not<br />

be suitable for all audiences.<br />

20 December <strong>2008</strong> – 22 March 2009<br />

A National <strong>Gallery</strong> <strong>of</strong> Victoria Touring Exhibition<br />

community, building on the<br />

significant strengths <strong>of</strong> our staff and<br />

curatorial team,” said AGWA Chair<br />

Helen Cook.<br />

“Importantly, with internationally<br />

acclaimed credentials from the<br />

Universities <strong>of</strong> London and Venice,<br />

Dr Carboni has a deep<br />

understanding <strong>of</strong> cherishing and<br />

fostering art heritage and will bring<br />

this discipline to the future<br />

development <strong>of</strong> the <strong>Gallery</strong> as an<br />

institution that celebrates and<br />

collects significant contemporary,<br />

historical and Indigenous art.”<br />

Dr Carboni’s vision for his new role<br />

includes encouraging more touring<br />

exhibitions to Perth, firming up plans<br />

to redevelop the main gallery<br />

building, growing the State <strong>Art</strong><br />

Collection through the new<br />

acquisition fund, and continuing to<br />

engage young people in the visual<br />

arts through the <strong>Gallery</strong>.<br />

Check out your State <strong>Art</strong><br />

Collection online<br />

In September, the <strong>Gallery</strong> opened a<br />

virtual door to its Collection. As part<br />

<strong>of</strong> the Gordon Darling Digitisation<br />

Project art lovers can now view 225<br />

paintings, sculptures and design<br />

objects from the State <strong>Art</strong> Collection<br />

as well as interpretive texts online.<br />

To view the online collection visit<br />

www.artgallery.wa.gov.au and click<br />

on ‘Search the Collection’ on the<br />

‘Collections’ page.<br />

Gordon Bennett<br />

Born <strong>Australia</strong> 1955<br />

Camouflage #2 2003<br />

synthetic polymer paint on canvas<br />

182.5 x 182.5 cm<br />

Collection Gene and Brian Sherman, Sydney<br />

Photography: John O’Brien<br />

© Courtesy <strong>of</strong> the artist<br />

Butterfly dreaming with<br />

Peggy Griffiths<br />

Wednesday 12 November<br />

This November the Friends will<br />

celebrate the opening <strong>of</strong> Peggy<br />

Griffiths' new exhibition at Seva<br />

Frangos <strong>Art</strong> in Subiaco.<br />

Peggy was the first Indigenous artist<br />

to win the Fremantle Print Award<br />

in 1995.<br />

This long awaited exhibition depicts<br />

Peggy’s traditional country within the<br />

Keep River National Park, located<br />

along the Northern Territory and<br />

<strong>Western</strong> <strong>Australia</strong>n border.<br />

The exhibition specifically shows<br />

Jinamoom, the Keep River, as it flows<br />

through the gorges and where it is<br />

joined by the many tributaries which<br />

flow to capacity during the wet<br />

season. The artworks also depict<br />

Spinifex country and the movement<br />

<strong>of</strong> the grass seeds in the wind across<br />

the country, blanketing the country in<br />

glorious colours.<br />

Peggy has been painting Spinifex<br />

country for the last five years and her<br />

dreaming, the butterfly, is <strong>of</strong>ten<br />

symbolised by a subtle butterfly<br />

shape which can be discerned in<br />

many <strong>of</strong> her paintings.<br />

Special Friends' Screening<br />

<strong>of</strong> Caravaggio<br />

Saturday 25 October<br />

As part <strong>of</strong> the <strong>2008</strong> Lavazza Italian<br />

Film Festival, the good folk at<br />

Cinema Paradiso have arranged a<br />

special screening <strong>of</strong> Caravaggio for<br />

the Friends, which coincides with the<br />

only public screening <strong>of</strong> the film.<br />

The movement <strong>of</strong><br />

the seeds, so<br />

superbly captured<br />

in Peggy’s<br />

paintings, is also<br />

symbolic <strong>of</strong> the<br />

presence <strong>of</strong> the<br />

Dreamtime Spirit<br />

which is alive today<br />

and moving<br />

throughout the<br />

country.<br />

Peggy’s elegant and fluid paintings<br />

are produced entirely with natural<br />

ochres and pigments.<br />

In her 60s, Peggy paints with the<br />

Waringarri Aboriginal <strong>Art</strong> Centre in<br />

Kununurra. She is a long-serving<br />

chairperson <strong>of</strong> this centre, which is<br />

wholly Aboriginal owned by the artist<br />

community. Deeply committed to her<br />

culture and heritage, Peggy is a<br />

traditional performer and teaches<br />

young students both painting<br />

and dancing.<br />

Caravaggio was the most innovative<br />

painter <strong>of</strong> his time and one <strong>of</strong> the<br />

greatest artists <strong>of</strong> any age.<br />

Alessio Boni plays Michelangelo<br />

"Michele" Merisi, born into a humble<br />

family in the town <strong>of</strong> Caravaggio<br />

(from which the future artist would<br />

derive his pr<strong>of</strong>essional moniker).<br />

Cursed with a violent temper,<br />

Michele becomes as well known for<br />

his brawling as for his art,<br />

frequenting the seamier side <strong>of</strong><br />

Rome and using its prostitutes and<br />

thieves as models, even for his<br />

religious paintings.<br />

Eventually, his art creates a fervent<br />

group <strong>of</strong> admirers, while his personal<br />

life establishes an equally dedicated<br />

battery <strong>of</strong> enemies.<br />

See the Calendar <strong>of</strong> Events<br />

for booking information.<br />

Peggy Griffiths<br />

Jinamoom and Water Lily<br />

<strong>2008</strong> 140 x 100 cm<br />

Natural ochre on canvas<br />

Courtesy <strong>of</strong> the artist, Waringarri Aboriginal <strong>Art</strong>s & Seva Frangos <strong>Art</strong><br />

The whimsical world <strong>of</strong> Leon Pericles<br />

Friday 24 October<br />

We will join Leon in his studio, which his wife Moira<br />

describes as ‘vibrant, warm and busy’, to explore his<br />

artistic world. It is one that features intricate etchings,<br />

screenprints and hand coloured collagraphs, which<br />

<strong>of</strong>ten depict Leon’s absurdist view <strong>of</strong> landscape,<br />

society and culture.<br />

Leon is a story teller. His sharp satirical wit is ever<br />

present in his work and his constant reinvention <strong>of</strong><br />

himself as an artist keeps his audience wondering<br />

what will happen next.<br />

Close mentor and friend Robert Juniper says <strong>of</strong> Leon,<br />

“The outstanding quality <strong>of</strong> Pericles' work is<br />

his youthful exuberance; smiling and witty,<br />

his puckish humour touches all subjects.<br />

Combined with a mastery <strong>of</strong> technique and<br />

experimentation he manages to put laughter<br />

on a higher plane.”


Snapshots<br />

Alice in Wonderlust<br />

1 2<br />

3 4 5<br />

6 7 8 9 10<br />

11 12 13 14 15<br />

1 Anastasia Stonehouse and Samantha<br />

Coad-Ward<br />

2 Alice and the White Rabbit<br />

3 Jeffery Grey and Tammi and Gail Le Breton<br />

4 Robert Gouldson and Jonnie Love<br />

5 Melody West, Tanya Young, Nadine Redmond,<br />

Emaly Black, Mariella Zanello and Dana Hodges<br />

6 Renato Sansalone, Mark Lennard and<br />

Ricky Arnold<br />

7 France Smithson and David Stephens<br />

8 Ashley and Kendra Frew and Maree Even<br />

9 Davina Hannaford and Carmen Price-Tudor<br />

10 Bec Bird and Gemma Jones<br />

<strong>Art</strong> in Bloom allocation night<br />

11 Kellie Morrow and Stephen McDonnell<br />

12 Yolanda Stapleton and Eva Asmussen<br />

13 Hannah Whiteman, Andrew Lim and<br />

Didi Paolucci<br />

14 Han Machielse and Rosita Valladares<br />

15 Greg James, Janet Nixon and Ian de Souza<br />

<strong>Gallery</strong> Guide<br />

Exhibition Program<br />

OCTOBER – DECEMBER<br />

Culture Warriors:<br />

National Indigenous <strong>Art</strong> Triennial<br />

Finishes 23 November<br />

<strong>Western</strong> <strong>Australia</strong>n Premier’s<br />

Indigenous <strong>Art</strong> Awards <strong>2008</strong><br />

1 November – 11 January 2009<br />

Gordon Bennett<br />

20 December – 22 March 2009<br />

Wonderlust<br />

New journeys Your collection<br />

Ongoing<br />

WESFARMERS ARTS Walk-in Tours<br />

Generously guided by <strong>Art</strong> <strong>Gallery</strong><br />

volunteer guides<br />

OCTOBER<br />

Sunday 5 at 2pm<br />

Culture Warriors <strong>Art</strong>ist Floor Talk<br />

Julie Dowling<br />

Sunday 26 at 2pm<br />

Culture Warriors <strong>Art</strong>ist Floor Talk<br />

Destiny Deacon and Virginia Fraser<br />

Monday 27 – Friday 31 at 12pm<br />

(Seniors Week Tour)<br />

Memories <strong>of</strong> years gone by<br />

Tuesdays at 11am & 1pm<br />

Wonderlust - Presence<br />

Wednesdays at 11am & 1pm<br />

Culture Warriors<br />

Thursdays at 11am & 1pm<br />

Wonderlust - Material Gesture<br />

Friday Focus at 12.30pm<br />

Kimberley landscape by Paddy<br />

Tjamitji<br />

Fridays at 2pm<br />

Wonderlust - Story<br />

Saturdays at 1pm<br />

A tour <strong>of</strong> your <strong>Gallery</strong><br />

Sundays at 11am & 1pm<br />

Culture Warriors<br />

NOVEMBER<br />

Thursday 6 & Friday 7 at 12pm<br />

Seniors Week Tour<br />

Memories <strong>of</strong> years gone by<br />

Sunday 9 @ 2pm<br />

Culture Warriors <strong>Art</strong>ist Floor Talk<br />

Chris Pease<br />

Sunday 9 @ 2.30pm<br />

Culture Warriors <strong>Art</strong>ist Floor Talk<br />

Vernon Ah Kee<br />

Tuesdays at 11am & 1pm<br />

Wonderlust – Home<br />

Wednesdays at 11am & 1pm<br />

Indigenous <strong>Art</strong> Awards<br />

Thursdays at 11am & 1pm<br />

A fresh look at pottery in the<br />

Centenary Galleries<br />

Friday Focus at 12.30pm<br />

The great metaphysical interior<br />

by Imants Tillers<br />

Fridays at 2pm<br />

Treasures from the WA Collection<br />

Saturdays at 1pm<br />

A tour <strong>of</strong> your collection<br />

Sunday 2, 9, 16 & 23 at 11am<br />

& 1pm<br />

Culture Warriors<br />

Sunday 30 at 11am & 1pm<br />

A tour <strong>of</strong> your collection<br />

DECEMBER<br />

Tuesdays at 11am & 1pm<br />

Wonderlust – Story<br />

Wednesdays at 11am & 1pm<br />

Wonderlust – Presence<br />

Thursdays at 11am & 1pm<br />

Wonderlust – Mapping<br />

Friday Focus at 12.30pm<br />

Tete de Denus by Renoir<br />

Fridays at 2pm<br />

Wonderlust – Material Gesture<br />

Saturdays at 1pm<br />

A tour <strong>of</strong> your State Collection<br />

Sundays at 11am & 1pm<br />

Indigenous <strong>Art</strong> Awards<br />

Advertised tours may be subject to change.<br />

We apologise for any inconvenience.<br />

The <strong>Gallery</strong> will be closed on<br />

Christmas Day. There will be<br />

no tours on Boxing Day.<br />

<strong>Art</strong> in Bloom <strong>2008</strong><br />

The floral frenzy that is <strong>Art</strong> in Bloom has<br />

settled for another year.<br />

Like bees to the honey visitors swarmed to<br />

see this year’s event. The Friends<br />

welcomed around 14,000 people over the<br />

three days <strong>of</strong> <strong>Art</strong> in Bloom.<br />

The opening night was a triumph. Drawing<br />

inspiration from Jean-Honoré Fragonard’s<br />

Girl on a swing it featured a gob-smacking<br />

burlesque trapeze against a back drop <strong>of</strong><br />

film noir images from throughout the ages.<br />

With thousands <strong>of</strong> fresh and handmade<br />

flowers on display, and creative genius<br />

filling every nook and cranny the <strong>Gallery</strong><br />

was a spectacle to behold.<br />

The People have spoken<br />

Congratulations to the <strong>Art</strong> in Bloom<br />

entrants who were voted best in show by<br />

our visitors.<br />

Taking out first place was Rebecca Grace<br />

who created a sublime pastel orb<br />

fashioned using delicate orchids<br />

illuminated by a light box as a tribute to<br />

Howard Taylor’s Day time moon.<br />

Thank you to our generous <strong>Art</strong> in Bloom<br />

sponsors for <strong>2008</strong>.<br />

Partner<br />

Media Partner<br />

We look forward to seeing you at the 10th<br />

anniversary <strong>of</strong> <strong>Art</strong> in Bloom in 2010.<br />

1st place<br />

Rebecca Grace – Florist<br />

Day time moon – Howard Taylor<br />

Above: 2nd place<br />

Kelly Canby – Floral designer<br />

Old Waterwheel – Authur Boyd<br />

Below: Honourable mention<br />

Lovell Anstee-Brook – <strong>Art</strong>ist<br />

Untitled (Body painting) – Emily Kngwarreye<br />

Above: 3rd place<br />

Susan Shepherd – Florist/artist and Kaylene<br />

Poon – Secretary, Chung Wah Association<br />

La Robe Chinoise – Hilda Rix Nicholas<br />

Below: Honourable mention<br />

Tanya Lee and Jacqueline Ball –<br />

Honors <strong>Art</strong> Students<br />

The Seven Sisters – Angilya Mitchell<br />

Honourable mention<br />

Gary Giles – Interior designer<br />

Looking towards Mornington Crescent<br />

Station, Night – Frank Auerbach


Calendar <strong>of</strong> Events<br />

ADFAS LECTURE<br />

Worcester Porcelain with Royal Connections<br />

Mr Harry Frost<br />

Since the 1770s the Worcester factory has been<br />

producing porcelain for the Royal family. This lecture will<br />

be dripping with breathtaking porcelain examples<br />

including some <strong>of</strong> the finest banqueting services ever<br />

produced, ornamental items and presentation pieces.<br />

Don’t miss the opportunity to see and learn about the<br />

services manufactured for the marriage <strong>of</strong> Queen<br />

Elizabeth II in 1947.<br />

Monday 6 October, Alexander Library Auditorium<br />

6.15pm refreshments / 6.45pm lecture commences<br />

$30 members / $40 guests<br />

WELCOME MORNING FOR NEW MEMBERS<br />

Meet some <strong>of</strong> the Councillors and fellow new members at<br />

this informal morning tea in the Friends’ Room. It’s a great<br />

opportunity to learn how to make the most <strong>of</strong> your<br />

membership. The morning also includes a guided tour <strong>of</strong><br />

the <strong>Gallery</strong>.<br />

Sunday 12 October and Sunday 23 November, 10.30am<br />

Friends’ Room, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong><br />

Free to new members / $5 existing members and guests<br />

RSVP to 9492 6750<br />

STUDIO VISIT: Leon Pericles<br />

Leon Pericles opens his studio to the Friends for a fun<br />

and thought-provoking evening. His works are detailed<br />

and whimsical flights <strong>of</strong> artistic imagination. Join us as we<br />

explore Leon’s rich tapestry <strong>of</strong> paintings, etchings and<br />

collagraphs, while enjoying fine wine and canapés, and <strong>of</strong><br />

course entertaining company.<br />

Friday 24 October<br />

6.00pm – 8.00pm (address on ticket)<br />

$20 members / $28 guests<br />

SPECIAL FRIENDS’ SCREENING: Caravaggio<br />

Caravaggio is a mesmerizing and beguiling new biopic<br />

about the master Renaissance painter that captures the<br />

man as well as his work.<br />

As part <strong>of</strong> the <strong>2008</strong> Lavazza Italian Film Festival, our<br />

friends at Cinema Paradiso have arranged this special<br />

screening <strong>of</strong> Caravaggio for the Friends, coinciding with<br />

the only public screening <strong>of</strong> the film. See page 5 for more<br />

information.<br />

Saturday 25 October, Cinema Paradiso<br />

1.30pm afternoon tea / 2.15pm film screening<br />

$21 members / $26 guests<br />

If you would like to receive more information about<br />

Friends events in our e-update please send your<br />

email address to friends@artgallery.wa.gov.au<br />

LUNCH AMIDST THE ROSES<br />

Helen and John Hyde open their magnificent home and<br />

grounds at Ellenbee Chidlow to the Friends. Enjoy a<br />

delicious lunch surrounded by the classic splendour <strong>of</strong><br />

550 rose bushes bursting with blooms, encircled by the<br />

raw beauty <strong>of</strong> native bushland. Then venture inside to view<br />

the Hyde’s collection <strong>of</strong> <strong>Australia</strong>n and European art and<br />

etchings, including special pieces by their daughter Ros.<br />

Sunday 2 November, noon at the venue<br />

Address (with map) on ticket<br />

$45 members / $55 guests (event only – self drive)<br />

$72 members / $77 guests (event and bus transport –<br />

departs Beaufort Street at 10.30am)<br />

GALLERY VISIT: Seva Frangos <strong>Art</strong><br />

Join us at Seva Frangos’ Subiaco gallery to celebrate the<br />

opening <strong>of</strong> Peggy Griffiths’ new exhibition which depicts<br />

her traditional country within the Keep River National Park<br />

in the East Kimberley. A sumptuous morning tea will be<br />

served. See page 5 for more information.<br />

Wednesday 12 November<br />

10.00am - 11.30am (address on ticket)<br />

$18 members / $25 guests<br />

CHRISTMAS PARTY – Bubbles and baubles<br />

on the Terrace<br />

As we farewell another fun-filled year, we welcome the<br />

<strong>Gallery</strong>’s new Director Dr Stefano Carboni, who will join<br />

us to spread some festive cheer at the Friends<br />

Christmas Party.<br />

This stellar occasion will come with all the trimmings –<br />

chilled champagne, fine wines and gourmet treats.<br />

Sunday 7 December, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Western</strong> <strong>Australia</strong><br />

6.00pm – 8.00pm<br />

$25 members / $35 guests<br />

FILM MORNING: Kabbarli – a story <strong>of</strong><br />

Daisy Bates<br />

Our film, Kabbarli (grandmother) explores the<br />

extraordinary life <strong>of</strong> Daisy Bates and her passionate<br />

involvement with <strong>Australia</strong>n Aborigines. The film<br />

interweaves fiction, biography, history and memory.<br />

We’ll then head upstairs to view Monnop, a painting by<br />

Christopher Pease. Monnop performed the last corroboree<br />

in Perth in 1907 and Daisy included him in her writings.<br />

Monday 15 December, <strong>Art</strong> <strong>Gallery</strong> Theatrette<br />

10.00am morning tea / 10.30am film / 11.30am tour<br />

$18 members / $23 guests<br />

Peggy Griffiths<br />

Jinamoom and<br />

Water Lily (detail)<br />

<strong>2008</strong> 140 x 100 cm<br />

Natural ochre<br />

on canvas<br />

Courtesy <strong>of</strong> the artist,<br />

Waringarri Aboriginal<br />

<strong>Art</strong>s & Seva<br />

Frangos <strong>Art</strong><br />

FOR BOOKINGS PHONE 9492 6750

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