Syllabus for: Intro to Art - College of the Redwoods
Syllabus for: Intro to Art - College of the Redwoods
Syllabus for: Intro to Art - College of the Redwoods
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<strong>Syllabus</strong> <strong>for</strong>: <strong>Intro</strong> <strong>to</strong> <strong>Art</strong> <br />
Semester & Year: Spring 2013 <br />
Course ID and Section Number: ART-2-E2018 <br />
Number <strong>of</strong> Credits/Units: 3 <br />
Day/Time: TTH 11:35AM -‐ 02:45PM, CA Room 135 <br />
Location: <br />
Instruc<strong>to</strong>r’s Name: Garth Johnson <br />
Contact In<strong>for</strong>mation: Office location and hours: Creative <strong>Art</strong>s 130 M W 1:30-‐2:30 <br />
Phone: 707-‐476-‐4549 <br />
Email: garth-‐johnson@redwoods.edu <br />
Course Description (catalog description as described in course outline): An introduc<strong>to</strong>ry <br />
course designed <strong>to</strong> provide students with studio and lecture experience in <strong>the</strong> visual arts. <br />
Concepts covered include line, value, composition, color, and both two-‐ and three-‐dimensional <br />
space. Media used include drawing, painting, printmaking, ceramics, sculpture, and new media. <br />
Student Learning Outcomes (as described in course outline) : <br />
1. Critique <strong>the</strong> visual characteristics in images and original works presented in class using oral <br />
or written <strong>for</strong>mats. <br />
2. Demonstrate familiarity with <strong>the</strong> elements <strong>of</strong> art and principles <strong>of</strong> design, such as line, <br />
shape, value, composition, and space. <br />
3. Demonstrate basic pr<strong>of</strong>iciency with a broad range <strong>of</strong> two-‐dimensional and three-dimensional<br />
processes such as drawing, painting, printmaking, ceramics and sculpture. <br />
4. Identify, analyze, and discuss <strong>the</strong> functions <strong>of</strong> art and <strong>the</strong> roles <strong>of</strong> artists in diverse cultures. <br />
Special accommodations: <strong>College</strong> <strong>of</strong> <strong>the</strong> <strong>Redwoods</strong> complies with <strong>the</strong> Americans with <br />
Disabilities Act in making reasonable accommodations <strong>for</strong> qualified students with disabilities. <br />
Please present your written accommodation request at least one week be<strong>for</strong>e <strong>the</strong> first test so <br />
that necessary arrangements can be made. No last-‐minute arrangements or post-‐test <br />
adjustments will be made. If you have a disability or believe you might benefit from disability <br />
related services and may need accommodations, please see me or contact Disabled Students <br />
Programs and Services. Students may make requests <strong>for</strong> alternative media by contacting DSPS. <br />
Academic Misconduct: Cheating, plagiarism, collusion, abuse <strong>of</strong> resource materials, computer <br />
misuse, fabrication or falsification, multiple submissions, complicity in academic misconduct, <br />
and/ or bearing false witness will not be <strong>to</strong>lerated. Violations will be dealt with according <strong>to</strong> <strong>the</strong> <br />
procedures and sanctions proscribed by <strong>the</strong> <strong>College</strong> <strong>of</strong> <strong>the</strong> <strong>Redwoods</strong>. Students caught <br />
plagiarizing or cheating on exams will receive an “F” in <strong>the</strong> course. <br />
The student code <strong>of</strong> conduct is available on <strong>the</strong> <strong>College</strong> <strong>of</strong> <strong>the</strong> <strong>Redwoods</strong> website at: <br />
http://redwoods.edu/District/Board/New/Chapter5/AP%205500%20Conduct%20Code%20final<br />
%2002-‐07-‐2012.pdf <br />
Additional in<strong>for</strong>mation about <strong>the</strong> rights and responsibilities <strong>of</strong> students, Board policies, and <br />
administrative procedures is located in <strong>the</strong> college catalog and on <strong>the</strong> <strong>College</strong> <strong>of</strong> <strong>the</strong> <strong>Redwoods</strong> <br />
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homepage. <br />
<strong>College</strong> <strong>of</strong> <strong>the</strong> <strong>Redwoods</strong> is committed <strong>to</strong> equal opportunity in employment, admission <strong>to</strong> <strong>the</strong> <br />
college, and in <strong>the</strong> conduct <strong>of</strong> all <strong>of</strong> its programs and activities. <br />
How do you define art This is a relatively recent dilemma. Until <strong>the</strong> Renaissance, art was just a fact <strong>of</strong> <br />
life-‐-‐painters and sculp<strong>to</strong>rs were just normal working stiffs who filled a certain need in society. <strong>Art</strong>ists <br />
painted portraits, made religious art, commemorative art or were more akin <strong>to</strong> craftspeople who made <br />
functional objects <strong>for</strong> everyday (or ceremonial) use. Certain artists in Ancient Greece and o<strong>the</strong>r societies <br />
had wealth and status, but most <strong>to</strong>iled in obscurity. What was <strong>the</strong> big change during <strong>the</strong> renaissance <br />
<strong>Art</strong>ists learned <strong>the</strong> fine art <strong>of</strong> public relations. Suddenly, artists were geniuses who were receiving <br />
divine inspiration. <br />
Fast <strong>for</strong>ward <strong>to</strong> <strong>the</strong> present, <br />
where being an artist can mean <br />
everything from chainsaw <br />
sculp<strong>to</strong>r <strong>to</strong> weekend painter <strong>to</strong> <br />
per<strong>for</strong>mance or multimedia <br />
artist. The amazing thing about <br />
art is its malleability-‐-‐art can be <br />
combined with just about <br />
anything <strong>to</strong> create potent and <br />
thought-‐provoking hybrids. This <br />
class will combine some old-school<br />
fundamentals (line, color, <br />
<strong>for</strong>m, technique) with exploration <br />
<strong>of</strong> just what it means <strong>to</strong> be an <br />
artist in <strong>the</strong> 21st Century. If you <br />
have a vision <strong>of</strong> an artist as a poor <br />
Frenchman in a beret and striped <br />
shirt living in a romantic garret on <br />
<strong>the</strong> Left Bank, it’s time <strong>to</strong> put that <br />
image <strong>to</strong> rest. <br />
<strong>Art</strong> is more than technique. <strong>Art</strong> is a thought process. In this course, you will work with drawing, <br />
painting and o<strong>the</strong>r materials, but <strong>the</strong> end goal is <strong>to</strong> help you <strong>to</strong> think like an artist. Elephants and chimps <br />
love <strong>to</strong> paint and draw, but you have <strong>the</strong> added advantage <strong>of</strong> creative problem solving. <br />
Catalog Description: An introduc<strong>to</strong>ry course designed <strong>to</strong> provide students with studio and lecture <br />
experience in <strong>the</strong> visual arts. Concepts covered include line, value, composition, color, and both two-‐ <br />
<strong>Syllabus</strong> insert.doc
and three-‐dimensional space. Media used include drawing, painting, printmaking, ceramics, sculpture, <br />
and new media. <br />
Textbook and Supplies: The good news: I’m not going <strong>to</strong> make you buy some $120 textbook. The bad <br />
news: You’ll need <strong>to</strong> s<strong>to</strong>ck up on a variety <strong>of</strong> papers, paints, brushes and o<strong>the</strong>r materials over <strong>the</strong> <br />
course <strong>of</strong> <strong>the</strong> semester. I don’t believe in ridiculously expensive materials, though, and I’ll try <strong>to</strong> give <br />
you as much warning as I can so you can shop around and find your supplies as inexpensively as <br />
possible. We’ll also work with a variety <strong>of</strong> recycled and free materials as well. For <strong>the</strong> time being, here’s <br />
your supply list: <br />
Small moleskine sketchbook <br />
Graphite pencils -‐ I suggest 2B, 6B, HB and 2H <br />
Erasers-‐ <br />
• Kneaded <br />
• White Plastic <br />
• Gum <br />
Pencil sharpener <br />
Assorted paintbrushes <br />
O<strong>the</strong>r materials will be required over <strong>the</strong> course <strong>of</strong> <strong>the</strong> semester. Stay tuned. <br />
Attendance: I take attendance <strong>for</strong> this course very seriously. Learning about art takes time and ef<strong>for</strong>t. <br />
If you accrue three absences over <strong>the</strong> course <strong>of</strong> <strong>the</strong> semester, it will be impossible <strong>for</strong> you <strong>to</strong> get an “A”. <br />
Two lates will count as one absence. Please show up <strong>to</strong> class on time and don’t leave early. If <br />
necessary, I will take attendance at <strong>the</strong> end <strong>of</strong> class as well as <strong>the</strong> beginning. If you accumulate four or <br />
more unexcused absences, I consider this <strong>to</strong> be "excessive absence", and you will be au<strong>to</strong>matically <br />
dropped from <strong>the</strong> class. <br />
The only excused absences are serious illness (with doc<strong>to</strong>r's note), family illness/death or school-‐related <br />
event or trip. If you are absent, it is your responsibility <strong>to</strong> find out what your assignments are. <br />
Attendance <strong>for</strong> class critiques is MANDATORY! Any missed critiques will have an especially negative <br />
impact on your participation grade. <br />
Bringing Supplies: You must bring <strong>the</strong> required supplies <strong>to</strong> each class as I will not be providing any <br />
materials. If you come <strong>to</strong> class empty-‐handed, you will be counted absent <strong>for</strong> that day. <br />
Grading: To get an “A” in this course, you must complete all in-‐class assignments and put a high level <strong>of</strong> <br />
thought and craftsmanship in<strong>to</strong> each project. You must also participate in in-‐class discussions, “show <br />
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and tell” and o<strong>the</strong>r projects and field trips. Your final grade doesn’t depends more on your engagement <br />
with <strong>the</strong> material than it does on my judgement <strong>of</strong> your work. The grading breakdown is as follows: <br />
• Course Projects: Timely and successful completion <strong>of</strong> all main projects -‐ 50% <br />
• Participation: Class involvement -‐ 20% <br />
• Final Portfolio: Quality <strong>of</strong> work, craftsmanship, final presentation 15% <br />
• Quizzes and Writing Assignments: 10% <br />
• <strong>Syllabus</strong> Quiz: 5% <br />
Participation: 20% <strong>of</strong> your grade is determined by your participation in <strong>the</strong> class. This means showing <br />
up on time (with all <strong>of</strong> your materials), completing all assignments and remaining engaged throughout <br />
<strong>the</strong> entire class period. There is never a reason <strong>for</strong> you <strong>to</strong> rush through a drawing or project and sit <br />
bored through <strong>the</strong> rest <strong>of</strong> <strong>the</strong> class period. I expect you <strong>to</strong> participate <strong>for</strong> <strong>the</strong> entire class period. Extra <br />
Credit: There will be opportunities <strong>to</strong> earn a few points outside <strong>of</strong> class by attending <strong>Art</strong>s Alive (and <br />
similar events in Arcata and McKinleyville). <br />
Make-‐Up Work: If you are missing any assignment, it must be made up outside <strong>of</strong> class time. Come see <br />
me if you need <strong>to</strong> make special arrangements. I will accept late work up <strong>to</strong> TWO WEEKS after <strong>the</strong> <br />
original due date. Late work will be marked down by 20%. <br />
Music: Except <strong>for</strong> a few longer projects <strong>to</strong>ward <strong>the</strong> end <strong>of</strong> <strong>the</strong> semester, I don't allow students <strong>to</strong> wear <br />
headphones/earbuds in class. We will listen <strong>to</strong> music while we draw, but it will be playing on <strong>the</strong> <br />
speakers in <strong>the</strong> classroom. You may bring music <strong>to</strong> share with <strong>the</strong> class or suggest music that you'd like <br />
<strong>to</strong> hear. <br />
Cell Phones and Texting: Do I really have <strong>to</strong> spell this out Turn <strong>of</strong>f your cell phones during my class (if <br />
you can even get reception in this building). If I catch you texting or talking on your cell phone during <br />
class, you will be asked <strong>to</strong> leave and marked absent <strong>for</strong> that day. <br />
Important Dates: <br />
Semester Begins -‐ 01/14/13 <br />
Last Day <strong>to</strong> Drop and Receive a Refund -‐ 1/25/13 <br />
Last Day <strong>to</strong> Drop Without a “W” -‐ 1/27/13 <br />
Spring Break -‐ March 11-‐15 <br />
Last Day <strong>for</strong> Student Initiated Drop -‐ 03/30/13 <br />
Final Examinations -‐ 5/6-‐5/10 <br />
Semester Ends -‐ 5/10/13 <br />
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Emergencies: If <strong>the</strong>re are any emergencies in <strong>the</strong> classroom, security will be au<strong>to</strong>matically called. <br />
Please familiarize yourself with <strong>the</strong> location <strong>of</strong> campus telephones -‐ <strong>the</strong> nearest phone is located in <strong>the</strong> <br />
breezeway <strong>of</strong> Creative <strong>Art</strong>s. The phone number <strong>for</strong> Security is x4111. <br />
Students With Disabilities: Academic accommodations are provided <strong>to</strong> students who have a verified <br />
disability. In order <strong>to</strong> have a mutual understanding between <strong>the</strong> instruc<strong>to</strong>r and <strong>the</strong> student <strong>of</strong> <strong>the</strong> <br />
determined accommodations, a DSPS Support Services Agreement (SSA) <strong>for</strong>m is developed each <br />
semester between <strong>the</strong> student and <strong>the</strong> DSPS <strong>of</strong>fice. Each student who is eligible <strong>for</strong> accommodations in <br />
<strong>the</strong> classroom will provide a copy <strong>of</strong> <strong>the</strong> SSA <strong>for</strong>m <strong>to</strong> his or her Instruc<strong>to</strong>r. For accommodations due <strong>to</strong> a <br />
disability, please see me within <strong>the</strong> first two weeks <strong>of</strong> class. <br />
Caveat: The schedule and procedures are scheduled <strong>to</strong> change in <strong>the</strong> event <strong>of</strong> extenuating <br />
circumstances. <br />
Student Code <strong>of</strong> Conduct: You are expected <strong>to</strong> adhere <strong>to</strong> <strong>the</strong> <strong>College</strong> <strong>of</strong> <strong>the</strong> <strong>Redwoods</strong> code <strong>of</strong> student <br />
conduct. Plagiarism and inappropriate behavior will be dealth with accordingly. You can find <strong>the</strong> <br />
student code <strong>of</strong> condut standards on <strong>the</strong> CR website at <br />
http://www.redwoods.edu/District/dsps/ResourceGuide/StudentCode.asp <br />
<strong>Art</strong> Blogs and Websites <br />
We Make Money Not <strong>Art</strong> -‐ www.we-‐make-‐money-‐not-‐art.com <br />
Escape <strong>to</strong> New York -‐ www.escape<strong>to</strong>newyork.net <br />
C-‐Monster -‐ www.c-‐monster.net <br />
Drawn! -‐ www.drawn.ca <br />
<strong>Art</strong> News Blog -‐ www.artnewsblog.com <br />
Making a Mark -‐ Error! Hyperlink reference not valid. <br />
Up All Night Again -‐ www.kirstyhall.co.uk/blog <br />
Dear Ada -‐ www.dearada.typepad.com/dear_ada/ <br />
Cynthia Hooper -‐ www.cindyhooper.blogspot.com/ <br />
Machine Project -‐ www.machineproject.com// <br />
<strong>Art</strong> Supplies -‐ Eureka & Arcata <br />
Ellis <strong>Art</strong> and Engineering Supply <br />
401 5th St, Eureka <br />
(707) 445-‐9050 <br />
Michael’s <br />
800 W Harris St, Eureka <br />
(707) 444-‐2383 <br />
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<strong>Art</strong> Center <br />
823 H St, Arcata <br />
Grade Scale <br />
A 94% and above Excellent <br />
A-‐ 90%-‐93% Excellent <br />
B+ 87%-‐89% Good <br />
B 84%-‐86% Good <br />
B-‐ 80%-‐83% Good <br />
C+ 77%-‐79% Satisfac<strong>to</strong>ry <br />
C 70%-‐76% Satisfac<strong>to</strong>ry <br />
D 60%-‐69% Poor <br />
F 59% and below Failing <br />
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