Alumni Magazine Issue 3 Mar 2011.pdf - Arts University Bournemouth

Issue Three
March 2011
AUCB ALUMNI
MAGAZINE
School of Media Edition
Animation Special

alumnus noun (pl. alumni/; fem. alumna/,
pl. alumnae) a former pupil or student of
a particular school, college, or university.
WELCOME
FROM HERE
TO THERE
Welcome to issue three of the
AUCB Alumni Magazine.
In this special edition, we’re celebrating the successes,
innovations and expertise of our Animation Alumni. The
Animation Production course is renowned for producing some
of the most creative and technically-proficient animators
working in the UK and internationally, many of whom have
collected awards and accolades along the way. Animation
Alumni have an extraordinary affinity to the University
College, often recruiting new AUCB graduates or returning
as visiting tutors or guest lecturers. They continue to make a
significant and lasting contribution to the field of Animation.
We follow the careers of all our Alumni with interest
and pride. Please keep us posted about your latest
projects and career moves – and if you’d like to
contact fellow students or staff members from your
time here, let us know and we’ll try and help.
Rebecca Huseyin
(graduates@aucb.ac.uk)
Front cover image:
Chop Socky Chooks
by Danny Capozzi

Below: Mr Benn
Opposite, clockwise from top left:
Spot, King Rollo and Maisy

CLIVE JUSTER,
MANAGING DIRECTOR,
ROLLO RIGHTS LTD.
GRADUATED 1969
“There is no
denying that
my time at the
University College
prepared me and
led me into this
fantastic career...
which continues
to surprise and
delight every day”
“I came to the Bournemouth and
Poole College of Art, as it was then
called, in 1966. I later obtained
a place on a BBC trainee film
editor’s course based at Ealing
Studios. It was a wonderful time
to be working at the BBC, and
particularly at Ealing Studios,
which at that time was home to
Ken Russell, Spike Milligan, Monty
Python and many of the luminaries
from the Cambridge Footlights.
I was a film editor on Playschool when I
was offered the job as editor on a new
children’s series Mr Benn. I accepted
and set up a cutting room in my spare
bedroom. Our rostrum cameraman
Bert Walker set up his own company,
Zephyr Films, in a shed at the bottom
of his garden in Surbiton. This is
where the Mr Benn films were shot.
Later, Mr Benn author and illustrator
David McKee and I set up King Rollo Films
and our first production was based on the
series of King Rollo books that David had
started to write. The BBC commissioned
a series of thirteen and fortunately
many overseas television broadcasters
liked our work. Thus began a long run
of more or less continuous production;
a run which continues to this day.
I received a BAFTA for the children’s
TV series Maisy, which I produced for
Universal Studios, and shortly after I was
nominated for an Emmy for the TV series
Paz, which I produced for Discovery Kids.
Throughout my career I have continued
my links with the University College,
and King Rollo Films has employed
many AUCB graduates over the years.
There is no denying that my time at the
University College prepared me and led
me into this fantastic career, a career
which continues to surprise and delight
every day. I hope that many other Alumni
feel the same way and share my fondness
for this very special seat of learning.”

COLIN WHITE,
STORYBOARD
ARTIST
GRADUATED 1973
“I have very pleasant memories of
studying at the University College.
The course was enjoyably hard,
but creatively fun work. Upon
graduating, I gained a place on
an animation training scheme
with the Halas and Batchelor
Studio in Stroud. I spent the
next thirty-five years enjoying a
successful career in animation
doing everything from assistant
animator to supervising director,
taking in character animation,
layouts, storyboards, timing and
animation direction along the way.
I’ve worked on more commercials than
I care to remember as well as TV series,
specials and feature films both drawn
and computer animated, in the UK
and the US. I even worked in Russia,
Manilla, Hong Kong and Saigon.
I did a couple of years as a computer
animator for Industrial Light and Magic
(ILM), on films Caspar and Dragonheart.
I also worked on Bod and Watership
Down and directed The Poddington
Peas and The New Adventures of
Captain Pugwash. One of the highlights
of my career was Who Framed Roger
Rabbit. Steven Spielberg would come
round and chat to the animators!
I’ve just finished writing the screenplay
for an animated feature, a sort of
‘Seven Samurai in fur coats’, and I’m
working as a storyboard editor on
pre-school animation Mike the Knight.”
“One of the
highlights of my
career was Who
Framed Roger
Rabbit. Steven
Spielberg would
come round and chat
to the animators!”
Below: Colin’s sketch of Jessica Rabbit
Bottom: A storyboard for
The Poddington Peas
“One of my proudest
moments so far was
being the production
designer on Chop
Socky Chooks”

DANIEL CAPOZZI,
ANIMATION DIRECTOR/
CHARACTER DESIGNER
GRADUATED 1994
“I remember thinking it was
the best equipped institution
I had ever visited; we had
our own personal animation
workspaces, our own light
boxes and a room dedicated
to computer animation and
effects. We were very privileged
to have all this and to be given
funds to make our group films.
After graduation, I started working at
The Puppet Factory in Hoxton making
stop-motion puppets, sets and props
for Aardman Animation commercials
and Crapston Villas (Spitting Image
Productions). We moved to Bristol,
the Mecca of animation, and I soon
became a full time stop-motion
animator at Aardman, and then went
on to become a director for both
Aardman and Bermuda Shorts.
Currently, I am developing series ideas
for Disney, Cartoon Network and
Nickelodeon. I work on commercials
for Aardman, sometimes as a director
and sometimes as a production
designer. I am also a freelance
illustrator doing character designs,
branding and record sleeve art.
One of my proudest moments so far
was being the production designer on
Chop Socky Chooks; designing all the
characters and backgrounds and seeing
it on Cartoon Network. It won a Gemini
Award for best CGI series in 2008 and
was nominated for a BAFTA in 2009.”
Opposite, above and right:
A selection of stills from
Chop Socky Chooks
All images copyright of
Danny Capozzi 01.01.09.
All illustration material is
protected by A©ID &
The AOI.

Below left and below:
Star Wars: The Force Unleashed 2
Copyright LucasArts 2010.
Above left and above:
Jason worked as computer graphics supervisor
on the critically acclaimed Burnout Paradise
before moving to Lucasfilm in 2009.
Copyright Electronic Arts 2008.

JASON SMITH,
DIGITAL PRODUCTION
SUPERVISOR, LUCASFILM
GRADUATED 1995
“Seeing my name
on the credits, to the
sound of the famous
John Williams
Star Wars theme,
is a moment that
will stick with
me as clearly as
hearing the music
for the first time
back in 1977”
“I started my career in computer
games with Argonaut Software,
which was one of the first
companies in the world to
create 3D console games. For
me there wasn’t a more exciting
or pioneering place to be at the
time. The company operated
from a run-down warehouse
in a very unglamorous part of
North London; upstairs we were
animating, downstairs served as
a washing machine showroom.
Regularly working fourteen
hour days, we didn’t even get
a discount on white goods!
With 17 years and 12 games inbetween, I
now work as a partner to the art directors
and executive producers at LucasFilm,
San Francisco. I get to ensure we deliver
the most visually stunning games possible
by empowering the animators, artists,
technical directors and other content
creators to work effectively. Much of this
comes through training, tools, technology
development and research. It often feels
like one of the best jobs in the world.
Outside of my day job I work with the
animation and computer graphics
communities through ACM Siggraph,
organisers of the largest Computer
Animation Festival in the world. There are
opportunities for involvement at all levels
and it’s an incredible resource, whether
an industry veteran or a student looking
to expand their professional network.
I also get to spend time collaborating on
new techniques with the other LucasFilm
divisions; Industrial Light and Magic
(ILM), LucasFilm Animation and LucasFilm
Singapore. Developing and sharing
technology, knowledge and expertise
between the games, television, film and
visual effects groups is one of the most
challenging and enjoyable parts of the job.
Working at LucasFilm has also given me
the opportunity to present and train
at schools, universities and studios on
behalf of the Jedi Masters programme; a
hugely rewarding aspect which has the
added benefit of travelling worldwide.
It’s an honour to share a fraction of the
wisdom that Peter Parr bestowed on his
animation class many years earlier.
One of my proudest moments has been
animating the original pitch to secure
the Harry Potter franchise at EA games.
I also get to work on the Star Wars games
which, according to my son, scores me
points in the ‘cool dad’ category.
The AUCB wasn’t just a three-year course
in animation; it’s served as a grounding
for my entire career, and an amazing
experience I’ll always be thankful for.
Thank you Peter, and all the faculty
staff – I wouldn’t be here without you.”

ANDREW GRISDALE,
LAYOUT ARTIST,
PIXAR
GRADUATED 1997
“When I left the University
College, I quickly landed a
job at a video game company
in North London. In 2006 I
went to work for Blur Studio in
California, as both an animator
and layout artist. That job
gave me more cinematic
opportunities, which led to me
getting the call from Pixar.
Now I’m a full time layout artist at
Pixar. Layout is the art of camera and
staging, which means I’m a cameraman
and choreographer on a computergenerated
film. My job is to place the
characters and block their movements,
and to compose each and every shot
in the film; treat the film as live action
and make sure the camera behaves as
a real camera would. I work closely with
the director and make sure I have all
the coverage I need before sending to
editorial. When editorial have assembled
it, the scene will go to be fully animated.
I think the best part of the job is that
we have a hand in shaping the films
that have gone on to be so well-loved.
It may be just a small part of the
process, but I can still look back at
certain shots and say ‘I did that’. Toy
Story 3 was my first feature at Pixar
and I couldn’t have asked for a more
enjoyable project to work on. To see it
be so successful all over the world is
something I am proud to be a part of.”
“...we have a hand
in shaping the films
that have gone on to
be so well-loved”
Images courtesy of
Disney/Pixar

MATTHEW CRUIKSHANK,
FREELANCE DESIGNER,
ILLUSTRATOR AND
CONCEPT ARTIST
GRADUATED 1998
“I’m currently working on an
animated feature pitch at
Uli Meyer Animation Studios.
I love the excitement of
creating a picture or moment
out of nothing. It’s a window
into a world where anything
is possible. The only limits
are your imagination.
I’ve met some incredible people,
including Chuck Jones, John Lassiter,
and Uli Meyer. They all gave me clues
and inspiration for the future; it’s up
to me to get there. In my work, I want
to create something I’m proud of. Art
is a powerful medium and I like to
create a piece of work that triggers
a feeling and means something.”
Images from Matthew’s
graphic novel
“I love the
excitement of
creating a picture
or moment out
of nothing”

GUILLERMO GARCIA CARSI,
DIRECTOR,
ZINKA STUDIOS, MADRID
GRADUATED 1999
“After leaving the University
College, I started working for
a Spanish Cartoon Network
channel and then on the
pre-school series Pocoyo. In
June 2009 I started my own
studio in order to get my new
projects off the ground. My
proudest moments have been
winning BAFTA and Annecy
awards for Best Animated
Series with Pocoyo.
The best thing about the job is trying
to make people empathise with my
characters and the stories I tell. I enjoy
finding new ways of animating and
giving personality to characters.”

Opposite: Artwork and still from Pocoyo
Below: Stills from Doomed, a new
series Guillermo is working on.
“My proudest moments have
been winning BAFTA and
Annecy awards for Best
Animated Series with Pocoyo”

RICHARD HAYNES,
ANIMATOR
GRADUATED 2003
“I knew I always wanted to
work for Cosgrove Hall; it was
a dream I had kept alive since
childhood memories of watching
The Wind in the Willows and
Danger Mouse. I approached
one of the producers at Annecy
in 2003 and was later offered
a job as trainee stop-motion
animator. This resulted in five
very enjoyable years at Cosgrove
Hall working on Little Robots,
Fifi and the Flowertots, Rupert
Bear, Roary the Racing Car and
Postman Pat: Special Delivery
Service, and finally as a member
of the core creative team.
I later worked for Aardman on Shaun
the Sheep, and I am currently animating
on their forthcoming feature film,
Pirates! due to be completed in 2012.
I am very proud to have worked for
two of the most prolific animation
companies in the UK and to have
played a part in bringing joy to millions
of children and adults alike.”
Richard working on Postman Pat

“I am very proud to have worked for
two of the most prolific animation
companies in the UK...”

ANIMATION
SYMPOSIA
FESTIVALS
UPDATE 2011
RECENT AWARDS
ANIMATION
ACCOLADES
2010 – 2011
Dr Paul Ward, Senior Lecturer
in Animation Production, has
been selected as keynote
speaker at Animating Realities,
a conference about animated
documentary filmmaking, due to
take place during the Edinburgh
Film Festival in June 2011. The
conference aims to bring together
theorists and practitioners to
explore the recent surge of
animated documentaries through
interdisciplinary discussion.
www.edfilmfest.org.uk
The Animation Symposium held at the
AUCB in March 2010 was a resounding
success, with contributors attending
from all over the UK. The day covered
a wide range of animation topics and
offered a combination of academic
papers, presentations and discussion from
industry professionals and practitioners.
Speakers included Mark Cass (Escape
Studios, London), Tom Barnes and Richard
Haynes (Aardman Animation, Bristol), Chris
Gunningham (King Rollo, Honiton) as well
as academic speakers presenting their
research: Dan North (Exeter University),
Bella Honess Roe (Sussex University) and
Paula Callus (Bournemouth University).
Topics included puppet films, documentary
animation and animated films from
Africa. The symposium was part of the
Screen Studies South West initiative to
encourage research in the region.
Graduation animations
have been entered into
the following festivals:
ANIMABASAURI-ANIMABASQUE
Bilbao-based animation festival
ANIMABASURI-ANIMABASQUE
has selected six AUCB graduation
animations to be entered in to the
Karratu Short Film Section, where they
will compete for the 1st prize of €600.
The festival takes place from the
1st to the 7th April 2011. The
official festival programme
will be released shortly.
www.animabasauri.com
REDCAT International
Children’s Film Festival
A number of graduation animations have
been entered in to this yearly festival,
which takes place in the Walt Disney
Concert Hall complex in downtown
Los Angeles. Audiences at REDCAT are
large and enthusiastic, and it is frequently
attended by film industry insiders.
26th March and 27th April 2011.
www.redcat.org/event/childrens-film-festival
RiverRun International
Film Festival
Graduation animation Perdus has
been chosen for entry into the
RiverRun International Film Festival,
which takes place from the 8th to
17th April in Winston-Salem,
North Carolina, USA.
www.riverrunfilm.com
Graduate James Norman won
Best Game and Gameplay
at the GAME British
Academy Video Games
Awards 2010 for his work on
Batman: Arkham Asylum.
Graduation animation
Train of Thought, by Leo
Bridle and Ben Thomas, was
shortlisted for both a British
Animation Award and a
Royal Television Society (RTS)
Award in 2010. It also won
first prize in the Experimental
Animation category at
the Animex International
Awards, first prize in the
Super-Short category at the
Skepto International Film
Festival and ‘Best 19 – 25
Animation’ at the BFI Future
Film Festival, London.
Graduation animation
Lullaby, by Nick White and
Emma Neesham, won a
RTS Student Television
Award in both the regional
and national categories.
Graduation animation Pure
Funk, by Marc Adamson,
Simon Ashbery, Hozen
Britto and Noriko Umemura
has been shortlisted
for the RTS Student
Television Awards 2011.

Below left: James Norman
Below right: Train of Thought
Bottom: Lullaby

INTERNATIONAL LINKS
GLORY AND
DREAMS IN
ANIMATION
“This amazingly
successful project
has provided
our Animation
students with a
valuable experience
which has already
enhanced their
career prospects”
Five years ago, the
Animation Production
course set up a partnership
with Glory ‘n’ Dream
Digital Animation Studio
in Nanjing, China. After
the success of the first
student work placements
in 2006, a further 12
students were engaged in
pre-production concept
design on animated feature
film Back To The Sea.
This gave the film a vital injection
of fresh design ideas, whilst two
of the film’s main characters
were designed by students
Alex Ward and Ben Thomas.
When production stepped up in
2008/9, six University College
graduates were called to work
on the production stage of the film as
animators and background artists. In
early 2010, the course was successful
in obtaining funding from the British
Council Prime Minister’s Initiative 2 (PMi2)
to send 10 students to the studios in
Nanjing and Shanghai for a one-month
work placement. In addition, two of
our international students benefitted
from a one-month placement. This
amazingly successful project has
provided our Animation students with a
valuable experience which has already
enhanced their career prospects.
Back to the Sea is now in post-production
in Nanjing, Vancouver and Los Angeles
and is due to be screened this year.
Glory ‘n’ Dream Studio plan to continue
this flourishing partnership on their
second animated feature film due
to start pre-production soon.
Aya Suzuki, 2005 Animation
Alumnus, is now working for the
high-profile Japanese animation
studio Madhouse, in Tokyo.
The studio has created such
productions as Tokyo Godfathers
and Paprika. Building on her career
as an animator for Sylvain Chomet’s
recent production The Illusionist,
Aya is forging ahead within the Anime
industry at this prolific studio. She is
currently animating on forthcoming
production The Dreaming Machine.

A selection of stills from
Back to the Sea

PETER PARR,
PROFESSOR
EMERITUS
“Peter Parr has
been the living
embodiment of the
animation course and
a fantastic tutor for
me...he has led by
example and I can
only hope to emulate
his achievement”
Professor Peter Parr is a teacher
and arts practitioner of the
highest calibre. His practice
reveals a natural, personal
modesty, but it conceals the
enormous impact he has had
upon generations of students he
has taught and the professional
worlds of illustration and
animation to which he has made
such significant contributions.
His professional journey has taken
him through commissions as muralist
for the Royal Opera House, the Royal
Shakespeare Company, the English
National Opera, the Royal Danish Opera
and the National Theatre. His sets for
the Lloyd Webber musical Evita were
distributed worldwide. As an Animator
and Title Sequence Designer his credits
include work with the BBC, Yorkshire
Television, HTV, King Rollo Films and
numerous other production companies.
Peter received the British Interactive
Media Award for Design and Visualisation
and his contribution to teaching was
recognised in the award to the AUCB
of the Queen’s Anniversary Medal for
outstanding work in animation and film.
Peter’s talent as a teacher has produced
one of the most successful and
influential global Alumni of animators,
some of whom you’ve read about in
this publication. Peter has crafted for
the University College a unique course
which is both student-focussed and
industry-related and surely these are
the assets of an enduring, relevant
and outstanding higher education.
Certainly, students think so.
There is a Facebook site called The
Peter Parr Appreciation Society. It
has 180 members and still counting.
Quotes include: “Peter Parr has been
the living embodiment of the animation
course and a fantastic tutor for me.
I am inspired by this chap who has
shown more enthusiasm and energy
than the youths in our class. He has
led by example and I can only hope to
emulate his achievement.” “To the man
that can act as a flag and brings pencils
to life. Peter Parr we salute you.”
Peter is recognised internationally
as the most renowned teacher of
animation in the UK. He has been a Jury
member at the Ecole Superieure des
Arts Graphiques, and the Hiroshima
Festival of Animation. Collaboration with
Walt Disney brought to Bournemouth
the most distinguished symposium of
animation, and his indefatigable work
on behalf of the University College
internationally has established a series
of collaborations to include a unique
programme for our students as interns
at the Nanjing Film Corporation, Varga
in Hungary, Dibulitoon Studios in Irun
in Spain and Animax in Prague.
Peter’s association with the
University College continues
as a Reader in Animation.

A selection of work by Professor Peter Parr
“To the man that can act as a
flag and brings pencils to life.
Peter Parr we salute you”

SCHOOL OF MEDIA ALUMNI NEWS IN BRIEF
COMIX
TOUR WITH
SWEDISH
HOUSE MAFIA
2009 Digital Media Production
graduates Harry Bird and Sam
Hodgkiss have had an exciting year
which has seen them touring all
over the world with some of the
biggest names in dance music.
They have provided the visuals
for Radio 1 DJ Annie Mac’s New
Year’s Eve Party and were spotted
by producer and BBC Radio 1
DJ Kissy Sell Out whilst playing
in Bournemouth and asked to
join the Kissy & Ko tour as VJs.
Following a successful show at the
Brixton Academy, Harry and Sam were
approached by DJ supergroup Swedish
House Mafia, who recently had the
hit single One, and were asked to
accompany them on their world tour.
Kissy Sell-Out
MAKING
THE GRADE
ECHOES OF
SUCCESS
Toby Tomkins, 2009 Film
Production graduate,
has been featured in a
recent edition of British
Cinematographer magazine.
Toby works under the name of TJT Film
primarily on editing, grading and visual
effects. The article discusses the process
of scanning 16mm and 35mm film, and
colour grading the images for a more
aesthetic appeal. This procedure has
historically been reserved for large post
production facilities due to the cost of the
required equipment. Due to the recent
advances in desktop process power, it
is now possible to treat the images in a
similar fashion without the expense of
custom-made computing equipment.
2008 Film Production graduate
and freelance film director Rob
Brown’s graduation film, Echoes,
was named as Best Student Film
at the Cine Gear Expo 2010 at
Paramount Studios in Hollywood.
In a successful few months, Broadcast
Magazine selected Rob as a director for
their prestigious Broadcast Hotshots
competition. Rob has also received
a commission from the British Film
Council’s Ideas Tap fund to make a
£17,000 short film. Kevin Spacey was
on the judging panel and presented
Rob with the cheque during a ceremony
at the Old Vic theatre, London.
Rob Brown
Rob with Kevin Spacey
Another film, Silent Things, produced
with fellow AUCB graduates Justin Brown,
Nick Eriksson and John Bowen, won the
New Arrivals Jury Award at the 40th
International Film Festival Rotterdam.

SHIFTING
UP A GEAR
FILM
GRADUATE
IS STAR OF
TOMORROW
Above: David Stoddart
David Trumble graduated from
the AUCB in 2008 and has been
making short films ever since. His
latest project, The Shift, which he
co-wrote, directed and produced
opened in 2010 as part of a
red carpet premiere alongside
mockumentary Beyond the Pole.
David is also an accomplished political
cartoonist going by the name of ‘Trumble’.
He has a weekly slot in the Sun newspaper,
drawing the political cartoon for Trevor
Kavanagh’s column, as well as others
in the sports and health sections.
Below: Still from The Shift
2007 Film Production
graduate David Stoddart has
been hailed as one of twelve
‘stars of tomorrow’ in Screen
International, the magazine for
the international film industry.
According to the industry bible, David’s
films show ‘a keen sense of place and
atmosphere’. David is currently preparing
a short for Scotland’s Digicult as well as
developing ideas for his debut feature.
STOP PRESS
1989 Animation Alumnus Dean
Roberts has completed his work
as a storyboard artist on Disney
feature film ‘Gnomeo and Juliet’.
Michael Pearce, 2003 Film
and Animation Production
graduate, was nominated for a
BAFTA for his short film Rite.

ALUMNUS PHILIP
TOWNSEND IS
‘MISTER SIXTIES’
Below: Philip Townsend’s image of The
Pearly King and Queen in Carnaby Street.
Seminal photographer Philip
Townsend graduated from the
University College, (then the
Bournemouth and Poole College
of Art) in 1959. He then went on to
document the 1960s, the decade
which transformed Britain from
the 1950s post-war austerity to
a consumer economy in which
London was the coolest capital
city in the world. His images
capture the people, the style
and the musical revolution.
The vibrant collection of images, including
the Rolling Stones’ first ever photo shoot,
demonstrates how close to the action
the photographer was. Philip is now an
Honorary Fellow of the University College
and his work has been the subject of
the exhibition ‘Portraits of a Decade’,
in our recently re-launched Gallery.
The AUCB Gallery has recently benefitted
from a major extension project which
has seen an increase in exhibition
space and a new café. The Gallery has
a varied and interesting programme
of exhibitions from some of today’s
leading artists and critical writers
and also shows collections on loan
from other galleries and museums.
For more details or for a full list of Gallery
events, visit www.aucb.ac.uk/thegallery

GRADUATE PRODUCES
‘FEELGOOD FILM
OF THE YEAR’
Stills from Africa United
1992 graduate Mark Blaney
celebrated as his new film,
Africa United, went on
general release in UK cinemas
in autumn 2010. The film,
produced by Mark’s production
company Footprint Films, tells
the extraordinary story of three
Rwandan children who walk
3000 miles to the Soccer World
Cup in South Africa, using a
World Cup wall chart as a map.
Mark, who graduated from the
University College in 1992, founded
production company Footprint Films
with three fellow AUCB graduates,
including Simon Beaufoy, OSCARwinning
screenwriter of Slumdog
Millionaire and The Full Monty.
If you are a Media graduate
of the University College,
we’d love to hear from you.
Please do get in touch and
let us know what you’re up
to: graduates@aucb.ac.uk

POSTGRADUATE
STUDY
The University College provides a
unique and innovative programme
of postgraduate study for those
who wish to engage with their
discipline in greater depth and
to enhance their potential for
professional practice and career
advancement. We currently
offer MAs in Animation,
Contemporary Performance,
Costume, Fine Art, Graphic
Design, Illustration, Interactive
Media, and Photography.
We plan to offer MA Fashion,
Master in Architecture (MArch)
and Research Degree study
from 2012.
If you would like more information
about Postgraduate study with
us, please visit our website
www.aucb.ac.uk where you may
download our latest Directory
and read more about MA study.
We will be posting information
about next year’s Postgraduate
show on our Alumni website
in due course and hope very
much that you will come
along to the show in 2011.
All AUCB Alumni are eligible for a 20% discount for full-time MA study.