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English - JCIC-Heritage

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5Meeting with the Director of the National Library and<br />

Archives and Director of the Folk <strong>Heritage</strong> Museum<br />

Date and Time: February 17, 11:15<br />

Location: National Library and Archives<br />

Attendees:<br />

・Dorji Wangchuk (Director, Folk <strong>Heritage</strong> Museum), Gyonpo Tshering (Director, the National<br />

Library and Archives), Kungsan Delek (Senior Archivist, National Library and Archives),<br />

Tshering Choki (Staff, National Library and Archives),<br />

・<strong>JCIC</strong><br />

Content of the meeting:<br />

[National Folk <strong>Heritage</strong> Museum]<br />

<br />

• The museum was opened in July 2001, one month after the Textile Museum. A farmhouse<br />

was purchased by the government for use as a museum.<br />

• It was established to serve as a showcase introducing traditional Bhutanese life to foreign<br />

tourists. Currently over 1,100 items are stored.<br />

• The items in the collection were gathered from various regions in Bhutan.<br />

• There are 11 staff members, including the director, an exhibition curator, three assistants in<br />

charge of guiding tours, and the remainder of the people are drivers, security staff, landscape<br />

gardeners, etc.<br />

• There is one research officer but he is absent because he is currently studying in India.<br />

• Education in museology is not available in Bhutan, so there is no choice but to study abroad.<br />

<br />

• The booklet of the museum collection was created by a French person.<br />

• The collection is comprised primarily of wooden objects and earthenware objects, but there<br />

are few metal objects. There is no particular damage by insects, etc., but objects made from<br />

yak hair deteriorate in approximately two years.<br />

• In the future, they hope to create a preservation room larger than the present one.<br />

<br />

• Since two years ago, cultural officers assigned to each of Bhutan's 20 prefectures have<br />

played an important role in the administration of cultural property protection. Before that, all<br />

direction came from the national government to the regional level, which took time.<br />

• Exchange has taken place with the Fukuoka Asian Art Museum (FAAM).<br />

65

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