Issues and Images - Iceland Review
Issues and Images - Iceland Review
Issues and Images - Iceland Review
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Coming Home<br />
An<br />
exhibition showcased two<br />
series of fashion drawings by<br />
Laufey Jónsdóttir.<br />
For her striking creations, often inspired by Icel<strong>and</strong>’s dramatic l<strong>and</strong>scape <strong>and</strong><br />
cultural heritage, fashion designer Steinunn Sigurðardóttir has earned international<br />
fame <strong>and</strong> won prestigious awards. Now, in a place close to her heart, she has<br />
begun a new <strong>and</strong> exciting chapter in her career.<br />
Steinunn Sigurðardóttir is st<strong>and</strong>ing in the middle of a wide<br />
open space with an original worn stone floor, <strong>and</strong> ceiling<br />
windows that allow the sunlight to form ever-changing patterns<br />
on the freshly painted white walls. Here, in central Reykjavík’s<br />
trendy fish-packing district, she recently opened her new headquarters<br />
<strong>and</strong> flagship store.<br />
“This used to be a fisherman’s warehouse,” she explains in her<br />
soft spoken <strong>and</strong> warm manner. “What makes this location so interesting<br />
is that my father is a retired ship’s captain. When I was a<br />
child, he always used to take me here, to the harbor, to look at the<br />
ships. In a way, I was raised on the docks! I feel like I’m home. In<br />
this old <strong>and</strong> raw <strong>and</strong> beautiful space, I have created a little piece of<br />
gold,” she smiles.<br />
On this cold <strong>and</strong> windy afternoon, she is wearing a black woolen<br />
coat <strong>and</strong> a black voluminous scarf wrapped many times around her<br />
neck. Undoubtedly, this is her own design; her striking, yet timeless<br />
garments are instantly recognizable. It is all in the impeccable tailoring,<br />
the top quality fabrics <strong>and</strong> the clever details. When it comes to<br />
Icel<strong>and</strong>ic designers, she is in a league of her own.<br />
A testimony to her iconic status, she has been awarded several<br />
prestigious international prizes. In November 2011, the Icel<strong>and</strong>ic<br />
Fashion Council presented her with the first annual Indriði Award,<br />
named after <strong>and</strong> inspired by the late Indriði Guðmundsson, an Icel<strong>and</strong>ic<br />
tailor who emphasized quality <strong>and</strong> professionalism. “Receiving<br />
the award was a very emotional experience. First <strong>and</strong> foremost<br />
it was because of the loss of Indriði. We worked together <strong>and</strong> knew<br />
each other well. Of course I was also deeply honored by the fact<br />
that my peers at the Council chose me. It is a great inspiration as<br />
well as a great source of encouragement in proceeding on the<br />
same path.”<br />
Born in Reykjavík in 1960, Steinunn studied art at the Reykjavík<br />
Art School before heading to New York City where she studied at<br />
the world-renowned Parson’s School of Design. In 1986, she graduated<br />
with honors <strong>and</strong> a BFA degree in fashion design, the first<br />
22 I&I<br />
Icel<strong>and</strong>er to graduate from the school. Ever since, she has enjoyed<br />
a highly successful career. Having begun by working freelance for<br />
many well-known designers, she soon became head designer at<br />
world renowned fashion houses Gucci, Calvin Klein <strong>and</strong> La Perla,<br />
specializing in knitwear.<br />
In the year 2000, she moved back to Icel<strong>and</strong> <strong>and</strong> founded her<br />
own br<strong>and</strong>, naming it STEiNUNN. “Once you’ve worked for large<br />
international fashion houses, you’re done with that. Then you start<br />
asking yourself what is the next challenge. I decided that it was me.<br />
Being my own boss is completely different than working for others,”<br />
she says. “Designing for your own br<strong>and</strong> is a lifelong project;<br />
a question of finding the courage to try new things—the courage to<br />
begin. It might take you a while to find your essence; your signature<br />
style. But once you do, you develop that style inside a frame; you<br />
never stop. It is a lifelong passion.”<br />
In her designs, Steinunn draws inspiration from Icel<strong>and</strong>’s cultural<br />
heritage, especially strong women <strong>and</strong> the way they wore their<br />
clothes. But her greatest source of inspiration is Icel<strong>and</strong>ic l<strong>and</strong>scape.<br />
With her ruffled silks, sheer chiffons <strong>and</strong> fine or coarse knits<br />
– often in tones reflecting nature’s own palette – she subtly pays<br />
tribute to her native isl<strong>and</strong>’s capricious shapes <strong>and</strong> forms.<br />
“All it takes is to look at all the elements of Icel<strong>and</strong>ic nature. Not<br />
only do we have snow. We have snow, sleet, frozen snow, windbeaten<br />
snow, icebergs, ice in water, fresh fallen snow that looks<br />
like feathers; you see the visual descriptions here. This variety is<br />
exactly what I’m trying to achieve with my clothing. Nowhere in the<br />
world do you get such a close encounter with the forces of nature.<br />
I turn off the lights in my living room <strong>and</strong> get a dazzling display of<br />
Northern Lights. I live by the ocean where the stormy weather is<br />
sometimes very impressive. You only need to drive for an hour <strong>and</strong><br />
a half <strong>and</strong> you have reached Sólheimajökull Glacier. Not to mention<br />
the frequent volcanic eruptions. In New York, you do not get that.<br />
This is what makes Icel<strong>and</strong> so unique. And we tend to take all these<br />
wonders of nature for granted. When you come home, decades<br />
later, you learn to appreciate your surroundings all over again.”<br />
By Ásta Andrésdóttir<br />
photo by Geir Ólafsson