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HEDY MAG ISSUE 1

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Little girl<br />

fiction story by emilio lanzas<br />

The transparent veil appears, always covering<br />

bodies. It appears in her eyes, the bodies<br />

long gone, but she can still see them, lying there,<br />

establishing a kind of secret order. The forest is<br />

covered in filth and hope, it’s been a while since<br />

someone’s looked among the branches. Her bedroom<br />

floor is blanketed by her feather collection,<br />

as if by gathering together all the feathers<br />

in the world, she’d some day be able to fly, an<br />

inner Icarus—she’s desperate, of course. She buried<br />

her mother’s corpse, smothered it with kisses<br />

and threw it deep into the centre of the earth.<br />

She’d now be a woman with long white hair,<br />

which would be the only thing still clinging to<br />

her skeletal body. That’s how she envisages her,<br />

emerging from the blackness of her room, fear<br />

in her eyes and then a transparent, dark, oceanic<br />

kindness. Walking from one room to another,<br />

she reminisces and chews, her body grows smaller<br />

and she curls up into herself so as not to keel<br />

over under the ceremoniousness of the ceilings.<br />

She’s grown too big, they never thought she’d be<br />

so tall, their little monster. She then imagines her<br />

mother making something to eat in the kitchen,<br />

and she helps her reach the highest cabinets, she<br />

catches the heavy pots mid-flight before they<br />

fall on her white head, crushed and deformed<br />

from all the soil upon it. No child should ever<br />

grow taller than their mother, she thinks, and<br />

with that a new wave of flying thoughts that lash<br />

out at her and make her crouch down. She wishes<br />

she was no taller than a dog and could see<br />

things from its perspective. 5’6” and above and<br />

her head enters a new atmosphere, her skull cannot<br />

take the pressure and it tries to seek more<br />

benign latitudes. I bind your body to mine so that<br />

the current does not drag you away. I bind your<br />

body to mine so that we can float together, the tide<br />

rises and there are no sharks or sirens that can pull<br />

us into the sea, my daughter-woman. Rivers of<br />

saltwater and iridescent insects, a new discovery<br />

through different eyes, it was always like this,<br />

now that you remember, now that you’ve seized<br />

the burning memory with your hands, just tell<br />

me if it burns enough. Can you make it? Can you<br />

sustain your own life and feed another inside of<br />

you? Can you be as brave as she was? The eternal<br />

walk between rooms, from one to another, always<br />

doors, always the fear of finding her huddled in a<br />

corner, waiting for her, bright, gleaming in silver<br />

and perhaps wounded, broken. To get up and set<br />

foot on a new path, she doesn’t know what it is<br />

that enlivens fear. To find her? To lose her? To<br />

know her always veiled within those walls? Are<br />

there other doors to go through, away from that<br />

house? She rubs her middle and calls it, prays<br />

that nobody comes tonight and pounds on the<br />

door. There are no knuckles strong enough to<br />

make her hear the call. Am I not pretty enough?<br />

Is there no love in me? Can’t I unfold and lose<br />

my flesh? What can we do with what we can do.<br />

Grab it and shake it until it spits its last drops<br />

out, before it disappears along with everything<br />

else. Inside that room she feels a gentle, warm<br />

loneliness. She sits down in the middle and closes<br />

her eyes. Her placenta’s been chosen, where<br />

it can only come to be through silent gurgling,<br />

red sea wave breaks, as if it was in a boundless<br />

inner ocean, and everything else was wonderful<br />

by virtue of being unknown.<br />

52<br />

<strong>HEDY</strong>

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