Issue 53 / March 2015
March 2015 issue of Bido Lito! Featuring HOOTON TENNIS CLUB, A LOVELY WAR, MOTHERS, TUNE-YARDS, OPEN MIC CULTURE and much more.
March 2015 issue of Bido Lito! Featuring HOOTON TENNIS CLUB, A LOVELY WAR, MOTHERS, TUNE-YARDS, OPEN MIC CULTURE and much more.
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Bido Lito! <strong>March</strong> <strong>2015</strong><br />
5<br />
Bido Lito!<br />
<strong>Issue</strong> Fifty Three / <strong>March</strong> <strong>2015</strong><br />
bidolito.co.uk<br />
Static Gallery<br />
23 Roscoe Lane<br />
Liverpool<br />
L1 9JD<br />
Editor<br />
Christopher Torpey - chris@bidolito.co.uk<br />
Editor-In-Chief / Publisher<br />
Craig G Pennington - info@bidolito.co.uk<br />
Keith Ainsworth<br />
WORDS ARE WIND<br />
Editorial<br />
Some of the greatest political debate in the land takes place our in pubs and music venues, fuelled as much by a sense of indignation as<br />
by a couple of pints of Erdinger. Gassing off about how we think things should be run is natural, and should be encouraged in all instances –<br />
even from those idiots we’d rather not hear much from, and certainly not just during Question Time. Having said that, I do find it amusing to<br />
watch the Twitter spike on Thursday night when QT is in full flow, while David Dimbleby is doing his best circus ringmaster routine. Even then<br />
most of the armchair politicians settle for cramming their once-weekly rants in to 140 characters, and are happy if they just get a couple of<br />
retweets. Any contribution to political discussion is welcome, of course, no matter what the means of expression, but what does it all lead to?<br />
There was a time when people would be so moved by their political views that they’d arrange meetings with like-minded individuals and<br />
act on their shared beliefs. <strong>March</strong>es were staged, protests dreamt up, and the prospect of bringing about change was real. This was an era in<br />
which self-made fanzines and flyers, not social media, were the primary methods of expression. Nowadays our digital activists will only take<br />
to the streets if the cause has an accompanying hashtag.<br />
Bido Lito!’s humble beginnings can be traced back to that zine culture of pouring your heart out on to a page, backed only by the conviction<br />
to stand beside what you believe in. We all want everyone to agree with us (mainly because we all think we’re the only one who can see ‘The<br />
Truth’), and the idea of sharing your dearly held views with whoever will listen is as old as time itself. This democratic approach is a key pillar<br />
of our society. Whether you tweet it, Facebook it, Instagram it, or write it down in a letter that you send to your MP, it is your right as a citizen<br />
to give a shit and make sure everyone knows about it.<br />
With this year's general election – on 7th May – taking on more importance as each day passes, we thought it was high time we started<br />
addressing the wider issues that could ultimately affect the independent creative culture that is our cocoon. Starting with Emma Brady's<br />
comment piece this month (The Final Say, page 46), we are going to be having our say – and we want you to join us in this debate.<br />
The dingy, smoke-filled bar rooms and basement clubs of yesteryear were not only places where political debate was fermented, but also<br />
places where ideas came to fruition. Open Mic culture has long been a backbone of music communities across the world, serving as the ideal<br />
place for our would-be musical heroes to cut their teeth. The ubiquity of Open Mic nights means we can sometimes take them for granted;<br />
but, as our feature this month shows, Open Mic nights are an institution we must cling on to, for the raft of opportunities such nights throw<br />
up. Personally, I've never stepped up at an Open Mic night and bared my soul in front of a room of musicians, but I can only assume it's a<br />
terrifying experience; give me the interval quiz to read out any day of the week. But to all those of you who do get up, week in and week out,<br />
we salute you.<br />
Moving on; it’s been a long while since we had a mention of Tranmere in these pages, so I thought I’d bring you up to speed. The Palios<br />
regime is now in full flow, with Micky Adams leading the team away from the foot of the table, point by hard-earned point. Iain Hume is<br />
back home too, after a stint playing cricket in the Indian Premier League (at least I think that’s what he was doing). Things are steady if<br />
unspectacular, but at least they’ve sorted the hot dogs out. I just wish they’d have a similar revolution with the half-time music.<br />
We'd also like to say a huge thanks to Jack for stepping in for Luke this month on design/layout duties. It's been a pleasure working<br />
alongside him on this issue – I just hope my obsession over apostrophes hasn’t been too much of a burden!<br />
Christopher Torpey / @BidoLito<br />
Editor<br />
Reviews Editor<br />
Sam Turner - live@bidolito.co.uk<br />
Designer<br />
Jack Ehlen - jackehlendesign.com<br />
Proofreading<br />
Debra Williams - debra@wordsanddeeds.co.uk<br />
Sales And Partnerships Manager<br />
Naters Philip - naters@bidolito.co.uk<br />
Digital Content Manager<br />
Natalie Williams - online@bidolito.co.uk<br />
Words<br />
Christopher Torpey, Craig G Pennington, Phil Gwyn, Paddy<br />
Clarke, Richard Lewis, Jennifer Perkin, Paddy Hughes,<br />
Dan Brown, Josh Potts, Josh Ray, Sam Turner, Emma<br />
Brady, Maurice Stewart, Dave Tate, Alastair Dunn, Laurie<br />
Cheeseman, Naters P, Howl Rama, Christopher Carr, Chris<br />
Hughes.<br />
Photography, Illustration and Layout<br />
Jack Ehlen, Nata Moraru, Robin Clewley, Adam Edwards,<br />
Mook Loxley, Lucy Roberts, Nick Booton, Oliver Catherall,<br />
Keith Ainsworth, Jack McVann, Mark McNulty, Paul<br />
Hitchmough, Glyn Akroyd, Gaz Jones, Aaron McManus,<br />
Stuart Moulding, Christian Davies.<br />
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The views expressed in Bido Lito! are those of the respective contributors<br />
and do not necessarily reflect the opinions of the magazine, its staff or the<br />
publishers. All rights reserved.<br />
bidolito.co.uk