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art meets world - The Patricia & Phillip Frost Art Museum - Florida ...

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JIM COUPER:<br />

THE NEW<br />

FROST BUILT<br />

ON FOUNDER’s<br />

VISION<br />

As a visual <strong>art</strong>s professor and a painter, Jim Couper<br />

has influenced the lives and careers of thousands of<br />

students and <strong>art</strong> lovers for nearly 40 years. In the<br />

course of doing his work with his characteristic passion,<br />

and easy plain-spoken Southern style, he also achieved<br />

one of his greatest accomplishments. Couper founded<br />

the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>.<br />

More than 30 years later, his initial<br />

vision and direction still define the<br />

<strong>Frost</strong>, and is arguably responsible for its<br />

tremendous success over the years.<br />

What was that vision?<br />

<strong>The</strong> museum opened in 1977 as<br />

the Visual <strong>Art</strong>s Gallery at FIU, a<br />

2,800-square-foot gallery. (It was<br />

renamed the <strong>Art</strong> <strong>Museum</strong> at FIU four<br />

years later, and renamed in honor<br />

of donors <strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong> in<br />

2003.) Couper’s focus was securing<br />

exhibitions of work by major <strong>art</strong>ists,<br />

while building a teaching arm for the<br />

<strong>art</strong> dep<strong>art</strong>ment.<br />

Although his mission was also<br />

to develop a solid link to the <strong>art</strong><br />

dep<strong>art</strong>ment, “the museum was never<br />

exclusively designed conceptually to<br />

be a student exhibition place,” Couper<br />

said. “I insisted there be a programmatic<br />

link between the museum and the<br />

dep<strong>art</strong>ment. It’s a teaching component<br />

in that sense and an educational<br />

component in a larger sense. It’s<br />

a critical element to the whole <strong>art</strong><br />

experience at FIU.”<br />

Carol Damian, director and chief curator<br />

at the <strong>Frost</strong> and former chairperson of<br />

the School of <strong>Art</strong> and <strong>Art</strong> History, credits<br />

Couper with much more.<br />

“It was Jim Couper who had the<br />

original vision to create a museum that<br />

would also serve as an introduction<br />

to a professional career in the <strong>art</strong>s,”<br />

she said. “Students could see <strong>art</strong>,<br />

study techniques, talk to <strong>art</strong>ists and<br />

understand the entire gallery process,<br />

things not readily available to our<br />

students in South <strong>Florida</strong>. <strong>The</strong>y could<br />

p<strong>art</strong>icipate in the entire experience<br />

of being an <strong>art</strong>ist. It was really the<br />

beginning of our very successful BFA<br />

and MFA programs that prepare<br />

students as <strong>art</strong>ists and as qualified<br />

members of the <strong>art</strong> <strong>world</strong>.”<br />

Successful <strong>art</strong>ist Luisa Basnuevo was<br />

Couper’s student. His instruction and<br />

1989 1990 1991 1992 1993<br />

<strong>The</strong> Metropolitan Collection<br />

Acquired by the <strong>Museum</strong><br />

<strong>The</strong> Cintas Fellow Collection<br />

Exhibits at the <strong>Museum</strong><br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Contemporary Landscape<br />

Critics’ Lectures:<br />

Philippe de Montebello<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

<strong>The</strong> City<br />

New Aquisition:<br />

<strong>The</strong> Metropolitan Collection<br />

Critics Lectures:<br />

Lucinda Barnes<br />

Frank Stella<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

New Directions<br />

Contemporary<br />

Spanish Paintings<br />

Through the Path of Echoes:<br />

Contemporary <strong>Art</strong> in Mexico<br />

Critics’ Lectures:<br />

Richard Serra<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Surface Tension<br />

Cuba-USA: <strong>The</strong> First Generation<br />

Anton Tapies In Print<br />

Agustín Fernandez -<br />

A Retrospective<br />

Critics’ Lectures:<br />

Helen Frankenthaler<br />

Exhibitions:<br />

American <strong>Art</strong> Today:<br />

Clothing as Metaphor<br />

Elaine de Kooning<br />

Critics Lectures:<br />

Michael Kimmelman<br />

14

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