art meets world - The Patricia & Phillip Frost Art Museum - Florida ...
art meets world - The Patricia & Phillip Frost Art Museum - Florida ...
art meets world - The Patricia & Phillip Frost Art Museum - Florida ...
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JIM COUPER:<br />
THE NEW<br />
FROST BUILT<br />
ON FOUNDER’s<br />
VISION<br />
As a visual <strong>art</strong>s professor and a painter, Jim Couper<br />
has influenced the lives and careers of thousands of<br />
students and <strong>art</strong> lovers for nearly 40 years. In the<br />
course of doing his work with his characteristic passion,<br />
and easy plain-spoken Southern style, he also achieved<br />
one of his greatest accomplishments. Couper founded<br />
the <strong>Frost</strong> <strong>Art</strong> <strong>Museum</strong>.<br />
More than 30 years later, his initial<br />
vision and direction still define the<br />
<strong>Frost</strong>, and is arguably responsible for its<br />
tremendous success over the years.<br />
What was that vision?<br />
<strong>The</strong> museum opened in 1977 as<br />
the Visual <strong>Art</strong>s Gallery at FIU, a<br />
2,800-square-foot gallery. (It was<br />
renamed the <strong>Art</strong> <strong>Museum</strong> at FIU four<br />
years later, and renamed in honor<br />
of donors <strong>Patricia</strong> & <strong>Phillip</strong> <strong>Frost</strong> in<br />
2003.) Couper’s focus was securing<br />
exhibitions of work by major <strong>art</strong>ists,<br />
while building a teaching arm for the<br />
<strong>art</strong> dep<strong>art</strong>ment.<br />
Although his mission was also<br />
to develop a solid link to the <strong>art</strong><br />
dep<strong>art</strong>ment, “the museum was never<br />
exclusively designed conceptually to<br />
be a student exhibition place,” Couper<br />
said. “I insisted there be a programmatic<br />
link between the museum and the<br />
dep<strong>art</strong>ment. It’s a teaching component<br />
in that sense and an educational<br />
component in a larger sense. It’s<br />
a critical element to the whole <strong>art</strong><br />
experience at FIU.”<br />
Carol Damian, director and chief curator<br />
at the <strong>Frost</strong> and former chairperson of<br />
the School of <strong>Art</strong> and <strong>Art</strong> History, credits<br />
Couper with much more.<br />
“It was Jim Couper who had the<br />
original vision to create a museum that<br />
would also serve as an introduction<br />
to a professional career in the <strong>art</strong>s,”<br />
she said. “Students could see <strong>art</strong>,<br />
study techniques, talk to <strong>art</strong>ists and<br />
understand the entire gallery process,<br />
things not readily available to our<br />
students in South <strong>Florida</strong>. <strong>The</strong>y could<br />
p<strong>art</strong>icipate in the entire experience<br />
of being an <strong>art</strong>ist. It was really the<br />
beginning of our very successful BFA<br />
and MFA programs that prepare<br />
students as <strong>art</strong>ists and as qualified<br />
members of the <strong>art</strong> <strong>world</strong>.”<br />
Successful <strong>art</strong>ist Luisa Basnuevo was<br />
Couper’s student. His instruction and<br />
1989 1990 1991 1992 1993<br />
<strong>The</strong> Metropolitan Collection<br />
Acquired by the <strong>Museum</strong><br />
<strong>The</strong> Cintas Fellow Collection<br />
Exhibits at the <strong>Museum</strong><br />
Exhibitions:<br />
American <strong>Art</strong> Today:<br />
Contemporary Landscape<br />
Critics’ Lectures:<br />
Philippe de Montebello<br />
Exhibitions:<br />
American <strong>Art</strong> Today:<br />
<strong>The</strong> City<br />
New Aquisition:<br />
<strong>The</strong> Metropolitan Collection<br />
Critics Lectures:<br />
Lucinda Barnes<br />
Frank Stella<br />
Exhibitions:<br />
American <strong>Art</strong> Today:<br />
New Directions<br />
Contemporary<br />
Spanish Paintings<br />
Through the Path of Echoes:<br />
Contemporary <strong>Art</strong> in Mexico<br />
Critics’ Lectures:<br />
Richard Serra<br />
Exhibitions:<br />
American <strong>Art</strong> Today:<br />
Surface Tension<br />
Cuba-USA: <strong>The</strong> First Generation<br />
Anton Tapies In Print<br />
Agustín Fernandez -<br />
A Retrospective<br />
Critics’ Lectures:<br />
Helen Frankenthaler<br />
Exhibitions:<br />
American <strong>Art</strong> Today:<br />
Clothing as Metaphor<br />
Elaine de Kooning<br />
Critics Lectures:<br />
Michael Kimmelman<br />
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