27.02.2015 Views

scene

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

EGTG: 60 years young<br />

Sixty years old. There aren't many<br />

amateur theatre groups that can<br />

boast such a lengthy history. Of<br />

course, duration is no indication of<br />

quality but we also like to think we're<br />

one of Edinburgh's more interesting<br />

theatre groups. As we make a<br />

fervent point of avoiding traditional<br />

drawing room drama - unless we can<br />

do it with a twist.<br />

Edinburgh Graduate Theatre Group<br />

was set up by graduates of<br />

Edinburgh University in 1964. Having<br />

feasted on the some of the best<br />

drama societies available to students<br />

at UK universities, they were<br />

saddened at the lack of (so-called)<br />

"adult" groups in Edinburgh<br />

producing contemporary work and so<br />

created their own.<br />

Our sixtieth year to date has been a<br />

brilliant reflection of our diverse<br />

programme. May saw us mount an<br />

enormously ambitious production,<br />

the UK amateur premiere of Tracy<br />

Letts' August Osage County. A<br />

challenging three hour play that<br />

called for a three storey house to be<br />

built on stage. Thanks to expert help<br />

from Gordon Craig and a brilliant<br />

cast of long-standing and brand new<br />

members, director David Grimes<br />

served up a painfully funny<br />

exploration of the ties that keep<br />

families together - and what happens<br />

when they're torn about.<br />

We produced two plays in the<br />

Edinburgh Fringe, thanks to our<br />

welcoming friends at the Royal<br />

Scots Club on Abercromby Place.<br />

The Duchess of Malfi saw John<br />

Webster's classic script given a<br />

wonderfully imaginative steampunk<br />

twist at the hands of darkly<br />

creative director, Sara-Jane<br />

McGeachy. And Anthony Neilsen's<br />

The Wonderful World of Dissocia<br />

was creative, colourful and<br />

crushingly sad. Director Ross Hope<br />

was particularly happy to be able to<br />

stage this little-known work by<br />

Scottish playwright, Neilsen,<br />

having seen the original Edinburgh<br />

International Festival production in<br />

2004.<br />

As the end of our anniversary year<br />

looms alarmingly large, we have<br />

one show left. And this promises to<br />

be another treat. David Eldridge's<br />

Festen was adapted for the stage<br />

from a Danish film produced as part<br />

of the Dogme film-making<br />

movement, best known for the work<br />

of Lars Von Trier of Dancer in the<br />

Dark and Melancholia fame.<br />

The film version provided director,<br />

Claire Wood, with visual inspiration<br />

for her production design,<br />

deliberately sparing with set and<br />

props to allow the audience to focus<br />

fully on the actors and their<br />

performances.<br />

“This production feels like a brilliant<br />

way to celebrate our sixtieth<br />

anniversary,” says Claire. “We’ve<br />

got a wonderfully talented cast of<br />

some of our longest serving group<br />

members along with some straight<br />

out of Edinburgh’s universities<br />

shiny new people. This year also<br />

sees the tenth anniversary of<br />

Eldridge’s script so it’s a double<br />

celebration. We’re loving working<br />

with his elegant and incredibly<br />

sparing dialogue. It’s challenging<br />

but I think this cast will do it<br />

justice.”<br />

Siobhan McGovern has been a<br />

member of EGTG for more than 20<br />

years and has recently been<br />

elected as the group’s President.<br />

“I’ve been a member of this group<br />

for such a long time because I<br />

really believe in what we’re trying<br />

to achieve,” said Siobhan. “With so<br />

many excellent theatre groups in<br />

Edinburgh, we’re continually<br />

pushing ourselves to be bold and<br />

imaginative with our production<br />

7<br />

choices. This year’s programme,<br />

with its mix of classic and leading<br />

contemporary productions, feels like<br />

a lovely summation of why we think<br />

theatre continues to be vital in our<br />

increasingly digitised society.”<br />

Production information<br />

Festen by David Eldridge<br />

26 to 29 November 2014 at 7:30pm<br />

Adam House Theatre, Chambers<br />

Street, Edinburgh<br />

Tickets £10 available from<br />

www.egtg.co.uk<br />

Claire Wood

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!