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EGTG: 60 years young<br />
Sixty years old. There aren't many<br />
amateur theatre groups that can<br />
boast such a lengthy history. Of<br />
course, duration is no indication of<br />
quality but we also like to think we're<br />
one of Edinburgh's more interesting<br />
theatre groups. As we make a<br />
fervent point of avoiding traditional<br />
drawing room drama - unless we can<br />
do it with a twist.<br />
Edinburgh Graduate Theatre Group<br />
was set up by graduates of<br />
Edinburgh University in 1964. Having<br />
feasted on the some of the best<br />
drama societies available to students<br />
at UK universities, they were<br />
saddened at the lack of (so-called)<br />
"adult" groups in Edinburgh<br />
producing contemporary work and so<br />
created their own.<br />
Our sixtieth year to date has been a<br />
brilliant reflection of our diverse<br />
programme. May saw us mount an<br />
enormously ambitious production,<br />
the UK amateur premiere of Tracy<br />
Letts' August Osage County. A<br />
challenging three hour play that<br />
called for a three storey house to be<br />
built on stage. Thanks to expert help<br />
from Gordon Craig and a brilliant<br />
cast of long-standing and brand new<br />
members, director David Grimes<br />
served up a painfully funny<br />
exploration of the ties that keep<br />
families together - and what happens<br />
when they're torn about.<br />
We produced two plays in the<br />
Edinburgh Fringe, thanks to our<br />
welcoming friends at the Royal<br />
Scots Club on Abercromby Place.<br />
The Duchess of Malfi saw John<br />
Webster's classic script given a<br />
wonderfully imaginative steampunk<br />
twist at the hands of darkly<br />
creative director, Sara-Jane<br />
McGeachy. And Anthony Neilsen's<br />
The Wonderful World of Dissocia<br />
was creative, colourful and<br />
crushingly sad. Director Ross Hope<br />
was particularly happy to be able to<br />
stage this little-known work by<br />
Scottish playwright, Neilsen,<br />
having seen the original Edinburgh<br />
International Festival production in<br />
2004.<br />
As the end of our anniversary year<br />
looms alarmingly large, we have<br />
one show left. And this promises to<br />
be another treat. David Eldridge's<br />
Festen was adapted for the stage<br />
from a Danish film produced as part<br />
of the Dogme film-making<br />
movement, best known for the work<br />
of Lars Von Trier of Dancer in the<br />
Dark and Melancholia fame.<br />
The film version provided director,<br />
Claire Wood, with visual inspiration<br />
for her production design,<br />
deliberately sparing with set and<br />
props to allow the audience to focus<br />
fully on the actors and their<br />
performances.<br />
“This production feels like a brilliant<br />
way to celebrate our sixtieth<br />
anniversary,” says Claire. “We’ve<br />
got a wonderfully talented cast of<br />
some of our longest serving group<br />
members along with some straight<br />
out of Edinburgh’s universities<br />
shiny new people. This year also<br />
sees the tenth anniversary of<br />
Eldridge’s script so it’s a double<br />
celebration. We’re loving working<br />
with his elegant and incredibly<br />
sparing dialogue. It’s challenging<br />
but I think this cast will do it<br />
justice.”<br />
Siobhan McGovern has been a<br />
member of EGTG for more than 20<br />
years and has recently been<br />
elected as the group’s President.<br />
“I’ve been a member of this group<br />
for such a long time because I<br />
really believe in what we’re trying<br />
to achieve,” said Siobhan. “With so<br />
many excellent theatre groups in<br />
Edinburgh, we’re continually<br />
pushing ourselves to be bold and<br />
imaginative with our production<br />
7<br />
choices. This year’s programme,<br />
with its mix of classic and leading<br />
contemporary productions, feels like<br />
a lovely summation of why we think<br />
theatre continues to be vital in our<br />
increasingly digitised society.”<br />
Production information<br />
Festen by David Eldridge<br />
26 to 29 November 2014 at 7:30pm<br />
Adam House Theatre, Chambers<br />
Street, Edinburgh<br />
Tickets £10 available from<br />
www.egtg.co.uk<br />
Claire Wood