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Kyle Smith Takes the Helm in Levien Gym - Columbia College ...

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<strong>Columbia</strong> CollEgE Today CLAss NOTEs<br />

Steve perlman ’83 enhances Communication through technology<br />

Founder and CEO of<br />

San Francisco-based<br />

Rearden (rearden.com),<br />

an <strong>in</strong>cubator for companies<br />

develop<strong>in</strong>g new ways<br />

to comb<strong>in</strong>e art and technology,<br />

steve Perlman ’83 has spent<br />

his life build<strong>in</strong>g pioneer<strong>in</strong>g Internet,<br />

enterta<strong>in</strong>ment, multimedia,<br />

consumer electronics and communications<br />

technologies and<br />

services.<br />

But he’s always been more<br />

<strong>in</strong>trigued by what technology<br />

can accomplish than <strong>in</strong> how it<br />

works, view<strong>in</strong>g computers “just<br />

as tools, not an end <strong>in</strong> and of<br />

<strong>the</strong>mselves.” This attitude was<br />

apparent <strong>in</strong> his 1978 <strong>Columbia</strong><br />

admissions essay, which he<br />

feels was “pretty unusual:” how<br />

to build a system that would<br />

understand human speech.<br />

“I don’t know why <strong>the</strong>y accepted<br />

me but <strong>the</strong>y did,” he<br />

says with a laugh. “For some<br />

reason or ano<strong>the</strong>r, <strong>the</strong>y thought<br />

that would be a useful contribution<br />

to <strong>the</strong> campus.”<br />

Although Perlman’s major<br />

was comput<strong>in</strong>g science, where<br />

he worked most closely with<br />

Yechiam Yem<strong>in</strong>i, his professor<br />

and <strong>in</strong>formal adviser, Perlman<br />

said that <strong>the</strong> classes he enjoyed<br />

most were those associated<br />

with <strong>the</strong> liberal arts.<br />

“I really liked <strong>the</strong> Core Curriculum:<br />

Contemporary Civilization<br />

and Literature Humanities<br />

[and] <strong>the</strong> subject matter <strong>in</strong> Art<br />

and Music Humanities. I also<br />

took several classes on <strong>the</strong><br />

novel and English literature<br />

with Barnard professor Maire<br />

Jaanus.”<br />

It was this <strong>in</strong>terest <strong>in</strong> communicat<strong>in</strong>g<br />

thoughts and ideas<br />

through various media that <strong>in</strong>directly<br />

led to one of Perlman’s<br />

computer projects at <strong>Columbia</strong>.<br />

After an article he had<br />

written for Sundial, a campus<br />

magaz<strong>in</strong>e, on <strong>the</strong> usefulness of<br />

small computers for students<br />

didn’t get a positive response<br />

from <strong>the</strong> IT department, he<br />

took his idea to <strong>the</strong> masses —<br />

<strong>in</strong> this case, <strong>the</strong> students.<br />

“I had a computer I designed<br />

and a pr<strong>in</strong>ter and term<strong>in</strong>al <strong>in</strong><br />

my dorm room,” Perlman says,<br />

“and I wrote software so a<br />

person without any technical<br />

knowledge could do word pro-<br />

cess<strong>in</strong>g. I know that sounds<br />

pretty mundane <strong>the</strong>se days, but<br />

<strong>in</strong> 1979 and 1980, that was a<br />

big deal. I had students l<strong>in</strong>ed up<br />

outside my dorm room to get<br />

onto <strong>the</strong> one word processor<br />

on campus!”<br />

Perlman says that experience<br />

had a huge impact on him. “In<br />

every era, <strong>the</strong>re always are peo-<br />

ple who are stuck <strong>in</strong> exist<strong>in</strong>g<br />

ways of th<strong>in</strong>k<strong>in</strong>g, and you need<br />

to just f<strong>in</strong>d ways around <strong>the</strong>m,”<br />

he says. “My way, of course,<br />

was to turn my dorm room <strong>in</strong>to<br />

<strong>the</strong> word process<strong>in</strong>g room that<br />

I thought <strong>the</strong> campus should<br />

have.”<br />

S<strong>in</strong>ce graduat<strong>in</strong>g from Colum-<br />

bia, <strong>the</strong> 49-year-old Perlman,<br />

who now lives <strong>in</strong> Silicon Valley<br />

with his wife, has cont<strong>in</strong>ued to<br />

successfully “f<strong>in</strong>d ways around”<br />

exist<strong>in</strong>g conditions and circumstances,<br />

as evidenced by his<br />

more than 100 U.S. patents,<br />

with more than 100 pend<strong>in</strong>g.<br />

B y na n c y christie<br />

steve Perlman ’83, founder and CEO of<br />

Rearden, OnLive and MOVA, at <strong>the</strong> company’s<br />

San Francisco headquarters.<br />

PHOTO: JAYMER DELAPENA<br />

NOvEMBER/DECEMBER 2010<br />

57<br />

But he also has found a<br />

great deal of satisfaction <strong>in</strong><br />

“develop<strong>in</strong>g people” — a talent<br />

for which Perlman also credits<br />

<strong>Columbia</strong>, where he had <strong>the</strong><br />

opportunity to recognize <strong>the</strong><br />

vast diversity of journeys <strong>the</strong>re<br />

are and how to synchronize<br />

his efforts with o<strong>the</strong>rs <strong>in</strong> a way<br />

that would be mutually beneficial.<br />

It’s a valuable skill that<br />

has enabled him to mentor<br />

<strong>the</strong> Rearden team of<br />

eng<strong>in</strong>eers, artists and<br />

scientists.<br />

C<strong>in</strong>dy Ivers, senior<br />

director of account<strong>in</strong>g<br />

and f<strong>in</strong>ance for<br />

Rearden and OnLive,<br />

a Rearden-<strong>in</strong>cubated<br />

company, has witnessed<br />

Perlman’s<br />

approach <strong>in</strong> action.<br />

When his eng<strong>in</strong>eers<br />

come to Perlman with<br />

what <strong>the</strong>y consider<br />

an <strong>in</strong>surmountable<br />

problem, she says<br />

he encourages <strong>the</strong>m<br />

to th<strong>in</strong>k “outside <strong>the</strong><br />

box.” “He’ll ask, ‘Did<br />

you th<strong>in</strong>k about it this<br />

way? Or how about<br />

this way?’ He just<br />

keeps plugg<strong>in</strong>g away<br />

until he f<strong>in</strong>ds someth<strong>in</strong>g<br />

<strong>the</strong>y haven’t<br />

tested yet. He’s told<br />

me, ‘I am not <strong>the</strong><br />

best eng<strong>in</strong>eer <strong>in</strong> <strong>the</strong><br />

company. I just help people get<br />

over <strong>the</strong>ir issues and get <strong>the</strong>m<br />

to be <strong>the</strong> best <strong>the</strong>y can be.’ ”<br />

But while Perlman has been<br />

successful <strong>in</strong> his endeavors<br />

— his recently patented facial<br />

motion capture technology,<br />

MOVA Contour, was used <strong>in</strong><br />

<strong>the</strong> films The Curious Case of<br />

Benjam<strong>in</strong> Button and The Incredible<br />

Hulk — Perlman notes,<br />

“You never get exactly what<br />

you want out of <strong>the</strong> system.<br />

There always are impediments<br />

or th<strong>in</strong>gs you learn along <strong>the</strong><br />

way. What you need to do is<br />

learn while you are try<strong>in</strong>g to<br />

reach your goal, and <strong>the</strong>n reformulate<br />

that goal so you end<br />

up with some good outcomes<br />

… where someth<strong>in</strong>g is useful<br />

to people and people see some<br />

benefit <strong>in</strong> it.”<br />

For example, when he was<br />

pr<strong>in</strong>cipal scientist of Apple<br />

Computer, Perlman led <strong>the</strong><br />

team that developed <strong>the</strong> Quick-<br />

Time technology, which “Apple<br />

management thought … was<br />

<strong>the</strong> dumbest idea <strong>in</strong> <strong>the</strong> world,”<br />

says Perlman. But after Mac<br />

developers “went crazy over it,”<br />

<strong>in</strong> Perlman’s words, management<br />

allowed <strong>the</strong>m to ship it<br />

as a product. “Now,” he says,<br />

“more than 20 years later, it’s<br />

built <strong>in</strong>to every Mac, iPhone,<br />

iPod and iPad, and every PC<br />

runn<strong>in</strong>g iTunes.”<br />

One of Perlman’s goals is to<br />

develop a platform for creat<strong>in</strong>g<br />

<strong>in</strong>teractive experience with <strong>the</strong><br />

depth and realism of movies<br />

that average people can enjoy.<br />

As he expla<strong>in</strong>s, while movies<br />

and television shows are passive<br />

forms of enterta<strong>in</strong>ment,<br />

“We stand on <strong>the</strong> threshold of a<br />

major cultural transition, where<br />

… we can step <strong>in</strong>to a world and<br />

become immersed with<strong>in</strong> it,<br />

ei<strong>the</strong>r passively, or actively as<br />

a player. In time, perhaps not <strong>in</strong><br />

my lifetime, <strong>the</strong> simulation of<br />

reality will be utterly complete.<br />

You will see, hear, smell and feel<br />

a completely artificially created<br />

world around you. You’ll experience<br />

<strong>the</strong> terror of land<strong>in</strong>g at<br />

Omaha Beach, or <strong>the</strong> joy of cradl<strong>in</strong>g<br />

a newborn baby. Fantasy<br />

will become <strong>in</strong>dist<strong>in</strong>guishable<br />

from reality and will open huge<br />

opportunities for expression and<br />

communication.”<br />

How does Perlman def<strong>in</strong>e<br />

career success? He says it’s<br />

when “you set out to change<br />

<strong>the</strong> world and make th<strong>in</strong>gs better<br />

<strong>in</strong> one way or ano<strong>the</strong>r, and<br />

have gotten reasonably close<br />

to <strong>the</strong> mark. It’s be<strong>in</strong>g able to<br />

go and move th<strong>in</strong>gs, move <strong>the</strong><br />

ball just a bit fur<strong>the</strong>r.”<br />

Nancy Christie is a freelance<br />

writer and author of The Gifts<br />

of Change. A member of <strong>the</strong><br />

American Society of Journalists<br />

and Authors, she lives <strong>in</strong> Ohio.

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