Kyle Smith Takes the Helm in Levien Gym - Columbia College ...
Kyle Smith Takes the Helm in Levien Gym - Columbia College ...
Kyle Smith Takes the Helm in Levien Gym - Columbia College ...
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<strong>Columbia</strong> CollEgE Today CLAss NOTEs<br />
Steve perlman ’83 enhances Communication through technology<br />
Founder and CEO of<br />
San Francisco-based<br />
Rearden (rearden.com),<br />
an <strong>in</strong>cubator for companies<br />
develop<strong>in</strong>g new ways<br />
to comb<strong>in</strong>e art and technology,<br />
steve Perlman ’83 has spent<br />
his life build<strong>in</strong>g pioneer<strong>in</strong>g Internet,<br />
enterta<strong>in</strong>ment, multimedia,<br />
consumer electronics and communications<br />
technologies and<br />
services.<br />
But he’s always been more<br />
<strong>in</strong>trigued by what technology<br />
can accomplish than <strong>in</strong> how it<br />
works, view<strong>in</strong>g computers “just<br />
as tools, not an end <strong>in</strong> and of<br />
<strong>the</strong>mselves.” This attitude was<br />
apparent <strong>in</strong> his 1978 <strong>Columbia</strong><br />
admissions essay, which he<br />
feels was “pretty unusual:” how<br />
to build a system that would<br />
understand human speech.<br />
“I don’t know why <strong>the</strong>y accepted<br />
me but <strong>the</strong>y did,” he<br />
says with a laugh. “For some<br />
reason or ano<strong>the</strong>r, <strong>the</strong>y thought<br />
that would be a useful contribution<br />
to <strong>the</strong> campus.”<br />
Although Perlman’s major<br />
was comput<strong>in</strong>g science, where<br />
he worked most closely with<br />
Yechiam Yem<strong>in</strong>i, his professor<br />
and <strong>in</strong>formal adviser, Perlman<br />
said that <strong>the</strong> classes he enjoyed<br />
most were those associated<br />
with <strong>the</strong> liberal arts.<br />
“I really liked <strong>the</strong> Core Curriculum:<br />
Contemporary Civilization<br />
and Literature Humanities<br />
[and] <strong>the</strong> subject matter <strong>in</strong> Art<br />
and Music Humanities. I also<br />
took several classes on <strong>the</strong><br />
novel and English literature<br />
with Barnard professor Maire<br />
Jaanus.”<br />
It was this <strong>in</strong>terest <strong>in</strong> communicat<strong>in</strong>g<br />
thoughts and ideas<br />
through various media that <strong>in</strong>directly<br />
led to one of Perlman’s<br />
computer projects at <strong>Columbia</strong>.<br />
After an article he had<br />
written for Sundial, a campus<br />
magaz<strong>in</strong>e, on <strong>the</strong> usefulness of<br />
small computers for students<br />
didn’t get a positive response<br />
from <strong>the</strong> IT department, he<br />
took his idea to <strong>the</strong> masses —<br />
<strong>in</strong> this case, <strong>the</strong> students.<br />
“I had a computer I designed<br />
and a pr<strong>in</strong>ter and term<strong>in</strong>al <strong>in</strong><br />
my dorm room,” Perlman says,<br />
“and I wrote software so a<br />
person without any technical<br />
knowledge could do word pro-<br />
cess<strong>in</strong>g. I know that sounds<br />
pretty mundane <strong>the</strong>se days, but<br />
<strong>in</strong> 1979 and 1980, that was a<br />
big deal. I had students l<strong>in</strong>ed up<br />
outside my dorm room to get<br />
onto <strong>the</strong> one word processor<br />
on campus!”<br />
Perlman says that experience<br />
had a huge impact on him. “In<br />
every era, <strong>the</strong>re always are peo-<br />
ple who are stuck <strong>in</strong> exist<strong>in</strong>g<br />
ways of th<strong>in</strong>k<strong>in</strong>g, and you need<br />
to just f<strong>in</strong>d ways around <strong>the</strong>m,”<br />
he says. “My way, of course,<br />
was to turn my dorm room <strong>in</strong>to<br />
<strong>the</strong> word process<strong>in</strong>g room that<br />
I thought <strong>the</strong> campus should<br />
have.”<br />
S<strong>in</strong>ce graduat<strong>in</strong>g from Colum-<br />
bia, <strong>the</strong> 49-year-old Perlman,<br />
who now lives <strong>in</strong> Silicon Valley<br />
with his wife, has cont<strong>in</strong>ued to<br />
successfully “f<strong>in</strong>d ways around”<br />
exist<strong>in</strong>g conditions and circumstances,<br />
as evidenced by his<br />
more than 100 U.S. patents,<br />
with more than 100 pend<strong>in</strong>g.<br />
B y na n c y christie<br />
steve Perlman ’83, founder and CEO of<br />
Rearden, OnLive and MOVA, at <strong>the</strong> company’s<br />
San Francisco headquarters.<br />
PHOTO: JAYMER DELAPENA<br />
NOvEMBER/DECEMBER 2010<br />
57<br />
But he also has found a<br />
great deal of satisfaction <strong>in</strong><br />
“develop<strong>in</strong>g people” — a talent<br />
for which Perlman also credits<br />
<strong>Columbia</strong>, where he had <strong>the</strong><br />
opportunity to recognize <strong>the</strong><br />
vast diversity of journeys <strong>the</strong>re<br />
are and how to synchronize<br />
his efforts with o<strong>the</strong>rs <strong>in</strong> a way<br />
that would be mutually beneficial.<br />
It’s a valuable skill that<br />
has enabled him to mentor<br />
<strong>the</strong> Rearden team of<br />
eng<strong>in</strong>eers, artists and<br />
scientists.<br />
C<strong>in</strong>dy Ivers, senior<br />
director of account<strong>in</strong>g<br />
and f<strong>in</strong>ance for<br />
Rearden and OnLive,<br />
a Rearden-<strong>in</strong>cubated<br />
company, has witnessed<br />
Perlman’s<br />
approach <strong>in</strong> action.<br />
When his eng<strong>in</strong>eers<br />
come to Perlman with<br />
what <strong>the</strong>y consider<br />
an <strong>in</strong>surmountable<br />
problem, she says<br />
he encourages <strong>the</strong>m<br />
to th<strong>in</strong>k “outside <strong>the</strong><br />
box.” “He’ll ask, ‘Did<br />
you th<strong>in</strong>k about it this<br />
way? Or how about<br />
this way?’ He just<br />
keeps plugg<strong>in</strong>g away<br />
until he f<strong>in</strong>ds someth<strong>in</strong>g<br />
<strong>the</strong>y haven’t<br />
tested yet. He’s told<br />
me, ‘I am not <strong>the</strong><br />
best eng<strong>in</strong>eer <strong>in</strong> <strong>the</strong><br />
company. I just help people get<br />
over <strong>the</strong>ir issues and get <strong>the</strong>m<br />
to be <strong>the</strong> best <strong>the</strong>y can be.’ ”<br />
But while Perlman has been<br />
successful <strong>in</strong> his endeavors<br />
— his recently patented facial<br />
motion capture technology,<br />
MOVA Contour, was used <strong>in</strong><br />
<strong>the</strong> films The Curious Case of<br />
Benjam<strong>in</strong> Button and The Incredible<br />
Hulk — Perlman notes,<br />
“You never get exactly what<br />
you want out of <strong>the</strong> system.<br />
There always are impediments<br />
or th<strong>in</strong>gs you learn along <strong>the</strong><br />
way. What you need to do is<br />
learn while you are try<strong>in</strong>g to<br />
reach your goal, and <strong>the</strong>n reformulate<br />
that goal so you end<br />
up with some good outcomes<br />
… where someth<strong>in</strong>g is useful<br />
to people and people see some<br />
benefit <strong>in</strong> it.”<br />
For example, when he was<br />
pr<strong>in</strong>cipal scientist of Apple<br />
Computer, Perlman led <strong>the</strong><br />
team that developed <strong>the</strong> Quick-<br />
Time technology, which “Apple<br />
management thought … was<br />
<strong>the</strong> dumbest idea <strong>in</strong> <strong>the</strong> world,”<br />
says Perlman. But after Mac<br />
developers “went crazy over it,”<br />
<strong>in</strong> Perlman’s words, management<br />
allowed <strong>the</strong>m to ship it<br />
as a product. “Now,” he says,<br />
“more than 20 years later, it’s<br />
built <strong>in</strong>to every Mac, iPhone,<br />
iPod and iPad, and every PC<br />
runn<strong>in</strong>g iTunes.”<br />
One of Perlman’s goals is to<br />
develop a platform for creat<strong>in</strong>g<br />
<strong>in</strong>teractive experience with <strong>the</strong><br />
depth and realism of movies<br />
that average people can enjoy.<br />
As he expla<strong>in</strong>s, while movies<br />
and television shows are passive<br />
forms of enterta<strong>in</strong>ment,<br />
“We stand on <strong>the</strong> threshold of a<br />
major cultural transition, where<br />
… we can step <strong>in</strong>to a world and<br />
become immersed with<strong>in</strong> it,<br />
ei<strong>the</strong>r passively, or actively as<br />
a player. In time, perhaps not <strong>in</strong><br />
my lifetime, <strong>the</strong> simulation of<br />
reality will be utterly complete.<br />
You will see, hear, smell and feel<br />
a completely artificially created<br />
world around you. You’ll experience<br />
<strong>the</strong> terror of land<strong>in</strong>g at<br />
Omaha Beach, or <strong>the</strong> joy of cradl<strong>in</strong>g<br />
a newborn baby. Fantasy<br />
will become <strong>in</strong>dist<strong>in</strong>guishable<br />
from reality and will open huge<br />
opportunities for expression and<br />
communication.”<br />
How does Perlman def<strong>in</strong>e<br />
career success? He says it’s<br />
when “you set out to change<br />
<strong>the</strong> world and make th<strong>in</strong>gs better<br />
<strong>in</strong> one way or ano<strong>the</strong>r, and<br />
have gotten reasonably close<br />
to <strong>the</strong> mark. It’s be<strong>in</strong>g able to<br />
go and move th<strong>in</strong>gs, move <strong>the</strong><br />
ball just a bit fur<strong>the</strong>r.”<br />
Nancy Christie is a freelance<br />
writer and author of The Gifts<br />
of Change. A member of <strong>the</strong><br />
American Society of Journalists<br />
and Authors, she lives <strong>in</strong> Ohio.