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THE RELLING DESIGN COLLECTION BY RYBO - TiT

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<strong>THE</strong> <strong>RELLING</strong> <strong>DESIGN</strong> <strong>COLLECTION</strong> <strong>BY</strong> <strong>RYBO</strong><br />

INGMAR <strong>RELLING</strong>


head office<br />

Rybo As<br />

Torpevegen 111<br />

N-5610 Øystese<br />

Norway<br />

Tel: +47 56 55 51 00<br />

Fax: +47 56 55 59 99<br />

info@rybo.no<br />

www.rybo.no<br />

INGMAR <strong>RELLING</strong><br />

Ingmar Relling (1920-2002) was an impassioned<br />

designer, who created a series of functional furniture<br />

designs during his long career.<br />

The Siesta is without a doubt his greatest creation<br />

– a simply harmonious and classical chair, free of<br />

unnecessary details.<br />

Outside Norway, Relling is often characterized as<br />

Norway’s answer to contemporary designers of the<br />

Scandinavian Design school, such as Wegner, Jacobsen,<br />

and Ekström. As Norway’s most internationally<br />

renowned furniture designer to day, as well as one of<br />

the greatest contributors to the Scandinavian Design,<br />

his top-selling Siesta, his magnum opus, was an<br />

icebreaker that opened up international markets to<br />

Norwegian furniture exports.<br />

Simplicity, minimalism, elegance and uncompromising<br />

quality are key concepts in all Relling’s designs.<br />

Sleek, clear lines, not to mention the obvious<br />

correlation between design and function, were<br />

essential for Ingmar Relling, who always was closely<br />

involved with the chair’s development after it left<br />

the drawing board. Even in the design phase, it<br />

was crucial for Relling that the chair should be ecofriendly<br />

– with optimized use of materials, wood<br />

from sustainable forests, maximum durability and<br />

reusability. This is typical of Ingmar Relling, who, as<br />

well as being a designer, was a dedicated humanist,<br />

interested in dimensions extending beyond the<br />

purely aesthetic.<br />

Relling worked for seven years from the age of 16 at<br />

Vestlandske Stol- og Møbelfabrikk in his home district<br />

until he started at the National School of Arts and Crafts.<br />

After he passed his diploma, he soon opened his<br />

own practice at Møre in 1950. For the first few years,<br />

Relling worked as an interior architect, fitting out,<br />

among others, schools, hotels and churches.<br />

Since 1960, Relling dedicated himself entirely to<br />

furniture design, developing his skills through<br />

collaboration with the industry to become Norway’s<br />

most internationally famous and recognized furniture<br />

designer as well as one of the greatest contributors to<br />

the concept Scandinavian Design.


<strong>RELLING</strong> <strong>DESIGN</strong> <strong>COLLECTION</strong><br />

With his creation of the Siesta, Cox and Optima,<br />

Relling continues his most important principles<br />

from the period 1950-1960, themed in flexibility<br />

and cohesion; a space-saving combination. The<br />

development line can be clearly seen through<br />

models from Nordic in 1954, Siesta in 1965, Cox in<br />

1974 and Optima in 1988.<br />

Relling attained an international reputation with his<br />

Siesta chair. The series represented new thinking in<br />

terms of both construction and form. Most distinctive<br />

is the simple, high-backed first edition in light beech,<br />

upholstered in canvas or leather.<br />

From Relling’s range of chairs, special mention<br />

should be made of the series Siesta, Cox and Optima.<br />

All are original in terms of construction and have a<br />

compact form of expression of sculptural quality.<br />

The light, resilient and elegant chairs unite technical,<br />

functional and aesthetic qualities of an exceptional<br />

standard. He never permits one functional element<br />

to overwhelm or render others ineffectual. Only<br />

when he has achieved balanced interaction is he<br />

satisfied with a project.<br />

Since that time, Relling worked consistently with<br />

chairs made from laminated beech, above all,<br />

easy chairs. In some of his works he employed the<br />

equivalent qualities of steel.


NOBEL<br />

Simplicity in style - optimum comfort. Since the<br />

1960’s – through 5 decades - the Siesta has been the<br />

most internationally successful piece of Norwegian<br />

designer furniture. It has won many prestigious<br />

international design prizes and has been bought by<br />

all the world’s major art museums, from Tokyo and<br />

Sidney in the East to London and New York in the<br />

West. Siesta continues to be an international winner<br />

among those who appreciate superior design and<br />

quality. It is included in the portfolio of leading<br />

furniture design shops.<br />

Sewing skills and upholstery of excellent<br />

handcraft, neat and precise in form and finish<br />

and at the same time with a soft and comfortable<br />

look.<br />

Sideways focus; the shape of the form pressed<br />

wood, the neat cushions, elegant and dynamic,<br />

reinforcing the sculptural dynamic look.


CLASSIC<br />

The combination of form pressed veneer, canvas<br />

and cords, a sensational dynamic and lightly<br />

tilting sitting comfort. Canvas of hand-woven,<br />

three layer laminated fabric, strong and springy<br />

like a trampoline.<br />

Comfort and relaxation. Over the years, the Siesta<br />

chair has been adapted to suit changing styles<br />

and tastes, but the original simple, elegant design<br />

and uncompromising quality have always been<br />

maintained. These very same sleek, clear lines, not<br />

to mention the obvious correlation between design<br />

and function, were essential for Ingmar Relling,<br />

who was also closely involved with the chair’s<br />

development after it left the drawing board. Even<br />

in the design phase, it was crucial for Relling that<br />

the chair should be eco-friendly – with optimized<br />

use of materials, wood from sustainable forests,<br />

maximum durability and reusability. This is typical<br />

of Ingmar Relling, who, as well as being a designer,<br />

was a dedicated humanist, interested in dimensions<br />

extending beyond the purely aesthetic.<br />

The armrest especially designed to customer’s<br />

requests, as neat and minimalistic as possible<br />

for the utmost comfortable seating.<br />

Only leather of premium qualities, Pure Anilin<br />

and Semi-Anilin have been Rybo’s quality ranges<br />

for the last 25 years.


FIORA<br />

Purity but no compromise. A Siesta chair is made of<br />

canvas, cord, cushion and seven wooden components.<br />

The laminated moulded side sections give the<br />

chair beautiful lines, flexible seating comfort and<br />

exceptional strength at the same time. Siesta is very<br />

durable, replacement parts are available and most<br />

of it is reusable after several years – a recyclable<br />

product whose design merits are more widely<br />

appreciated as time goes on.<br />

The model Siesta Fiora comes with or without<br />

neck cushion. The reinforced leather cord,<br />

edging all cushions, gives a good impression of<br />

sewing skills and handcraft.<br />

This decorative and outstanding detail gives at<br />

the same time stability in the back-part of the<br />

cushion. A unique detail that firmly locks the<br />

foam and upholstery to the leather.


ICON<br />

No-nonsense - highend purism in elegance. Few<br />

pieces of design-led furniture have surpassed the<br />

sales figures of Ingmar Relling’s world-renowned<br />

Siesta and few chairs are held in such high esteem<br />

45 years after their launch.<br />

This elegant chair with its proud profile was<br />

originally Relling’s submission to the Norwegian<br />

Furniture Council competition in 1965, where he won<br />

a well-deserved first prize. Since then, the highest<br />

distinctions have been lavished on the chair and its<br />

creator. They are sold in more than 50 countries, to<br />

companies, privates and galleries all over the world.<br />

Even to prestigious buildings like The White House<br />

Wash. D.C.<br />

Detail of the back, upholstered on both sides<br />

with leather and an additional 10 mm foam in<br />

the front of the back. Showing unique sewing<br />

and upholstery skills, neat and sleek with a<br />

sensational sitting comfort.<br />

The seat- and neck-cushion, together with<br />

Relling’s dynamic design, all created to<br />

strengthen the shape of the sitting human<br />

anatomy, homo sedens.


Optima is Ingmar Relling’s last major launch from<br />

1988, the result of an emergent collaboration<br />

between father and son, Knut Relling. Optima<br />

follows on naturally from Ingmar Relling’s design<br />

understanding and construction principles.<br />

Again he provides evidence of superb harmony in<br />

which form actually follows function, reflecting<br />

precisely the essence of the functionalist, not just<br />

a question of shape, but far more importantly of<br />

content and quality of life.<br />

Simplicity and stringent but logical expression<br />

infuse Relling’s chairs with their unique character.<br />

They clearly carry the signature of a great master.


Cox is a natural addition to Ingmar Rellings<br />

interpretation of design and construction. As a<br />

humanist, the supreme perspective of his work<br />

was that the items he designed should be useful<br />

to people in their daily lives; not just a question<br />

of shape, but far more importantly of content and<br />

quality of life.<br />

With Siesta, Cox and Optima, Ingmar Relling delivers<br />

exemplary proof of his outlook. Here he provides<br />

evidence of superb harmony in which form actually<br />

follows function, reflecting precisely the essence of<br />

the functionalist.<br />

Simplicity and stringent but logical expression<br />

infuse Relling’s chairs with their unique character.<br />

They clearly carry the signature of a great master.<br />

Rybo is proud and honoured to present its selected<br />

Relling Collection of classic design chairs.


RELAX IN STYLE<br />

It is more than 40 years since the Siesta chair won the<br />

competition that inspired Ingmar Relling to create<br />

what is today considered as his masterpiece. This<br />

unique chair now has many devoted followers.<br />

The Siesta chair is comprised of only seven<br />

components in wood, canvas, cord and cushions,<br />

creating an impression of lightness and elegance.<br />

The laminated, form-pressed side pieces enhance<br />

the chair’s beautiful lines. And of course, Relling’s<br />

trademark, the fundamental quality of the chair that<br />

ensures flexible sitting comfort and, at the same<br />

time, exceptional strength.<br />

NATURE IN FOCUS<br />

It has always been extremely important for Ingmar<br />

Relling that the chair was “environmentally correct”.<br />

Therefore it has a low weight and compact materials<br />

to minimize transport costs.<br />

At each phase, consideration has been given to<br />

optimization of materials usage. Threatened tree<br />

species have never been used. Not only is the chair<br />

exceptionally robust and durable but replacement<br />

parts are available, and most of the chair can be<br />

recycled at the end of its life. In brief it is a chair<br />

built for a lifetime.<br />

This was the philosophy when it was introduced,<br />

and it still applies today.


measures<br />

All measurements are given in centimetres:<br />

Width / Depth / Height<br />

SIESTA NOBEL<br />

High back / arm: W 72 D 83 H 100<br />

High back: W 62 D 83 H 100<br />

Low back / arm: W 72 D 80 H 81<br />

Low back: W 62 D 80 H 81<br />

SIESTA ICON<br />

W 62 D 83 H 100<br />

SIESTA FIORA<br />

High back / arm: W 72 D 83 H 100<br />

High back: W 62 D 83 H 100<br />

Low back / arm: W 72 D 80 H 81<br />

Low back: W 62 D 80 H 81<br />

COX<br />

W 72 D 36 H 77<br />

SIESTA CLASSIC<br />

High back / arm: W 72 D 85 H 103<br />

High back: W 64 D 85 H 103<br />

Low back / arm: W 72 D 80 H 85<br />

Low back: W 64 D 80 H 85<br />

OPTIMA<br />

W 66 D 94 (158) H 112 (87)<br />

SIESTA FOOTSTOOL<br />

Nobel: W 62 D 51 H 46<br />

Classic: W 61 D 51 H 48<br />

Icon: W 61 D 51 H 46<br />

Footstool: W 62 D 51 H 45


PRODUCT <strong>BY</strong> <strong>RYBO</strong><br />

LEA<strong>THE</strong>R QUALITIES<br />

Oddmund P. Rykken, educated by Lars Kinsarvik,<br />

the founder of The Dragon Woodcarving Style,<br />

presented at The Norwegian Art Museum, became<br />

a very skilled craftsman. He started his own<br />

production in 1918. As his son, Olav O. Rykken,<br />

finished his education, the factory was expanded in<br />

1933. Further factory extensions were made in 1954,<br />

1960, 1967 and 1972.<br />

Following The Second World War, the production<br />

continued with good, long lasting relationship<br />

and collaboration with many renowned interior<br />

architects. This has since been a key issue for<br />

Rybo. Organic forms came into focus in the 1950’s<br />

followed by more dynamic forms during the 1960’s<br />

and onwards. The technology of form pressed wood<br />

in the furniture industry started in early 1960’s and<br />

Rybo became a pioneer in this field by launching<br />

the famous Kengu-chair, by Solheim Design, in the<br />

first half of this decade.<br />

Mr. Ingmar Relling worked closely with Vestlandske<br />

Møbelfabrikk AS all his working life, while Rybo<br />

had close collaboration with the designers Elsa<br />

and Nordal Solheim. Good relationship with Mr.<br />

Knut Relling, the son of Mr Ingmar Relling, after<br />

the takeover, is a solid foundation of a continuing<br />

market success of the most famous international<br />

price award winner, Siesta.<br />

The vision of Rybo is to continue focusing on top<br />

design, quality and functionality together with<br />

good handcraft. Rybo aims to become the leading<br />

furniture manufacturer of internationally renowned<br />

Norwegian classic chairs.<br />

Aniline Leather has a grain which varies in<br />

structure, with all the distinct features of the natural<br />

hide, and offers outstanding comfort. This leather<br />

is distinguishable by its extremely soft hand, rich,<br />

even coloring, and pronounced pebble graining.<br />

Only the highest premium Scandinavian hides are<br />

used in the production of these hides.<br />

Semi Anilin Leather has a sturdy structure and<br />

distinct character. Rybo Semi Anilin Leather has<br />

an extensive shade card. The leather is durable<br />

and suitable for public areas. Visible insect-bites<br />

and scars from healed wounds add to the elegant<br />

character of the leather.<br />

WOODEN QUALITIES<br />

Oak - Natural UE<br />

Oak - Varnish EN<br />

Beech - Natural UB<br />

Beech - Varnish BN<br />

Beech - Stained adler BE<br />

Beech - Stained teak BT<br />

Beech - Stained cherry BK<br />

Beech - Stained maghogany BM<br />

Leather is by many recognized as the most<br />

versatile of all natural materials available.<br />

Only the leading manufacturers of exclusive<br />

leather to the furniture industry qualify as Rybo<br />

suppliers, holding environmental accreditation<br />

in conformance with SS-EN ISO 14001-2004.<br />

Beech - Stained rosewood BP<br />

Beech - Stained black BS<br />

All wooden materials incorporated in Rybo’s<br />

production is PEFC and FSC certified beech and oak.


head office<br />

Rybo As<br />

Torpevegen 111<br />

N-5610 Øystese<br />

Norway<br />

Tel: +47 56 55 51 00<br />

Fax: +47 56 55 59 99<br />

info@rybo.no<br />

www.rybo.no

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