THE RELLING DESIGN COLLECTION BY RYBO - TiT
THE RELLING DESIGN COLLECTION BY RYBO - TiT
THE RELLING DESIGN COLLECTION BY RYBO - TiT
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<strong>THE</strong> <strong>RELLING</strong> <strong>DESIGN</strong> <strong>COLLECTION</strong> <strong>BY</strong> <strong>RYBO</strong><br />
INGMAR <strong>RELLING</strong>
head office<br />
Rybo As<br />
Torpevegen 111<br />
N-5610 Øystese<br />
Norway<br />
Tel: +47 56 55 51 00<br />
Fax: +47 56 55 59 99<br />
info@rybo.no<br />
www.rybo.no<br />
INGMAR <strong>RELLING</strong><br />
Ingmar Relling (1920-2002) was an impassioned<br />
designer, who created a series of functional furniture<br />
designs during his long career.<br />
The Siesta is without a doubt his greatest creation<br />
– a simply harmonious and classical chair, free of<br />
unnecessary details.<br />
Outside Norway, Relling is often characterized as<br />
Norway’s answer to contemporary designers of the<br />
Scandinavian Design school, such as Wegner, Jacobsen,<br />
and Ekström. As Norway’s most internationally<br />
renowned furniture designer to day, as well as one of<br />
the greatest contributors to the Scandinavian Design,<br />
his top-selling Siesta, his magnum opus, was an<br />
icebreaker that opened up international markets to<br />
Norwegian furniture exports.<br />
Simplicity, minimalism, elegance and uncompromising<br />
quality are key concepts in all Relling’s designs.<br />
Sleek, clear lines, not to mention the obvious<br />
correlation between design and function, were<br />
essential for Ingmar Relling, who always was closely<br />
involved with the chair’s development after it left<br />
the drawing board. Even in the design phase, it<br />
was crucial for Relling that the chair should be ecofriendly<br />
– with optimized use of materials, wood<br />
from sustainable forests, maximum durability and<br />
reusability. This is typical of Ingmar Relling, who, as<br />
well as being a designer, was a dedicated humanist,<br />
interested in dimensions extending beyond the<br />
purely aesthetic.<br />
Relling worked for seven years from the age of 16 at<br />
Vestlandske Stol- og Møbelfabrikk in his home district<br />
until he started at the National School of Arts and Crafts.<br />
After he passed his diploma, he soon opened his<br />
own practice at Møre in 1950. For the first few years,<br />
Relling worked as an interior architect, fitting out,<br />
among others, schools, hotels and churches.<br />
Since 1960, Relling dedicated himself entirely to<br />
furniture design, developing his skills through<br />
collaboration with the industry to become Norway’s<br />
most internationally famous and recognized furniture<br />
designer as well as one of the greatest contributors to<br />
the concept Scandinavian Design.
<strong>RELLING</strong> <strong>DESIGN</strong> <strong>COLLECTION</strong><br />
With his creation of the Siesta, Cox and Optima,<br />
Relling continues his most important principles<br />
from the period 1950-1960, themed in flexibility<br />
and cohesion; a space-saving combination. The<br />
development line can be clearly seen through<br />
models from Nordic in 1954, Siesta in 1965, Cox in<br />
1974 and Optima in 1988.<br />
Relling attained an international reputation with his<br />
Siesta chair. The series represented new thinking in<br />
terms of both construction and form. Most distinctive<br />
is the simple, high-backed first edition in light beech,<br />
upholstered in canvas or leather.<br />
From Relling’s range of chairs, special mention<br />
should be made of the series Siesta, Cox and Optima.<br />
All are original in terms of construction and have a<br />
compact form of expression of sculptural quality.<br />
The light, resilient and elegant chairs unite technical,<br />
functional and aesthetic qualities of an exceptional<br />
standard. He never permits one functional element<br />
to overwhelm or render others ineffectual. Only<br />
when he has achieved balanced interaction is he<br />
satisfied with a project.<br />
Since that time, Relling worked consistently with<br />
chairs made from laminated beech, above all,<br />
easy chairs. In some of his works he employed the<br />
equivalent qualities of steel.
NOBEL<br />
Simplicity in style - optimum comfort. Since the<br />
1960’s – through 5 decades - the Siesta has been the<br />
most internationally successful piece of Norwegian<br />
designer furniture. It has won many prestigious<br />
international design prizes and has been bought by<br />
all the world’s major art museums, from Tokyo and<br />
Sidney in the East to London and New York in the<br />
West. Siesta continues to be an international winner<br />
among those who appreciate superior design and<br />
quality. It is included in the portfolio of leading<br />
furniture design shops.<br />
Sewing skills and upholstery of excellent<br />
handcraft, neat and precise in form and finish<br />
and at the same time with a soft and comfortable<br />
look.<br />
Sideways focus; the shape of the form pressed<br />
wood, the neat cushions, elegant and dynamic,<br />
reinforcing the sculptural dynamic look.
CLASSIC<br />
The combination of form pressed veneer, canvas<br />
and cords, a sensational dynamic and lightly<br />
tilting sitting comfort. Canvas of hand-woven,<br />
three layer laminated fabric, strong and springy<br />
like a trampoline.<br />
Comfort and relaxation. Over the years, the Siesta<br />
chair has been adapted to suit changing styles<br />
and tastes, but the original simple, elegant design<br />
and uncompromising quality have always been<br />
maintained. These very same sleek, clear lines, not<br />
to mention the obvious correlation between design<br />
and function, were essential for Ingmar Relling,<br />
who was also closely involved with the chair’s<br />
development after it left the drawing board. Even<br />
in the design phase, it was crucial for Relling that<br />
the chair should be eco-friendly – with optimized<br />
use of materials, wood from sustainable forests,<br />
maximum durability and reusability. This is typical<br />
of Ingmar Relling, who, as well as being a designer,<br />
was a dedicated humanist, interested in dimensions<br />
extending beyond the purely aesthetic.<br />
The armrest especially designed to customer’s<br />
requests, as neat and minimalistic as possible<br />
for the utmost comfortable seating.<br />
Only leather of premium qualities, Pure Anilin<br />
and Semi-Anilin have been Rybo’s quality ranges<br />
for the last 25 years.
FIORA<br />
Purity but no compromise. A Siesta chair is made of<br />
canvas, cord, cushion and seven wooden components.<br />
The laminated moulded side sections give the<br />
chair beautiful lines, flexible seating comfort and<br />
exceptional strength at the same time. Siesta is very<br />
durable, replacement parts are available and most<br />
of it is reusable after several years – a recyclable<br />
product whose design merits are more widely<br />
appreciated as time goes on.<br />
The model Siesta Fiora comes with or without<br />
neck cushion. The reinforced leather cord,<br />
edging all cushions, gives a good impression of<br />
sewing skills and handcraft.<br />
This decorative and outstanding detail gives at<br />
the same time stability in the back-part of the<br />
cushion. A unique detail that firmly locks the<br />
foam and upholstery to the leather.
ICON<br />
No-nonsense - highend purism in elegance. Few<br />
pieces of design-led furniture have surpassed the<br />
sales figures of Ingmar Relling’s world-renowned<br />
Siesta and few chairs are held in such high esteem<br />
45 years after their launch.<br />
This elegant chair with its proud profile was<br />
originally Relling’s submission to the Norwegian<br />
Furniture Council competition in 1965, where he won<br />
a well-deserved first prize. Since then, the highest<br />
distinctions have been lavished on the chair and its<br />
creator. They are sold in more than 50 countries, to<br />
companies, privates and galleries all over the world.<br />
Even to prestigious buildings like The White House<br />
Wash. D.C.<br />
Detail of the back, upholstered on both sides<br />
with leather and an additional 10 mm foam in<br />
the front of the back. Showing unique sewing<br />
and upholstery skills, neat and sleek with a<br />
sensational sitting comfort.<br />
The seat- and neck-cushion, together with<br />
Relling’s dynamic design, all created to<br />
strengthen the shape of the sitting human<br />
anatomy, homo sedens.
Optima is Ingmar Relling’s last major launch from<br />
1988, the result of an emergent collaboration<br />
between father and son, Knut Relling. Optima<br />
follows on naturally from Ingmar Relling’s design<br />
understanding and construction principles.<br />
Again he provides evidence of superb harmony in<br />
which form actually follows function, reflecting<br />
precisely the essence of the functionalist, not just<br />
a question of shape, but far more importantly of<br />
content and quality of life.<br />
Simplicity and stringent but logical expression<br />
infuse Relling’s chairs with their unique character.<br />
They clearly carry the signature of a great master.
Cox is a natural addition to Ingmar Rellings<br />
interpretation of design and construction. As a<br />
humanist, the supreme perspective of his work<br />
was that the items he designed should be useful<br />
to people in their daily lives; not just a question<br />
of shape, but far more importantly of content and<br />
quality of life.<br />
With Siesta, Cox and Optima, Ingmar Relling delivers<br />
exemplary proof of his outlook. Here he provides<br />
evidence of superb harmony in which form actually<br />
follows function, reflecting precisely the essence of<br />
the functionalist.<br />
Simplicity and stringent but logical expression<br />
infuse Relling’s chairs with their unique character.<br />
They clearly carry the signature of a great master.<br />
Rybo is proud and honoured to present its selected<br />
Relling Collection of classic design chairs.
RELAX IN STYLE<br />
It is more than 40 years since the Siesta chair won the<br />
competition that inspired Ingmar Relling to create<br />
what is today considered as his masterpiece. This<br />
unique chair now has many devoted followers.<br />
The Siesta chair is comprised of only seven<br />
components in wood, canvas, cord and cushions,<br />
creating an impression of lightness and elegance.<br />
The laminated, form-pressed side pieces enhance<br />
the chair’s beautiful lines. And of course, Relling’s<br />
trademark, the fundamental quality of the chair that<br />
ensures flexible sitting comfort and, at the same<br />
time, exceptional strength.<br />
NATURE IN FOCUS<br />
It has always been extremely important for Ingmar<br />
Relling that the chair was “environmentally correct”.<br />
Therefore it has a low weight and compact materials<br />
to minimize transport costs.<br />
At each phase, consideration has been given to<br />
optimization of materials usage. Threatened tree<br />
species have never been used. Not only is the chair<br />
exceptionally robust and durable but replacement<br />
parts are available, and most of the chair can be<br />
recycled at the end of its life. In brief it is a chair<br />
built for a lifetime.<br />
This was the philosophy when it was introduced,<br />
and it still applies today.
measures<br />
All measurements are given in centimetres:<br />
Width / Depth / Height<br />
SIESTA NOBEL<br />
High back / arm: W 72 D 83 H 100<br />
High back: W 62 D 83 H 100<br />
Low back / arm: W 72 D 80 H 81<br />
Low back: W 62 D 80 H 81<br />
SIESTA ICON<br />
W 62 D 83 H 100<br />
SIESTA FIORA<br />
High back / arm: W 72 D 83 H 100<br />
High back: W 62 D 83 H 100<br />
Low back / arm: W 72 D 80 H 81<br />
Low back: W 62 D 80 H 81<br />
COX<br />
W 72 D 36 H 77<br />
SIESTA CLASSIC<br />
High back / arm: W 72 D 85 H 103<br />
High back: W 64 D 85 H 103<br />
Low back / arm: W 72 D 80 H 85<br />
Low back: W 64 D 80 H 85<br />
OPTIMA<br />
W 66 D 94 (158) H 112 (87)<br />
SIESTA FOOTSTOOL<br />
Nobel: W 62 D 51 H 46<br />
Classic: W 61 D 51 H 48<br />
Icon: W 61 D 51 H 46<br />
Footstool: W 62 D 51 H 45
PRODUCT <strong>BY</strong> <strong>RYBO</strong><br />
LEA<strong>THE</strong>R QUALITIES<br />
Oddmund P. Rykken, educated by Lars Kinsarvik,<br />
the founder of The Dragon Woodcarving Style,<br />
presented at The Norwegian Art Museum, became<br />
a very skilled craftsman. He started his own<br />
production in 1918. As his son, Olav O. Rykken,<br />
finished his education, the factory was expanded in<br />
1933. Further factory extensions were made in 1954,<br />
1960, 1967 and 1972.<br />
Following The Second World War, the production<br />
continued with good, long lasting relationship<br />
and collaboration with many renowned interior<br />
architects. This has since been a key issue for<br />
Rybo. Organic forms came into focus in the 1950’s<br />
followed by more dynamic forms during the 1960’s<br />
and onwards. The technology of form pressed wood<br />
in the furniture industry started in early 1960’s and<br />
Rybo became a pioneer in this field by launching<br />
the famous Kengu-chair, by Solheim Design, in the<br />
first half of this decade.<br />
Mr. Ingmar Relling worked closely with Vestlandske<br />
Møbelfabrikk AS all his working life, while Rybo<br />
had close collaboration with the designers Elsa<br />
and Nordal Solheim. Good relationship with Mr.<br />
Knut Relling, the son of Mr Ingmar Relling, after<br />
the takeover, is a solid foundation of a continuing<br />
market success of the most famous international<br />
price award winner, Siesta.<br />
The vision of Rybo is to continue focusing on top<br />
design, quality and functionality together with<br />
good handcraft. Rybo aims to become the leading<br />
furniture manufacturer of internationally renowned<br />
Norwegian classic chairs.<br />
Aniline Leather has a grain which varies in<br />
structure, with all the distinct features of the natural<br />
hide, and offers outstanding comfort. This leather<br />
is distinguishable by its extremely soft hand, rich,<br />
even coloring, and pronounced pebble graining.<br />
Only the highest premium Scandinavian hides are<br />
used in the production of these hides.<br />
Semi Anilin Leather has a sturdy structure and<br />
distinct character. Rybo Semi Anilin Leather has<br />
an extensive shade card. The leather is durable<br />
and suitable for public areas. Visible insect-bites<br />
and scars from healed wounds add to the elegant<br />
character of the leather.<br />
WOODEN QUALITIES<br />
Oak - Natural UE<br />
Oak - Varnish EN<br />
Beech - Natural UB<br />
Beech - Varnish BN<br />
Beech - Stained adler BE<br />
Beech - Stained teak BT<br />
Beech - Stained cherry BK<br />
Beech - Stained maghogany BM<br />
Leather is by many recognized as the most<br />
versatile of all natural materials available.<br />
Only the leading manufacturers of exclusive<br />
leather to the furniture industry qualify as Rybo<br />
suppliers, holding environmental accreditation<br />
in conformance with SS-EN ISO 14001-2004.<br />
Beech - Stained rosewood BP<br />
Beech - Stained black BS<br />
All wooden materials incorporated in Rybo’s<br />
production is PEFC and FSC certified beech and oak.
head office<br />
Rybo As<br />
Torpevegen 111<br />
N-5610 Øystese<br />
Norway<br />
Tel: +47 56 55 51 00<br />
Fax: +47 56 55 59 99<br />
info@rybo.no<br />
www.rybo.no