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Lorna Brown - Mentoring Artists for Women's Art

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Local <strong>Art</strong>ist Lectures<br />

admission to lectures is free<br />

and open to all<br />

Natalija<br />

Subotincic:<br />

TOP: Elevation<br />

of Freud's<br />

Consulting<br />

Room: Freud's<br />

corner and the<br />

famous<br />

analytic couch<br />

where he sits<br />

behind his<br />

patient<br />

“listening, but<br />

not seen,” ink<br />

on mylar, 1998.<br />

BOTTOM<br />

LEFT:<br />

Durer's<br />

Perspective<br />

Window/Dining<br />

Table,<br />

composite<br />

digital<br />

photograph,<br />

2006.<br />

natalija subotincic<br />

2 pm . saturday november 25<br />

Collecting the bones of everything I ate <strong>for</strong> seven years<br />

led me to follow two paths: one was to create a dining<br />

table, and the other was to begin reading Sigmund<br />

Freud’s writings. Freud too was a collector and carried<br />

out his practice and research surrounded by this<br />

personal collection of antiquities. As an architectural<br />

designer I am fascinated by how we construct and define<br />

our dwelling places by the things we keep around us.<br />

These constructed spaces simultaneously reveal and<br />

conceal subtle and profound aspects of our very being.<br />

This is evident in Hilda Doolittle’s reflection on Freud<br />

during her analysis in 1934 where she states, “He said<br />

his little statues and images helped stabilize the<br />

evanescent idea, or keep it from escaping altogether.”<br />

Freud at the Dining Table will explore where obsession<br />

coincides with envisioning place.<br />

freud<br />

at the<br />

dining<br />

table<br />

Natalija Subotincic is an Associate Professor of<br />

Architecture at the University of Manitoba. She is currently<br />

collaborating with the founders of the Museum of Jurassic<br />

Technology on the design of an extension to the museum’s<br />

facilities in Los Angeles, Cali<strong>for</strong>nia. Her most recent creative<br />

research includes: Interpretation of Rooms, an ongoing<br />

spatial analysis of the relationships between Sigmund<br />

Freud’s theories, his collection, and the rooms he and his<br />

patients occupied; and Incarnate Tendencies – An<br />

Architecture of Culinary Refuse, a social and architectural<br />

re-evaluation of the ‘threshold’ between food preparation<br />

and food consumption as manifest in a dining table,<br />

published in Eating Architecture, MIT Press, 2004.<br />

BOTTOM<br />

RIGHT:<br />

Bone<br />

Collection: Her<br />

and Him, black<br />

and white<br />

photograph,<br />

1990.<br />

4

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