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Lorna Brown - Mentoring Artists for Women's Art

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november . december . 2006 january 2007<br />

611 main street winnipeg manitoba canada r3b 1e1<br />

204.949-9490 info@mawa.ca www.mawa.ca<br />

<strong>Lorna</strong><br />

<strong>Brown</strong><br />

Public Lecture<br />

JANUARY 27<br />

2 pm<br />

Studio Visits<br />

FEBRUARY 15<br />

Register early.<br />

No fee.<br />

applications<br />

must be<br />

received in<br />

the mawa<br />

office by<br />

4 pm friday<br />

december 1st<br />

2006. no email<br />

applications.<br />

$100 fee is<br />

payable upon<br />

acceptance<br />

into the<br />

program.<br />

participants<br />

must be mawa<br />

members.<br />

to apply<br />

submit the<br />

following<br />

mentor in residence<br />

<strong>Lorna</strong> <strong>Brown</strong><br />

january 22 to march 5 2007<br />

THE MENTOR IN RESIDENCE PROGRAM provides an opportunity<br />

<strong>for</strong> four mid-career or senior artists to work closely with an established<br />

Canadian artist <strong>for</strong> a six-week period. Mentors provide advice, support<br />

and in<strong>for</strong>mation that contribute to the development of the Mentee’s art<br />

practice. Mentors visit the Mentee's studio, discuss professional<br />

practices (such as applying <strong>for</strong> exhibitions and grants), visit exhibitions<br />

together, and generally work to move the Mentee’s art practice to the<br />

next level. Mentees meet once a week with their Mentor and once a<br />

week with the entire group. Participants graduate from this intensive<br />

program with new skills, knowledge and inspiration.<br />

<strong>Lorna</strong> <strong>Brown</strong> is a Vancouver-based artist, educator and curator<br />

and has exhibited her work nationally and internationally since 1984.<br />

Between 1989 and 1999, she taught studio and critical studies at<br />

Emily Carr Institute of <strong>Art</strong> and Design and Simon Fraser University’s<br />

School <strong>for</strong> the Contemporary <strong>Art</strong>s.<br />

<strong>Brown</strong> was the Director/Curator at <strong>Art</strong>speak between 1999 and<br />

2004 and she continues an independent curatorial practice. Recent<br />

curatorial projects include Set, a series of exhibitions, per<strong>for</strong>mances<br />

and events (setproject.ca). Set, co-curated with Jonathan Middleton,<br />

premiered new work by UK artists Rod Dickinson, Tom McCarthy and<br />

the collective Szuper Gallery, as well as a collaborative installation<br />

by Vancouver artists Judy Radul and Geoffrey Farmer.<br />

Currently, <strong>Brown</strong> is the project curator <strong>for</strong> a series of site-specific<br />

artists’ projects in the spaces and<br />

systems of the Vancouver Public Library.<br />

This series, titled Group Search: art in the<br />

library, presents work by Marina Roy, Kathy<br />

Slade, Jillian Pritchard, Dan Starling,<br />

Antonia Hirsch, Mark Soo and Laiwan.<br />

<strong>Brown</strong>’s on-going research into<br />

boredom in<strong>for</strong>ms her recent writing and<br />

artwork, including “To live boredom, one<br />

must have style”, a book review of A<br />

Philosophy of Boredom <strong>for</strong> Fillip Magazine,<br />

and After The Structure of Boredom,<br />

which will be exhibited at Gallery 1C03 in<br />

March 2007, in a two person exhibition<br />

with Bernie Miller titled Casualty.<br />

• Up to 20 slides, CDs, videos, or other visual documentation of your work,<br />

with title, date, and medium<br />

• Resumé • Description of what you would like to work on while in the program<br />

• Cover letter with your phone number, address and email address<br />

• Self-addressed, stamped envelope <strong>for</strong> return of your materials<br />

TOP: Szuper Gallery, Set: The Extras, Per<strong>for</strong>mance, Vancouver<br />

Public Library, 2005. Photo courtesy of Scott Massey.<br />

MIDDLE: Geoffrey Farmer and Judy Radul, Set: Room 302,<br />

installation view, <strong>Art</strong>speak, 2005. Photo courtesy of Catriona<br />

Jeffries Gallery.<br />

BOTTOM: Szuper Gallery, Set: The Extras, per<strong>for</strong>mance,<br />

Vancouver Public Library, 2005. Photo courtesy of Scott Massey.<br />

Full documentation at setproject.ca


Computer Camp<br />

mawa computer camp<br />

So . . . what exactly is Linux<br />

and why would I want to use it?<br />

schedule<br />

inside<br />

2<br />

1<br />

<strong>Lorna</strong> <strong>Brown</strong><br />

2<br />

Computer Camp<br />

3<br />

First Fridays<br />

4<br />

Lecture<br />

natalija<br />

subotincic<br />

5<br />

Lecture<br />

nadin gilroy<br />

Heads Up<br />

6<br />

Opportunities<br />

7<br />

Wendy Wersch<br />

Memorial<br />

Lecture<br />

8-11<br />

Foundation<br />

Mentorship<br />

Program Grads<br />

12-13<br />

Member’s News<br />

Are you tired of expensive software? Oppressive operating<br />

systems? Continuous, expensive upgrades? Then join Felix<br />

Jodoin and Reva Stone <strong>for</strong> their exceptionally in<strong>for</strong>mative<br />

Introduction to Linux Workshop. Try out Ubuntu Linux and learn<br />

about the software applications it includes such as the office<br />

suite, the email client, the web browser, and image, video and<br />

audio editors.<br />

I'd like to use it . . .<br />

how do I install it on my computer?<br />

Follow up with the Linux Computer Camp where you will actually<br />

install Ubuntu Linux on your computer. You'll learn how to use<br />

Linux as a desktop operating system, and the applications it<br />

includes such as the office suite, the email client, the web<br />

browser, and even image, video and audio editors. Works great on<br />

older computers—you'll be amazed at how much snappier they<br />

become and how much more time you have because you don’t<br />

have to do Spyware & Virus cleanup.<br />

Linux is a free and Open Source operating system, and will always<br />

be that way. An operating system is the part of the computer that<br />

manages the devices and programs; without one, nothing worthwhile<br />

on the computer would be possible. It includes completely<br />

free software, installed and ready to go.<br />

reva stone is a Canadian artist well known <strong>for</strong> her<br />

work with digital technologies, including video, net art,<br />

interactive installations, robotics and responsive 3D<br />

environments. Currently she is working with voice and<br />

face recognition technologies. Stone has exhibited her<br />

work internationally. She is also active as a curator, a<br />

writer and an educator.<br />

Introduction to Linux Workshop<br />

Saturday, November 4, 2006, 1-3 PM<br />

Admission is free <strong>for</strong> the<br />

in<strong>for</strong>mation session.<br />

linux computer camp<br />

Saturday, November 18, 2006,<br />

10:00 AM - 2:00 PM<br />

Installation of Operating System<br />

Sunday, November 19, 2006<br />

1:00 PM – 3:30 PM<br />

Installing Great Software<br />

Saturday, December 2, 2006,<br />

10:00 AM - 2:00 PM<br />

Questions, Experimenting With<br />

Your new Software And Extras<br />

Registration <strong>for</strong> all three sessions:<br />

members: $50, non-members: $90.<br />

Registration fees fully payable at time<br />

of registration.<br />

REGISTER EARLY<br />

AS SPACES ARE LIMITED<br />

felix jodoin has been MAWA's technician since 2003.<br />

He introduced open source to MAWA members with the<br />

presentation Open Source Means It's Free, in conjunction<br />

with our 2004 Computer Camp, and he presented on the<br />

philosophy of open source as a panelist at the<br />

Leadership Winnipeg Conference. He has contributed to<br />

the development of the Plat<strong>for</strong>m website. He is systems<br />

administrator <strong>for</strong> the MAC lab at Kelvin High School.<br />

For further in<strong>for</strong>mation contact the MAWA office at 949-9490 or info@mawa.ca


First Friday<br />

marie-jeanne musiol<br />

12 noon november 3<br />

walking auschwitz: a perspective<br />

COFFEE<br />

PROVIDED.<br />

BRING<br />

YOUR<br />

LUNCH,<br />

ADMISSION<br />

IS FREE,<br />

EVERYONE<br />

WELCOME.<br />

Marie-Jeanne Musiol, Camp (periphery): the outskirts,<br />

Auschwitz-Birkenau, Poland, 1994-2002. Digital print and lightbox, Le Vieux-Port, Montreal.<br />

This subjective artist walk<br />

exposes how one can approach<br />

from different perspectives the<br />

site of Auschwitz, a vast museological<br />

complex whose didactic<br />

interpretations changed with the<br />

Communist downfall in 1989. The<br />

artistic experience of such a<br />

charged place as Auschwitz implies<br />

both a personal connection and<br />

a way of looking at the many<br />

elements that shape the way the<br />

story is told. What is represented,<br />

how and why?<br />

Marie-Jeanne Musiol’s photographic installations have been exhibited in solo and group shows at public and private<br />

galleries, artist-run centres and museums in Canada and abroad.<br />

In conjunction with her exhibited work, Marie-Jeanne Musiol has produced limited edition books in which text and<br />

photographs intersect. Her travels to distant regions have also trans<strong>for</strong>med archeological itineraries into journeys of<br />

a more personal nature. She has worked extensively in Auschwitz, probing the nature of living memory through a<br />

series of photographic installations and the video Do Falling Leaves Go Unseen? (1995). Two other videos, Bodies of<br />

Light. Fields of Light. States (2000) and Mirrors of the Cosmos (2006), register various aspects of electromagnetic<br />

fields around plants. In the book Bodies of Light (2001), she presents recordings of energy emissions around<br />

biological bodies.<br />

Individual consultations with Musiol will be scheduled on a first come basis with registration at 1 pm, immediately<br />

following the presentation.<br />

tamara rae biebrich<br />

and tricia wasney<br />

12 noon december 1<br />

The Winnipeg <strong>Art</strong>s Council (WAC) offers funding to individual artists<br />

and arts organizations and manages a Public <strong>Art</strong> Program. With<br />

increased funding from the City, WAC continues to evolve and offer<br />

more and more opportunities <strong>for</strong> artists. tamara rae biebrich,<br />

Program Administrator and Tricia Wasney, Manager of Public <strong>Art</strong> will<br />

present an orientation on opportunities and grant programs <strong>for</strong><br />

artists.<br />

Individual consultations with biebrich and Wasney will be scheduled<br />

on a first come basis with registration at 1 pm, immediately following<br />

the presentation.


Local <strong>Art</strong>ist Lectures<br />

admission to lectures is free<br />

and open to all<br />

Natalija<br />

Subotincic:<br />

TOP: Elevation<br />

of Freud's<br />

Consulting<br />

Room: Freud's<br />

corner and the<br />

famous<br />

analytic couch<br />

where he sits<br />

behind his<br />

patient<br />

“listening, but<br />

not seen,” ink<br />

on mylar, 1998.<br />

BOTTOM<br />

LEFT:<br />

Durer's<br />

Perspective<br />

Window/Dining<br />

Table,<br />

composite<br />

digital<br />

photograph,<br />

2006.<br />

natalija subotincic<br />

2 pm . saturday november 25<br />

Collecting the bones of everything I ate <strong>for</strong> seven years<br />

led me to follow two paths: one was to create a dining<br />

table, and the other was to begin reading Sigmund<br />

Freud’s writings. Freud too was a collector and carried<br />

out his practice and research surrounded by this<br />

personal collection of antiquities. As an architectural<br />

designer I am fascinated by how we construct and define<br />

our dwelling places by the things we keep around us.<br />

These constructed spaces simultaneously reveal and<br />

conceal subtle and profound aspects of our very being.<br />

This is evident in Hilda Doolittle’s reflection on Freud<br />

during her analysis in 1934 where she states, “He said<br />

his little statues and images helped stabilize the<br />

evanescent idea, or keep it from escaping altogether.”<br />

Freud at the Dining Table will explore where obsession<br />

coincides with envisioning place.<br />

freud<br />

at the<br />

dining<br />

table<br />

Natalija Subotincic is an Associate Professor of<br />

Architecture at the University of Manitoba. She is currently<br />

collaborating with the founders of the Museum of Jurassic<br />

Technology on the design of an extension to the museum’s<br />

facilities in Los Angeles, Cali<strong>for</strong>nia. Her most recent creative<br />

research includes: Interpretation of Rooms, an ongoing<br />

spatial analysis of the relationships between Sigmund<br />

Freud’s theories, his collection, and the rooms he and his<br />

patients occupied; and Incarnate Tendencies – An<br />

Architecture of Culinary Refuse, a social and architectural<br />

re-evaluation of the ‘threshold’ between food preparation<br />

and food consumption as manifest in a dining table,<br />

published in Eating Architecture, MIT Press, 2004.<br />

BOTTOM<br />

RIGHT:<br />

Bone<br />

Collection: Her<br />

and Him, black<br />

and white<br />

photograph,<br />

1990.<br />

4


Local <strong>Art</strong>ist Lectures<br />

admission to lectures is free<br />

and open to all<br />

nadin gilroy and<br />

Carolyn Gray<br />

(Annabella),<br />

Ffionn and the<br />

Three Sisters<br />

Meet Chaos,<br />

shadow play,<br />

2005. Image<br />

courtesy of<br />

Sheila Spence.<br />

nadin gilroy is an artist mainly concerned with<br />

live per<strong>for</strong>mance using the body, voice, objects, light,<br />

shadow and sound in a wide range of experimental<br />

presentations, from theatre to puppets to installation.<br />

Originally from Zurich, Switzerland, gilroy per<strong>for</strong>med, cocreated,<br />

and assistant directed numerous critically<br />

acclaimed projects in Switzerland, Germany, Austria,<br />

France and Italy. This background in theatre has always<br />

included an intensive studio practice which enables<br />

continuous work on self-created projects, research and<br />

skill cultivation.<br />

Currently in progress <strong>for</strong> nadin is an installation project<br />

which addresses the state of being an immigrant, of<br />

having left the familiar but not quite arrived in the new<br />

familiar, and involves creating a three dimensional shadow<br />

which is able to move independent from its source.<br />

Collaboration and working with other artists in various<br />

disciplines is important to nadin's practice and on-going<br />

development as an artist. Bringing different disciplines<br />

nadin gilroy<br />

2 pm . saturday december 9<br />

611 main street<br />

together and striking partnerships with artists whose<br />

work relates to her own is essential to her vision.<br />

Currently gilroy is a member of Winnipeg's Adhere And<br />

Deny, an experimental puppet/object theatre group, and<br />

has per<strong>for</strong>med or assistant directed nine of their shows<br />

over the last four years: Prometheus Bound, Requiem,<br />

Antigone, Three Sisters: A still Life, Yeliena, Canticle,<br />

The Tragedy of Doctor Faustus, And See If Memory Is<br />

There, Haiku. gilroy and Carolyn Gray (artist, per<strong>for</strong>mer,<br />

writer) founded Annabella – a company devoted to all<br />

aspects of per<strong>for</strong>mance projects, from conception to<br />

creation and presentation. Their first per<strong>for</strong>mance opened<br />

in December 2005 and has been two years in<br />

development. Ffionn and the Three Sisters Meet Chaos<br />

is an elaborate shadow play depicting the struggle between<br />

darkness and light played out against the backdrop of<br />

the darkest time of the year. She is also collaborating on<br />

a new work with Steve Bates, a Montreal based audio<br />

artist, exploring the connections of reverberation found<br />

in sound and shadow in the visual world.<br />

Heads Up<br />

5<br />

november 2<br />

First Annual MAWA Volunteer Photo Shoot<br />

6 pm, 611 Main St.<br />

Annual General Meeting, 7 pm, 611 Main St.<br />

november 3<br />

First Friday Marie-Jeanne Musiol, 12 pm, 611 Main St.<br />

november 4<br />

Introduction to Linux Workshop, 1-3 pm, 611 Main St.<br />

november 18<br />

Linux Computer Camp begins!<br />

10 am – 2 pm, 611 Main Street.<br />

november 25<br />

Lecture: Natalija Subotincic, 2 pm, 611 Main St.<br />

november 26<br />

Wendy Wersch Annual Memorial Lecture Series<br />

Jane Buyers, 2 pm, Cinematheque, 100 <strong>Art</strong>hur St.<br />

december 1<br />

Deadline <strong>for</strong> submissions to<br />

Mentor In Residence program: 4 pm<br />

First Friday, Winnipeg <strong>Art</strong>s Council, 12 pm, 611 Main St.<br />

december 9<br />

Deadline <strong>for</strong> submissions to February/March newsletter: 4 pm<br />

Local <strong>Art</strong>ist Lecture: nadin gilroy, 2 pm, 611 Main Street


6Opportunities<br />

upcoming grant deadlines<br />

winnipeg arts council<br />

Professional Development Grant Program<br />

There is no set deadline. Applications will be received<br />

throughout the year at least one month prior to the<br />

activity to be undertaken.<br />

manitoba arts council<br />

Travel / Professional Development Grant in the Visual <strong>Art</strong>s.<br />

Deadline: Four weeks prior to project.<br />

Travel / Professional Development Grant <strong>for</strong> Aboriginal<br />

<strong><strong>Art</strong>ists</strong>. Deadline: Four weeks prior to project.<br />

NOVEMBER 30<br />

Aboriginal <strong>Art</strong>s Creative Development<br />

Aboriginal <strong>Art</strong>s Mentorship, Training and Development<br />

DECEMBER 15<br />

Deep Bay <strong><strong>Art</strong>ists</strong>' Residency in Riding Mountain<br />

National Park of Canada<br />

JANUARY 15 Major <strong>Art</strong>s Grant<br />

canada council <strong>for</strong> the arts<br />

Travel Grants to Inter-<strong>Art</strong>s Professionals –<br />

Deadline at least six weeks prior to departure date<br />

NOVEMBER 15<br />

Inter-<strong>Art</strong>s Program: Dissemination Grants<br />

(<strong>for</strong> Individuals and Organizations)<br />

Inter-<strong>Art</strong>s Program: Creation/Production Grants<br />

<strong>for</strong> Individuals<br />

Capacity Building Initiative: Annual Support<br />

<strong>for</strong> Aboriginal Administrative <strong>Art</strong>istic Practices (Pilot)<br />

DECEMBER 1<br />

Assistance to Visual <strong><strong>Art</strong>ists</strong>: Project Grants<br />

JANUARY 1<br />

Travel Grants to Professional Visual <strong><strong>Art</strong>ists</strong>, including<br />

<strong><strong>Art</strong>ists</strong> in Photography, Fine Craft and Architecture, and<br />

Independent Critics and Curators<br />

FEBRUARY 1<br />

Assistance to Aboriginal Curators <strong>for</strong> Residencies<br />

in the Visual <strong>Art</strong>s<br />

Assistance to Culturally Diverse Curators<br />

<strong>for</strong> Residencies in the Visual <strong>Art</strong>s<br />

Grants to Professional Independent Critics<br />

and Curators<br />

her circle ezine<br />

ongoing call <strong>for</strong> submissions<br />

Her Circle Ezine is an online literary and arts journal<br />

dedicated to exploring the feminine experience in the<br />

world community. Through intelligent works of writing,<br />

art, and photography, women around the globe share<br />

with us what it means to be a woman and artist in<br />

society. Themes addressed should include Identity,<br />

Gender and/or Ethnicity, Culture and Status.<br />

http://www.hercircleezine.com<br />

call <strong>for</strong> project proposals a special<br />

collaboration between dazibao and prim<br />

2007-08 residency<br />

DEADLINE: DECEMBER 15, 2006<br />

Dazibao centre de photographies actuelles, Montreal,<br />

and PRIM, in a joint collaboration, are excited to offer a<br />

unique residency <strong>for</strong> an artist to both produce and<br />

exhibit a project. The chosen proposal will consider the<br />

specific mandates of both organizations and,<br />

consequently, will raise issues pertinent to photography<br />

and challenge its relationship to sound, video and<br />

digital media.<br />

www.dazibao-photo.org<br />

4001 Berri Street, Suite 202, Montreal, H2L 4H2<br />

Telephone: 514.845.0063 info@dazibao-photo.org<br />

PRIM<br />

www.primcentre.org<br />

2180 Fullum Street, Montreal, (Quebec) H2K 3N9<br />

Tel: (514) 524-2421 info@primcentre.org<br />

2007 prairie outdoor exhibition<br />

The Winnipeg Folk Festival is an outdoor music festival<br />

that takes place in Birds Hill Provincial Park on July 5-8,<br />

2007, and has an annual attendance of over 40,000<br />

people. The Festival is looking <strong>for</strong> visual artists to exhibit<br />

work in this beautiful outdoor setting. The majority of<br />

spaces are open fields, where the work would have to be<br />

freestanding. Work can also be installed in trees, tents,<br />

on fences or trailers. Proposals <strong>for</strong> stage back-drops or<br />

sound tower scrims are also encouraged.<br />

Submissions from individual artists and groups of artists<br />

as well as independent curators are welcome.<br />

Exhibiting artists will be paid artist fees and receive a<br />

pass to the Festival. Deadline: January 12, 2007<br />

www.winnipegfolkfestival.ca<br />

Send proposals to the attention of:<br />

Prairie Outdoor Exhibition The Winnipeg Folk Festival<br />

#203-211 Bannatyne Ave. Winnipeg, MB R3B 3P2<br />

ahelene@winnipegfolkfestival.ca 204-231-0096<br />

call <strong>for</strong> submissions<br />

printmaking residency <strong>for</strong> artists<br />

2007-08 at the Atelier de l’Île of Val-David, Québec<br />

The Atelier de l’Île, Québec, invites professional artists to<br />

submit their proposals <strong>for</strong> the 2007-08 Residency<br />

programmes in printmaking. The Atelier de l’Île provides<br />

a spacious studio setting with equipment <strong>for</strong> etching,<br />

lithography, silk-screening, woodcut, papermaking,<br />

photographic and digital art <strong>for</strong>ms within print media.<br />

Deadline <strong>for</strong> application: January 31, 2007<br />

For more in<strong>for</strong>mation please visit www.atelier.qc.ca<br />

or contact: Atelier de l'Ile, 1289 rue Dufresne, Val-David,<br />

Québec, Canada, J0T 2N0 Tél. (819) 322-6359


Wendy Wersch Memorial Lecture<br />

Jane Buyers,<br />

Left:<br />

Inscriptions<br />

#19 (detail),<br />

porcelain with<br />

pigmented<br />

shellac,<br />

plaster and<br />

watercolour,<br />

2005.<br />

Right:<br />

Chronicles #6,<br />

etching and<br />

drawing, 2005.<br />

wendy wersch annual memorial lecture series presents<br />

Mending<br />

a talk by jane buyers<br />

Jane Buyers’ talk <strong>for</strong> the Wendy Wersch Memorial Lecture<br />

proposes a way of reading the art work of a number of<br />

recent women artists as a kind of mending. Broken,<br />

discarded, mundane, useless objects are salvaged and<br />

trans<strong>for</strong>med into compelling new narratives using<br />

repetitive, meticulous, labor intensive methods similar to<br />

women’s traditional needlework.<br />

Jane Buyers is a visual artist working in sculpture,<br />

drawing and printmaking. She is Professor and Chair at<br />

the University of Waterloo’s Department of Fine <strong>Art</strong>s. She<br />

studied Fine <strong>Art</strong> at York University (B.A. 1973) and Women’s<br />

Studies at O.I.S.E. (M. ED. University of Toronto, 1990).<br />

Jane works with a variety of materials including wood,<br />

steel, bronze and ceramic, and in a range of scale,<br />

including public outdoor works. She has exhibited widely<br />

across Canada and internationally and her work is in a<br />

number of private, corporate, and public collections. She<br />

was elected to the Royal Canadian Academy in 2002.<br />

This lecture is presented by the Wendy Wersch<br />

Memorial Lecture Committee and <strong>Mentoring</strong> <strong><strong>Art</strong>ists</strong> <strong>for</strong><br />

<strong>Women's</strong> <strong>Art</strong>. For further in<strong>for</strong>mation please contact Bev<br />

Pike at 284-0616 or Gaétanne Sylvester at 957-7217.<br />

2 p.m. november 26 2006 at cinematheque<br />

100 arthur st. winnipeg<br />

free admission - light refreshments will be served<br />

6


Graduates of the Foundation Mentorship Program 2005-06<br />

kathryn mackenzie is an emerging artist<br />

with a penchant <strong>for</strong> turning things inside out. She has<br />

recently received two grants <strong>for</strong> Outside-In House, a<br />

straw bale sculpture and video project which will<br />

involve as many people as possible in the creation,<br />

burning, and video documentation of the work.<br />

Katherine worked at <strong>Art</strong> City <strong>for</strong> many years and<br />

currently works <strong>for</strong> the Spence Neighbourhood<br />

Association. Here, she works with artist Leah Decter,<br />

helps to administer Winnipeg's first WITHART Public<br />

<strong>Art</strong> Grant, and acts as a liason with the community.<br />

She feels that public art is integral to the cultural<br />

longevity of a community, and has been inspired by<br />

works in Mexico, San Fransisco, and Winnipeg, and on<br />

train cars moving across the prairies.<br />

jennie o is a self-taught visual artist born in 1975<br />

in Mississauga, Ontario. Jennie has lived in Winnipeg<br />

since she was four years old. Jennie's affinity <strong>for</strong> art<br />

and community has led her to where she is today. She<br />

is currently the Studio-Coordinator of <strong>Art</strong> City, an<br />

inner-city drop-in centre in the West Broadway<br />

neighbourhood. Perhaps best known <strong>for</strong> her dolls,<br />

Jennie also enjoys drawing, crafting, painting, and<br />

making sculpures from found objects. She recently<br />

exhibited at the Winnipeg <strong>Art</strong> Gallery in the<br />

Supernovas show and is currently exhibiting in a selfportrait<br />

show that will be touring the United States <strong>for</strong><br />

a year.<br />

Kathryn MacKenzie<br />

Straw Bale Bench<br />

video still, 2005.<br />

Kathryn MacKenzie<br />

Arena, video still, 2005.<br />

8<br />

Jennie O<br />

Does it really matter what I'm thinking?<br />

ink and acrylic on paper, 2006.


Kristin Nelson<br />

One Painting of<br />

Christopher Noels<br />

Left or Right Ear<br />

in a Box<br />

oil on panel and<br />

silkscreen on<br />

cardboard, 2006.<br />

kristin nelson received her B.F.A. in Visual <strong>Art</strong>s from the Emily Carr<br />

Institute in 2003. Her work deals with contemporary queer identities and<br />

includes paintings of women, drag kings, queers and lesbian activists, and<br />

her practice is in<strong>for</strong>med by the people she meets and a desire to share their<br />

identities with others. She has participated in numerous events including A<br />

Loving Spoonful Silent Auction, Vancouver, and the International Drag King<br />

Extravaganza 7 (IDKE), Winnipeg. In 2006 is producing a series of “Drag King<br />

Trading Cards” during IDKE 8, Austin, Texas. Kristin has exhibited works at<br />

Center A, Gallery Gachet, and The Regional Assembly of Text in Vancouver.<br />

She is also interested in craft and DIY culture. Merchandise by the artist may<br />

be found under the label Local by Kristin.<br />

Kristin Nelson<br />

Christopher Noels Left Ear, oil on canvas, 2006.<br />

Jen Moyes<br />

A Subject of<br />

Anotomical<br />

Comparisons<br />

(unfinished), oil on<br />

canvas, 2005.<br />

jen moyes Painting has opened a world of creativity and personal<br />

expression, which has been unfounded in any other experiences, or<br />

mediums of art. It is a world that is at once privately provocative and<br />

publicly prudent. For the past three years I have been studying the<br />

history of painting, queer theory and contemporary cultural issues<br />

pertaining to women's bodies and sexuality. What was once a selfindulgent<br />

quest into personal expression and desire <strong>for</strong> the female<br />

body has now become a critical inquiry into how the female flesh has<br />

been historically imagined and contemporarily constructed.


Graduates of the Foundation Mentor Program 2005-06<br />

kerri-lynn reeves works with textile, video,<br />

installation and per<strong>for</strong>mance. She received her B.F.A.<br />

with Honours from the University of Manitoba in 2003,<br />

and attended NSCAD University as a visiting student.<br />

Reeves is a third generation Western movie aficionado,<br />

first generation non-farm-wife-feminist. Her upbringing<br />

on the family horse farm in<strong>for</strong>ms her investigation of<br />

how the past, present and future influence one another.<br />

talia potash is a photo-based<br />

artist with a background in Fine <strong>Art</strong>s<br />

and Conflict Resolution Studies. She<br />

works at <strong>Art</strong> City, a non-profit<br />

community arts center in West<br />

Broadway, Winnipeg. Potash has<br />

been involved with <strong>Art</strong> City since its<br />

inception in 1998 and is currently the<br />

Assistant Director. Over the years, she<br />

has taught photography and ceramics<br />

to both youth and adults. Potash lives<br />

and works in West Broadway and<br />

feels a strong connection to her<br />

community. She has exhibited her photographic<br />

work in many of Winnipeg’s<br />

artist-run-centres, including Ace <strong>Art</strong>,<br />

Graffiti Gallery, Plat<strong>for</strong>m Gallery, as well<br />

as the Winnipeg <strong>Art</strong> Gallery.<br />

Talia Potash<br />

Assemblage #1, found objects, aluminum<br />

plate, beads, lace, yarn, rephotographed<br />

C-Print, 2006.<br />

Her work explores gender roles and self-identity. Over<br />

the past year Kerri Lynn has refined her inclination to<br />

create more immediate collaborative works by showing<br />

and creating in a variety of traditional and nontraditional<br />

venues. She is currently researching a major<br />

video project and concentrating her practice at the site<br />

of her own family's history in southwestern Manitoba.<br />

Kerri-Lynn Reeves<br />

How The West Was Fun; Scene From John Wayne's 'Rio Bravo'<br />

video still of interactive collaborative public art event/video installation, 2006.<br />

10


Karen Schulz<br />

Sampling City Hall (from the Playing Tag series) stencil on photograph, 2006.<br />

For karen schulz, participation in MAWA's <strong>Mentoring</strong> Program has<br />

been integral to the evolution of her emerging art practice, which includes<br />

printmaking, experimental drawing, portraiture and video. Her education in<br />

the ways of <strong>Art</strong> at Arizona State University, Red River Community College<br />

and Manitoba Printmakers Association is a continuing adventure.<br />

Karen is inspired in part by a childhood spent in the rural community<br />

of Grandview, Manitoba where she was born, family life in Winnipeg where<br />

she currently lives, and by the sheer pleasure of modifying reality through<br />

her art. Her print Continued.... was recently purchased by the <strong>Art</strong> Bank of<br />

Canada.<br />

Karen Schulz, On Hold, oil on canvas, 2006.<br />

nicole shimonek works in new media, installation and per<strong>for</strong>mance, focusing on themes of discovery and resolution using<br />

animals and personae as subject matter. Her video work has screened both nationally and internationally and her per<strong>for</strong>mances have<br />

been shown in solo, street, and collective events. She is an active member of Winnipeg's arts community, sitting on the boards of send<br />

+ receive and Adhere and Deny and working <strong>for</strong> Video Pool Media <strong>Art</strong>s Centre. During her year as a MAWA mentee, Nicole has been<br />

teaching herself MAX MSP, creating a 3-D animation/projection of a shark idling in water, as well as creating a collection of handmade<br />

worry balls. These pieces will be exhibited at Plug In ICA in the spring of 2007.<br />

www.nicoleshimonek.com<br />

Nicole Shimonek, Shark (in progress), animation still, 2006.<br />

Nicole Shimonek, Handmade worry balls (in progress)<br />

birdseed, sand, balloons, felt, 2006.


Member’s News<br />

In The Blink of an Eye<br />

Public opening Jan. 25 at The Winnipeg <strong>Art</strong> Gallery. FREE!<br />

The WAG has commissioned twelve artists from throughout Canada<br />

to create experimental shorts which will be shown in the gallery, Janthrough<br />

April, 2007, and projected in the Globe Cinema be<strong>for</strong>e feature<br />

films. For five nights in January, these media works will also be<br />

projected on the exterior of the art gallery building. Curated by Shawna<br />

Dempsey and Lorri Millan, the program includes new work by Divya<br />

Mehra, Erika MacPherson, Rebecca Belmore, Simon Hughes, Sandee<br />

Moore, Daniel Barrow, Collin Zipp, Ken Gregory, Richard Fung, Dana<br />

Claxton, Lisa Steele and Kim Tomczak, and Mike Hoolboom.<br />

Mary Krieger is one of more than twenty-four artists showcased "In<br />

Plain View," a new studio tour in Winnipeg. <strong><strong>Art</strong>ists</strong> are opening their<br />

studios to the public <strong>for</strong> the first weekend in both November (4th and<br />

5th) and December (2nd and 3rd), from noon to 6 pm. A map will be<br />

published to help people navigate from studio to studio. Mary will be<br />

showing recent paintings and woodcuts at The Edge <strong>Art</strong>ist Village and<br />

Gallery, 611 Main St.<br />

Divya Mehra, Pants, video still.<br />

Group Search: <strong>Art</strong> in the Library<br />

Group Search is an exciting new collaborative project of the<br />

Vancouver Public Library Central Branch, the City of Vancouver<br />

Public <strong>Art</strong> Program, and Other Sights <strong>for</strong> <strong><strong>Art</strong>ists</strong>’ Projects Association.<br />

Six temporary projects by Marina Roy, Laiwan, Dan Starling & Jillian<br />

Pritchard, Antonia Hirsch, Mark Soo, and Kathy Slade will be presented<br />

between September 2006 and March 2008, in a program curated by<br />

<strong>Lorna</strong> <strong>Brown</strong>. The projects include web-based art, installation,<br />

bookworks, interventions and per<strong>for</strong>mances and will be located in<br />

the varied spaces, stacks, and systems of the library. Whether<br />

infiltrating the print, audio and special collections, linked to the<br />

electronic catalogues, or placed in the reading and listening areas,<br />

the artists address the contemplative and active spaces of the<br />

library, the containment and exchange of in<strong>for</strong>mation found there,<br />

and to the activities of searching and locating, borrowing, reflecting<br />

and returning, that library users undertake.<br />

Video still by Sandee Moore<br />

Call Numbers: Library Recordings by interdisciplinary artist Laiwan,<br />

will launch in January 2007, allowing you to turn your catalogue<br />

searches into musical compositions.<br />

Dana Kletke, I’ll Wait <strong>for</strong> You, wool, cotton, stone, hair, 2006.<br />

The project is funded by proceeds from the Library Square<br />

Endowment Fund, with generous assistance provided by the<br />

Canada Council <strong>for</strong> the <strong>Art</strong>s, Spirit of BC <strong>Art</strong>s Fund, and the BC <strong>Art</strong>s<br />

Council.<br />

For more info please contact curator <strong>Lorna</strong> <strong>Brown</strong>,<br />

groupsearch@othersights.ca. For in<strong>for</strong>mation on Laiwan's project,<br />

email llchung@sfu.ca.<br />

12<br />

Mireille Perron will be giving a presentation at the <strong>for</strong>thcoming University<br />

<strong>Art</strong> Association of Canada Annual Congress. Her presentation is titled<br />

"Point-of being" and is part of a session organized by Jennifer Fisher<br />

and Monika Kin Gagnon. The session explores the senses in various<br />

art contexts. This year UAAC Congress is hosted by the Nova Scotia<br />

School of <strong>Art</strong> and Design, November 2 to 4, 2006.<br />

Mireille Perron in her studio. Photo courtesy of the artist.


Astres / Stars / Goleuadau is Agence TOPO’s latest multimedia creation; an e-poetry<br />

project based on a poetic body of work of the Canadian-Welsh author Childe Roland<br />

and the images of Canadian photographer Susan Coolen. Astres is exhibiting as an<br />

installation, with Coolen’s photography in the project room at Harbourfront Centre,<br />

Toronto. September 16 – November 5, 2006. and the project Astres is also included<br />

in ‘Expanding the Space’, as an artistic component of a scientific conference being<br />

held in Valencia, Spain, October 3-6, 2006. http://www.expandingthespace.net/<br />

Mary Krieger, Winter White, detail of woodcut, 2006.<br />

Crafting Contemporary <strong>Art</strong><br />

The Manitoba <strong>Art</strong>s Network anticipates touring “Crafting Contemporary <strong>Art</strong>” a<br />

two-fold celebration of the International Year of the Craft 2007 and a celebration of<br />

women and contemporary feminine craft. MAWA members Dana Kletke, Fay Jelly,<br />

Kerri-Lynne Reeves and Karen Wardle are included in this visually lush and<br />

conceptually complex exhibit by artists using traditional materials in a non- traditional<br />

manner. Curator Kristen Pauch indicates: Combing in-depth knowledge of their<br />

materials with a respect <strong>for</strong> the significance of craft within art history, these artists<br />

embrace and expand the possibilities of fabric, metal, thread and clay. Representing<br />

various regions of the country and levels of experience/art training, the women offer<br />

diversity in their approach to their mediums and in the topics that interest them.<br />

What connects the artists is a demonstrated commitment to explore issues of<br />

current significance, using the mediums and techniques that have been passed<br />

down through generations of makers.<br />

For more in<strong>for</strong>mation about this exhibit and other programs please contact<br />

Karen Wardle, Visual <strong>Art</strong>s Program Coordinator ph: 943-0036 or email<br />

info@communityarts.mb.ca. The Province of Manitoba, Manitoba <strong>Art</strong>s Council and<br />

Gardewine North are supporters of this exhibition.<br />

Catherine Owen will be reading from her new book of prose/lyric poems on homelessness,<br />

drug addiction and schizophrenia, entitled Cusp/detritus (Anvil Press, 06) on<br />

November 17th at 7 pm at McNally Robinson, and at Brandon University in the<br />

Elephant Room in the Knowles Douglas Student Union Centre on November 18th at<br />

7pm. She will be accompanied by photographer and collaborator Karen Moe. Several<br />

of the images from the book will be on display at the reading and Moe will also be<br />

per<strong>for</strong>ming songs from her EP Stoic Pharmacy (2006).<br />

Janet Carroll will lead a bookbinding workshop at the Manitoba Crafts Museum Library<br />

Saturday, Dec. 2, 2006, 1-5 pm. For more in<strong>for</strong>mation call Andrea Earl, 487-6117.<br />

Susan Coolen, Alien Orbs (detail), 2003.<br />

Karen Moe, 'Girl's Suitcase' Detritus: East Vancouver<br />

Alleyways, 2004.<br />

Magic of One Productions, co-curated by Mary Louise Chown and Laura Cowie,<br />

is offering storytelling and music concerts in November and January<br />

November 17 Tales from the Ramayana<br />

Laura Cowie, Jamie Oliviero, Tom Roche<br />

Music: George Berman, Harmonium & Nigel Baseley, Tabla<br />

January 26 Giving Birth Beside the Buffalo:<br />

The True Story of Marie Anne & Jean Baptiste Lagimodiere<br />

Ruth Stewart-Verger (Ottawa storyteller), Mary Louise Chown<br />

Music: Sierra Noble, Don Freed<br />

January 27 Workshop with Mary Louise Chown and Ruth Stewart-Verger<br />

on preparing and telling stories from oral history.<br />

Concerts take place at the Unitarian Church Hall, 603 Wellington Crescent, 8:00PM.<br />

Tickets $10 in advance, $12 at the door, available at McNally Robinson Booksellers,<br />

Prairie Sky Books, and from Mary Louise Chown, 489-6994.<br />

Susan Coolen’s work “PLIEZ” is included in the new book TRASH, edited by John<br />

Knechtel and published by Alphabet City Media, Toronto and MIT Press. TRASH<br />

features a selection of images of Susan Coolen's ongoing collection of paper<br />

airplanes found in the streets of Montreal and other cities around the world. TRASH<br />

launches in Toronto on October 5, 2006 and an installation of PLIEZ will exhibit at<br />

David Mirvish Books, October 7 – 28, 2006.


Current Board of Directors<br />

tamara rae biebrich (Past-Chair), Shirley <strong>Brown</strong>, Patricia Bovey, Louise Duguay (Vice-Chair),<br />

Elvira Finnigan, Cheyenne Henry, Amy Karlinsky (Chair), Dana Kletke (Treasurer), Holly Procktor,<br />

Catherine Toews, Iris Yudai (Secretary)<br />

STAFF<br />

Vera Lemecha, Executive Director: vlemecha@mawa.ca<br />

Stacey Abramson, Office Administrator: info@mawa.ca<br />

Vanessa Kroeker, Program Assistant: programs@mawa.ca<br />

Leah Fontaine, Cultural Liaison and Outreach Coordinator: culturalliaison@mawa.ca<br />

DESIGN Susan Chafe<br />

611 Main Street, Winnipeg, Manitoba, Canada R3B 1E1<br />

(204) 949-9490 info@mawa.ca http://www.mawa.ca<br />

MAWA and its projects are generously funded by The Manitoba <strong>Art</strong>s Council, The Canada Council<br />

<strong>for</strong> the <strong>Art</strong>s, Canadian Heritage, The WH & SE Loewen Foundation, The Winnipeg <strong>Art</strong>s Council, The<br />

Winnipeg Foundation, Thomas Sill Foundation, donors and members.<br />

Join us <strong>for</strong> the 1st Annual<br />

mawa Volunteer<br />

Photo Shoot<br />

Dear Volunteer<br />

We know that you did not volunteer <strong>for</strong> MAWA this past<br />

year so that you could receive recognition, or add to your resume.<br />

We also know that MAWA's success depends upon its volunteers.<br />

You have helped us in many ways: working on committees, assisting at<br />

openings, painting walls, moving furniture, fundraising, shaping policy, and<br />

giving us your time and energy to make MAWA a success. We appreciate it!<br />

You are being honoured and celebrated<br />

at a special volunteer recognition event.<br />

The event begins at 6:00 p.m.<br />

on Thursday November 2nd<br />

(that's right, just one hour be<strong>for</strong>e the AGM)<br />

Here is what the evening looks like:<br />

6:00 doors open <strong>for</strong> a light refreshment<br />

6:25 members organized <strong>for</strong> shoot<br />

6:30 sharp! Shutter is opened and closed. Don't be late!<br />

6:45 Members arrive and validate memberships <strong>for</strong> the AGM<br />

7:00 AGM begins – Refreshments after<br />

We'd love to have a group photo of all our volunteers.<br />

We will send you a copy, too. This is our way of saying<br />

Thank-you! Can you make it?<br />

Please RSVP via email or phone to Stacey Abramson,<br />

Office Administrator @ 949-9490 or info@mawa.ca

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