Lorna Brown - Mentoring Artists for Women's Art
Lorna Brown - Mentoring Artists for Women's Art
Lorna Brown - Mentoring Artists for Women's Art
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november . december . 2006 january 2007<br />
611 main street winnipeg manitoba canada r3b 1e1<br />
204.949-9490 info@mawa.ca www.mawa.ca<br />
<strong>Lorna</strong><br />
<strong>Brown</strong><br />
Public Lecture<br />
JANUARY 27<br />
2 pm<br />
Studio Visits<br />
FEBRUARY 15<br />
Register early.<br />
No fee.<br />
applications<br />
must be<br />
received in<br />
the mawa<br />
office by<br />
4 pm friday<br />
december 1st<br />
2006. no email<br />
applications.<br />
$100 fee is<br />
payable upon<br />
acceptance<br />
into the<br />
program.<br />
participants<br />
must be mawa<br />
members.<br />
to apply<br />
submit the<br />
following<br />
mentor in residence<br />
<strong>Lorna</strong> <strong>Brown</strong><br />
january 22 to march 5 2007<br />
THE MENTOR IN RESIDENCE PROGRAM provides an opportunity<br />
<strong>for</strong> four mid-career or senior artists to work closely with an established<br />
Canadian artist <strong>for</strong> a six-week period. Mentors provide advice, support<br />
and in<strong>for</strong>mation that contribute to the development of the Mentee’s art<br />
practice. Mentors visit the Mentee's studio, discuss professional<br />
practices (such as applying <strong>for</strong> exhibitions and grants), visit exhibitions<br />
together, and generally work to move the Mentee’s art practice to the<br />
next level. Mentees meet once a week with their Mentor and once a<br />
week with the entire group. Participants graduate from this intensive<br />
program with new skills, knowledge and inspiration.<br />
<strong>Lorna</strong> <strong>Brown</strong> is a Vancouver-based artist, educator and curator<br />
and has exhibited her work nationally and internationally since 1984.<br />
Between 1989 and 1999, she taught studio and critical studies at<br />
Emily Carr Institute of <strong>Art</strong> and Design and Simon Fraser University’s<br />
School <strong>for</strong> the Contemporary <strong>Art</strong>s.<br />
<strong>Brown</strong> was the Director/Curator at <strong>Art</strong>speak between 1999 and<br />
2004 and she continues an independent curatorial practice. Recent<br />
curatorial projects include Set, a series of exhibitions, per<strong>for</strong>mances<br />
and events (setproject.ca). Set, co-curated with Jonathan Middleton,<br />
premiered new work by UK artists Rod Dickinson, Tom McCarthy and<br />
the collective Szuper Gallery, as well as a collaborative installation<br />
by Vancouver artists Judy Radul and Geoffrey Farmer.<br />
Currently, <strong>Brown</strong> is the project curator <strong>for</strong> a series of site-specific<br />
artists’ projects in the spaces and<br />
systems of the Vancouver Public Library.<br />
This series, titled Group Search: art in the<br />
library, presents work by Marina Roy, Kathy<br />
Slade, Jillian Pritchard, Dan Starling,<br />
Antonia Hirsch, Mark Soo and Laiwan.<br />
<strong>Brown</strong>’s on-going research into<br />
boredom in<strong>for</strong>ms her recent writing and<br />
artwork, including “To live boredom, one<br />
must have style”, a book review of A<br />
Philosophy of Boredom <strong>for</strong> Fillip Magazine,<br />
and After The Structure of Boredom,<br />
which will be exhibited at Gallery 1C03 in<br />
March 2007, in a two person exhibition<br />
with Bernie Miller titled Casualty.<br />
• Up to 20 slides, CDs, videos, or other visual documentation of your work,<br />
with title, date, and medium<br />
• Resumé • Description of what you would like to work on while in the program<br />
• Cover letter with your phone number, address and email address<br />
• Self-addressed, stamped envelope <strong>for</strong> return of your materials<br />
TOP: Szuper Gallery, Set: The Extras, Per<strong>for</strong>mance, Vancouver<br />
Public Library, 2005. Photo courtesy of Scott Massey.<br />
MIDDLE: Geoffrey Farmer and Judy Radul, Set: Room 302,<br />
installation view, <strong>Art</strong>speak, 2005. Photo courtesy of Catriona<br />
Jeffries Gallery.<br />
BOTTOM: Szuper Gallery, Set: The Extras, per<strong>for</strong>mance,<br />
Vancouver Public Library, 2005. Photo courtesy of Scott Massey.<br />
Full documentation at setproject.ca
Computer Camp<br />
mawa computer camp<br />
So . . . what exactly is Linux<br />
and why would I want to use it?<br />
schedule<br />
inside<br />
2<br />
1<br />
<strong>Lorna</strong> <strong>Brown</strong><br />
2<br />
Computer Camp<br />
3<br />
First Fridays<br />
4<br />
Lecture<br />
natalija<br />
subotincic<br />
5<br />
Lecture<br />
nadin gilroy<br />
Heads Up<br />
6<br />
Opportunities<br />
7<br />
Wendy Wersch<br />
Memorial<br />
Lecture<br />
8-11<br />
Foundation<br />
Mentorship<br />
Program Grads<br />
12-13<br />
Member’s News<br />
Are you tired of expensive software? Oppressive operating<br />
systems? Continuous, expensive upgrades? Then join Felix<br />
Jodoin and Reva Stone <strong>for</strong> their exceptionally in<strong>for</strong>mative<br />
Introduction to Linux Workshop. Try out Ubuntu Linux and learn<br />
about the software applications it includes such as the office<br />
suite, the email client, the web browser, and image, video and<br />
audio editors.<br />
I'd like to use it . . .<br />
how do I install it on my computer?<br />
Follow up with the Linux Computer Camp where you will actually<br />
install Ubuntu Linux on your computer. You'll learn how to use<br />
Linux as a desktop operating system, and the applications it<br />
includes such as the office suite, the email client, the web<br />
browser, and even image, video and audio editors. Works great on<br />
older computers—you'll be amazed at how much snappier they<br />
become and how much more time you have because you don’t<br />
have to do Spyware & Virus cleanup.<br />
Linux is a free and Open Source operating system, and will always<br />
be that way. An operating system is the part of the computer that<br />
manages the devices and programs; without one, nothing worthwhile<br />
on the computer would be possible. It includes completely<br />
free software, installed and ready to go.<br />
reva stone is a Canadian artist well known <strong>for</strong> her<br />
work with digital technologies, including video, net art,<br />
interactive installations, robotics and responsive 3D<br />
environments. Currently she is working with voice and<br />
face recognition technologies. Stone has exhibited her<br />
work internationally. She is also active as a curator, a<br />
writer and an educator.<br />
Introduction to Linux Workshop<br />
Saturday, November 4, 2006, 1-3 PM<br />
Admission is free <strong>for</strong> the<br />
in<strong>for</strong>mation session.<br />
linux computer camp<br />
Saturday, November 18, 2006,<br />
10:00 AM - 2:00 PM<br />
Installation of Operating System<br />
Sunday, November 19, 2006<br />
1:00 PM – 3:30 PM<br />
Installing Great Software<br />
Saturday, December 2, 2006,<br />
10:00 AM - 2:00 PM<br />
Questions, Experimenting With<br />
Your new Software And Extras<br />
Registration <strong>for</strong> all three sessions:<br />
members: $50, non-members: $90.<br />
Registration fees fully payable at time<br />
of registration.<br />
REGISTER EARLY<br />
AS SPACES ARE LIMITED<br />
felix jodoin has been MAWA's technician since 2003.<br />
He introduced open source to MAWA members with the<br />
presentation Open Source Means It's Free, in conjunction<br />
with our 2004 Computer Camp, and he presented on the<br />
philosophy of open source as a panelist at the<br />
Leadership Winnipeg Conference. He has contributed to<br />
the development of the Plat<strong>for</strong>m website. He is systems<br />
administrator <strong>for</strong> the MAC lab at Kelvin High School.<br />
For further in<strong>for</strong>mation contact the MAWA office at 949-9490 or info@mawa.ca
First Friday<br />
marie-jeanne musiol<br />
12 noon november 3<br />
walking auschwitz: a perspective<br />
COFFEE<br />
PROVIDED.<br />
BRING<br />
YOUR<br />
LUNCH,<br />
ADMISSION<br />
IS FREE,<br />
EVERYONE<br />
WELCOME.<br />
Marie-Jeanne Musiol, Camp (periphery): the outskirts,<br />
Auschwitz-Birkenau, Poland, 1994-2002. Digital print and lightbox, Le Vieux-Port, Montreal.<br />
This subjective artist walk<br />
exposes how one can approach<br />
from different perspectives the<br />
site of Auschwitz, a vast museological<br />
complex whose didactic<br />
interpretations changed with the<br />
Communist downfall in 1989. The<br />
artistic experience of such a<br />
charged place as Auschwitz implies<br />
both a personal connection and<br />
a way of looking at the many<br />
elements that shape the way the<br />
story is told. What is represented,<br />
how and why?<br />
Marie-Jeanne Musiol’s photographic installations have been exhibited in solo and group shows at public and private<br />
galleries, artist-run centres and museums in Canada and abroad.<br />
In conjunction with her exhibited work, Marie-Jeanne Musiol has produced limited edition books in which text and<br />
photographs intersect. Her travels to distant regions have also trans<strong>for</strong>med archeological itineraries into journeys of<br />
a more personal nature. She has worked extensively in Auschwitz, probing the nature of living memory through a<br />
series of photographic installations and the video Do Falling Leaves Go Unseen? (1995). Two other videos, Bodies of<br />
Light. Fields of Light. States (2000) and Mirrors of the Cosmos (2006), register various aspects of electromagnetic<br />
fields around plants. In the book Bodies of Light (2001), she presents recordings of energy emissions around<br />
biological bodies.<br />
Individual consultations with Musiol will be scheduled on a first come basis with registration at 1 pm, immediately<br />
following the presentation.<br />
tamara rae biebrich<br />
and tricia wasney<br />
12 noon december 1<br />
The Winnipeg <strong>Art</strong>s Council (WAC) offers funding to individual artists<br />
and arts organizations and manages a Public <strong>Art</strong> Program. With<br />
increased funding from the City, WAC continues to evolve and offer<br />
more and more opportunities <strong>for</strong> artists. tamara rae biebrich,<br />
Program Administrator and Tricia Wasney, Manager of Public <strong>Art</strong> will<br />
present an orientation on opportunities and grant programs <strong>for</strong><br />
artists.<br />
Individual consultations with biebrich and Wasney will be scheduled<br />
on a first come basis with registration at 1 pm, immediately following<br />
the presentation.
Local <strong>Art</strong>ist Lectures<br />
admission to lectures is free<br />
and open to all<br />
Natalija<br />
Subotincic:<br />
TOP: Elevation<br />
of Freud's<br />
Consulting<br />
Room: Freud's<br />
corner and the<br />
famous<br />
analytic couch<br />
where he sits<br />
behind his<br />
patient<br />
“listening, but<br />
not seen,” ink<br />
on mylar, 1998.<br />
BOTTOM<br />
LEFT:<br />
Durer's<br />
Perspective<br />
Window/Dining<br />
Table,<br />
composite<br />
digital<br />
photograph,<br />
2006.<br />
natalija subotincic<br />
2 pm . saturday november 25<br />
Collecting the bones of everything I ate <strong>for</strong> seven years<br />
led me to follow two paths: one was to create a dining<br />
table, and the other was to begin reading Sigmund<br />
Freud’s writings. Freud too was a collector and carried<br />
out his practice and research surrounded by this<br />
personal collection of antiquities. As an architectural<br />
designer I am fascinated by how we construct and define<br />
our dwelling places by the things we keep around us.<br />
These constructed spaces simultaneously reveal and<br />
conceal subtle and profound aspects of our very being.<br />
This is evident in Hilda Doolittle’s reflection on Freud<br />
during her analysis in 1934 where she states, “He said<br />
his little statues and images helped stabilize the<br />
evanescent idea, or keep it from escaping altogether.”<br />
Freud at the Dining Table will explore where obsession<br />
coincides with envisioning place.<br />
freud<br />
at the<br />
dining<br />
table<br />
Natalija Subotincic is an Associate Professor of<br />
Architecture at the University of Manitoba. She is currently<br />
collaborating with the founders of the Museum of Jurassic<br />
Technology on the design of an extension to the museum’s<br />
facilities in Los Angeles, Cali<strong>for</strong>nia. Her most recent creative<br />
research includes: Interpretation of Rooms, an ongoing<br />
spatial analysis of the relationships between Sigmund<br />
Freud’s theories, his collection, and the rooms he and his<br />
patients occupied; and Incarnate Tendencies – An<br />
Architecture of Culinary Refuse, a social and architectural<br />
re-evaluation of the ‘threshold’ between food preparation<br />
and food consumption as manifest in a dining table,<br />
published in Eating Architecture, MIT Press, 2004.<br />
BOTTOM<br />
RIGHT:<br />
Bone<br />
Collection: Her<br />
and Him, black<br />
and white<br />
photograph,<br />
1990.<br />
4
Local <strong>Art</strong>ist Lectures<br />
admission to lectures is free<br />
and open to all<br />
nadin gilroy and<br />
Carolyn Gray<br />
(Annabella),<br />
Ffionn and the<br />
Three Sisters<br />
Meet Chaos,<br />
shadow play,<br />
2005. Image<br />
courtesy of<br />
Sheila Spence.<br />
nadin gilroy is an artist mainly concerned with<br />
live per<strong>for</strong>mance using the body, voice, objects, light,<br />
shadow and sound in a wide range of experimental<br />
presentations, from theatre to puppets to installation.<br />
Originally from Zurich, Switzerland, gilroy per<strong>for</strong>med, cocreated,<br />
and assistant directed numerous critically<br />
acclaimed projects in Switzerland, Germany, Austria,<br />
France and Italy. This background in theatre has always<br />
included an intensive studio practice which enables<br />
continuous work on self-created projects, research and<br />
skill cultivation.<br />
Currently in progress <strong>for</strong> nadin is an installation project<br />
which addresses the state of being an immigrant, of<br />
having left the familiar but not quite arrived in the new<br />
familiar, and involves creating a three dimensional shadow<br />
which is able to move independent from its source.<br />
Collaboration and working with other artists in various<br />
disciplines is important to nadin's practice and on-going<br />
development as an artist. Bringing different disciplines<br />
nadin gilroy<br />
2 pm . saturday december 9<br />
611 main street<br />
together and striking partnerships with artists whose<br />
work relates to her own is essential to her vision.<br />
Currently gilroy is a member of Winnipeg's Adhere And<br />
Deny, an experimental puppet/object theatre group, and<br />
has per<strong>for</strong>med or assistant directed nine of their shows<br />
over the last four years: Prometheus Bound, Requiem,<br />
Antigone, Three Sisters: A still Life, Yeliena, Canticle,<br />
The Tragedy of Doctor Faustus, And See If Memory Is<br />
There, Haiku. gilroy and Carolyn Gray (artist, per<strong>for</strong>mer,<br />
writer) founded Annabella – a company devoted to all<br />
aspects of per<strong>for</strong>mance projects, from conception to<br />
creation and presentation. Their first per<strong>for</strong>mance opened<br />
in December 2005 and has been two years in<br />
development. Ffionn and the Three Sisters Meet Chaos<br />
is an elaborate shadow play depicting the struggle between<br />
darkness and light played out against the backdrop of<br />
the darkest time of the year. She is also collaborating on<br />
a new work with Steve Bates, a Montreal based audio<br />
artist, exploring the connections of reverberation found<br />
in sound and shadow in the visual world.<br />
Heads Up<br />
5<br />
november 2<br />
First Annual MAWA Volunteer Photo Shoot<br />
6 pm, 611 Main St.<br />
Annual General Meeting, 7 pm, 611 Main St.<br />
november 3<br />
First Friday Marie-Jeanne Musiol, 12 pm, 611 Main St.<br />
november 4<br />
Introduction to Linux Workshop, 1-3 pm, 611 Main St.<br />
november 18<br />
Linux Computer Camp begins!<br />
10 am – 2 pm, 611 Main Street.<br />
november 25<br />
Lecture: Natalija Subotincic, 2 pm, 611 Main St.<br />
november 26<br />
Wendy Wersch Annual Memorial Lecture Series<br />
Jane Buyers, 2 pm, Cinematheque, 100 <strong>Art</strong>hur St.<br />
december 1<br />
Deadline <strong>for</strong> submissions to<br />
Mentor In Residence program: 4 pm<br />
First Friday, Winnipeg <strong>Art</strong>s Council, 12 pm, 611 Main St.<br />
december 9<br />
Deadline <strong>for</strong> submissions to February/March newsletter: 4 pm<br />
Local <strong>Art</strong>ist Lecture: nadin gilroy, 2 pm, 611 Main Street
6Opportunities<br />
upcoming grant deadlines<br />
winnipeg arts council<br />
Professional Development Grant Program<br />
There is no set deadline. Applications will be received<br />
throughout the year at least one month prior to the<br />
activity to be undertaken.<br />
manitoba arts council<br />
Travel / Professional Development Grant in the Visual <strong>Art</strong>s.<br />
Deadline: Four weeks prior to project.<br />
Travel / Professional Development Grant <strong>for</strong> Aboriginal<br />
<strong><strong>Art</strong>ists</strong>. Deadline: Four weeks prior to project.<br />
NOVEMBER 30<br />
Aboriginal <strong>Art</strong>s Creative Development<br />
Aboriginal <strong>Art</strong>s Mentorship, Training and Development<br />
DECEMBER 15<br />
Deep Bay <strong><strong>Art</strong>ists</strong>' Residency in Riding Mountain<br />
National Park of Canada<br />
JANUARY 15 Major <strong>Art</strong>s Grant<br />
canada council <strong>for</strong> the arts<br />
Travel Grants to Inter-<strong>Art</strong>s Professionals –<br />
Deadline at least six weeks prior to departure date<br />
NOVEMBER 15<br />
Inter-<strong>Art</strong>s Program: Dissemination Grants<br />
(<strong>for</strong> Individuals and Organizations)<br />
Inter-<strong>Art</strong>s Program: Creation/Production Grants<br />
<strong>for</strong> Individuals<br />
Capacity Building Initiative: Annual Support<br />
<strong>for</strong> Aboriginal Administrative <strong>Art</strong>istic Practices (Pilot)<br />
DECEMBER 1<br />
Assistance to Visual <strong><strong>Art</strong>ists</strong>: Project Grants<br />
JANUARY 1<br />
Travel Grants to Professional Visual <strong><strong>Art</strong>ists</strong>, including<br />
<strong><strong>Art</strong>ists</strong> in Photography, Fine Craft and Architecture, and<br />
Independent Critics and Curators<br />
FEBRUARY 1<br />
Assistance to Aboriginal Curators <strong>for</strong> Residencies<br />
in the Visual <strong>Art</strong>s<br />
Assistance to Culturally Diverse Curators<br />
<strong>for</strong> Residencies in the Visual <strong>Art</strong>s<br />
Grants to Professional Independent Critics<br />
and Curators<br />
her circle ezine<br />
ongoing call <strong>for</strong> submissions<br />
Her Circle Ezine is an online literary and arts journal<br />
dedicated to exploring the feminine experience in the<br />
world community. Through intelligent works of writing,<br />
art, and photography, women around the globe share<br />
with us what it means to be a woman and artist in<br />
society. Themes addressed should include Identity,<br />
Gender and/or Ethnicity, Culture and Status.<br />
http://www.hercircleezine.com<br />
call <strong>for</strong> project proposals a special<br />
collaboration between dazibao and prim<br />
2007-08 residency<br />
DEADLINE: DECEMBER 15, 2006<br />
Dazibao centre de photographies actuelles, Montreal,<br />
and PRIM, in a joint collaboration, are excited to offer a<br />
unique residency <strong>for</strong> an artist to both produce and<br />
exhibit a project. The chosen proposal will consider the<br />
specific mandates of both organizations and,<br />
consequently, will raise issues pertinent to photography<br />
and challenge its relationship to sound, video and<br />
digital media.<br />
www.dazibao-photo.org<br />
4001 Berri Street, Suite 202, Montreal, H2L 4H2<br />
Telephone: 514.845.0063 info@dazibao-photo.org<br />
PRIM<br />
www.primcentre.org<br />
2180 Fullum Street, Montreal, (Quebec) H2K 3N9<br />
Tel: (514) 524-2421 info@primcentre.org<br />
2007 prairie outdoor exhibition<br />
The Winnipeg Folk Festival is an outdoor music festival<br />
that takes place in Birds Hill Provincial Park on July 5-8,<br />
2007, and has an annual attendance of over 40,000<br />
people. The Festival is looking <strong>for</strong> visual artists to exhibit<br />
work in this beautiful outdoor setting. The majority of<br />
spaces are open fields, where the work would have to be<br />
freestanding. Work can also be installed in trees, tents,<br />
on fences or trailers. Proposals <strong>for</strong> stage back-drops or<br />
sound tower scrims are also encouraged.<br />
Submissions from individual artists and groups of artists<br />
as well as independent curators are welcome.<br />
Exhibiting artists will be paid artist fees and receive a<br />
pass to the Festival. Deadline: January 12, 2007<br />
www.winnipegfolkfestival.ca<br />
Send proposals to the attention of:<br />
Prairie Outdoor Exhibition The Winnipeg Folk Festival<br />
#203-211 Bannatyne Ave. Winnipeg, MB R3B 3P2<br />
ahelene@winnipegfolkfestival.ca 204-231-0096<br />
call <strong>for</strong> submissions<br />
printmaking residency <strong>for</strong> artists<br />
2007-08 at the Atelier de l’Île of Val-David, Québec<br />
The Atelier de l’Île, Québec, invites professional artists to<br />
submit their proposals <strong>for</strong> the 2007-08 Residency<br />
programmes in printmaking. The Atelier de l’Île provides<br />
a spacious studio setting with equipment <strong>for</strong> etching,<br />
lithography, silk-screening, woodcut, papermaking,<br />
photographic and digital art <strong>for</strong>ms within print media.<br />
Deadline <strong>for</strong> application: January 31, 2007<br />
For more in<strong>for</strong>mation please visit www.atelier.qc.ca<br />
or contact: Atelier de l'Ile, 1289 rue Dufresne, Val-David,<br />
Québec, Canada, J0T 2N0 Tél. (819) 322-6359
Wendy Wersch Memorial Lecture<br />
Jane Buyers,<br />
Left:<br />
Inscriptions<br />
#19 (detail),<br />
porcelain with<br />
pigmented<br />
shellac,<br />
plaster and<br />
watercolour,<br />
2005.<br />
Right:<br />
Chronicles #6,<br />
etching and<br />
drawing, 2005.<br />
wendy wersch annual memorial lecture series presents<br />
Mending<br />
a talk by jane buyers<br />
Jane Buyers’ talk <strong>for</strong> the Wendy Wersch Memorial Lecture<br />
proposes a way of reading the art work of a number of<br />
recent women artists as a kind of mending. Broken,<br />
discarded, mundane, useless objects are salvaged and<br />
trans<strong>for</strong>med into compelling new narratives using<br />
repetitive, meticulous, labor intensive methods similar to<br />
women’s traditional needlework.<br />
Jane Buyers is a visual artist working in sculpture,<br />
drawing and printmaking. She is Professor and Chair at<br />
the University of Waterloo’s Department of Fine <strong>Art</strong>s. She<br />
studied Fine <strong>Art</strong> at York University (B.A. 1973) and Women’s<br />
Studies at O.I.S.E. (M. ED. University of Toronto, 1990).<br />
Jane works with a variety of materials including wood,<br />
steel, bronze and ceramic, and in a range of scale,<br />
including public outdoor works. She has exhibited widely<br />
across Canada and internationally and her work is in a<br />
number of private, corporate, and public collections. She<br />
was elected to the Royal Canadian Academy in 2002.<br />
This lecture is presented by the Wendy Wersch<br />
Memorial Lecture Committee and <strong>Mentoring</strong> <strong><strong>Art</strong>ists</strong> <strong>for</strong><br />
<strong>Women's</strong> <strong>Art</strong>. For further in<strong>for</strong>mation please contact Bev<br />
Pike at 284-0616 or Gaétanne Sylvester at 957-7217.<br />
2 p.m. november 26 2006 at cinematheque<br />
100 arthur st. winnipeg<br />
free admission - light refreshments will be served<br />
6
Graduates of the Foundation Mentorship Program 2005-06<br />
kathryn mackenzie is an emerging artist<br />
with a penchant <strong>for</strong> turning things inside out. She has<br />
recently received two grants <strong>for</strong> Outside-In House, a<br />
straw bale sculpture and video project which will<br />
involve as many people as possible in the creation,<br />
burning, and video documentation of the work.<br />
Katherine worked at <strong>Art</strong> City <strong>for</strong> many years and<br />
currently works <strong>for</strong> the Spence Neighbourhood<br />
Association. Here, she works with artist Leah Decter,<br />
helps to administer Winnipeg's first WITHART Public<br />
<strong>Art</strong> Grant, and acts as a liason with the community.<br />
She feels that public art is integral to the cultural<br />
longevity of a community, and has been inspired by<br />
works in Mexico, San Fransisco, and Winnipeg, and on<br />
train cars moving across the prairies.<br />
jennie o is a self-taught visual artist born in 1975<br />
in Mississauga, Ontario. Jennie has lived in Winnipeg<br />
since she was four years old. Jennie's affinity <strong>for</strong> art<br />
and community has led her to where she is today. She<br />
is currently the Studio-Coordinator of <strong>Art</strong> City, an<br />
inner-city drop-in centre in the West Broadway<br />
neighbourhood. Perhaps best known <strong>for</strong> her dolls,<br />
Jennie also enjoys drawing, crafting, painting, and<br />
making sculpures from found objects. She recently<br />
exhibited at the Winnipeg <strong>Art</strong> Gallery in the<br />
Supernovas show and is currently exhibiting in a selfportrait<br />
show that will be touring the United States <strong>for</strong><br />
a year.<br />
Kathryn MacKenzie<br />
Straw Bale Bench<br />
video still, 2005.<br />
Kathryn MacKenzie<br />
Arena, video still, 2005.<br />
8<br />
Jennie O<br />
Does it really matter what I'm thinking?<br />
ink and acrylic on paper, 2006.
Kristin Nelson<br />
One Painting of<br />
Christopher Noels<br />
Left or Right Ear<br />
in a Box<br />
oil on panel and<br />
silkscreen on<br />
cardboard, 2006.<br />
kristin nelson received her B.F.A. in Visual <strong>Art</strong>s from the Emily Carr<br />
Institute in 2003. Her work deals with contemporary queer identities and<br />
includes paintings of women, drag kings, queers and lesbian activists, and<br />
her practice is in<strong>for</strong>med by the people she meets and a desire to share their<br />
identities with others. She has participated in numerous events including A<br />
Loving Spoonful Silent Auction, Vancouver, and the International Drag King<br />
Extravaganza 7 (IDKE), Winnipeg. In 2006 is producing a series of “Drag King<br />
Trading Cards” during IDKE 8, Austin, Texas. Kristin has exhibited works at<br />
Center A, Gallery Gachet, and The Regional Assembly of Text in Vancouver.<br />
She is also interested in craft and DIY culture. Merchandise by the artist may<br />
be found under the label Local by Kristin.<br />
Kristin Nelson<br />
Christopher Noels Left Ear, oil on canvas, 2006.<br />
Jen Moyes<br />
A Subject of<br />
Anotomical<br />
Comparisons<br />
(unfinished), oil on<br />
canvas, 2005.<br />
jen moyes Painting has opened a world of creativity and personal<br />
expression, which has been unfounded in any other experiences, or<br />
mediums of art. It is a world that is at once privately provocative and<br />
publicly prudent. For the past three years I have been studying the<br />
history of painting, queer theory and contemporary cultural issues<br />
pertaining to women's bodies and sexuality. What was once a selfindulgent<br />
quest into personal expression and desire <strong>for</strong> the female<br />
body has now become a critical inquiry into how the female flesh has<br />
been historically imagined and contemporarily constructed.
Graduates of the Foundation Mentor Program 2005-06<br />
kerri-lynn reeves works with textile, video,<br />
installation and per<strong>for</strong>mance. She received her B.F.A.<br />
with Honours from the University of Manitoba in 2003,<br />
and attended NSCAD University as a visiting student.<br />
Reeves is a third generation Western movie aficionado,<br />
first generation non-farm-wife-feminist. Her upbringing<br />
on the family horse farm in<strong>for</strong>ms her investigation of<br />
how the past, present and future influence one another.<br />
talia potash is a photo-based<br />
artist with a background in Fine <strong>Art</strong>s<br />
and Conflict Resolution Studies. She<br />
works at <strong>Art</strong> City, a non-profit<br />
community arts center in West<br />
Broadway, Winnipeg. Potash has<br />
been involved with <strong>Art</strong> City since its<br />
inception in 1998 and is currently the<br />
Assistant Director. Over the years, she<br />
has taught photography and ceramics<br />
to both youth and adults. Potash lives<br />
and works in West Broadway and<br />
feels a strong connection to her<br />
community. She has exhibited her photographic<br />
work in many of Winnipeg’s<br />
artist-run-centres, including Ace <strong>Art</strong>,<br />
Graffiti Gallery, Plat<strong>for</strong>m Gallery, as well<br />
as the Winnipeg <strong>Art</strong> Gallery.<br />
Talia Potash<br />
Assemblage #1, found objects, aluminum<br />
plate, beads, lace, yarn, rephotographed<br />
C-Print, 2006.<br />
Her work explores gender roles and self-identity. Over<br />
the past year Kerri Lynn has refined her inclination to<br />
create more immediate collaborative works by showing<br />
and creating in a variety of traditional and nontraditional<br />
venues. She is currently researching a major<br />
video project and concentrating her practice at the site<br />
of her own family's history in southwestern Manitoba.<br />
Kerri-Lynn Reeves<br />
How The West Was Fun; Scene From John Wayne's 'Rio Bravo'<br />
video still of interactive collaborative public art event/video installation, 2006.<br />
10
Karen Schulz<br />
Sampling City Hall (from the Playing Tag series) stencil on photograph, 2006.<br />
For karen schulz, participation in MAWA's <strong>Mentoring</strong> Program has<br />
been integral to the evolution of her emerging art practice, which includes<br />
printmaking, experimental drawing, portraiture and video. Her education in<br />
the ways of <strong>Art</strong> at Arizona State University, Red River Community College<br />
and Manitoba Printmakers Association is a continuing adventure.<br />
Karen is inspired in part by a childhood spent in the rural community<br />
of Grandview, Manitoba where she was born, family life in Winnipeg where<br />
she currently lives, and by the sheer pleasure of modifying reality through<br />
her art. Her print Continued.... was recently purchased by the <strong>Art</strong> Bank of<br />
Canada.<br />
Karen Schulz, On Hold, oil on canvas, 2006.<br />
nicole shimonek works in new media, installation and per<strong>for</strong>mance, focusing on themes of discovery and resolution using<br />
animals and personae as subject matter. Her video work has screened both nationally and internationally and her per<strong>for</strong>mances have<br />
been shown in solo, street, and collective events. She is an active member of Winnipeg's arts community, sitting on the boards of send<br />
+ receive and Adhere and Deny and working <strong>for</strong> Video Pool Media <strong>Art</strong>s Centre. During her year as a MAWA mentee, Nicole has been<br />
teaching herself MAX MSP, creating a 3-D animation/projection of a shark idling in water, as well as creating a collection of handmade<br />
worry balls. These pieces will be exhibited at Plug In ICA in the spring of 2007.<br />
www.nicoleshimonek.com<br />
Nicole Shimonek, Shark (in progress), animation still, 2006.<br />
Nicole Shimonek, Handmade worry balls (in progress)<br />
birdseed, sand, balloons, felt, 2006.
Member’s News<br />
In The Blink of an Eye<br />
Public opening Jan. 25 at The Winnipeg <strong>Art</strong> Gallery. FREE!<br />
The WAG has commissioned twelve artists from throughout Canada<br />
to create experimental shorts which will be shown in the gallery, Janthrough<br />
April, 2007, and projected in the Globe Cinema be<strong>for</strong>e feature<br />
films. For five nights in January, these media works will also be<br />
projected on the exterior of the art gallery building. Curated by Shawna<br />
Dempsey and Lorri Millan, the program includes new work by Divya<br />
Mehra, Erika MacPherson, Rebecca Belmore, Simon Hughes, Sandee<br />
Moore, Daniel Barrow, Collin Zipp, Ken Gregory, Richard Fung, Dana<br />
Claxton, Lisa Steele and Kim Tomczak, and Mike Hoolboom.<br />
Mary Krieger is one of more than twenty-four artists showcased "In<br />
Plain View," a new studio tour in Winnipeg. <strong><strong>Art</strong>ists</strong> are opening their<br />
studios to the public <strong>for</strong> the first weekend in both November (4th and<br />
5th) and December (2nd and 3rd), from noon to 6 pm. A map will be<br />
published to help people navigate from studio to studio. Mary will be<br />
showing recent paintings and woodcuts at The Edge <strong>Art</strong>ist Village and<br />
Gallery, 611 Main St.<br />
Divya Mehra, Pants, video still.<br />
Group Search: <strong>Art</strong> in the Library<br />
Group Search is an exciting new collaborative project of the<br />
Vancouver Public Library Central Branch, the City of Vancouver<br />
Public <strong>Art</strong> Program, and Other Sights <strong>for</strong> <strong><strong>Art</strong>ists</strong>’ Projects Association.<br />
Six temporary projects by Marina Roy, Laiwan, Dan Starling & Jillian<br />
Pritchard, Antonia Hirsch, Mark Soo, and Kathy Slade will be presented<br />
between September 2006 and March 2008, in a program curated by<br />
<strong>Lorna</strong> <strong>Brown</strong>. The projects include web-based art, installation,<br />
bookworks, interventions and per<strong>for</strong>mances and will be located in<br />
the varied spaces, stacks, and systems of the library. Whether<br />
infiltrating the print, audio and special collections, linked to the<br />
electronic catalogues, or placed in the reading and listening areas,<br />
the artists address the contemplative and active spaces of the<br />
library, the containment and exchange of in<strong>for</strong>mation found there,<br />
and to the activities of searching and locating, borrowing, reflecting<br />
and returning, that library users undertake.<br />
Video still by Sandee Moore<br />
Call Numbers: Library Recordings by interdisciplinary artist Laiwan,<br />
will launch in January 2007, allowing you to turn your catalogue<br />
searches into musical compositions.<br />
Dana Kletke, I’ll Wait <strong>for</strong> You, wool, cotton, stone, hair, 2006.<br />
The project is funded by proceeds from the Library Square<br />
Endowment Fund, with generous assistance provided by the<br />
Canada Council <strong>for</strong> the <strong>Art</strong>s, Spirit of BC <strong>Art</strong>s Fund, and the BC <strong>Art</strong>s<br />
Council.<br />
For more info please contact curator <strong>Lorna</strong> <strong>Brown</strong>,<br />
groupsearch@othersights.ca. For in<strong>for</strong>mation on Laiwan's project,<br />
email llchung@sfu.ca.<br />
12<br />
Mireille Perron will be giving a presentation at the <strong>for</strong>thcoming University<br />
<strong>Art</strong> Association of Canada Annual Congress. Her presentation is titled<br />
"Point-of being" and is part of a session organized by Jennifer Fisher<br />
and Monika Kin Gagnon. The session explores the senses in various<br />
art contexts. This year UAAC Congress is hosted by the Nova Scotia<br />
School of <strong>Art</strong> and Design, November 2 to 4, 2006.<br />
Mireille Perron in her studio. Photo courtesy of the artist.
Astres / Stars / Goleuadau is Agence TOPO’s latest multimedia creation; an e-poetry<br />
project based on a poetic body of work of the Canadian-Welsh author Childe Roland<br />
and the images of Canadian photographer Susan Coolen. Astres is exhibiting as an<br />
installation, with Coolen’s photography in the project room at Harbourfront Centre,<br />
Toronto. September 16 – November 5, 2006. and the project Astres is also included<br />
in ‘Expanding the Space’, as an artistic component of a scientific conference being<br />
held in Valencia, Spain, October 3-6, 2006. http://www.expandingthespace.net/<br />
Mary Krieger, Winter White, detail of woodcut, 2006.<br />
Crafting Contemporary <strong>Art</strong><br />
The Manitoba <strong>Art</strong>s Network anticipates touring “Crafting Contemporary <strong>Art</strong>” a<br />
two-fold celebration of the International Year of the Craft 2007 and a celebration of<br />
women and contemporary feminine craft. MAWA members Dana Kletke, Fay Jelly,<br />
Kerri-Lynne Reeves and Karen Wardle are included in this visually lush and<br />
conceptually complex exhibit by artists using traditional materials in a non- traditional<br />
manner. Curator Kristen Pauch indicates: Combing in-depth knowledge of their<br />
materials with a respect <strong>for</strong> the significance of craft within art history, these artists<br />
embrace and expand the possibilities of fabric, metal, thread and clay. Representing<br />
various regions of the country and levels of experience/art training, the women offer<br />
diversity in their approach to their mediums and in the topics that interest them.<br />
What connects the artists is a demonstrated commitment to explore issues of<br />
current significance, using the mediums and techniques that have been passed<br />
down through generations of makers.<br />
For more in<strong>for</strong>mation about this exhibit and other programs please contact<br />
Karen Wardle, Visual <strong>Art</strong>s Program Coordinator ph: 943-0036 or email<br />
info@communityarts.mb.ca. The Province of Manitoba, Manitoba <strong>Art</strong>s Council and<br />
Gardewine North are supporters of this exhibition.<br />
Catherine Owen will be reading from her new book of prose/lyric poems on homelessness,<br />
drug addiction and schizophrenia, entitled Cusp/detritus (Anvil Press, 06) on<br />
November 17th at 7 pm at McNally Robinson, and at Brandon University in the<br />
Elephant Room in the Knowles Douglas Student Union Centre on November 18th at<br />
7pm. She will be accompanied by photographer and collaborator Karen Moe. Several<br />
of the images from the book will be on display at the reading and Moe will also be<br />
per<strong>for</strong>ming songs from her EP Stoic Pharmacy (2006).<br />
Janet Carroll will lead a bookbinding workshop at the Manitoba Crafts Museum Library<br />
Saturday, Dec. 2, 2006, 1-5 pm. For more in<strong>for</strong>mation call Andrea Earl, 487-6117.<br />
Susan Coolen, Alien Orbs (detail), 2003.<br />
Karen Moe, 'Girl's Suitcase' Detritus: East Vancouver<br />
Alleyways, 2004.<br />
Magic of One Productions, co-curated by Mary Louise Chown and Laura Cowie,<br />
is offering storytelling and music concerts in November and January<br />
November 17 Tales from the Ramayana<br />
Laura Cowie, Jamie Oliviero, Tom Roche<br />
Music: George Berman, Harmonium & Nigel Baseley, Tabla<br />
January 26 Giving Birth Beside the Buffalo:<br />
The True Story of Marie Anne & Jean Baptiste Lagimodiere<br />
Ruth Stewart-Verger (Ottawa storyteller), Mary Louise Chown<br />
Music: Sierra Noble, Don Freed<br />
January 27 Workshop with Mary Louise Chown and Ruth Stewart-Verger<br />
on preparing and telling stories from oral history.<br />
Concerts take place at the Unitarian Church Hall, 603 Wellington Crescent, 8:00PM.<br />
Tickets $10 in advance, $12 at the door, available at McNally Robinson Booksellers,<br />
Prairie Sky Books, and from Mary Louise Chown, 489-6994.<br />
Susan Coolen’s work “PLIEZ” is included in the new book TRASH, edited by John<br />
Knechtel and published by Alphabet City Media, Toronto and MIT Press. TRASH<br />
features a selection of images of Susan Coolen's ongoing collection of paper<br />
airplanes found in the streets of Montreal and other cities around the world. TRASH<br />
launches in Toronto on October 5, 2006 and an installation of PLIEZ will exhibit at<br />
David Mirvish Books, October 7 – 28, 2006.
Current Board of Directors<br />
tamara rae biebrich (Past-Chair), Shirley <strong>Brown</strong>, Patricia Bovey, Louise Duguay (Vice-Chair),<br />
Elvira Finnigan, Cheyenne Henry, Amy Karlinsky (Chair), Dana Kletke (Treasurer), Holly Procktor,<br />
Catherine Toews, Iris Yudai (Secretary)<br />
STAFF<br />
Vera Lemecha, Executive Director: vlemecha@mawa.ca<br />
Stacey Abramson, Office Administrator: info@mawa.ca<br />
Vanessa Kroeker, Program Assistant: programs@mawa.ca<br />
Leah Fontaine, Cultural Liaison and Outreach Coordinator: culturalliaison@mawa.ca<br />
DESIGN Susan Chafe<br />
611 Main Street, Winnipeg, Manitoba, Canada R3B 1E1<br />
(204) 949-9490 info@mawa.ca http://www.mawa.ca<br />
MAWA and its projects are generously funded by The Manitoba <strong>Art</strong>s Council, The Canada Council<br />
<strong>for</strong> the <strong>Art</strong>s, Canadian Heritage, The WH & SE Loewen Foundation, The Winnipeg <strong>Art</strong>s Council, The<br />
Winnipeg Foundation, Thomas Sill Foundation, donors and members.<br />
Join us <strong>for</strong> the 1st Annual<br />
mawa Volunteer<br />
Photo Shoot<br />
Dear Volunteer<br />
We know that you did not volunteer <strong>for</strong> MAWA this past<br />
year so that you could receive recognition, or add to your resume.<br />
We also know that MAWA's success depends upon its volunteers.<br />
You have helped us in many ways: working on committees, assisting at<br />
openings, painting walls, moving furniture, fundraising, shaping policy, and<br />
giving us your time and energy to make MAWA a success. We appreciate it!<br />
You are being honoured and celebrated<br />
at a special volunteer recognition event.<br />
The event begins at 6:00 p.m.<br />
on Thursday November 2nd<br />
(that's right, just one hour be<strong>for</strong>e the AGM)<br />
Here is what the evening looks like:<br />
6:00 doors open <strong>for</strong> a light refreshment<br />
6:25 members organized <strong>for</strong> shoot<br />
6:30 sharp! Shutter is opened and closed. Don't be late!<br />
6:45 Members arrive and validate memberships <strong>for</strong> the AGM<br />
7:00 AGM begins – Refreshments after<br />
We'd love to have a group photo of all our volunteers.<br />
We will send you a copy, too. This is our way of saying<br />
Thank-you! Can you make it?<br />
Please RSVP via email or phone to Stacey Abramson,<br />
Office Administrator @ 949-9490 or info@mawa.ca