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Volume L, No 3, July-September 2012 - Ministry of Foreign Affairs

Volume L, No 3, July-September 2012 - Ministry of Foreign Affairs

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4 th International Pharos Contemporary Music Festival<br />

9 – 29 <strong>September</strong> <strong>2012</strong><br />

he Festival had an impressively interna-<br />

outlook and provided a rare op-<br />

«Ttional<br />

portunity to sample contemporary composition<br />

beyond the well-trodden paths.»<br />

Tim Rutherford-Johnson (Guardian, Tempo, The<br />

Rambler)<br />

Having established itself as one <strong>of</strong> the most cuttingedge<br />

and innovative annual events in the Eastern<br />

Mediterranean, the International Pharos Contemporary<br />

Music Festival is now in its fourth year. The<br />

Festival is dedicated to the promotion <strong>of</strong> new music,<br />

both the established masterpieces <strong>of</strong> the contemporary<br />

music literature <strong>of</strong> the 20 th century and a<br />

great number <strong>of</strong> premieres by leading young composers<br />

from all over the world who have been commissioned<br />

by the Pharos Arts Foundation to write<br />

new works especially for the Festival. The Festival<br />

provides a forum for composers and performers<br />

to advance and develop new projects and explore<br />

new worlds <strong>of</strong> sound in chamber music settings. Its<br />

other objective is to bring contemporary music to<br />

general audiences in Cyprus and elsewhere, as this<br />

is the music <strong>of</strong> our times – it is directly linked to<br />

many forms <strong>of</strong> visual and creative arts, and science.<br />

It is intimate with the modern human spirit.<br />

The 4 th International Pharos Contemporary Music<br />

Festival was a thrilling experience. It presented a<br />

number <strong>of</strong> exciting events, from 9 until 29 <strong>September</strong><br />

<strong>2012</strong>, including a seldom heard repertoire<br />

for strings, winds, voice, percussion and harp. Six<br />

<strong>of</strong> the finest contemporary ensembles in the world<br />

presented classical contemporary masterpieces<br />

by composers such as Schönberg, Stockhausen,<br />

Xenakis and Ligeti while joining forces with more<br />

than 20 young, internationally acclaimed composers<br />

from all over the world. Each <strong>of</strong> these composers<br />

wrote a newly-commissioned work that was<br />

given its world premiere during the Festival.<br />

There were concerts by the Arirang Wind Quintet<br />

& Marios Nicolaou/percussion; Quartetto Prometeo;<br />

The Nieuw Ensemble; Ensemble Aleph; El<br />

Perro Andaluz, and the Kairos String Quartet. A<br />

screening <strong>of</strong> Towards <strong>of</strong> Beyond was <strong>of</strong>fered, and<br />

the Kairo String Quartet and El Perro Andaluz<br />

hosted workshops.<br />

The Venues<br />

The Shoe Factory is situated in Old Nicosia, near<br />

the UN buffer zone. With the Shoe Factory, the<br />

Pharos Arts Foundation is revitalising this beautiful<br />

and historic section <strong>of</strong> the capital by attracting<br />

a wide and diverse younger audience. All concerts<br />

at the Shoe Factory are characterised by a unique<br />

intimacy, and the music is performed in an exceptionally<br />

inspiring setting. The Shoe Factory is a<br />

modern venue decorated with contemporary art by<br />

mainly local artists and <strong>of</strong>fers audiences the unique<br />

opportunity to sit within an amazing proximity to<br />

world famous artists and experience performances<br />

in a space like no other.<br />

28

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