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Volume L, No 3, July-September 2012 - Ministry of Foreign Affairs

Volume L, No 3, July-September 2012 - Ministry of Foreign Affairs

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16 th International Festival <strong>of</strong> Ancient Greek Drama<br />

As it does every year, the month <strong>of</strong> <strong>July</strong><br />

welcomed theatre friends from around the<br />

world to the Pafos Ancient Odeon, the Curium<br />

Ancient Theatre in Limassol and the Makarios<br />

III Amphitheatre in Nicosia for the 16 th International<br />

Festival <strong>of</strong> Ancient Greek Drama <strong>2012</strong>.<br />

The Festival was presented under the auspices<br />

<strong>of</strong> the Cyprus Presidency <strong>of</strong> the Council <strong>of</strong> the<br />

European Union and was organised by the Cyprus<br />

Centre <strong>of</strong> the International Theatre Institute<br />

in cooperation with the Cultural Services <strong>of</strong> the<br />

<strong>Ministry</strong> <strong>of</strong> Education and Culture and the Cyprus<br />

Tourism Organisation. The Festival programme<br />

was selected by the Festival Selection<br />

Committee.<br />

Agamemnon’s Children<br />

The Festival opened with a production <strong>of</strong> Agamemnon’s<br />

Children by the Hessian State Theatre<br />

<strong>of</strong> Wiesbaden, Germany. The adaptation combined<br />

Euripides’ Iphigeneiain Aulis, Orestes and<br />

Iphigeneia in Tauris, and Sophocles’ Electra into<br />

a single storyline. The synthesis <strong>of</strong> these four<br />

plays narrates the lives <strong>of</strong> Agamemnon’s children<br />

from different points <strong>of</strong> view. Their actions<br />

and their destinies make them both perpetrators<br />

and victims in the vicious cycle <strong>of</strong> violence endemic<br />

to Atreides’ myth.<br />

Direction: Konstanze Lauterbach<br />

Set design: Karen Simon<br />

Costumes: Hannah Hamburger<br />

Music: Achim Gieseler<br />

Cast: Doreen Nixdorf (Iphigenia), Sybille Weiser<br />

(Electra), Michael von Bennigsen (Orestes), Susanne<br />

Bard (Clytaemnestra), Michael Günther Bard<br />

(Agamemnon, Thoas), Michael von Burg (Pylades),<br />

Uwe Kraus (Menelaus), Jörg Zirnstein (Servant,<br />

Messenger, Phrygian, Apollo, Arcas), Magdalena<br />

Höfner (Hermione)<br />

Chorus: Evelyn M. Faber, Magdalena Höfner, Franziska<br />

Werner<br />

Agamemnon’s Children<br />

Electra and Orestes, the Trial<br />

Electra and Orestes, the Trial<br />

The Cyprus Theatre Organisation’s production,<br />

Electra and Orestes, the Trial, is an adaptation based<br />

on Sophocles’ Electra, Euripides’ Orestes and Aeschylus’<br />

Eumenides. Both the adaptation and the direction<br />

are by Israeli stage director Hanan Snir and<br />

are based on the technique <strong>of</strong> a “play within a play”.<br />

The outer play deals with Electra and Orestes on trial<br />

at the Supreme Court for the crime <strong>of</strong> matricide. In<br />

court, the events that led to the murderous act are<br />

presented against the backdrop <strong>of</strong> a contemporary<br />

refugee camp.<br />

Translation: Vayos Liapis<br />

Adaptation/Direction: Hanan Snir<br />

Set Design-Costumes: Melita Couta, Harris Kafkarides<br />

Music: Demetris Zavros<br />

36

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