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Fall 2008 - Diversity, Equity, and Academic Policy - University of ...

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Departments, Programs, & conferences<br />

New Book!<br />

Footsteps in the<br />

Dark: The Hidden<br />

Histories <strong>of</strong> Popular<br />

Music<br />

by George Lipsitz<br />

George Lipsitz is a Pr<strong>of</strong>essor <strong>of</strong><br />

Black Studies <strong>and</strong> Sociology at<br />

UCSB. In Footsteps in the Dark,<br />

Lipsitz discusses such topics<br />

as the emergence <strong>of</strong> an African<br />

American techno music subculture<br />

in Detroit <strong>and</strong> the prominence<br />

<strong>of</strong> b<strong>and</strong>a, merengue, <strong>and</strong> salsa music<br />

as an expression <strong>of</strong> changing<br />

Mexican, Dominican, <strong>and</strong> Puerto<br />

Rican identities.<br />

Lipsitz analyzes Ken Burns’s<br />

PBS series Jazz as an uncritical<br />

celebration <strong>of</strong> American nationalism<br />

that obscures the civil rights<br />

era’s challenge to racial inequality,<br />

<strong>and</strong> he takes on the infamous<br />

campaigns to censor hip hop <strong>and</strong><br />

the radical black voice in the early<br />

1990’s. Footsteps in the Dark,<br />

shows why, during a time given to<br />

easy answers <strong>and</strong> cliched versions<br />

<strong>of</strong> history, pop songs matter more<br />

than ever.<br />

(Excerpt from book sleeve).<br />

Teatro Chicana:<br />

A Collective Memoir <strong>and</strong> Selected Plays<br />

On Thursday, October 16, <strong>2008</strong> author’s S<strong>and</strong>ra Gutiérrez<br />

<strong>and</strong> Kathy Requejo came to the UCSB Multicultural Center for<br />

a reading <strong>and</strong> discussion <strong>of</strong> their book Teatro Chicana: A Collective<br />

Memoir <strong>and</strong> Selected Plays.<br />

“These memoirs are the personal honest <strong>and</strong><br />

riveting testimonials <strong>of</strong> 17 Chicanas who<br />

performed Chicano theater during the 1970s”.<br />

The 1970s <strong>and</strong> 1980s saw the awakening <strong>of</strong> social awareness<br />

<strong>and</strong> political activism<br />

in Mexican-American<br />

communities. In San<br />

Diego, a group <strong>of</strong> Chicana<br />

women participated<br />

in a political theatre<br />

group whose plays addressed<br />

social, gender,<br />

<strong>and</strong> political issues <strong>of</strong><br />

the working class <strong>and</strong><br />

the Chicano Movement.<br />

Seventeen women who<br />

were a part <strong>of</strong> Teatro<br />

de las Chicanas (later<br />

known as Teatro Laboral<br />

<strong>and</strong> Teatro Raíces)<br />

come together in the<br />

book to share why they<br />

joined the theatre <strong>and</strong><br />

how it transformed their<br />

lives. Teatro Chicana<br />

tells the story <strong>of</strong> this<br />

troupe through chapters<br />

featuring the history <strong>and</strong> present-day story <strong>of</strong> each <strong>of</strong> the main actors<br />

<strong>and</strong> writers, as well as excerpts from the group’s materials <strong>and</strong> seven<br />

<strong>of</strong> their original short scripts.<br />

8

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