Download a PDF - Stage Directions Magazine
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Sound Design<br />
“So she sat on the edge<br />
of the stage. I left her mic<br />
open, and she talked to the<br />
audience while I made the<br />
computer swap.”<br />
— Carin Ford<br />
During a preview of Chitty Chitty Bang Bang, a microchip went bad and delayed the show.<br />
fired a cacophony of multiple [MIDI]<br />
ring sets,” reveals Sanders. “I immediately<br />
had to figure out where to reach<br />
to take it out. In most cases, when<br />
something happens, you just take it<br />
out. It’s done, and she’ll just have to<br />
fake it. You remove the obstruction<br />
as best you can.”<br />
“Sound effects can go wonky,”<br />
confirms Sanders, who had to use<br />
cart machines for sound effects back<br />
on Les Miz. He adds that the carts<br />
were “just like 8-tracks, and they functioned<br />
just about as well sometimes.<br />
In some cases, those would not necessarily<br />
advance, so a couple of times<br />
I had to kill Gavroche with a canno<br />
shot instead of a rifle shot. When the<br />
sound effects go bad, it’s another<br />
momentary thing where your heart<br />
races, but it usually passes.”<br />
One can practically have a heart<br />
attack when audio goes haywire, as<br />
happened on Bells Are Ringing. The<br />
lead actor played a switchboard<br />
operator whose main prop produced<br />
numerous sound effects. “I had a<br />
funny button that all of a sudden<br />
It’s All in the Timing<br />
It is lucky when problems occur<br />
during previews, as it did with Chitty<br />
Chitty Bang Bang. Fortunately, all the<br />
sound designers were on hand when<br />
a chip in one of the digital output<br />
cards in the downstairs audio racks<br />
went bad, sending a nasty sound<br />
rushing through the main speaker<br />
system. Sound Designer Mark Menard