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Download a PDF - Stage Directions Magazine

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Sound Design<br />

“So she sat on the edge<br />

of the stage. I left her mic<br />

open, and she talked to the<br />

audience while I made the<br />

computer swap.”<br />

— Carin Ford<br />

During a preview of Chitty Chitty Bang Bang, a microchip went bad and delayed the show.<br />

fired a cacophony of multiple [MIDI]<br />

ring sets,” reveals Sanders. “I immediately<br />

had to figure out where to reach<br />

to take it out. In most cases, when<br />

something happens, you just take it<br />

out. It’s done, and she’ll just have to<br />

fake it. You remove the obstruction<br />

as best you can.”<br />

“Sound effects can go wonky,”<br />

confirms Sanders, who had to use<br />

cart machines for sound effects back<br />

on Les Miz. He adds that the carts<br />

were “just like 8-tracks, and they functioned<br />

just about as well sometimes.<br />

In some cases, those would not necessarily<br />

advance, so a couple of times<br />

I had to kill Gavroche with a canno<br />

shot instead of a rifle shot. When the<br />

sound effects go bad, it’s another<br />

momentary thing where your heart<br />

races, but it usually passes.”<br />

One can practically have a heart<br />

attack when audio goes haywire, as<br />

happened on Bells Are Ringing. The<br />

lead actor played a switchboard<br />

operator whose main prop produced<br />

numerous sound effects. “I had a<br />

funny button that all of a sudden<br />

It’s All in the Timing<br />

It is lucky when problems occur<br />

during previews, as it did with Chitty<br />

Chitty Bang Bang. Fortunately, all the<br />

sound designers were on hand when<br />

a chip in one of the digital output<br />

cards in the downstairs audio racks<br />

went bad, sending a nasty sound<br />

rushing through the main speaker<br />

system. Sound Designer Mark Menard

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