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Download a PDF - Stage Directions Magazine

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Sound Advice<br />

By Jason Pritchard<br />

Multiple Perspectives,<br />

(Hopefully)<br />

One Sound<br />

Changes in the<br />

audio system<br />

can beget other<br />

changes, and so<br />

on, and so on.<br />

How the band, the actors and “me” all fit together in performance<br />

I<br />

sit behind a console and mix a show. That’s my reality,<br />

but what about the actor’s show? What show are they<br />

hearing? Then there’s the band or orchestra. Is there<br />

another show happening in the pit?<br />

While everyone is doing the same show, the external<br />

influences that affect each of the participants can be very<br />

different. The people involved are spread out around<br />

the room, the actors on stage, the musicians in the pit,<br />

perhaps backstage or other remote locations. Not to<br />

mention the audio engineer behind the console, which<br />

may or may not be located in a position which allows<br />

the engineer to hear the show that most of the audience<br />

hears. And certainly not what the musicians or actors<br />

hear. Everyone has a different point of reference.<br />

Performing is a complex combination of anticipation<br />

and reaction. Each person’s actions are influenced by<br />

the actions of other people. When anticipation and reality<br />

coincide, the job feels easy. It’s when the collective<br />

anticipated actions are incorrect, and the performance<br />

becomes reactive, that difficulty sets in.<br />

For engineers to be successful, they should have an<br />

understanding of what the other people might be hearing.<br />

Through consistency of performance, understanding<br />

the realities of the other participants and compromise in<br />

execution, the tension of seemingly incoherent actions<br />

can be made amenable.<br />

Me Syndrome<br />

People are selfish. It’s not a bad thing, it’s just reality.<br />

Each of us is in our position because we care about<br />

our little slice of the show. It’s easy for the band to play<br />

the show as though their performance doesn’t affect<br />

the actors onstage. And it is also easy for the actors to<br />

fail to realize that their performance affects the musicians<br />

in the pit. Those performances both affect and are<br />

affected by the audio engineer and the sound system.<br />

Alterations in performance by one group forces the<br />

others to react and change. That’s actually the beauty<br />

of live performance, but it is also the one biggest daily<br />

battle with which we are faced. When the performance<br />

is happening, it is hard to realize that one’s actions have<br />

so much influence on the other groups. The actions of<br />

the others that one experiences are often questioned, or<br />

written off as “I’m just hearing things.” The struggle for<br />

consistency and ease of performance is felt globally.<br />

The Band<br />

A couple of years ago, I had a conversation with the<br />

music director for a show I was mixing. We were discussing<br />

revamping the monitor system for the band. The old<br />

system was unwieldy, loud and didn’t give the musicians<br />

what they needed to hear to play a consistent performance.<br />

The system was so bad, in fact, that it strained<br />

30 November 2007 • www.stage-directions.com

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