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Special Section: Community Theatre<br />
Steve Dupry used wheels on his set for Sweeney Todd in order to<br />
clear a large set.<br />
paint; textured burlap was used to<br />
clothe the trolls, and ‘ogre hands’,<br />
bought at a Halloween store sell-off,<br />
were employed. The spider was built<br />
out of PVC, styro balls, fabric and fake<br />
fur, all purchased on discount. The<br />
dragon head was built from muslincovered<br />
flex foam which was painted<br />
with sparkly gold glue paint to suggest<br />
armored scales.”<br />
The theatre was also able to secure<br />
a local grant to buy a small fogger, to<br />
use in conjunction with the dragon<br />
costume, as well as a hazer to use<br />
throughout various scenes, for just<br />
$1,500. It’s a great idea to reach out<br />
to your community—audiences, local<br />
arts organizations, state agencies—<br />
for similar funding help.<br />
“If a project is exciting enough,<br />
you’ll be surprised where financial<br />
support can come from,” Willard says.<br />
“It doesn't happen all the time, and<br />
theatres working very close to their<br />
budget lines might not think they<br />
would be able to support shows like<br />
this. Still, quite a bit can be achieved<br />
with very little.”<br />
Bottom line?<br />
“Let the imagination of your audience<br />
and sponsors do the work, and<br />
you're halfway there!”<br />
18 April 2009 • www.stage-directions.com