Large-Format Digital Cinema: Medium of the Future ... - Spitz Extranet

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Edge Blending and Spherical Mapping Techniques • Pre-Rendered Blends and Mapping • Post-production processing <strong>of</strong> sub-frames • No special playback hardware • Realtime Blends and Mapping •Allows realtime display <strong>of</strong> CGI, video sources, etc. •Both electronic and optical blending techniques
Fisheye Projection Polar Fisheye Source Image • Simple Configuration - Low Maintenance • Limited Hemispheric Resolution (1536x1536 pixels) • Requires Obtrusive Projector Inside Theater Space • Driven by Single QXGA Computer Output
Page 1 and 2: T i L ε Large-Format Digital Cinem
Page 3 and 4: Large-Format Digital Cinema: Digita
Page 5 and 6: A New Medium! • It’s Video, Not
Page 7 and 8: Large-Format Digital Dome Systems S
Page 9 and 10: Multiprojector System
Page 11: Multi-Projector Pros and Cons • L
Page 15 and 16: Fisheye Projection Applications Spi
Page 17 and 18: Image Generation: Feeding the Dome
Page 19 and 20: Realtime Image Generation • Mainf
Page 21 and 22: Realtime Interactivity • Operator
Page 23 and 24: Digital Dome Theater Integrators
Page 25 and 26: Northern Lights Centre Watson Lake,
Page 27 and 28: LodeStar Astronomy Center New Mexic
Page 29 and 30: Boeing CyberDome Theater Exploratio
Page 31 and 32: Papalote Museo del Niňo Mexico Cit
Page 33 and 34: Digital Dome Theaters are Growing i
Page 35 and 36: Large-Format Digital Cinema More th
Page 37: Resources Ben Shedd, “Designing f

Large-Format Digital Cinema: Medium of the Future ... - Spitz Extranet

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