Large-Format Digital Cinema: Medium of the Future ... - Spitz Extranet

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Digital Dome Theaters • Full Dome or Partial Dome Video Projection • Multiple Edge-Blended Projectors or HD Fisheye • 50 Existing/Planned Theaters by 5 Manufacturers • Many Use Pre-Rendered, Pre-Recorded Shows •High resolution digital video server technologies • Realtime Graphics Use Increasing •Audience or presenter interactivity • Growth Primarily in Planetarium, Museum and Science Center Markets
A New Medium! • It’s Video, Not Film •End-to-end digital productions • Relatively Affordable Productions ($0.25-2M USD) • Live action using HDTV • Animation with desktop tools • Spherical compositing • Real-time interactivity • Independent Productions • Open, accessible medium fosters experimentation • May become “Cinema of the Future”
Page 1 and 2: T i L ε Large-Format Digital Cinem
Page 3: Large-Format Digital Cinema: Digita
Page 7 and 8: Large-Format Digital Dome Systems S
Page 9 and 10: Multiprojector System
Page 11 and 12: Multi-Projector Pros and Cons • L
Page 13 and 14: Fisheye Projection Polar Fisheye So
Page 15 and 16: Fisheye Projection Applications Spi
Page 17 and 18: Image Generation: Feeding the Dome
Page 19 and 20: Realtime Image Generation • Mainf
Page 21 and 22: Realtime Interactivity • Operator
Page 23 and 24: Digital Dome Theater Integrators
Page 25 and 26: Northern Lights Centre Watson Lake,
Page 27 and 28: LodeStar Astronomy Center New Mexic
Page 29 and 30: Boeing CyberDome Theater Exploratio
Page 31 and 32: Papalote Museo del Niňo Mexico Cit
Page 33 and 34: Digital Dome Theaters are Growing i
Page 35 and 36: Large-Format Digital Cinema More th
Page 37: Resources Ben Shedd, “Designing f

Large-Format Digital Cinema: Medium of the Future ... - Spitz Extranet

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