"Heroic Grace" catalog - UCLA Film & Television Archive
"Heroic Grace" catalog - UCLA Film & Television Archive
"Heroic Grace" catalog - UCLA Film & Television Archive
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FRIDAY MARCH 14<br />
BLOOD BROTHERS [CI MA]<br />
Hong Kong 1973 Director: Zhang Che<br />
This widescreen epic of love, loyalty and betrayal is based on actual events surrounding the assassination of a general in the waning<br />
years of the Qing Dynasty (late 19th century). According to the story, the general was killed by one of his right-hand men who was<br />
avenging a brother. This retelling finds David Jiang Dawei (David Chiang) and newcomer Chen Guandai as bandit brothers who befriend<br />
the mercenary warrior Di Long (Ti Lung) after trying to rob him. The stage is set for tragedy when Di Long falls for Chen’s neglected wife.<br />
BLOOD BROTHERS represents a turn by Zhang toward ever-greater psychological complexity. Di Long is no longer a happy-go-lucky<br />
fighter (Chen Guandai inherits that role), but a brooding, tormented man. And as the female lead and fulcrum of the love triangle, Jing Li<br />
gets to play a role with more depth than almost any other woman in a Zhang Che film. While her character is typically portrayed as a<br />
heartless temptress in other versions of the story, here she is as conflicted as the men around her.<br />
Nevertheless, the film’s attention constantly returns to the men. From one tortured hero in ONE-ARMED SWORDSMAN (1967) to two in<br />
VENGEANCE! (1970), Zhang now has three protagonists, the better to indulge his passion for the sadomasochistic display of the male<br />
body under duress. This threesome whose devotion grows into jealousy, treachery and revenge prefigures John Woo’s BULLET IN THE<br />
HEAD (1990), and indeed, Woo served as an assistant director on BLOOD BROTHERS.<br />
—David Pendleton<br />
Studio: Shaw Brothers. Producer: Run Run Shaw (Shao Cunren). Screenplay: Ni Kuang, Zhang Che. Cinematography: Gong Muduo. Martial<br />
Arts Directors: Tong Kai (Tang Jia), Lau Kar-leung (Liu Jialiang). Art Director: Quang Sheng. Editor: Guo Dinghong. Sound: Wang Yonghua.<br />
Music: Chen Yongyu. Cast: David Jiang, Di Long, Chen Guandai, Jing Li, Tian Qing.<br />
35mm, in Mandarin with English subtitles, 118 min.<br />
Print Source: Celestial Pictures Ltd.<br />
© Licensed by Celestial Pictures Ltd. (a company incorporated in Hong Kong SAR). All rights reserved.<br />
DAVID JIANG DAWEI (David Chiang)<br />
The son of thespian parents, David Jiang graduated from<br />
child actor to stuntman to superstardom in the early<br />
’70s with a string of box-office hits directed by Zhang<br />
Che , including THE HEROIC ONES (1970), VENGEANCE! (1970)<br />
and THE BOXER FROM SHANDONG (1972). Jiang was frequently<br />
honored for his acting ability as well as his martial<br />
arts skill, and his slender frame, fierce agility and<br />
urbane screen presence further set him apart from the<br />
Shaw Brothers pack. Jiang remains active as an actor in<br />
Hong Kong and Taiwan.<br />
43<br />
DI LONG (Ti Lung)<br />
As a young actor Di Long earned the attention of director<br />
Zhang Che, who cast him in RETURN OF THE ONE-ARMED<br />
SWORDSMAN (1969) and later paired him with David Jiang<br />
in such hits as VENGEANCE! (1970), THE NEW ONE-ARMED<br />
SWORDSMAN (1971) and BLOOD BROTHERS (1973). The actor,<br />
a Wing Chun exponent, also headlined a number of the<br />
Chu Yuan-Gu Long films, most notably THE MAGIC BLADE<br />
(1976) and THE SENTIMENTAL SWORDSMAN (1967). After a<br />
career lull in the early ’80s, Di Long made a triumphant<br />
comeback opposite Chow Yun-fat in John Woo’s A BETTER<br />
TOMORROW (1986).