Children-as-Co-researchers-in-the-design-of-museum-and-gallery-learning
Children-as-Co-researchers-in-the-design-of-museum-and-gallery-learning
Children-as-Co-researchers-in-the-design-of-museum-and-gallery-learning
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What happened<br />
The Whitworth Art Gallery<br />
Research questions:<br />
What is an art <strong>gallery</strong>?<br />
What would an art <strong>gallery</strong> <strong>design</strong>ed by children<br />
conta<strong>in</strong> <strong>and</strong> how would it feel?<br />
The Whitworth Art Gallery <strong>of</strong>ten <strong>in</strong>volves children <strong>in</strong> <strong>the</strong> <strong>design</strong> <strong>and</strong><br />
<strong>in</strong>terpretation <strong>of</strong> exhibitions <strong>and</strong> one such project w<strong>as</strong> already underway<br />
at <strong>the</strong> time <strong>of</strong> this research. Gallery staff decided to work with <strong>the</strong> same<br />
group <strong>of</strong> children, on <strong>the</strong> b<strong>as</strong>is that <strong>the</strong>y would readily enter <strong>in</strong>to <strong>the</strong> spirit<br />
<strong>of</strong> <strong>the</strong> research.<br />
The Whitworth Art Gallery – Claire Wood<br />
The fi rst session <strong>in</strong> school w<strong>as</strong> <strong>design</strong>ed to give <strong>the</strong> children <strong>in</strong>formation<br />
about <strong>the</strong> <strong>gallery</strong> <strong>and</strong> encourage <strong>the</strong>m to th<strong>in</strong>k about how <strong>the</strong>y would<br />
<strong>in</strong>vestigate it <strong>as</strong> <strong>researchers</strong>. When <strong>the</strong>y explored <strong>the</strong> galleries for<br />
<strong>the</strong>mselves, <strong>the</strong>y worked <strong>in</strong> small groups <strong>and</strong> recorded <strong>the</strong>ir impressions<br />
with disposable camer<strong>as</strong>. To beg<strong>in</strong> with, <strong>the</strong>y concentrated on <strong>the</strong> t<strong>as</strong>k <strong>of</strong><br />
record<strong>in</strong>g different spaces ra<strong>the</strong>r than respond<strong>in</strong>g to <strong>the</strong>m. An adult w<strong>as</strong><br />
on h<strong>and</strong> to prompt but not to direct <strong>the</strong>ir activity.<br />
The <strong>in</strong>tention w<strong>as</strong> to probe children’s preconceptions about art galleries,<br />
<strong>in</strong> terms <strong>of</strong> who <strong>the</strong>y th<strong>in</strong>k <strong>the</strong>y are for, <strong>and</strong> how <strong>the</strong>y make you feel.<br />
Initially, <strong>the</strong> children tended to give <strong>the</strong> answers which <strong>the</strong>y thought <strong>the</strong><br />
adults wanted to hear <strong>and</strong> it proved diffi cult to elicit responses that did<br />
not simply re-affi rm a second-h<strong>and</strong>, adult view <strong>of</strong> what an art <strong>gallery</strong><br />
should be.<br />
They were also <strong>in</strong>cl<strong>in</strong>ed to <strong>in</strong>fl uence one ano<strong>the</strong>r. Gradually, however, <strong>the</strong>y<br />
became more autonomous <strong>and</strong> more spontaneous <strong>in</strong> <strong>the</strong>ir judgements.<br />
Only towards <strong>the</strong> end <strong>of</strong> <strong>the</strong> project did <strong>the</strong> children beg<strong>in</strong> to express<br />
<strong>the</strong>mselves with more freedom. Back <strong>in</strong> school, <strong>in</strong> <strong>the</strong> fi nal stage <strong>of</strong> <strong>the</strong><br />
project, <strong>the</strong>y <strong>design</strong>ed <strong>the</strong>ir ‘ideal’ <strong>gallery</strong>, <strong>in</strong>corporat<strong>in</strong>g elements <strong>of</strong> <strong>the</strong><br />
exist<strong>in</strong>g Whitworth build<strong>in</strong>g <strong>and</strong> displays, but also add<strong>in</strong>g ide<strong>as</strong> from<br />
o<strong>the</strong>r contexts.<br />
They gave considerable thought to <strong>the</strong> requirements <strong>of</strong> disabled <strong>and</strong><br />
elderly people, show<strong>in</strong>g a strik<strong>in</strong>g awareness <strong>of</strong> <strong>the</strong> need for<br />
‘<strong>in</strong>clusive <strong>design</strong>’.<br />
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