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Volume 24, no 3, Winter 2011 - Jane Austen Society of North ...

Volume 24, no 3, Winter 2011 - Jane Austen Society of North ...

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the 2010s, but the constant themes <strong>of</strong> eco<strong>no</strong>mic<br />

travail and class interests through the ages rang<br />

out.<br />

Craig tied the political situation <strong>of</strong> the 1790’s<br />

to the plot <strong>of</strong> Sense and Sensibility. Parliament’s<br />

inertia was comparable to John Dashwood’s reaction<br />

to (Whig) Fanny’s protest that he shouldn’t<br />

“impoverish” himself just to feed the poor. Craig<br />

pointed out that <strong>Austen</strong>’s Hampshire, like many<br />

counties, had seen much enclosure <strong>of</strong> the common<br />

land that the poor relied upon to feed themselves,<br />

and <strong>no</strong>ted that John Dashwood describes his land<br />

Village meeting to discuss enclosure.<br />

enclosure – and hence, his starvation <strong>of</strong> the poor –<br />

while gorging himself at dinner.<br />

Craig’s tour de force <strong>of</strong> tying <strong>Austen</strong>’s opinions<br />

on eco<strong>no</strong>mics to Sense and Sensibility came in<br />

her description <strong>of</strong> how various “Johns” in Sense<br />

and Sensibility, representing different aspects <strong>of</strong><br />

John Bull as the symbol <strong>of</strong> England, responded to<br />

the crisis.<br />

John Dashwood, from Sussex, represents a<br />

typical Sussex landowner – Sussex had many enclosures<br />

and 1 in 4 persons in Sussex qualified as a<br />

pauper in the 1790. The poor taxes were diverted<br />

to other government uses, and <strong>no</strong> private charities<br />

existed to alleviate the distress <strong>of</strong> the poor.<br />

John Willoughby is certainly a Whig – we<br />

k<strong>no</strong>w he’s in opposition to Palmer in Parliament.<br />

He was personally extravagant and paid <strong>no</strong> attention<br />

to the problems <strong>of</strong> his tenants, and ig<strong>no</strong>red the<br />

financial plight <strong>of</strong> Eliza Williams after her seduction.<br />

He would have thought helping the poor was<br />

wasteful and immoral – and Somerset, the county<br />

where Combe Magna was located, was an extraordinarily<br />

difficult county in which to be poor during<br />

the 1790’s.<br />

12<br />

Sir John Middleton from Devon represents one<br />

<strong>of</strong> the kindlier counties during this depression – it<br />

had high poor taxes on the rich and few enclosures<br />

so the poor had milk daily, unlike in Sussex. There<br />

were plenty <strong>of</strong> private charities in Devon. Sir John<br />

exemplifies the kindness <strong>of</strong> Devon by giving food<br />

and cheap rent to his tenants – he is the example <strong>of</strong><br />

the good English squire during the crisis.<br />

Colonel Brandon, from Dorset, who <strong>of</strong> course<br />

doesn’t have a given first name, also exemplifies<br />

the good squire as he goes to debtors’ prison to<br />

help a servant, and finds his first love Eliza there in<br />

her distress. Dorset was also a kindlier county for<br />

the poor during the 1790’s.<br />

What politicians did <strong>Austen</strong> support? Neither<br />

the radical Whigs who refused taxation on their<br />

business pr<strong>of</strong>its <strong>no</strong>r the radical Tories who enclosed<br />

the common fields, both sets <strong>of</strong> radicals increasing<br />

the burdens on the poor. She would have supported<br />

the moderates in both parties who were trying to<br />

find a way to ease the burdens <strong>of</strong> the depression –<br />

Darcy is a good landowner taking care <strong>of</strong> his tenants,<br />

and Mr. Knightley is the model squire who<br />

has never enclosed the common lands near Donwell.<br />

Given her picture <strong>of</strong> England, we can read<br />

Mr. Palmer as a caricature <strong>of</strong> period politicians, and<br />

can sympathize with Edward Ferrar’s reluctance to<br />

enter the corrosive political area <strong>of</strong> the 1790’s.<br />

A Look to Die For: Regency<br />

Cosmetics and Esthetics<br />

Report by Liz Cooper<br />

On Thursday night before Vicky Hinshaw’s<br />

fabulous talk on Regency weddings, Jinger Heath<br />

examined the various methods, means and poisons<br />

that women used to enhance their looks in <strong>Jane</strong><br />

<strong>Austen</strong>’s time. Heath is the founder <strong>of</strong> BeautiControl,<br />

a direct sales skin care, spa and cosmetics company<br />

which made her a k<strong>no</strong>wledgeable and enthusiastic<br />

speaker. One <strong>of</strong> the funny things she said at<br />

the start <strong>of</strong> the talk was, “In Texas, the bigger the<br />

hair, the closer to God.”<br />

One <strong>of</strong> the ways women were evaluated on the<br />

marriage market was by their complexion. In one <strong>of</strong><br />

his early conversations with Emma, Frank Churchill<br />

says <strong>Jane</strong> Fairfax has, “A most deplorable want <strong>of</strong><br />

complexion.” At the end <strong>of</strong> the story when he is en-

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