The Quarterly - Singapore Art Museum
The Quarterly - Singapore Art Museum
The Quarterly - Singapore Art Museum
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>The</strong> <strong>Quarterly</strong><br />
OCT<br />
DEC<br />
to 2010
Cover image: Natee Utarit, <strong>The</strong> Last<br />
Description of the Old Romantic No.<br />
2, 2005, Oil and wood stain on canvas,<br />
160 x 120 cm, private collection<br />
Photography on pages 14, 44 and 45<br />
(except ‘Music Hall at SAM’) is courtesy<br />
of Werkz Photography.<br />
All information is correct at the time of print.<br />
Please refer to www.singaporeartmuseum.sg for the latest updates. <strong>The</strong> <strong>Museum</strong> reserves the right<br />
to make changes and modifications to the programmes without prior notice. <strong>The</strong> views and<br />
opinions expressed by speakers, facilitators or artists in the talks, workshops and performances do<br />
not represent the position of <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong>.<br />
02
Contents<br />
About SAM Page 4<br />
Director’s Message Page 5<br />
Calendar Page 6<br />
Exhibitions Page 8<br />
Recent Acquisitions Page 21<br />
SAM Goes Abroad Page 25<br />
Public Programmes Page 26<br />
Support SAM Page 37<br />
Dining Page 40<br />
Shopping Page 41<br />
SAM Moments Page 44<br />
General Information Page 47<br />
03
About SAM<br />
<strong>The</strong> mission of the <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> (SAM) is to preserve and promote contemporary art<br />
practices of <strong>Singapore</strong> and the Southeast Asian region. Opened in January 1996 as a museum<br />
under the National Heritage Board of <strong>Singapore</strong>, SAM has amassed one of the world’s largest<br />
public collections of modern and contemporary Southeast Asian artworks, with a growing<br />
component in international contemporary art. Since 2009, SAM has focused its programming and<br />
collections development initiatives around contemporary Southeast Asian art and art practices.<br />
Through strategic alliances with arts and cultural institutions and community organisations, SAM<br />
facilitates visual arts education, exchange, research and development within the region and<br />
internationally. SAM is also the organiser of the <strong>Singapore</strong> Biennale 2011.<br />
SAM Board<br />
Chair<br />
Ms. Jane Ittogi, Partner, Shook Lin & Bok LLP<br />
Members<br />
Ms. Audrey Wong, Programme Leader, MA <strong>Art</strong>s & Cultural Management School of Integrated<br />
Studies, LASALLE College of the <strong>Art</strong>s<br />
Dr. George Quek, Chairman, BreadTalk Group Limited<br />
Mr. Kenneth Choe, Executive Director, Goldman Sachs (<strong>Singapore</strong>)<br />
Dr. Kwok Kian Woon, Associate Chair (Academic), School of Humanities and Social Sciences,<br />
Nanyang Technological University<br />
Mr. Qi Yu Wu, MediaCorp <strong>Art</strong>ist, MediaCorp Raintree Pictures<br />
Mr. Quek Tse Kwang, Partner, RT & Q Architects<br />
Mr. Ronny C T Tan, Chief Country Officer and General Manger, Deutsche Bank AG<br />
Mr. Suhaimi Sukiyar, Angkatan Pelukis Aneka Daya (Association of <strong>Art</strong>ists of Various Resources)<br />
Mr. Wee Teng Wen, Founder and Principle Partner, <strong>The</strong> Lo & Behold Group Pte Ltd<br />
04<br />
Dr. Winston Ang Wee Kern, Assistant Professor, Visual and Performing <strong>Art</strong>s Academic Group,<br />
National Institute of Education, Nanyang Technological University
Director’s Message<br />
In 1979, British group <strong>The</strong> Buggles proclaimed “Video killed the radio star” in their debut hit single<br />
of the same title, mourning the end of radio and along with it, a singer’s career with the advent of<br />
television and the birth of music video. <strong>The</strong>ir prophecy was not quite accurate as radio remains an<br />
important mass communication medium for aspiring pop stars and contemporary society at large.<br />
In the same vein, paintings, photographs and Pop <strong>Art</strong> invade the SAM galleries this quarter, vividly<br />
affirming why they will remain timeless and influential for many contemporary artists today. Natee<br />
Utarit’s canvasses and Manit Sriwanichpoom’s photographs not only demonstrate their mastery of<br />
the respective genres, but also how they push the boundaries of painting or photography and<br />
effectively employ them to tell us about the state of the world around us today. And if you thought<br />
Pop <strong>Art</strong> ended with Andy Warhol, Japanese artists such as Yayoi Kusama, Takashi Murakami and<br />
Yoshitomo Nara show how Japan continues to transcend the style and kept it cool ever since.<br />
Natee Utarit: After Painting, Manit Sriwanichpoom: Phenomena and Prophecies and Trans-Cool<br />
TOKYO are extensively curated exhibitions which SAM is able to present thanks to the lasting ties<br />
and partnerships developed with museums, galleries, collectors, as well as art and cultural<br />
institutions at home in <strong>Singapore</strong> and abroad. As the country’s national museum for contemporary<br />
art, besides building ties with living artists, there is also the wider arts community and institutions.<br />
So this season, come down to SAM – you will find that it is not old-fashioned to indulge in painting<br />
or photography and will even discover a trick or two to make it “transcool”. I look forward to your<br />
continued patronage of SAM in 2011 and on behalf of my team at SAM, our best wishes to you for<br />
the coming new year!<br />
Tan Boon Hui<br />
Director<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong><br />
05
Calendar<br />
EXHIBITIONS<br />
Natee Utarit: After Painting<br />
1 October 2010 to 20 February 2011<br />
SAM<br />
Manit Sriwanichpoom:<br />
Phenomena and Prophecies<br />
7 October to 7 November<br />
SAM at 8Q<br />
It’s Now or Never:<br />
New Contemporary<br />
<strong>Art</strong> Acquisitions<br />
From mid-October<br />
SAM at 8Q<br />
Trans-Cool TOKYO<br />
18 November 2010 to 13 February 2011<br />
SAM at 8Q<br />
Tags and Treats:<br />
Works by Vincent Leow<br />
Runs through 17 October<br />
SAM at 8Q<br />
Seeing the Kites Again<br />
又 见 风 筝 : 吴 冠 中 捐 赠 作 品 展<br />
Runs through 14 December<br />
SAM<br />
Cheong Soo Pieng:<br />
Bridging Worlds<br />
Runs through 26 December<br />
SAM<br />
Earth and Water:<br />
Mapping <strong>Art</strong> in Southeast Asia<br />
Runs through 1 January 2011<br />
SAM<br />
Learning Gallery<br />
On-going<br />
SAM<br />
PROGRAMMES<br />
Oct<br />
Fri, 1 Oct | 7:30pm – 9pm | SAM<br />
Meet the <strong>Art</strong>ist: Natee Utarit<br />
Thu, 7 Oct | 7:30pm - 8:30pm | SAM<br />
Curator’s Tour: Looking Beyond the Surface<br />
Sun, 10 Oct - 24 Oct | SAM at 8Q<br />
Mind Painters<br />
Wed, 13 Oct - Sun, 7 Nov | SAM & SAM at 8Q<br />
2nd <strong>Singapore</strong> International Photography<br />
Festival Film Screenings, Talks and Forum<br />
Wed, 13 Oct | 7:30pm - 9pm | Moving Image<br />
Gallery, SAM at 8Q<br />
Meet the <strong>Art</strong>ist and Curator:<br />
Manit Sriwanichpoom and Ark Fongsmut<br />
Thu, 14 Oct | 7:30pm - 8:30pm | SAM at 8Q<br />
Curator’s Tour:<br />
Situating Phenomena and Prophecies<br />
Fri, 15 Oct | 7:30pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Thailand: Agrarian Utopia<br />
Sat, 16 Oct | 3pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Thailand: Short Films from<br />
Thailand<br />
Fri, 22 Oct | 7:30pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Thailand: <strong>The</strong> Convert<br />
Sat, 23 Oct | 3pm | Moving Image Gallery, SAM<br />
at 8Q<br />
Films from Thailand: Mekhong Full Moon<br />
Party<br />
Fri, 29 Oct | 7pm - 9pm | Glass Hall, SAM<br />
Originals Only Open Mike<br />
Nov<br />
Fri, 5 Nov | 10am - 9pm | SAM & SAM at 8Q<br />
Deepavali Open House<br />
06
Fri, 19 Nov | 7:30pm - 9pm | Glass Hall, SAM<br />
Asian <strong>Art</strong> Discourse Now:<br />
Institutions, Ideas, <strong>Art</strong> Market Practices<br />
Sat, 20 Nov | 2pm - 3pm | SAM at 8Q<br />
Curator's Tour: An Instant Guide to<br />
Japanese Contemporary <strong>Art</strong><br />
Fri, 26 Nov | 7pm – 9pm | Glass Hall, SAM<br />
Originals Only Open Mike<br />
Dec<br />
Fri, 3 Dec, Guitaresque | 7:30pm - 8:30pm |<br />
SAM Chapel<br />
Christmas Concerts<br />
Sun, 5 Dec | 10am – 6pm | <strong>The</strong> Plaza, SAM at<br />
8Q<br />
Invasion! – An Explosion of Popular Culture<br />
and Toys<br />
Fri, 10 Dec | 7:30pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Japan: Princess Raccoon<br />
Fri, 10 Dec, Nasum Praise Team |<br />
7:30pm - 8:30pm | SAM Chapel<br />
Christmas Concerts<br />
Sat, 11 Dec | 3pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Japan:<br />
Travelling with Yoshitomo Nara<br />
Fri, 17 Dec, <strong>The</strong> Joyful Sound |<br />
7:30pm - 8:30pm | SAM Chapel<br />
Christmas Concerts<br />
Sat, 11 Dec | 8pm till dawn | Siloso Beach,<br />
Sentosa<br />
ZoukOut 10th Anniversary: <strong>Art</strong> On <strong>The</strong><br />
Sands<br />
Fri, 17 Dec | 7:30pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Japan: Miyoko<br />
Originals Only Open Mike<br />
Sat, 18 Dec | 3pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Japan: Yayoi Kusama: I Love Me<br />
Sat, 18 Dec | 5:30pm | Moving Image Gallery,<br />
SAM at 8Q<br />
Films from Japan: <strong>The</strong> Primitchibu World<br />
Sat, 25 Dec | 10am - 7pm | SAM & SAM at 8Q<br />
Christmas Open House<br />
Jan 2011<br />
Sat, 1 Jan | 10am - 7pm | SAM & SAM at 8Q<br />
New Year’s Open House<br />
EDUCATION<br />
PROGRAMMES<br />
For Schools Only<br />
Learning Gallery Programmes<br />
Every Thu & Fri | 10am - 11:30am or<br />
2:30pm - 4pm | SAM<br />
<strong>Art</strong> Trail<br />
Every Thu & Fri |10am – 11:30am or<br />
2.30pm - 4pm | SAM<br />
<strong>Art</strong> Talk<br />
Every Mon and Tue | 10am – 12:30pm or<br />
2pm - 4:30pm | SAM<br />
Everyday Life<br />
Every Mon and Tue | 10am – 12:30pm or<br />
2pm - 4:30pm | SAM<br />
Everyday Food<br />
Every Mon and Tue | 10am – 12:30pm or<br />
2pm - 4:30pm | SAM<br />
Everyday Objects<br />
Fri, 17 Dec | 7pm - 9pm | Glass Hall, SAM<br />
07
Natee Utarit, Tales of Yesterday, Today and Tomorrow, 2009, oil on linen, 240 x 200 cm, <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection
Credit Suisse: Innovation In <strong>Art</strong> Series<br />
Natee Utarit: After Painting<br />
1 October 2010 to 20 February 2011<br />
SAM<br />
Predictions of the end of painting have been with us for over a century. Within Southeast Asia<br />
however, painting continues to develop as a major medium of artistic expression with its own<br />
unique aesthetic sensibilities, and it is in this context that SAM presents After Painting, a<br />
mid-career survey of Thai artist Natee Utarit.<br />
An exceptional painter whose career spans over two decades, Natee’s stunningly vivid paintings<br />
have for a long time, been a series of dialogues and debates on established Western painting<br />
traditions; his ultimate aim to develop new possibilities for painting. <strong>The</strong> artist’s recent work,<br />
however, has increasingly been commentaries on Thai society and identity, and helps place him<br />
among his fellow Southeast Asian artists who continue to use visual art as a way of reflecting on<br />
the changing social-political situations in the region.<br />
Natee Utarit: After Painting features more than 70 paintings drawn from SAM, the Bangkok<br />
University, the Queensland <strong>Art</strong> Gallery as well as private collections in Europe, Asia and the region.<br />
Presenting Sponsor<br />
Meet the <strong>Art</strong>ist: Natee Utarit<br />
Natee Utarit’s works show his mastery of Western painting traditions such as landscape,<br />
portraiture and still life. At the same time, they suggest new approaches to painting in the context<br />
of Thai contemporary art. Join artist Natee Utarit as he speaks of painting’s potential for<br />
self-reflexivity and critical expression.<br />
Fri, 1 Oct | 7:30pm - 9pm | SAM<br />
$15. Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Curator’s Tour: Looking Beyond the Surface<br />
Join SAM curator Michelle Ho and gain insight into the work of artist Natee Utarit, whose vivid<br />
paintings seek to challenge established Western painting traditions, and comment on<br />
contemporary Thai society and identity.<br />
Thu, 7 Oct | 7:30pm - 8:30pm | SAM<br />
$10. Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Catalogue & Merchandise<br />
SAM with the artist, presents exciting merchandise that you can bring home! <strong>The</strong>se include a limited<br />
edition shopping bag, personally created by the artist, and T-shirts, tote bags and postcards.<br />
09
Manit Sriwanichpoom:<br />
Phenomena and Prophecies<br />
7 October to 7 November 2010<br />
SAM at 8Q<br />
Manit Sriwanichpoom’s photographs deal with themes of consumerism and other Thai social and<br />
political issues through his strategies of critical documentation, as well as staged satirical<br />
compositions of the state of Thai society today. <strong>The</strong> myriad appearances or phenomena that his<br />
works conjure, reflect the artist’s belief in the power of brutal truths, which surfaces at times in the<br />
form of painful prophecies. <strong>The</strong>y also highlight his peculiar artistic role as one that treads on the thin<br />
line between merely recording and purposefully composing history, at a time where even historical<br />
narratives are not exempt from mass media constructions.<br />
Manit has exhibited prolifically around the world, including presentations at the 6 th Asia Pacific<br />
Triennial (2010), the 6 th Gwangju Biennale (2006), the 1 st Pocheon Asian <strong>Art</strong> Festival (2005) and the<br />
50 th Venice Biennale (2003). More than 100 photographs from his vast oeuvre are featured in<br />
Phenomena and Prophecies. <strong>The</strong> exhibition is guest-curated by curator Ark Fongsmut and is<br />
co-organised by SAM and the <strong>Singapore</strong> International Photography Festival for the 2 nd <strong>Singapore</strong><br />
International Photography Festival 2010.<br />
Co-organiser<br />
With support from<br />
Meet the <strong>Art</strong>ist and Curator: Manit Sriwanichpoom and Ark Fongsmut<br />
<strong>Art</strong>ist Manit Sriwanichpoom's photographs seem to present empirical documentations of<br />
contemporary realities. However, upon closer examination, hidden truths about Thai society<br />
emerge. In this era of dense visual culture and manipulated imagery, is photography a medium<br />
especially suited to capturing the pressing issues of volatile Southeast Asia? Join artist Manit<br />
Sriwanichpoom and curator Ark Fongsmut as they discuss these topics.<br />
Wed, 13 Oct | 7:30pm - 9pm | Moving Image Gallery, SAM at 8Q<br />
Free. Limited seating. Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Curator’s Tour: Situating Phenomena and Prophecies<br />
Go behind the lenses of artist Manit Sriwanichpoom, whose photographs handle themes of<br />
consumption and other Thai social and political issues in this curator's tour by Ark Fongsmut.<br />
Thu, 14 Oct | 7:30pm - 8:30pm | SAM at 8Q<br />
$10. Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Facing page: Manit Sriwanichpoom, Pink man with pink balloons # 1, 1997, C-print, Silom Road, artist collection<br />
11
Trans-Cool TOKYO<br />
18 November 2010 to 13 February 2011<br />
SAM at 8Q<br />
From Yayoi Kusama's pioneering works of Japanese Pop <strong>Art</strong> to Yasumasa Morimura's role-playing<br />
of iconic figures in his portraits from the 1980s, the exhibition Trans-Cool TOKYO provides an<br />
opportunity to view works by groundbreaking Japanese artists who have made an indelible impact<br />
on contemporary art. Featuring over 40 works from the <strong>Museum</strong> of Contemporary <strong>Art</strong> Tokyo<br />
collection, this exhibition also tells the story of how Japanese artists, since the second half of the<br />
1990s, have established their own creative identities within the context of global pop culture.<br />
Working across all mediums, from painting and sculpture, to performance, photography and<br />
video, the featured artists have created work in response to the onset of the information age and<br />
the greater freedoms and uncertainties that are available in contemporary society. Trans-Cool<br />
TOKYO is co-organised by SAM and the <strong>Museum</strong> of Contemporary <strong>Art</strong> Tokyo.<br />
Co-organiser<br />
Curator’s Tour: A Guide to Japanese Contemporary <strong>Art</strong><br />
Join the Trans-Cool Tokyo exhibition curator, Hiroko Kato, on a journey of the development of<br />
Japanese contemporary art from post-war to present.<br />
Sat, 20 Nov | 2pm - 3pm | SAM at 8Q<br />
$10. Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Invasion! - An Explosion of Popular Culture and Toys<br />
Experience the magic and wonders of contemporary Japanese art from the <strong>Museum</strong> of Tokyo and<br />
meet colourful Cosplay characters at our fun-filled day of live music and art-based activities. Grab<br />
this chance to shop for unique Christmas gifts at the premiere toy carnival presenting the latest<br />
collectibles for young and old.<br />
Sun, 5 Dec | 10am - 6pm | <strong>The</strong> Plaza, SAM at 8Q<br />
Part of<br />
Facing page: Kohei Nawa, PixCell-Deer #17, 2008-2009, mixed media, 200 x 170 x 150 cm, <strong>Museum</strong> of Contemporary <strong>Art</strong><br />
Tokyo collection<br />
13
Tags & Treats:<br />
Works by Vincent Leow<br />
Runs through 17 October 2010<br />
SAM at 8Q<br />
Vincent Leow has carved out an important role in <strong>Singapore</strong>’s contemporary art development<br />
through three decades of artistic practice that is rooted in debates over the contemporary<br />
<strong>Singapore</strong> identity. This mid-career survey of Leow’s prolific oeuvre offers a balanced perspective<br />
of the artist’s work, which has been known primarily for the provocative and aggressive. <strong>The</strong><br />
exhibition highlights the surprisingly meditative tone and emotive quality in many of his works,<br />
revealing an artist who still continues to explore issues of identity, memory, mortality and legacies.<br />
<strong>The</strong> title Tags & Treats refers to pet identity tags, as well as military dog tags that are often used to<br />
identify the dead or wounded in war. <strong>The</strong> military dog tag is a reference to Leow’s inspiration for<br />
his new works, the Latin phrase memento mori (remember you will die), while the pet identity tag<br />
is a remembrance of Andy, his beloved late pet, which he transforms into a hybrid dog-man image<br />
in his work. Leow, in his trademark whimsical style, uses the allegory of pets to remove the severity<br />
from the grim issue of mortality. <strong>The</strong> “treat” of a life well lived is that of one’s legacy. <strong>The</strong> exhibition,<br />
with its explorations, marks a milestone of a new direction and focus in Leow’s artistic practice.<br />
Vincent Leow: Merchandise Showcase<br />
Merchandise inspired by the artist’s favourite pet dog, Andy and<br />
the artwork, Money Suit is now available at SAM, created in<br />
conjunction with Tags & Treats.<br />
Items include a T-shirt with a complimentary drawstring “money<br />
pouch”, tote bag, a dog tag and postcards of Vincent’s five<br />
selected works.<br />
Please enquire at the SAM at 8Q front desk.<br />
Book Series<br />
<strong>Singapore</strong> Contemporary <strong>Art</strong>ists: Vincent Leow<br />
<strong>The</strong> <strong>Singapore</strong> Contemporary <strong>Art</strong>ists Series documents and<br />
provides critical commentary on the practice of significant<br />
contemporary artists from <strong>Singapore</strong>. Enlarging discourse and<br />
scholarship on contemporary art, it introduces the vibrant<br />
contemporary art scene in <strong>Singapore</strong>. Vincent Leow is the first<br />
book in this series, documenting and charting the artist’s career<br />
through essays and personal responses from artists, curators and<br />
art historians on his key works. <strong>The</strong> publication retails at $49.90.<br />
Facing page: Installation view of Tags and Treats: Works by Vincent Leow.<br />
15
Cheong Soo Pieng:<br />
Bridging Worlds<br />
Runs through 26 December 2010<br />
SAM<br />
Cheong Soo Pieng, Drying Salted Fish, (detail) 1978, Chinese ink and colour on cloth, 55.5 x 88.5 cm, collection of<br />
National Heritage Board collection<br />
One of the most experimental and influential Southeast Asian artists of his generation, Cheong Soo<br />
Pieng produced works that pushed the boundaries of art-making throughout his life. <strong>The</strong> exhibition<br />
Cheong Soo Pieng: Bridging Worlds celebrates the remarkable achievements of this master artist<br />
and examines his process of art-making, as well as his sources of influence and inspiration.<br />
Characterised by a constant search for new materials and impressions, Cheong was influenced by<br />
a wide variety of cultural sources from the East and Southeast Asia, as well as the West. <strong>The</strong> desire<br />
to experiment shaped and marked Cheong’s artistic practice. It influenced how he developed new<br />
styles, pictorial motifs and symbols, breaking new ground in abstract and figurative art.<br />
Through an extensive display of more than 300 drawings, sketches and artworks, many shown<br />
publicly for the first time, Cheong Soo Pieng: Bridging Worlds chronicles the journey of a man who<br />
lived and breathed art. Visitors can explore the mind of one of <strong>Singapore</strong>’s finest artists,<br />
understand the impact he made on modern and contemporary art, and appreciate why his<br />
artistic influence continues to resonate today.<br />
Sponsor<br />
LEE KIM TAH<br />
HOLDINGS LIMITED<br />
Exhibition Design<br />
studioMilou singapore<br />
16
Runs through 14 December 2010<br />
SAM<br />
In 2008, Chinese artist Wu Guanzhong donated 113 of his most important works to the National<br />
Heritage Board, <strong>Singapore</strong>. This is the highest-value donation ever to a public institution in<br />
<strong>Singapore</strong>. An internationally celebrated artist, Wu is best known for marrying the distinct art form<br />
of traditional Chinese ink with modern concepts in Western art. Wu’s writings, recently published<br />
as a seven-volume anthology, provide deep insights into his aesthetics and art practice.<br />
Showcasing 22 paintings from the donation, Seeing the Kites Again is an exhibition inspired by<br />
Wu’s metaphor of the kite. Since the 1960s, Wu Guanzhong has produced a great number of<br />
works, based on his personal recollections. <strong>The</strong>se works are centred around his home in<br />
southern China, his childhood, as well as the villages and towns he had been to. His interest in<br />
life and his attention to ordinary scenes infuse his art with an aesthetic quality that demonstrates<br />
a return to simplicity.<br />
Earth and Water:<br />
Mapping <strong>Art</strong> in Southeast Asia<br />
Runs through 1 January 2011<br />
SAM<br />
Southeast Asia comprises two broad geographical regions - the Mainland and the Archipelago.<br />
<strong>The</strong> former consists of Laos, Vietnam, Thailand, Cambodia, Myanmar and Peninsular Malaysia.<br />
<strong>The</strong> latter is made up of the island arcs and archipelagos of the Philippines, Indonesia, Brunei,<br />
<strong>Singapore</strong> and West Malaysia.<br />
<strong>The</strong> diverse region of Southeast Asia is home to about 500 million people. <strong>The</strong> history and society<br />
of Southeast Asia have been shaped by a confluence of geographical, historical and cultural<br />
forces. With exhibits drawn from the National Heritage Board’s permanent collection, the theme<br />
Earth and Water conjoins two of life’s basic elements with the Mainland and the Archipelago.<br />
<strong>The</strong>se works by the region’s best-known artists further offer multiple manifestations of life, society<br />
and traditions of Southeast Asia.<br />
<strong>The</strong> above three shows are special research exhibitions organised by the National <strong>Art</strong> Gallery,<br />
<strong>Singapore</strong>, held on the premises of SAM.<br />
17
Learning Gallery<br />
<strong>The</strong> Learning Gallery is dedicated to presenting artworks from SAM’s collection for the young<br />
visitor. Besides nurturing an appreciation for art, the works are specially selected to encourage<br />
lively discussions and develop creative and analytical thinking among our young visitors.<br />
<strong>The</strong> current show, Everyday Objects, invites you to take a second look at the familiar things around<br />
you through the eyes of artists from <strong>Singapore</strong> and Southeast Asia, where everyday things we<br />
know and sometimes take for granted are portrayed in a different light, making us think twice<br />
about their function and their relation to other objects.<br />
Education programmes inspired by the artworks on display have also been specially developed for<br />
schools to offer students a multi-disciplinary and holistic contemporary art experience at the<br />
Learning Gallery. <strong>The</strong>se programmes range from learning specific art techniques, to speech and<br />
drama puppet shows that encourages originality and the development of language skills and<br />
self-confidence.<br />
Learning Gallery Education Programmes are for school bookings only.<br />
Interested schools, please email nhb_sam_programs@nhb.gov.sg or call 6332 3220.<br />
18
Learning Gallery Education Programmes<br />
<strong>Art</strong> Trail<br />
Designed for pre-schoolers, this workshop engages students in active art discussions through<br />
creative story telling. Participants will learn more about artists and their artworks and create their<br />
own craft works inspired by the artworks in the gallery.<br />
Every Thu & Fri, 10am - 11:30am or 2:30pm - 4pm | SAM<br />
For 4 to 6 years old<br />
$18 per child, per lesson<br />
<strong>Art</strong> Talk<br />
This workshop aims to stimulate the students’ creativity through interactive puppet shows and<br />
speech and drama activities. Using the artworks as inspiration, students will be guided to develop<br />
their own narratives and perform their own puppet shows.<br />
Every Thu & Fri, 10am - 11:30am or 2:30pm - 4pm | SAM<br />
For 4 to 12 years old<br />
$28 per child, per lesson<br />
Everyday Life<br />
With discussion and quick sketching, students will turn everyday tasks and objects into interesting<br />
artworks by working with shapes and forms, and learning oil pastel and watercolour techniques like<br />
blending and bricking.<br />
Every Mon & Tue, 10am - 12:30pm or 2pm - 4:30pm | SAM<br />
For 7 to 8 years old<br />
$18 per child, per lesson<br />
Everyday Food<br />
What goes on inside the core of a papaya? Drawing inspiration from artworks that showcase food<br />
as the main subject matter, this workshop encourages students to explore the forms and shapes<br />
of food, and also to learn about the role of textures in their own art making.<br />
Every Mon & Tue, 10am - 12:30pm or 2pm - 4:30pm | SAM<br />
For 9 to 10 years old<br />
$18 per child, per lesson<br />
Everyday Objects<br />
Through active art discussions, students will share their initial thoughts and ideas of selected<br />
artworks and learn to generate ideas about objectifying personality traits through the use of quick<br />
rough sketching. Students will then create drawings based on concepts of cubism and abstract<br />
art using acrylic painting techniques.<br />
Every Mon & Tue, 10am - 12:30pm or 2pm - 4:30pm | SAM<br />
For 11 to 12 years old<br />
$28 per child, per lesson<br />
19
It’s Now or Never:<br />
New Contemporary <strong>Art</strong> Acquisitions<br />
From mid-October 2010<br />
SAM<br />
Sima Salehi, Circle, 2009, 3 channel video installation, Edition 1 out of 2, <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection<br />
Like the region itself, contemporary art from <strong>Singapore</strong> and Southeast Asia is diverse, dynamic<br />
and multifaceted, possessing its own distinctive aesthetics and artistic traditions shaped by<br />
different approaches to art-making and practices. With this in mind, SAM has been building a<br />
stellar collection of contemporary Southeast Asian art. SAM’s acquisitions policy devotes 80% of<br />
funds to Southeast Asian art, and the remaining 20% to the wider Asian region, such as China,<br />
India, Korea and Japan to provide a broader cultural context for the core collection.<br />
An artwork is acquired for its artistic merits and innovation, as well as what it may reveal or reflect<br />
of wider developments in art and society. <strong>The</strong> artists represented in the SAM collection fall into<br />
three broad groups: the ‘pioneering’ contemporary artists or ones associated with avant-garde<br />
practices, mid-career artists, and emerging practitioners. Through its acquisition policy and<br />
continued funding support from the government, individuals and corporate donors, SAM is able to<br />
include iconic works of art in its collection, encourage artists to create important new works<br />
through artist commissions and showcase the best in contemporary art from the region.<br />
20<br />
SAM will present two displays of its newest acquisitions from 2009 and 2010. <strong>The</strong> first display<br />
scheduled to be up by mid-October will focus on recent acquisitions of artworks by <strong>Singapore</strong><br />
artists while a second display planned for early March 2011 will zoom in on contemporary art from<br />
wider Asia, including Southeast Asia and China.
Recent Acquisitions<br />
Expense of Spirit in a Waste of Shame<br />
by Suzann Victor<br />
<strong>The</strong> Western Light No. 1<br />
by Natee Utarit<br />
<strong>The</strong> Western Light No. 1 recalls the famous bronze<br />
equestrian statue of King Rama V, which is situated<br />
at Bangkok city’s Royal Plaza. Rama V, Thailand’s<br />
revered king, and the country’s most successful<br />
reformer, is known as the first Thai monarch to<br />
travel to the West, who subsequently implemented<br />
reforms in education and religious freedom. During<br />
his reign, Thailand maintained her independence<br />
from European colonial rule. By choosing to portray<br />
a statue of Rama V, an object of reverence rather<br />
than the image of the king himself, Natee reveals<br />
the influence and magnetism of symbols of<br />
Natee Utarit, <strong>The</strong> Western Light No. 1, 2006, oil on canvas, 200 x 180 cm,<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection<br />
veneration. This painting, which shows the king<br />
looking in a westward direction, alludes to the disjuncture between a Western-style modernism<br />
that surfaces Thai society and the reality of Thailand beneath this veneer. Learn more about<br />
Natee’s practice at the Natee Utarit: After Painting exhibition (page 08).<br />
A compelling ‘performative’ installation, Expense of Spirit in a Waste of Shame enthralls the viewer<br />
with its mesmerising sounds and moving elements. <strong>The</strong> installation consists of 4 to 6 long sets of<br />
light bulbs; each set has 12 lights paired with 12 elliptical mirrors. Controlled by baby rocker<br />
motors, the bulbs descend towards the mirrors, producing a chorus of rhythmic, ‘clanging’<br />
sounds every time the bulbs hit the mirrors. Like doomed lovers, the bulbs and mirrors appear<br />
locked in a never-ending cycle of arrival and departure, and each narcissistic light dives to catch<br />
its reflection, only to separate after a fleeting moment’s contact.<br />
Suzann Victor, Expense of Spirit in a Waste of Shame, 1994, installation, light bulbs, cables, control unit, broken glass,<br />
motors, aluminium rods, mirrors, dimensions variable (5 sets), <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection<br />
21
Suzann Victor is regarded one of <strong>Singapore</strong>'s foremost contemporary artists, and has garnered<br />
significant international attention, having exhibited on a number of high-profile platforms, such as<br />
the 49 th Venice Biennale. <strong>The</strong> former <strong>Art</strong>istic Director of 5 th Passage Ltd, Victor started her<br />
practice as an award-winning painter but is now best known for her visually striking,<br />
sophisticated installations. Her works often investigate the post-colonial condition, and the notion<br />
of the abject, the absent body and 'body-machine', as well as the dynamics of female sexuality<br />
within a patriarchical society.<br />
Sulu Stories<br />
by Yee I-Lann<br />
Yee I-Lann works with digitally manipulated photographs to construct artworks that address<br />
issues about her multi-cultural identities in relation to the globalised world. Yee was born in Kota<br />
Kinabalu, Sabah, East Malaysia in 1971 to a New Zealander mother and Sino-Kadazan father, but<br />
she identifies herself strongly as a Sabahan. In this particular series of 13 colour photographs, the<br />
Sulu land- and seascapes represent a unified backdrop to contextualise her first memories of Sulu,<br />
22
the land on the opposite shore of her home. To her, these childhood memories of legends of<br />
dragons and giant pearls unite the various peoples of the region stretching all the way to the<br />
Philippines. It is a zone of historical intersections, where British, Spanish and Dutch colonists<br />
contested with the local cultures for trade supremacy and religious dominance. It is a shared space<br />
where animism, Islam and Catholicism converge akin to her dream-like backdrop, and where<br />
Yee I-Lann, Sulu Stories (set of 13 photographs), 2005, digital print on Kodak Endura paper,<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection<br />
23
orders remain volatile and in contention till this day.<br />
Yee’s Sulu Stories was brought to the attention of <strong>Singapore</strong>ans at the first <strong>Singapore</strong> Biennale in 2006<br />
and is considered one of her most significant bodies of work in her prolific photography practice.<br />
Yee I-Lann lives and works in Kuala Lumpur, Malaysia. She graduated from the University of South<br />
Australia in Adelaide in 1992 and later, studied painting at the Central Saint Martin’s School of <strong>Art</strong><br />
in London, United Kingdom. Her works have been featured widely in Malaysia and internationally,<br />
having represented Malaysia at the 3 rd Asia Pacific Triennial in 1999. Sulu Stories was most<br />
recently featured at the ZKM <strong>Museum</strong> of Contemporary <strong>Art</strong>’s exhibition <strong>The</strong>rmocline of <strong>Art</strong>: New<br />
Asian Waves in 2007.<br />
Imagination Sphere<br />
by Nge Lay<br />
Nge Lay questions the very essence of ‘truthfulness’ in photography through her work that<br />
attempts to relate the familiar with the unfamiliar. For Imagination Sphere, the technique she<br />
employs is simple yet strong, using only two basic elements—a torch light as a primary and unique<br />
source of illumination set against a dark background, and an old glass negative portrait of the<br />
artist's relative—captured by a digital camera. Nge Lay's artwork focuses on the portrait of a<br />
deceased elderly female relative who is unidentifiable to her family, representing “mysterious<br />
relatives” that no one can remember. Abstract at first, the images progressively reveal the human<br />
composition of her unfamiliar relative presented in the format of a negative. <strong>The</strong> artist works on the<br />
idea of lost memory with a tinge of irony, with photographs the apparent only visual source of<br />
memory, but which no one can really recall. This photography light-box installation mixes three<br />
techniques of capturing and presenting images, interplaying the old with the new, and the<br />
historical with the contemporary.<br />
Nge Lay, Imagination Sphere, (detail of installation), 2008, Experimental photo installation including 45 light boxes,<br />
12''x10'' each, Edition 1/1, <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection<br />
Nge Lay is one of the emerging pioneering contemporary artists working with experimental<br />
photography in Myanmar, where contemporary art is still in its infancy compared to more<br />
established centres such as Indonesia and Thailand. Her most important artwork to date<br />
Imagination Sphere was selected for Magnetic Power, the ASEAN-Korea Contemporary<br />
Photography & Media <strong>Art</strong> Exhibition in Seoul in 2009. She recently participated in the exhibition<br />
Visual <strong>Art</strong>s, Making History at the Jendela gallery at the Esplanade, <strong>Singapore</strong> in 2010.<br />
24
SAM Goes Abroad<br />
As <strong>Singapore</strong>’s national museum of contemporary art, SAM is dedicated to the promotion of<br />
Southeast Asian art by extending its reach to the international art world, growing new audiences<br />
and playing an active role in today’s fast-moving world. To this end, SAM expands its platforms to<br />
offer original and fresh Southeast Asian contemporary art exhibitions to international venues.<br />
SAM’s pivotal role in bringing <strong>Singapore</strong> and Southeast Asian contemporary artists within the<br />
global arts arena has expanded. <strong>The</strong> museum is now embarking on a sharing scheme of<br />
curatorial expertise and leadership for the promotion and display of its contemporary Southeast<br />
Asian art exhibitions with international academics and institutional partners. This new initiative<br />
genuinely enriches SAM’s objectives and shapes its reputation as an important centre for<br />
contemporary Southeast Asian art. Regarded as a platform for contemporary artists,<br />
professionals and art enthusiasts alike, SAM’s touring projects enhances <strong>Singapore</strong>’s identity as<br />
a vibrant cultural hub and destination.<br />
A selection of key exhibitions originated by SAM using our own collection as well as prestigious<br />
public and private collections expands the museum’s international exposure and reach to an<br />
extensive range of audiences worldwide. <strong>The</strong> first project to tour internationally is Ming Wong: Life<br />
of Imitation which will be exhibited at the Frye <strong>Museum</strong> in Seattle, USA in January 2011 and make<br />
its way to the CAST Gallery in Tasmania, Australia thereafter.<br />
25
Moving Image Gallery Screenings<br />
Films from Thailand<br />
In October, the Moving Image Gallery presents three features and a compilation of short films by Thai<br />
filmmakers in conjunction with Natee Utarit: After Painting. Depicting their idiosyncratic and energetic<br />
takes on contemporary Thai experience, these films tackle topics ranging from political struggle to<br />
folkloric belief, and religious schism to the amalgamation of cultures. Many of the works are concerned<br />
with depicting locally-specific preoccupations and practices that structure much of daily life and living.<br />
This screening programme highlights the work of young, up-and-coming Thai directors.<br />
Fri, 15 Oct to Sat, 23 Oct | 7:30pm | Moving Image Gallery, SAM at 8Q<br />
$10. Limited seating. Tickets available for purchase at SAM at 8Q.<br />
Please visit www.singaporeartmuseum.sg for film ratings.<br />
Agrarian Utopia<br />
Uruphong Raksasad, 2009, Thai with English subtitles, 122 minutes.<br />
Fri, 15 Oct | 7:30pm<br />
Two rice-farming families are forced to work together on a shared plot of land due to spiralling debts and<br />
land seizure. This experimental documentary is at once a paean to the director’s pastoral childhood in<br />
northern Thailand, and an uncompromising examination of the effects of political and social change on<br />
the rural poor. Beautiful and haunting, Agrarian Utopia has won the UNESCO award at the Asia Pacific<br />
Screen Awards and been awarded prizes in Toronto, Brussels and Rotterdam.<br />
Short Films from Thailand, 109 minutes.<br />
Sat, 16 Oct | 3pm<br />
• Panatipata<br />
Nawapol Thamrongrattanarit, Thailand, Thai with English subtitles, 30 minutes, <strong>Singapore</strong> premiere.<br />
Trouble ensues when Kai seeks out unusual remedies to heal a painful leg. A comedy about food, families<br />
and belief.<br />
• Cherie is Korean-Thai<br />
Nawapol Thamrongrattanarit, 2010, Thai with English subtitles, 19 minutes, <strong>Singapore</strong> premiere.<br />
Upcoming actress Cherie invites two labourers to help her research a role for her new soap opera.<br />
26
• Man and Gravity<br />
Jakrawal Nilthamrong, 2008, 11 minutes.<br />
A man. A tricycle. An impossible load. What will happen to him as he toils through a variety of unusual<br />
and hostile landscapes?<br />
• Immortal Woman<br />
Jakrawal Nilthamrong, 2010, 9 minutes, <strong>Singapore</strong> premiere<br />
An old woman lies in a room, her body both landscape and eternity.<br />
• I Did Not Dream Last Night / Looking in God’s Eye<br />
Taiki Sakpisit, 2008 - 2009, 17 minutes, <strong>Singapore</strong> premiere<br />
A series of tableaux exploring the gaze of people immersed in time and space.<br />
• Culture and Nature<br />
Prap Boonpan, 2008, 3 minutes, <strong>Singapore</strong> premiere<br />
Thailand prepares to celebrate the father on his special day.<br />
• <strong>The</strong> White Short Film / <strong>The</strong> Candle Light<br />
Prap Boonpan, 2009, Thai with English subtitles, 20 mins, <strong>Singapore</strong> premiere<br />
A young couple have a conversation about politics.<br />
<strong>The</strong> Convert<br />
Panu Aree, Kaweenipon Ketprasit and Kong Rithdee, 2008, Thai with English subtitles,<br />
83 mins.<br />
Fri, 22 Oct | 7:30pm<br />
This intimate documentary explores the story of June, a young, fun-loving Buddhist woman living<br />
in Bangkok, who marries Ake, a Muslim man from southern Thailand. Knowing almost nothing<br />
about Islam, June leaves her job, family and city, and moves to the southern provinces with her<br />
husband. As June embraces a new faith and lifestyle, she encounters a variety of joys and<br />
disenchantments. This documentary has travelled to a number of international film festivals,<br />
including Vancouver and Pusan.<br />
27
Mekhong Full Moon Party<br />
Jira Maligool, Thailand, 2002, Thai with English subtitles, 119 mins.<br />
Sat, 23 Oct | 3pm<br />
Every October, mysterious fireballs shoot up from the Mekong River near a village in northern<br />
Thailand, drawing huge crowds for festivities. Local village boy Kan returns from his university studies<br />
in Bangkok and meets an abbot and two doctors who are trying to unravel this phenomenon.<br />
Contrasting religion with science, this film depicts with lightness and humour the tussle between<br />
consumerism, tourism, tradition and superstition. Mekhong Full Moon Party won nine awards at the<br />
2002 Thailand National Film Awards, and the 2003 FIPRESCI award in Hong Kong.<br />
Films from Japan<br />
In December, the Moving Image Gallery presents a visual feast of feature films and artist<br />
documentaries in conjunction with Trans-Cool TOKYO. <strong>The</strong> three feature films selected alternately<br />
portray legendary tales with a postmodern flourish, depict subcultural lifestyles in louche artist<br />
neighbourhoods, and transform the gritty city into a manic dream playground. <strong>Art</strong>ists Yayoi<br />
Kusama and Yoshitomo Nara, whose works are featured in the exhibition, are captured in two<br />
documentaries that chart their artistic practice and offer a rare peek into their lives. This screening<br />
programme highlights directors and artists with a strong, unique visual sense. <strong>The</strong>ir works all<br />
confidently mine the contemporary and the mythic in very personal ways. All the films will be<br />
shown for the first time in <strong>Singapore</strong>.<br />
Fri, 10 Dec - Sat, 18 Dec | Moving Image Gallery, SAM at 8Q<br />
$10. Limited seating. Tickets available for purchase at SAM at 8Q.<br />
Please visit www.singaporeartmuseum.sg for film ratings.<br />
Princess Raccoon<br />
Seijun Suzuki, Japan, 2005, Japanese and Mandarin with English subtitles, 111 minutes.<br />
Fri, 10 Dec | 7:30pm<br />
In Japanese folklore, tanuki are raccoon-like creatures known for their shape-shifting powers of<br />
deception. In this comedy-musical-operetta, Zhang Ziyi plays a tanuki princess who falls for exiled<br />
Prince Amechiyo, played by Joe Odagiri. <strong>The</strong> star-crossed lovers’ story takes backstage to the<br />
film’s astonishing design concepts, stage settings, CG environments, and raucous musical<br />
stylings. Known for his genre work and surreal visual style, Suzuki is a veteran cult filmmaker<br />
celebrated by the likes of Takeshi Kitano, Wong Kar-Wai and Quentin Tarantino.<br />
28
Travelling with Yoshitomo Nara<br />
Koji Sakabe, Japan, 2007, Japanese with English subtitles, 93 minutes.<br />
Sat, 11 Dec | 3pm<br />
A rare behind-the-scenes glimpse of a critically acclaimed artist, this film depicts an intimate<br />
portrait of Yoshitomo Nara, who garnered attention during Japan’s Pop <strong>Art</strong> movement in the<br />
1990s. Known for his wistful and sardonic paintings and sculptures of children and youth culture,<br />
Nara’s work is emotionally complex, yet accessible. This film follows Nara on a 240-day journey as<br />
he works in and travels to disparate locations such as Bangkok, New York, Soul, Tokyo, and his<br />
hometown Hirosaki.<br />
Miyoko<br />
Yoshifumi Tsubota, Japan, 2009, Japanese with English subtitles, 86 minutes.<br />
Fri, 17 Dec | 7:30pm<br />
Based on the life of pioneering manga artist Shinichi Abe, this stylised biopic documents the life of<br />
Abe and his girlfriend and muse Miyoko, as well as the sensual, free-wheeling bohemian ways of<br />
downtown Tokyo in the 1970s. Mixing historical fact with pure fiction, the film stays true to its<br />
subject through its inventive screen compositions and expressive, manga-like imagery. This debut<br />
film by Tsubota has received awards at film festivals in Rotterdam and Yokohama.<br />
Yayoi Kusama: I Love Me<br />
Takako Matsumoto, Japan, 2008, Japanese with English subtitles, 102 mins.<br />
Sat, 18 Dec | 3pm<br />
Avant-garde sculptor, painter and novelist Yayoi Kusama first rose to prominence through the use<br />
of dots and repeated motifs drawn from the hallucinations of her mental illness. An influential and<br />
highly collected artist, this film documents her creative process as she works on a large series of<br />
monochrome drawings. Kusama’s eccentricities, self-obsession and complex psyche are revealed<br />
as she strives to fulfil her intense dedication to her art.<br />
<strong>The</strong> Primitchibu World<br />
Kasumi Hiraoka and Takeshi Shirai, Japan, 2009 - 2010, Japanese with English subtitles,<br />
70 mins.<br />
Sat, 18 Dec | 5:30pm<br />
A girl selling flowers meets a piano-playing boy who believes that war will break out once they<br />
traverse the length of a shopping street. An unpredictable mood piece, this film eschews<br />
traditional narrative structure, creating a world that dissolves the boundaries between gods and<br />
humans, men and women, dreams and reality, and the street and the universe. <strong>The</strong> word<br />
‘primitchibu’ is a play on ‘primitive’ and ‘private parts’, and <strong>The</strong> Primitchibu World was originally a<br />
stage show with performance and live music. This special film version is the first full-length feature<br />
by Osaka video and performance artist Kasumi Hiraoka, who has been making short films on 8mm<br />
and DV for the past decade.<br />
29
2 nd <strong>Singapore</strong> International<br />
Photography Festival<br />
Films screenings<br />
Sun, 24 Oct to Sun, 7 Nov | Moving Image Gallery, SAM at 8Q | $12<br />
Post-screening discussion with film curator, Ho Hui May for selected screenings.<br />
Visit www.sipf.sg to purchase online via Paypal. Depending on availability, limited tickets will be<br />
available for sale at the Moving Image Gallery, SAM at 8Q half an hour before screening. Tickets<br />
may not be refunded or exchanged once purchases have been processed.<br />
What Remains: <strong>The</strong> Life and Work of Sally Mann<br />
Steven Cantor, USA, 2006, 80 mins, rating TBA.<br />
Sally Mann came into prominence in the early 1990s with Immediate Family, a series of intimate<br />
and controversial black-and-white photographs of her young children. This documentary follows<br />
her process of creating this series, traces her artistic explorations from the 1990s to the early<br />
2000s, and captures the strength of Mann's personality and her relationship with her family.<br />
Screening 1: Sun, 24 Oct | 3pm. Followed by post-screening discussion.<br />
Screening 2: Fri, 5 Nov | 8pm<br />
Manufactured Landscapes: Edward Burtynsky<br />
Jennifer Baichwal, USA, 2006, 86 mins, rating G.<br />
Edward Burtynsky is a Canadian photographer renowned for his large-scale colour photographs<br />
of landscapes affected by industries such as mines, quarries and refineries. Reflecting Burtynsky’s<br />
contemplative method of photographing with a large-format camera, this documentary charts his<br />
progress in China photographing massive manufacturing plants in Guangdong and the Three<br />
Gorges Dam on the Yangtze River.<br />
Screening 1: Tue, 26 Oct | 8pm<br />
Screening 2: Sat, 30 Oct | 4:30pm. Followed by post-screening discussion.<br />
A Sense of Place: Todd Hido – Night Studio | Stephen Shore – American Beauty | Naoya<br />
Hatakeyama – <strong>The</strong> Skin of the City | Danwen Xing – Urban Fictions | Jeff Chien-Hsing<br />
Liao - Habitat 7 and Robin Rhode – New Photography ’05.<br />
Joy of Giving Something, Inc, USA, 2005 - 2009, 65 mins, rating TBA.<br />
This selection of six documentaries provides an invaluable glimpse of photographers at work in<br />
diverse settings and places - depicting suburban and middle America, communities that live around<br />
the No.7 subway line in Queens, New York, capturing street activity on various media, documenting<br />
Japanese cities in a state of flux, and portrays alienation as a result of rapid urbanisation.<br />
Screening 1: Wed, 3 Nov | 7pm<br />
Screening 2: Sun, 7 Nov | 3pm. Followed by post-screening discussion.<br />
30
SIPF Portfolio Review<br />
<strong>The</strong> Portfolio Review is a springboard for works to be picked up by reviewers outside of this region,<br />
and an opportunity for photographers to meet curators, editors, gallery owners and arts dealers<br />
for useful advice and guidance on their works and careers. Meet up to eight reviewers over three<br />
days, with a 20-minute individual session with one reviewer. Please bring their actual portfolio,<br />
presentation of digital files on a laptop is possible but not encouraged.<br />
Wed, 13 Oct to Fri, 15 Oct | 10am - 5pm | SAM Chapel<br />
Limited to 30 selected participants. Register online at www.sipf.sg or call 6339 8655.<br />
<strong>Art</strong>ist and Curator Series<br />
Towards Contemporary Photography: the Photo Collection of the Musée du Quai Branly<br />
Come and hear Christine Barthe share on the Musée du Quai Branly Photo Quai contemporary<br />
photography collection of works by photographers outside of Europe. Christine Barthe is the<br />
curator of the photographic collection at the Musée du Quai Branly in Paris, France.<br />
Fri, 15 Oct 10 | 7:30pm - 8:30pm | SAM Chapel<br />
Free admission. Seating limited to 80 people. Register online at www.sipf.sg or call 6339 8655.<br />
Beyond <strong>The</strong> Face - Talk by Rifky Effendy<br />
Gain insights into the changing photographic practices in Indonesia, which have become more<br />
market driven, in contrast to works developed by artists such as collectives Mess56 in Yogyakarta,<br />
and Ruangrupa in Jakarta, as well as young photographer Agan Harahap which offer alternative<br />
points of vie and critically question reality and identity. Rifky Effendy is a photographer and critic<br />
based in Jakarta. He has curated exhibitions in Indonesia and abroad since 1997.<br />
Sat, 16 Oct | 3pm - 4pm | SAM Glass Hall<br />
Free admission. Register online at www.sipf.sg or call 6339 8655.<br />
Boxes/Cases/Buildings/Grids - Talk by Frank Breuer<br />
Cologne-based photographer Frank Breuer share about his photographs of bleak but strangely<br />
beautiful warehouses and of logo-bearing, corporate, pylon-like signs. Frank Breuer’s<br />
photographs are in the collections of the Metropolitan <strong>Museum</strong> of <strong>Art</strong>, New York; the Photographic<br />
Collection of the <strong>Museum</strong> Folkwang, Essen; the ZKM Karlsruhe; and the Manfred Heiting.<br />
Supported by Goethe-Institut <strong>Singapore</strong>.<br />
Sat, 16 Oct | 11am - 12pm | SAM Glass Hall<br />
Free admission. Seating limited to 50 people. Register online at www.sipf.sg or call 6339 8655.<br />
Landscapes and Figures - Talk by Massimo Vitali<br />
Known for his large format photography series, master photographer Massimo Vitali will share<br />
about his works, techniques and approaches. Massimo Vitali lives and works in Lucca, Italy and<br />
Berlin, Germany.<br />
Wed, 20 Oct 10 | 7:30pm - 8:30pm | SAM Chapel<br />
Free admission. Seating limited to 60 people. Register online at www.sipf.sg or call 6339 8655.<br />
31
Academic Discourse<br />
Taking on a more serious tone, this series of public talks aims at deepening the understanding of<br />
photography beyond mere mechanical reproduction by a common gadget to a medium that<br />
influences the way we perceive the world and, essentially, a part of our lives.<br />
Aesthetic Journalism: Reality and its Representation<br />
Writer, curator and artist Alfredo Cramerotti speaks about the growing overlap between global<br />
news media and contemporary visual practices with reference to his recent book Aesthetic<br />
Journalism: How to Inform Without Informing.<br />
Sat, 16 Oct | 2pm - 3pm | SAM Glass Hall<br />
Free admission. Seating limited to 50 people. Register online at www.sipf.sg or call 6339 8655.<br />
Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto<br />
Yasuhiro and Talk by Yasufumi Nakamori<br />
Nakamori will explore the nuanced and complex relationship between architecture and<br />
photography, and the profound impact these photographs by Ishimoto Yasuhiro, one of the most<br />
influential figures in post-World War II photography, have on interpretations of Japanese tradition<br />
in modern architecture. Yasufumi Nakamori is Assistant Curator of Photography of the <strong>Museum</strong> of<br />
Fine <strong>Art</strong>s, Houston.<br />
Sun, 17 Oct | 2pm - 3pm | SAM Chapel<br />
Free admission. Seating limited to 80 people. Register online at www.sipf.sg or call 6339 8655.<br />
Talking Point<br />
Trends and Approaches in Southeast Asia Contemporary Photography<br />
Join this discussion with international photographers, curators and artists on the prevailing trends,<br />
challenges and thoughts on contemporary photography in Southeast Asia. Is there a commonality<br />
or identity to the photography that is coming from Southeast Asia? Panellists include Ark<br />
Fongsmut, Patricia Levasseur de la Motte, Phu Mon, Rifky Effendy with moderator Sherman Ong.<br />
Sat, 16 Oct | 4pm - 5pm | SAM Chapel<br />
Free admission. Seating limited to 100 people. Register online at www.sipf.sg or call 6339 8655.<br />
Photography Education in <strong>Singapore</strong><br />
Local photography educators and artists opine on the changing demand of current photography<br />
education in view of digital imaging, the community and the prevailing dilemmas that educators<br />
and students face. Panellists include Chow Chee Yong, Professor Oh Soon Hwa and Gilles<br />
Massot, with moderator Gwen Lee.<br />
Sun, 17 Oct | 4pm - 5pm | SAM Chapel<br />
Free admission. Seating limited to 60 people. Register online at www.sipf.sg or call 6339 8655.<br />
<strong>The</strong> above 2nd <strong>Singapore</strong> International Film Festival programmes are supported by SAM.<br />
32
Mind Painters<br />
Work by beneficiaries of <strong>Singapore</strong> Association for Mental Health<br />
Mind Painters is a collection of paintings by people with special needs from various countries such<br />
as Hong Kong, Japan and <strong>Singapore</strong> as a way to raise public awareness of mental health. <strong>The</strong><br />
display theme emphasises the effectiveness of expressive art in bringing healing, discovery and<br />
improvement to the well-being of an individual. This event is a collaboration among Very Special<br />
<strong>Art</strong>s <strong>Singapore</strong>, Hayashibara Foundation of Japan, Centre for Community Cultural Development of<br />
Hong Kong, <strong>Singapore</strong> Association for Mental Health, and includes artworks from various other<br />
local mental health organisations. <strong>The</strong> event is supported by SAM.<br />
Sun, 10 Oct - Sun, 24 Oct | SAM at 8Q | Free<br />
<strong>The</strong> Mind Painters art programme includes a day filled with talks and workshops on the effectiveness<br />
of expressive therapy.<br />
Poetry Recitation by Harris Ng | 12pm - 12:10pm<br />
Role of <strong>Art</strong> <strong>The</strong>rapy in Mental Health by Jane Goh | 12:15pm - 1:15pm<br />
Music for Wellness: A Music <strong>The</strong>rapist's Perspective by Ng Wang Feng | 1:30pm - 2:30pm<br />
Music for Wellness: A Music <strong>The</strong>rapist's Perspective workshop by David Khlentzos | 2:45pm - 3:45pm<br />
Weaving Dance Movement <strong>The</strong>rapy in the Community by Agnes Law | 4pm - 5pm<br />
Sat, 10 Oct | 12pm - 5pm | Glass Hall, Level 1, SAM | Free<br />
Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Visit www.singaporeartmuseum.sg for more information.<br />
33
Fridays at SAM<br />
Enjoy contemporary art expressions through music at SAM. Catch <strong>Singapore</strong>’s very own budding<br />
singer-songwriters in action as they showcase their original compositions on the Originals Only<br />
Open Mike (OOOM@SAM), a joint collaboration by SAM and <strong>Singapore</strong> <strong>Art</strong> Café. <strong>The</strong> most<br />
promising performer stands to win the newly launched Creative HQ-1450 headphones courtesy<br />
of Creative.<br />
Fri, 29 Oct; 26 Nov | 7pm - 9pm | Glass Hall, Level 1, SAM | Free<br />
To register as a performer, please email nhb_sam_programs@nhb.gov.sg. Slots are limited to 20<br />
performers per session.<br />
34
Asian <strong>Art</strong> Discourse Now:<br />
Institutions, Ideas, <strong>Art</strong> Market Practices<br />
What is the impact of globalisation on Asian art discourse? What is the relationship between this<br />
discourse, and the market for Asian contemporary art? Tony Godfrey, Programme Director for MA<br />
in Contemporary <strong>Art</strong> at Sotheby’s Institute of <strong>Art</strong> <strong>Singapore</strong>, Ahmad Mashadi, Head of the National<br />
University of <strong>Singapore</strong> <strong>Museum</strong> and Tan Boon Hui, Director of SAM will discuss these issues and<br />
their impact on institutional, curatorial and exhibitionary practices in the context of Southeast Asia.<br />
This talk is co-organised by SAM and C-<strong>Art</strong>s Magazine, and will be moderated by Khairuddin Hori,<br />
Curator of SAM.<br />
Fri, 19 Nov | 7:30pm - 9pm | SAM Glass Hall<br />
Free. Registration required. Please email nhb_sam_programs@nhb.gov.sg.<br />
Christmas Concerts<br />
Enjoy Christmas classics on Fridays at SAM presented by Guitaresque, the Nasum Praise Team and<br />
<strong>The</strong> Joyful Sound.<br />
Fri, 3 Dec, Guitaresque | Fri, 10 Dec, Nasum Praise Team | Fri, 17 Dec, <strong>The</strong> Joyful Sound<br />
7:30pm - 8:30pm | SAM Chapel | Free<br />
Open House at SAM<br />
Deepavali | Fri, 5 Nov<br />
Christmas | Sat, 25 Dec<br />
New Year | Sat, 1 Jan 2011<br />
Join us to celebrate special occasions and the public holidays with free entry to all SAM galleries<br />
and a series of fun, hands-on activities for everyone in the family. SAM and SAM at 8Q will be<br />
opened from 10am. Activities start from 1pm to 5pm. Admission is free.<br />
35
<strong>Art</strong> On <strong>The</strong> Sands<br />
Photo courtesy of Zouk Pte. Ltd.<br />
ZoukOut 10th Anniversary<br />
“One World, One Music, One Tribe, One Dance”<br />
Sat, 11 Dec | 8pm til dawn | Siloso Beach, Sentosa<br />
Kick off your slippers and kick up some sand as Zouk teams up with <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> (SAM)<br />
to present the freshest and hippest local contemporary artists who will showcase their art and love<br />
all over the idyllic grounds of Siloso Beach. To spread the love of contemporary art around, all<br />
ticket holders for ZoukOut 2010 will also gain complimentary museum entry when they present<br />
their tickets at SAM during the month of December 2010.<br />
36
Support SAM<br />
Business Circle Partnership<br />
A <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> Business Circle Partnership goes a long way to help us deliver quality<br />
exhibitions and educational programmes to people in <strong>Singapore</strong>. Membership also promises<br />
exclusive art experiences and branding opportunities for your company, staff and the people you<br />
wish to reach out to. With a donation of at least S$50,000, be rewarded with:<br />
- One complimentary use of the <strong>Museum</strong> Glass Hall and Courtyard facilities for your event,<br />
complemented by a customisable after-hours museum tour or art programme.<br />
- Acknowledgements in the <strong>Museum</strong> Lobby Roll of Honour 2010 Listing.<br />
- Personal invitations to 2010 Exhibition Opening Receptions for up to 10 pre-identified executives<br />
or guests.<br />
- Up to 200 complimentary museum passes OR complimentary admission for your staff and their<br />
accompanying guests.<br />
- Up to 50 complimentary exhibition catalogues.<br />
- Corporate tax deductions up to 2.5 times the cash amount donated.<br />
To contribute<br />
Please make your donation cheque (minimum S$50,000) payable to “<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong>” and<br />
mail it with your business card to <strong>The</strong> Development Office, <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> Administrative<br />
Office, 61 Stamford Road, #02-02 Stamford Court, <strong>Singapore</strong> 178892. For enquiries, please<br />
contact our Development Office at 6332 6854 or email nhb_supportus@nhb.gov.sg.<br />
37
Support SAM<br />
Credit Suisse: Innovation In <strong>Art</strong> Series<br />
<strong>The</strong> Credit Suisse: Innovation In <strong>Art</strong> Series began in 2007 as a long-term partnership between the<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> (SAM) and Credit Suisse AG. <strong>The</strong> Series enables SAM to showcase<br />
important Asian contemporary art practices, ground-breaking artists, as well as significant<br />
exhibitions from around the world. Exhibitions presented under the Series include Seeing. Feeling.<br />
Being: Alberto Giacometti, Accelerate: Chinese Contemporary <strong>Art</strong>, FX Harsono: Testimonies and<br />
the prestigious President’s Young Talents. In 2009, as part of Credit Suisse AG’s commitment to<br />
promote emerging artistic talent, the Bank also sponsored the inaugural President’s Young Talents<br />
Credit Suisse <strong>Art</strong>ist Residency Award which confers a cash award and sponsored artist residency<br />
to a winning President’s Young Talent.<br />
With the visual arts as a key focus, Credit Suisse AG builds lasting relationships with important<br />
museums and other institutions around the world. <strong>The</strong> Bank’s support has given SAM the creative<br />
freedom and resources to plan ahead, while supporting the <strong>Museum</strong>’s efforts to offer unique, varied<br />
experiences to its visitors and create a stimulating environment through contemporary art. For its<br />
contributions to SAM, Credit Suisse AG has been conferred the National Heritage Board’s Partner<br />
of Heritage award.<br />
38
Support SAM<br />
<strong>Singapore</strong> Biennale 2011<br />
<strong>Singapore</strong> Biennale 2011 is <strong>Singapore</strong>’s largest<br />
international contemporary visual arts exhibition. True<br />
to the title ‘Open House’, the Curatorial Team - led by<br />
<strong>Art</strong>istic Director Matthew Ngui - has invited artists<br />
from across the world to join <strong>Singapore</strong>an and<br />
Southeast Asian artists to create exciting site-specific<br />
and cutting edge works as they explore the sites and<br />
culture of <strong>Singapore</strong>. Play an active role in supporting<br />
these Biennale artists!<br />
<strong>Singapore</strong> Biennale 2011 is organised by the<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> with the support of the<br />
National <strong>Art</strong>s Council.<br />
Support Individual artists<br />
Be part of the excitement of the Biennale by making<br />
a donation in support of one or more of the 50 artists<br />
coming to <strong>Singapore</strong>.<br />
Non-cash Sponsorships<br />
Sponsor art materials for a Biennale workshop, provide refreshments to our crew of hardworking<br />
volunteers, or provide partial sponsorships for event and exhibition services. <strong>The</strong>re are many ways<br />
to support the Biennale, so call us and find out how.<br />
Friends of the Biennale<br />
Friends of the Biennale enjoy exclusive up-close and personal meetings and events with<br />
participating Biennale artists, or previews of Biennale Exhibitions with other VIPs.<br />
Entitlements<br />
Beyond the satisfaction of supporting <strong>Singapore</strong>’s vibrant and growing art scene, your contribution<br />
gives you privileges such as free admission to the museum, complimentary publications and<br />
recognition of your gift. In addition, cash donations given in 2010 are entitled to tax exemption up<br />
to 2.5 times your donation amount.<br />
Call our Development Office today at 6332 6854 or email info@singaporebiennale.org to find out<br />
how you can get more involved in supporting <strong>Singapore</strong> Biennale 2011.<br />
All donations cheques should be made to ‘<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong>”, indicating “For <strong>Singapore</strong><br />
Biennale 2011 costs” at the back of the cheque; and mailed to “Development Office, <strong>Singapore</strong><br />
Biennale 2011 c/o <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong>, 61 Stamford Road, #02-02 Stamford Court, <strong>Singapore</strong><br />
178892”.<br />
39
Dining<br />
DÔME introduces a rustic coffee haven for executives on the go. Relax in style with al fresco dining<br />
or choose a speedy take away. Dôme offers a comprehensive range of freshly baked breads,<br />
pastries, cakes and pizzas which complement our range of gourmet coffees. Signature items<br />
include Focaccia Gourmet Sandwiches, Dôme Gourmet Pie, Caesar Salad and Chocolates<br />
Brownies. 10% off regular menu price* | Sun - Thu & PH, 8:30am - 10:30am | Fri, Sat & Eve<br />
of PH, 8:30am - 11pm | www.olio.sg | 6339 0792 Food for Thought is all about serving up<br />
Good food for a Good cause. Nosh on comfort food such as root beer, braised pork, homestyle<br />
marmalade cake and fresh baked goods. Or do some ethical shopping in the merchandise section<br />
for homemade jams, funky tee-shirts, preloved books and other beautiful things from all over. Daily,<br />
9am - 10pm | www.foodforthought.com.sg | 6338 9887 Standing Sushi Bar<br />
Beautifully-sliced, perfectly-formed, deliciously-made…every sushi at Standing Sushi Bar is a piece<br />
of art. Indulge in sake, enjoy a few sticks of robatayaki, and enjoy our sushi selections. Fresh fish,<br />
every day. Daily, 11am - 10:30am | www.standingsushibar.com Trattoria Lafiandra Owned by<br />
Chef Cataldo and Brenda Lafiandra, the 42-seater Trattoria Lafiandra al Museo has an extensive<br />
selection of antipasti, homemade pasta, risotto and main courses, offering a wide and exciting<br />
selection of Italian fare. 5% off all drinks* | Daily | Lunch, 11:30am - 3pm | Dinner, 6pm - 11pm<br />
| www.lafiandra.com.sg | 6884 4035 Via Mar @ SAM offers signature paella dishes and<br />
delectable tapas, a wonderful variety of succulent appetizers, delightful mains, tempting desserts<br />
and a fine range of wines. With its elegant indoor seating and alfresco dining area, Via Mar @ SAM<br />
is the perfect place for business meetings, dinner dates or simply catching up. 10% off regular<br />
menu price* | Mon - Thu & Sun, 11:30am - 10:30pm | Fri & Sat, 11:30am - 11pm | 6423 0900<br />
* Present the SAM Admission Ticket to enjoy these promotions.<br />
40
Shopping<br />
<strong>Art</strong>-To-Go Now, you can bring home a piece of work from the national art collection! Pick your<br />
favourite image from <strong>Singapore</strong>’s permanent collection and have it reproduced digitally on an<br />
A2-size canvas in under one hour! Prices start from S$160 for an unstretched print. For more<br />
information, please approach our friendly museum services staff at the reception desk or<br />
email nhb_sam@nhb.gov.sg <strong>Museum</strong> Shop Inspired by the museums’ intriguing collections,<br />
<strong>Museum</strong> Shop by Banyan Tree continuously develops quality museum replicas, objects d’art,<br />
ethnic handicrafts, apparel and accessories. Currently located at Asian Civilisations <strong>Museum</strong>,<br />
National <strong>Museum</strong> of <strong>Singapore</strong> and <strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong>, each outlet carries a range of products<br />
unique to the thematic focus of the museum it is located in. 10% off regular price-item (Not<br />
applicable for books, promotional and nett price items)* | Mon - Thu, Sat & Sun, 10am -<br />
7pm | Fri, 10am - 9pm | www.museumshop.com.sg | 6338 1016 Showcase Number Eight<br />
//////// A concept that brings artistic creations and art ownership together to form a new and<br />
untapped synergy. Marrying the creative passion of art with the desire of art lovers to fashion the<br />
space around them, //////// aspires to make <strong>Singapore</strong> <strong>Art</strong> and Design more accessible and to bring<br />
it into a greater variety of spaces. A retail gallery, //////// aims to showcase <strong>Singapore</strong>’s creative<br />
talents and their exciting and inspiring works. 10% discount storewide and receive a limited<br />
edition paper weight with a minimum spending of S$188 (Limited to one paper weight per<br />
customer, terms and conditions apply)* | Daily, 10am - 7pm | www.showcasenumbereight.com<br />
| 6333 4563<br />
* Present the SAM Admission Ticket to enjoy these promotions.<br />
41
MADE FOR SAM<br />
From mid-October 2010<br />
SAM<br />
SAM is proud to present MADE FOR SAM, a new range of locally-designed products that reflect <strong>Art</strong><br />
in everyday objects and which visitors can own and take home with them. MADE FOR SAM is a<br />
curatorial collaboration between SAM with FARM, a local cross-disciplinary design studio known for<br />
its collaborative approach, and with Hans Tan, alumnus of Design Academy Eindhoven and lecturer<br />
of Industrial Design at National University of <strong>Singapore</strong>. 40 artists & designers in <strong>Singapore</strong> were<br />
approached to create 40 unique everyday products, presented for sale in the SAM Lobby.<br />
MADE FOR SAM is true to the nature of SAM as contemporary art museum, reflecting the<br />
accessibility of <strong>Art</strong> and its inherent presence around all of us in everyday objects. Own a piece of<br />
art product before they disappear!<br />
42
40 DESIGNERS 40 PRODUCTS<br />
JEREMY SAN<br />
TZER NING,<br />
STZERN STUDIO<br />
TOTE BAG<br />
JING QUEK,<br />
SUPERHYPPEREAL<br />
TOTE BAG<br />
JUSTIN LEE C K<br />
TOTE BAG<br />
FFURIOUS<br />
TOTE BAG<br />
TAN ZI XI,<br />
MESSYMSXI<br />
TOTE BAG<br />
BASSAM JABRY,<br />
CHEMISTRY<br />
PIGGY BANK<br />
B.A.L.L.S<br />
PIGGY BANK<br />
RANDY CHAN,<br />
ZARCH<br />
COLLABORATIVES<br />
PIGGY BANK<br />
WONG MUN SUMM<br />
& RICHARD HASSELL,<br />
WOHA<br />
PIGGY BANK<br />
YONG JIEYU ,<br />
J. YU STUDIO<br />
PIGGY BANK<br />
JUSTIN LONG<br />
& JERRY GOH,<br />
HJGHER<br />
BADGE<br />
KELVIN LOK<br />
& ZANN WAN,<br />
COUPLE<br />
BADGE<br />
SEBASTIAN CHUN,<br />
SUPER BEAR<br />
BADGE<br />
WINSTON CHAI<br />
& JOHN CHAN,<br />
TRIGGERHAPPY<br />
BADGE<br />
YUKI MITSUYASU<br />
BADGE<br />
ASH Y.S. YEO<br />
RULER<br />
HAN KIANG SIEW<br />
RULER<br />
JASON ONG,<br />
JIENSHU<br />
RULER<br />
ONG KER-SHING<br />
& JOSHUA<br />
COMAROFF,<br />
LEKKER DESIGN<br />
RULER<br />
TIMO WONG<br />
& PRISCILLA LUI,<br />
STUDIO JUJU<br />
RULER<br />
CASEY CHEN<br />
ERASER<br />
COLIN SEAH,<br />
MINISTRY O F<br />
DESIGN<br />
DAWN NG<br />
ERASER<br />
JACKSON TAN<br />
& TANNY WONG,<br />
BLACK DESIGN<br />
CHANG SHIAN WEI<br />
ERASER<br />
ERASER<br />
ERASER<br />
ALVIN HO<br />
& CLARA KOH,<br />
H O K O<br />
GREETING CARD<br />
DONNA ONG<br />
GREETING CARD<br />
KENNETH CHEE,<br />
ANTFARM DESIGN<br />
GREETING CARD<br />
GRACE TAN,<br />
KWODRENT<br />
GREETING CARD<br />
ELI MARC<br />
GREETING CARD<br />
DARYL HO<br />
& CHERYL TAN<br />
MAKE<br />
MUG<br />
EDWIN LOW,<br />
DESIGN<br />
FACILITY<br />
MUG<br />
FRANCESCA<br />
LANZAVECCHIA<br />
& HUNN WAI,<br />
LANZAVECCHIA<br />
+ WAI<br />
LAURA MIOTTO,<br />
GSMPRJCT<br />
MUG<br />
LOW JUN JEK,<br />
YOLK<br />
MUG<br />
MUG<br />
CHRIS LEE,<br />
ASYLUM<br />
PENCIL BOX<br />
FELIX NG,<br />
SILNT<br />
PENCIL BOX<br />
OUTOFSTOCK<br />
PENCIL BOX<br />
LEE TZE MING,<br />
HALF & HALF<br />
PENCIL BOX<br />
WONG MUN SUMM<br />
& RICHARD HASSELL,<br />
WOHA<br />
PENCIL BOX<br />
43
SAM Moments<br />
Tags and Treats: Works by Vincent Leow<br />
Exhibition Opening<br />
From left: Mr. Tan Boon Hui, Director, SAM; Ms. Jane<br />
Ittogi, Chair, SAM; Mr. Edmund Cheng, Chairman,<br />
National <strong>Art</strong>s Council; Mr. Vincent Leow, <strong>Art</strong>ist and<br />
spouse, Ms. Yvonne Lee, <strong>Art</strong> Consultant and Mr. David<br />
Chew, Assistant Curator, SAM.<br />
Vincent Leow and spouse, Yvonne Lee.<br />
On 5 th August, SAM announced the launch of<br />
an annual series of solo exhibitions to pay<br />
tribute to important <strong>Singapore</strong>an contemporary<br />
artists who have contributed tremendously to<br />
the growth and development of <strong>Singapore</strong>’s<br />
contemporary visual arts scene. This series of<br />
annual exhibitions has commenced with a<br />
mid-career survey of works by one of<br />
<strong>Singapore</strong>’s most established contemporary<br />
artists, Vincent Leow.<br />
Guests viewing Vincent Leow’s works.<br />
This exhibition showcases over 50 works from<br />
the artist’s prolific career, including some 20<br />
new works especially created for this project.<br />
44
Solo performances by <strong>The</strong> Island Divas<br />
Night Festival:<br />
New World 2010 at SAM<br />
Inspired by the amusement park of the past,<br />
visitors explored and had fun as the pulsating<br />
arts and heritage district was reinvented as a<br />
magical playground. For two nights, 17 and<br />
18 July, featuring <strong>Singapore</strong> and Southeast<br />
Asian artists, SAM was transformed into a<br />
whimsical and irreverent entertainment arena,<br />
adding to the dazzling spectacle of magical<br />
lights and carnivalesque play.<br />
Night Festival: New World 2010 is organised<br />
by National <strong>Museum</strong> of <strong>Singapore</strong>,<br />
conceived and curated by Ong Keng Sen,<br />
produced by <strong>The</strong>atreworks with SAM as a<br />
programme partner.<br />
Music Hall at SAM Chapel by Ruangrupa<br />
Visitors at Vertical Submarine’s Abusement Park<br />
World’s Slowest SMS Billboard by artist,<br />
Wit Pimkanchanapong<br />
45
SAM Moments<br />
Istana <strong>Art</strong> Event<br />
<strong>The</strong> Istana <strong>Art</strong> Event is an annual arts and heritage festival brought to you by SAM, and in<br />
conjunction with the Istana National Day Open House. It is a community outreach programme that<br />
encourages families with children to celebrate art and heritage in the lush grounds of the Istana.<br />
Highlights included the much-anticipated On-the-Spot <strong>Art</strong> Competition and the <strong>Art</strong>s & Heritage<br />
Village where families can enjoy an array of art activities. <strong>The</strong>re was also an installation designed<br />
by the students of the NUS School of Design and Environment featuring a special representation<br />
of artworks created by over 2000 students for Self-Portrait, Our Landscape, or SPOL, a project of<br />
the <strong>Singapore</strong> Biennale 2011.<br />
46
General Information<br />
OPENING HOURS<br />
Mondays to Sundays | 10am to 7pm<br />
(Last admission at 6:15pm)<br />
Fridays | 10am to 9pm<br />
ADMISSION<br />
Adult $10<br />
Student $5<br />
Senior citizen aged 60 and above $5<br />
20% off admission tickets for 20 or<br />
more persons.<br />
ADDRESSES<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> is located at<br />
71 Bras Basah Road, <strong>Singapore</strong> 189555.<br />
SAM at 8Q is located at<br />
8 Queen Street, <strong>Singapore</strong> 188535.<br />
WEBSITE<br />
www.singaporeartmuseum.sg<br />
GENERAL ENQUIRIES<br />
6332 3222<br />
Admission is free for visitors aged 6 years<br />
and below, <strong>Singapore</strong>an and PR senior<br />
citizens, full time NS men, and students and<br />
teachers from local schools.*<br />
Free admission to SAM every Friday from<br />
6pm to 9pm and on Open House days.<br />
*Unless otherwise indicated.<br />
MUSEUM TOURS AT SAM<br />
Tours in English<br />
Mondays | 2pm<br />
Tuesdays to Thursdays | 11am & 2pm<br />
Fridays | 11am, 2pm & 7pm<br />
Saturdays and Sundays | 11am, 2pm &<br />
3:30pm<br />
Tours in Japanese<br />
Tuesdays to Fridays | 10:30am<br />
Tours in Mandarin<br />
Fridays | 7:45pm<br />
HOW TO GET TO SAM<br />
By bus<br />
SBS 7, 14, 16, 36, 111, 131, 162, 175, 502,<br />
518<br />
SMRT 77, 167, 171, 700<br />
By MRT<br />
2-minute walk from Bras Basah MRT station<br />
10-minute walk from Dhoby Ghaut, Bugis or<br />
City Hall MRT stations.<br />
By car<br />
Carparks available at Waterloo Street, Queen<br />
Street, NTUC Income Centre, Plaza by the<br />
Park, Hotel Grand Pacific and <strong>Singapore</strong><br />
Management University.<br />
WHEELCHAIR ACCESS/LOCKERS<br />
Lifts provide easy access to galleries.<br />
Lockers are available for visitors’ use.<br />
Bayview<br />
Inn<br />
Waterloo Street<br />
P<br />
P<br />
Queens Street<br />
SAM at 8Q<br />
Bugis<br />
MRT station<br />
Dhoby Ghaut<br />
MRT station<br />
Bencoolen Street<br />
P<br />
Plaza by<br />
<strong>The</strong> Park<br />
<strong>Singapore</strong><br />
<strong>Art</strong> <strong>Museum</strong><br />
P<br />
Kum Yam<br />
Church<br />
Bras Basah<br />
MRT station<br />
NTUC<br />
Income Centre<br />
Victoria Street<br />
City Hall<br />
MRT station<br />
Bras Basah Road (towards Marina Centre)<br />
<strong>Singapore</strong> Management University
C o m i n g S o o n<br />
Negotiating<br />
Home, History and Nation<br />
11 March to 26 June 2011<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong><br />
Tang Da Wu, <strong>The</strong> Supreme Game (No.23/27, Angel 2), Chinese ink on handmade cotton paper, 102.5 x 69.3cm,<br />
<strong>Singapore</strong> <strong>Art</strong> <strong>Museum</strong> collection