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Quarterly - Singapore Art Museum

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Appreciating <strong>Art</strong> Lecture Series<br />

Join SAM curators for a seven-session series as they discuss how recent developments in the<br />

region’s cultural, social and political scenes have shaped Southeast Asian contemporary art, drawing<br />

on examples of important works that have entered SAM’s collection.<br />

This series is held in conjunction with the exhibition, Panorama: Recent <strong>Art</strong> from Contemporary Asia.<br />

Fridays, 20 Jul to 21 Sep* | 7.30pm – 9.00pm | Glass Hall, SAM<br />

$12 per session, 20% discount for purchase of all 7 sessions.<br />

Tickets available at SAM and SISTIC.<br />

*Except for 10 Aug, 24 Aug & 31 Aug 2012.<br />

Southeast Asian Contemporary <strong>Art</strong>: A Way of Looking<br />

By Tan Boon Hui, SAM Director<br />

Friday, 20 Jul<br />

SAM director Tan Boon Hui will present an overview of the development of Southeast Asian art<br />

from the colonial period right up to the contemporary period. The development of Modern art and<br />

its relationship to nationalist struggles and the formation of independent national identities will also<br />

be outlined. As a guide to interpretation, the lecture will sketch out commonalities between the<br />

development of art across the region. He will also offer insights about how he sees Southeast Asian<br />

art developing, given the factors shaping the art scenes and ecosystems in Southeast Asia today,<br />

such as the increasing prominence of private collectors, the impact of the market, art fairs, Biennales,<br />

and increasing attention from the West.<br />

Thailand<br />

By Michelle Ho, SAM Curator<br />

Fri, 27 Jul<br />

Thai art history can be traced back more than 1000 years, where Buddhist art of temple murals and<br />

sculptures flourished through various periods. Together with the introduction of Western formalism<br />

in Thai art academies from the early 1900s, and the burgeoning use of mixed media contemporary<br />

mediums of installation, photography, video and performance from the 1980s, Thai contemporary<br />

art is imbued with a diversity of visual languages that reference both tradition and the present, the<br />

local as well as the international. This presentation examines some of the key developments in Thai<br />

contemporary art from the 1990s to the present, looking at how artists have responded to the social<br />

and political realities of the past decade through their art-making.<br />

The Philippines<br />

By Joyce Toh, SAM Senior Curator<br />

Friday, 3 Aug<br />

What may zombies in Hawaiian shirts, Imelda Marcos singing in shark-infested waters and dashing<br />

dead heroes possibly have in common? Whether fact or fiction, these larger-than-life personalities<br />

and personas have long left indelible imprints on the history and art of the Philippines. With an<br />

emphasis on the contemporary, this lecture surveys more than a century’s worth of the art from this<br />

multi-faceted, predominantly Catholic country which experienced the region’s longest colonial rule,<br />

and explores how many of its inimitable figures – in art and in real life – have weaved a rich, colourful<br />

narrative of the Philippines.<br />

Public Programmes | 21

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