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Ballad of the Two Grandfathers

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Caribbean Poetry<br />

“<strong>Ballad</strong> <strong>of</strong> <strong>the</strong> <strong>Two</strong> Grandfa<strong>the</strong>rs” &<br />

“The Grandfa<strong>the</strong>r” – Nicolas Guillen<br />

Name(s): _________________________<br />

________________________________<br />

Before reading <strong>the</strong> poem and responding to <strong>the</strong> questions below, read <strong>the</strong> biographical<br />

information at <strong>the</strong> top <strong>of</strong> <strong>the</strong> page about <strong>the</strong> poet, Nicolas Guillen, and fill in <strong>the</strong> ‘author<br />

information’ in your Caribbean Literature unit worksheet packet.<br />

Read <strong>the</strong> poem, “<strong>Ballad</strong> <strong>of</strong> <strong>the</strong> <strong>Two</strong> Grandfa<strong>the</strong>rs”, discuss <strong>the</strong> ideas below, and respond<br />

to <strong>the</strong> following questions.<br />

1. DEFINE <strong>the</strong> following words.<br />

From <strong>the</strong> biographical information:<br />

mulatto:<br />

decry:<br />

avant-garde (English usage, not just <strong>the</strong> French translation):<br />

From <strong>the</strong> poems:<br />

humid:<br />

galleon:<br />

tremulous:<br />

indelibly:<br />

2. What two ethnic backgrounds does Nicolas Guillen come from?<br />

Note: Guillen made a noted effort to write “lyrical” (musical sounding) poetry that reflected his<br />

Cuban and his African ancestry. He also used a lot <strong>of</strong> ONOMATOPOEIA in his poetry. Not all <strong>of</strong> this<br />

comes through as strongly in <strong>the</strong> English translations ☹ There are still a lot <strong>of</strong> SOUND DEVICES…<br />

3. Find at least five examples <strong>of</strong> RHYME pairs at <strong>the</strong> ending <strong>of</strong> lines in <strong>the</strong> poem.<br />

1)<br />

2)<br />

3)<br />

4)<br />

5)<br />

Where/when in <strong>the</strong> poem does Guillen use rhymes? (beginning? middle? end?) Where does he<br />

not? Why do you think he might have chosen to do that?<br />

4. Find at least three examples <strong>of</strong> CONSONANCE and three <strong>of</strong> ASSONANCE (look especially<br />

again at <strong>the</strong> ending <strong>of</strong> lines in <strong>the</strong> poem, though you may find additional examples<br />

throughout).<br />

(OVER)


CONSONANCE:<br />

ASSONANCE:<br />

1) 1)<br />

2) 2)<br />

3) 3)<br />

Where/when in <strong>the</strong> poem does Guillen use assonance and consonance? (beginning? middle?<br />

end?) Where does he not? Why do you think he might have chosen to do that?<br />

5. COMPARE/CONTRAST: Make a list <strong>of</strong> <strong>the</strong> descriptive details about Guillen’s grandfa<strong>the</strong>rs:<br />

White-Cuban) Grandfa<strong>the</strong>r<br />

Black-African Grandfa<strong>the</strong>r<br />

6. What do you think is <strong>the</strong> most striking or powerful similarity? What do you think is <strong>the</strong> most<br />

striking or powerful contrast? Explain your choices.<br />

7. Had <strong>the</strong>y known each o<strong>the</strong>r, what kind <strong>of</strong> relationship would Guillen’s “grandfa<strong>the</strong>rs” (<strong>the</strong> two<br />

sides <strong>of</strong> his family tree) have most likely had with each o<strong>the</strong>r?<br />

8. The last stanzas <strong>of</strong> <strong>the</strong> poem include more similarities than differences as Guillen describes <strong>the</strong><br />

grandfa<strong>the</strong>rs, and in line 53 “<strong>the</strong> two embrace.” What impact do <strong>the</strong>se final images have on <strong>the</strong><br />

poem’s THEME? State <strong>the</strong> THEME <strong>of</strong> <strong>the</strong> poem in your answer.<br />

Read <strong>the</strong> poem “The Grandfa<strong>the</strong>r”. It is about a woman who looks like a white person, but has<br />

African blood/ancestry.<br />

9. Briefly SUMMARIZE <strong>the</strong> poem, <strong>the</strong>n state <strong>the</strong> THEME.

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