Press Review - Anastasia Lester Literary Agency - Free
Press Review - Anastasia Lester Literary Agency - Free
Press Review - Anastasia Lester Literary Agency - Free
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The Fortress<br />
Novel, 256 pages - 2002<br />
Short-listed for the Femina Etranger<br />
Maxim Livius is a young reserve officer whose military<br />
service is ending. His country is disintegrating, and<br />
there are unmistakable signs of decay in the army as<br />
well. Shortly before his discharge, he is sent to a fortress<br />
in the mountains.<br />
Cut off from the outside world, nothing appears as it<br />
should be : the food is excellent, commands are largely<br />
ignored, the soldiers mustn’t carry weapons… and no<br />
one can understand the reason why. The language can<br />
be compared to Kafka, Borges, and Eco, and the story to<br />
Buzatti’s The Tartares Steppe.<br />
« A masterpiece » (Le Monde)<br />
Foreign rights :<br />
;<br />
G e r m a n y ( K l e t t - C o t t a) - I t a l y<br />
(Nottetempo)<br />
The Garden<br />
Of Diogenes<br />
Novel, 192 pages - 2001<br />
The narrator of this novel (clearly autobiographical)<br />
Suspense<br />
abandons his country ripped apart by civil war and<br />
goes to the neighboring country. However, the uprooted<br />
feeling creates a heavy atmosphere around him. He lives<br />
from hand to mouth and takes refuge in the wait and<br />
inactivity.<br />
He is torn between two worlds : the real one, incarnated<br />
by two strange individuals, Zénon and Simon, who try<br />
to pry him away from his lethargy ; and a spiritual one<br />
into which a bum named Diogenes pushes him to enter.<br />
The narrator hesitates, but when he realizes that he is<br />
no longer able to integrate into society, that his marriage<br />
is a failure, he joins Diogenes, with his car cemetery and<br />
his strange stories.<br />
« What interests me, he says, is man himself and his role<br />
in History ; in other words: man, slave to the materialist<br />
world, in antiquity as in the present, and his connection<br />
with the transcendental world. »<br />
Robert Hász<br />
V<br />
V<br />
iviane<br />
iviane<br />
H<br />
H<br />
amy<br />
É D I T I O N S<br />
amy<br />
É D I T I O N S<br />
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