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Catalogue Part 1.pdf - Grosvenor Prints

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surrounded by military standards bearing the names of<br />

major battles at the centre.<br />

Numbered 'No.12' in ink upper left, priced '£1,,1,,0'<br />

lower left.<br />

Ref: 9261<br />

91. The Charters Of Liberty. A.D.<br />

1215.../ A.D. 1688.../ A.D. 1832...<br />

Portsmouth, Aug. 8, 1832. Henry Slight. Price, Printer.<br />

Letterpress broadside with woodcut vignette of trumpet<br />

and lyre, 230 x 175mm. 9 x 7". Lower right corner<br />

missing. Glue stain from verso, horizontal creases<br />

where folded. £90<br />

A very rare contemporary poem in praise of the Great<br />

Reform Act (passed 7th June 1832) divided into three<br />

eight-line stanzas, with two other great dates/moments<br />

in the progress of English liberty singled out. The<br />

events alluded to are the signing of Magna Charta in<br />

1215, and the 'Glorious Revolution' of 1688.<br />

Ref: 9313<br />

92. This Day was published, by<br />

Subscription, [Price 10s.6d. in Colours, or<br />

5s.6d. Plain] An Engraving, From an<br />

Original Drawing, takedn and coloured on<br />

the Spot, by W.Fowler, From the curious<br />

Roman Pavement in Prior Crawden's<br />

beautiful Chapel, in the College at Ely.<br />

M.Watson, Printer, Angel-Inn-Yard, Market Hill,<br />

Cambridge. Winterton, Lincolnshire, May 20, 1801.<br />

Letterpress advert. Sheet 255 x 200mm, 10 x 8". £90<br />

Fowler published the 'Mosaic Pavements of Great<br />

Britain', 1804.<br />

Ref: 9219<br />

93. To The King. I Humbly beg leave to<br />

lay at Your Majesty's feet the folllowing<br />

Dissertation.... May it please Your<br />

Majesty, Your Majesty's dutiful servant<br />

and faithful subject, William Chambers.<br />

[n.d., 1772.]<br />

Titlepage, engraved dedication with stipple engraved<br />

and etched vignette, 235 x 175mm. 9¼ x 7". £80<br />

From 'A Dissertation on Oriental Gardening', W.<br />

Griffin, London, 1772. The book represented an<br />

unfortunate literary venture by the architect Sir<br />

William Chambers (1726 - 1796), in which he<br />

endeavoured to prove the superiority of the Chinese<br />

system of landscape gardening over that practised in<br />

Europe. His preface is animated with irritation against<br />

Lancelot ‘Capability’ Brown, whose design for Lord<br />

Clive's villa at Claremont had been preferred to his.<br />

The ‘Dissertation’ itself, with its absurd depreciation of<br />

nature, its bombastic style, and its ridiculous<br />

descriptions (mainly borrowed from other works) of<br />

the gardens of the emperor of China, was sufficient to<br />

account for the satires which it called into life. The<br />

most important of these was ‘An Heroic Epistle to Sir<br />

W. C.,’ followed by ‘An Heroic Postscript’ to this<br />

epistle, in both of which the satire was keen and the<br />

verses pointed. These lively pieces were published<br />

anonymously, and their authorship was for some time a<br />

matter for conjecture. There is now no doubt that they<br />

were by William Mason, the poet, the first book of<br />

whose ‘English Garden’ was published in 1772.<br />

Chambers commenced to exhibit with the Society of<br />

Artists (in Spring Gardens) in 1761, and was one of the<br />

first members and the first treasurer of the Royal<br />

Academy when established in 1768. In 1775 he was<br />

appointed architect of Somerset House at a salary of<br />

2,000l. a year.<br />

With image above of two sides of a coin depicting<br />

George III as a Roman emperor and the facade of the<br />

Royal Academy. After Cipriani, engraved by<br />

Bartolozzi.<br />

British Library system number: 000655477.<br />

Ref: 9314<br />

94. [Various modes of travelling.]<br />

Milton Welch Jan.y 1867.<br />

Engraving on embossed card, 140 x 165mm. 5½ x 6½".<br />

Mounted inside cardboard sheet with tissue flap. £120<br />

Small engravings depicting seven modes of transport<br />

(balloon, walking, horse-drawn carriage, ship, horse,<br />

train, riding on the back of a tortoise]) forming a cross<br />

shape in the centre of a sheet of embossed card. In ink<br />

on the cardboard mount is written 'these various modes<br />

of travelling are drawn by the left hand. J.M.'. On the<br />

reverse is a riddle, handwritten in ink, entitled 'The<br />

Oxford Puzzle.'<br />

Ref: 8695<br />

95. The Ghost. _ A Christmas Frolic. Le<br />

Revenant.<br />

I.M.Wright pinxt. W.Nicholls sculp. London: Pub.<br />

Decr. 24, 18_by Thomas Rickards, 344, Strand.<br />

Aquatint. 394 x 436mm. 15½" x 17¼". Very rare.<br />

Some tears, staining and worm holes. £220<br />

A witty christmas scare scene. Young boy behind a<br />

home mad ghost figure.<br />

Ref: 8520<br />

96. The Art of Making Paper Flowers<br />

and Ornaments. A Novel, and<br />

Entertaining, and Popular Amusement.<br />

[n.d., c.1860.]

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