Catalogue Part 1.pdf - Grosvenor Prints
Catalogue Part 1.pdf - Grosvenor Prints
Catalogue Part 1.pdf - Grosvenor Prints
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surrounded by military standards bearing the names of<br />
major battles at the centre.<br />
Numbered 'No.12' in ink upper left, priced '£1,,1,,0'<br />
lower left.<br />
Ref: 9261<br />
91. The Charters Of Liberty. A.D.<br />
1215.../ A.D. 1688.../ A.D. 1832...<br />
Portsmouth, Aug. 8, 1832. Henry Slight. Price, Printer.<br />
Letterpress broadside with woodcut vignette of trumpet<br />
and lyre, 230 x 175mm. 9 x 7". Lower right corner<br />
missing. Glue stain from verso, horizontal creases<br />
where folded. £90<br />
A very rare contemporary poem in praise of the Great<br />
Reform Act (passed 7th June 1832) divided into three<br />
eight-line stanzas, with two other great dates/moments<br />
in the progress of English liberty singled out. The<br />
events alluded to are the signing of Magna Charta in<br />
1215, and the 'Glorious Revolution' of 1688.<br />
Ref: 9313<br />
92. This Day was published, by<br />
Subscription, [Price 10s.6d. in Colours, or<br />
5s.6d. Plain] An Engraving, From an<br />
Original Drawing, takedn and coloured on<br />
the Spot, by W.Fowler, From the curious<br />
Roman Pavement in Prior Crawden's<br />
beautiful Chapel, in the College at Ely.<br />
M.Watson, Printer, Angel-Inn-Yard, Market Hill,<br />
Cambridge. Winterton, Lincolnshire, May 20, 1801.<br />
Letterpress advert. Sheet 255 x 200mm, 10 x 8". £90<br />
Fowler published the 'Mosaic Pavements of Great<br />
Britain', 1804.<br />
Ref: 9219<br />
93. To The King. I Humbly beg leave to<br />
lay at Your Majesty's feet the folllowing<br />
Dissertation.... May it please Your<br />
Majesty, Your Majesty's dutiful servant<br />
and faithful subject, William Chambers.<br />
[n.d., 1772.]<br />
Titlepage, engraved dedication with stipple engraved<br />
and etched vignette, 235 x 175mm. 9¼ x 7". £80<br />
From 'A Dissertation on Oriental Gardening', W.<br />
Griffin, London, 1772. The book represented an<br />
unfortunate literary venture by the architect Sir<br />
William Chambers (1726 - 1796), in which he<br />
endeavoured to prove the superiority of the Chinese<br />
system of landscape gardening over that practised in<br />
Europe. His preface is animated with irritation against<br />
Lancelot ‘Capability’ Brown, whose design for Lord<br />
Clive's villa at Claremont had been preferred to his.<br />
The ‘Dissertation’ itself, with its absurd depreciation of<br />
nature, its bombastic style, and its ridiculous<br />
descriptions (mainly borrowed from other works) of<br />
the gardens of the emperor of China, was sufficient to<br />
account for the satires which it called into life. The<br />
most important of these was ‘An Heroic Epistle to Sir<br />
W. C.,’ followed by ‘An Heroic Postscript’ to this<br />
epistle, in both of which the satire was keen and the<br />
verses pointed. These lively pieces were published<br />
anonymously, and their authorship was for some time a<br />
matter for conjecture. There is now no doubt that they<br />
were by William Mason, the poet, the first book of<br />
whose ‘English Garden’ was published in 1772.<br />
Chambers commenced to exhibit with the Society of<br />
Artists (in Spring Gardens) in 1761, and was one of the<br />
first members and the first treasurer of the Royal<br />
Academy when established in 1768. In 1775 he was<br />
appointed architect of Somerset House at a salary of<br />
2,000l. a year.<br />
With image above of two sides of a coin depicting<br />
George III as a Roman emperor and the facade of the<br />
Royal Academy. After Cipriani, engraved by<br />
Bartolozzi.<br />
British Library system number: 000655477.<br />
Ref: 9314<br />
94. [Various modes of travelling.]<br />
Milton Welch Jan.y 1867.<br />
Engraving on embossed card, 140 x 165mm. 5½ x 6½".<br />
Mounted inside cardboard sheet with tissue flap. £120<br />
Small engravings depicting seven modes of transport<br />
(balloon, walking, horse-drawn carriage, ship, horse,<br />
train, riding on the back of a tortoise]) forming a cross<br />
shape in the centre of a sheet of embossed card. In ink<br />
on the cardboard mount is written 'these various modes<br />
of travelling are drawn by the left hand. J.M.'. On the<br />
reverse is a riddle, handwritten in ink, entitled 'The<br />
Oxford Puzzle.'<br />
Ref: 8695<br />
95. The Ghost. _ A Christmas Frolic. Le<br />
Revenant.<br />
I.M.Wright pinxt. W.Nicholls sculp. London: Pub.<br />
Decr. 24, 18_by Thomas Rickards, 344, Strand.<br />
Aquatint. 394 x 436mm. 15½" x 17¼". Very rare.<br />
Some tears, staining and worm holes. £220<br />
A witty christmas scare scene. Young boy behind a<br />
home mad ghost figure.<br />
Ref: 8520<br />
96. The Art of Making Paper Flowers<br />
and Ornaments. A Novel, and<br />
Entertaining, and Popular Amusement.<br />
[n.d., c.1860.]