Catalogue Part 1.pdf - Grosvenor Prints

GROSVENOR PRINTS
Christmas Catalogue 2008
On show from Noon
18 th November
19 Shelton Street
Covent Garden
WC2H 9JN
www.grosvenorprints.com

GROSVENOR PRINTS
Catalogue of new stock released at midday on 18 th
November 2008 for our Christmas show.
Established by Nigel Talbot in 1976, we have built up the United Kingdom’s largest
stock of prints from the 17 th to early 20 th centuries. Well known for our
topographical views, portraits, sporting and decorative subjects, we pride ourselves
on being able to cater for almost every taste, no matter how obscure. Our largest
ever catalogue contains over 1100 items, many rare, interesting and unique images.
We also have an enormous quantity of new uncatalogued stock.
Please browse our new dynamic website of over 6,000 illustrated items at
www.grosvenorprints.com
where this catalogue will be fully illustrated and searchable.
Better still, come and visit our Covent Garden shop, situated in the heart of
London’s West End.
We look forward to welcoming you.
Finally, I would like to thank all the hard work put in by our cataloguers over the
past seven weeks- a massive achievement.
Until Christmas we will be offering a seasonal discount 10% on purchases of two
prints and 20% on purchases of three or more prints.

Dealers in Antique Prints & Books
Grosvenor Prints
19 Shelton Street
Covent Garden
London WC2H 9JN
Tel: 020 7836 1979
Fax: 020 7379 6695
E-mail: grosvenorprints@btinternet.com
www.grosvenorprints.com
GROSVENOR PRINTS
CHRISTMAS CATALOGUE 2008
On show from Noon
18 th November
Index
Arts
Books & Ephemera
Decorative
Dogs
Historical, Social & Political
London
Maps
Modern Etchings
Natural History
Naval & Military
Portraits
Satire
Science, Trades & Industry
Sports & Pastimes
Foreign Topography
UK Topography
Addendum
1 – 54
55 – 98
99 – 171
172 – 210
211 – 231
232 – 346
347 – 350
351 – 377
378 – 400
401 – 486
487 – 668
669 – 721
722 – 821
822 – 901
902 – 1034
1035 – 1135
1136 - 1254
Registered in England No. 1305630 Registered Office: 2, Castle Business Village, Station Road, Hampton,
Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Ellis. E&OE
VAT No. 217 6907 49

ARTS
1. Veduta del Boschetto d'Arcadia dalla
parte dé Principi Impedieunt teneros
vincula nulla pedes.....Ov. fast. L. 1
Cav. C. A. Petitot inv. e dif. Giov. Volpato inc. Parma
1769
Etching, 325 x 440mm. 12¾ x 17¼". Very fine.
Trimmed. £260
A view of the grove of Arcadia. The epigram is from
Ovid's Fasti 1, line 410.
Ref: 8677
2. A Highland Piper.
Drawn and lithographed by Gavarni. Day & Son, lith.rs
to the Queen. London, Published Aug.t 1st 1849, by
Ackermann & Co., 96 Strand.
Lithograph. Printed area 390 x 270mm. 15½ x 10½".
£260
Paul Gavarni (real name Sulpice-Guillaume Chevalier,
1804-1866) came to England in 1847 to escape an
unhappy marriage. He travelled to Scotland with
Bouquet, and then published a folio of his paintings of
the scenery and the people, including this famous
portrait of a bagpiper.
Ref: 9052
3. The Beauties of the Dutch School;
selected from Interesting Pictures of
Admired Landscape Painters.
London: Printed for J.Robson, Bond Streetl and
J.Edwards, Pall Mall. MDCCXCIII. [1793.]
Oblong folio, original half-calf with marbled boards,
rebacked with morocco, original endpapers; title, onepage
introduction, 14 sepia aquatints, each with a page
of text. £580
Aquatints by Cornelius Apostool after the Dutch
masters, including vander Velde, Cuyp, Wouverman
and Ostade.
Ref: 8832
4. The Calabrian Shepherds playing the
Pastorale to the infant Jesus on Christmans
at Rome.
D Allan inv.t & etch.t. [n.d., c.1773-5.]
Etching, 295 x 220mm. 11½ x 8¾". Rare. Tear on left
outside printed area. £220
A woman kneels at a shrine while two men play the
bagpipes.
Ref: 8683
5. [Walter de la Mare]
A. Hugh Fisher. Fisher f. [n.d. c.1910]
Etching. Plate 229 x 177mm. 9" x 7". £90
Fisher, Alfred Hugh (London, 1867 - 1945). Alfred
Hugh Fisher: An English etcher, engraver, illustrator
and painter, Alfred Hugh Fisher was educated at the
University College Schools, Lambeth School and
South Kensington, and then concluded his formal
studies in Paris, under Laurens and Constant.
Ref: 8933
6. Ad metem Generosis D.ni C.L. ab
Hagedorn, Pontentiss: Sarmat: Regis et
Electoris Sax: a Confilus Legationum, in
Cupis pinacotheca archtypon asservatur.
I Nogari pinxit; I I Haid del sc et exc Aug Vind. [n.d.,
c.1750.]
Mezzotint. Mount window 340 x 230mm. Unexamined
out of frame. £190
A turbaned man golding a scroll and gesturing at a
globe, after a painting by Nogari then in Hagedorn's
collection. The BM describes their example as
"possibly a geographer".
BM: 1885,1212.13.
Ref: 8401
7. Cheval Effrayé par une Lionne.
Morland pinx. P.M.Alix sculp. à Paris chez Bance, M.d
d'Estampes, rue St Denis. [n.d., c.1800.]
Colour-printed aquatint ('maniere au lavis'), printed
area 190 x 240mm, 7½ x 9½". Framed. Unexamined
out of frame. £420
Despite the attribution to Morland the horse derived
from George Stubbs's 'The Horse and Lioness' (CLB
37), although the background now features the base of
a Greek column.
The 'maniere au lavis' technique used different plates to
print the colour.
CLB: Stubbs, 237.
Ref: 9335
8. [A lion devouring a horse.]
Painted Engraved & Published by Geo Stubbs 1788 No
24 Somerset Sq London.
Soft ground etching with roulette. 275 x 355mm, 11 x
14". Trimmed to plate at top, margin rebuilt on right, a
few tears skillfully repaired. £6800
A lion on the back of a horse, sinking his teeth into the
horse's shoulder.
CLB: 71, state ii of iii, "For the first time Stubbs here
made extensive use of soft-ground etching, particularly
in order to obtain the rich black shadows of the
background".
Ref: 9031

9. [Lutenist and Singer.]
Guercino inv. F. Bartolozzi sculp.
Engraving, 250 x 325mm. 10 x 12¾". Light foxing,
mainly outside platemark, uncut sheet. £130
A lutenist accompanying a singer.
Ref: 8678
10. [Old Tree with castle in the distance]
Hearne, 1803 [signature in bottom right-hand corner].
Very rare and early Pen lithograph. 293 x 216mm.
11½" x 8½". Watermark Russell 1799. Extremely rare
on original backing sheet. In fine condition. £480
Thomas Hearne, British artist. 1744 - 1817.
Ref: 8652
11. Study For A Principal Figure In The
Picture Of 'The Parish Beadle'. by D.
Wilkie R.A. [signature facsimile] (in the
Possession of Col. Berkeley.)
Plate 2 of Lithographic Imitations of Sketches by
Modern Artists' by Richd. J. Lane. Printed by C.
Hullmandel. London. Published by J. Dickinson. 1827.
Lithograph on india laid paper, sheet 380 x 275mm. 15
x 10¾". £130
A study for 'The Parish Beadle' by David Wilkie R.A.
(1785 - 1841), Scottish genre painter and etcher. The
painting of 1822 is now in the Tate Gallery. It was
engraved by Greatbach. From the series 'Lithographic
imitations of sketches by modern artists' by Richard
James Lane (1800 - 1872), reproductive lithographer.
Ref: 8878
13. 'A.E.' [George Russell]
Fisher f. A. Hugh Fisher. [n.d. c.1910]
Etching. Plate 222 x 146mm. 8¾" x 5¾". £280
George William Russell (April 10, 1867 – July 17,
1935) who wrote under the pseudonym Æ (sometimes
written AE or A.E.), was an Irish Nationalist, critic,
poet, and painter. He was also a mystical writer, and
centre of a group of followers of theosophy in Dublin,
for many years.
Ref: 8950
14. Sorrows of Werter.
Angelica Kauffman pinx.t Ambros. Orio Sculp.t
Engraving, 310 x 265mm. 12¼ x 10½". Stain along
bottom. £230
Engraving after one of several paintings by Kauffman
illustrating scenes from Goethe's tragedy Werter. A
woman plays the piano and a child gaily holds aloft a
doll whilst a man sits despondently.
Ref: 8759
15. Vanité des Vanités! Tous n'est que
vanité. Nous autres artistes...
cb. Jacque imp. d'Aubert & C.ie Chez Aubert, Pl. de la
Bourse, 29.
Coloured lithograph, 310 x 250mm. 12¼ x 9¾". Some
stains around image; tear through title area at bottom.
£130
An artist outside his shop, whose sign reads 'Bernard
Peintre: seul doreur des cornes et sabots du Boeuf-
Gras' ('Painter Bernard: only gilder of horns and
hooves of beef fat'). A separate heading at the bottom
of the sheet reads 'nous autres artistes...' ('us artists...'),
whilst the heading at the top translates as 'vanity of
vanities! Everything is vanity.'
Ref: 8791
16. To the Right Worshipful John Kerle
Haberfield, Esqre. Third time Mayor of
Bristol, This Engraving of Chatterton
Composing the Rowleian M.S.S. ...[text
cut.]
R. Jeffreys Lewis. E. Mc.Innes. Bristol: Published 1st.
Septr. 1846, by C. Mitchell, 37, College Street.
Mezzotint. Sheet 406 x 470mm. 16" x 18½". Cut
within platemark. Some staining and creases. £320
Thomas Chatterton was born in Bristol on the 20th of
November 1752.
Ref: 8960
12. [Pianists.]
Nd. Lalaure [n.d., c. 1920.]
Etching, 165 x 120mm. 6½ x 4¾". £120
Two girls playing a piano.
Ref: 9107
17. Hudibras and Sidrophel. From an
Original in the Possession of Mr. Vincent.
Painted by Wm. Hogarth. Engraved by Thom.
Gaugain. Pub.d Oct. 1. 1782. by T. Gaugain No. 4
Little Compton Street London.
Coloured mezzotint,, 325 x 360mm. 12¾ x 14¼".
Small crease in top right. £240
A scene from Hudibras, Samuel Butler's mock-heroic
satire on Puritans, Roundheads, Presbyterians and
many other factions involved in the English Civil War.
The knight errant Hudibras visits the astrologer

Sidrophel to ask his advice for wooing a widow he has
been pursuing.
Ref: 8790
18. The School Mistress. In every village
marked with little spire/ Embower'd in
trees and hardly known to fame/ There
dwells in lowly shed and mean attire/ A
matron old whom we school mistress name/
Who boasts unruly brats with birch to
tame./ They grieven sore in piteous
durance pent/ Aw'd by the power of this
relentless dame/ And oft times on vagaries
idly bent/ For unkempt hair or task
unconn'd are sorely shent./ Vide.
Shenston's School Mistress.
F. Wheatly R.A pinx.t J. Cokes sculp.t London,
Publish'd March 20th 1794, by Tho.s Macklin, Poets
Gallery, Fleet Street.
Engraving, 430 x 505mm. 16¾ x 20". Fine uncut sheet.
£180
A scene from 'The Schoolmistress', a poem by William
Shenstone (1714-1763).
Ref: 8576
19. The Vicar of Wakefield, at the Race
Course.
Engraved by W. Giller, from a Drawing by J.M.
Wright. Published by T. Gosden, Sportsman's
Repository, Bedford St. Covent Garden [n.d., c.1830's]
Mezzotint, 285 x 210mm. 11¼ x 8¼". Foxing and
paper worn, mostly outside platemark. £180
A scene from Oliver Goldsmith's 1766 novel The Vicar
of Wakefield. 'Early the next day I walked forward to
the races, and about four in the afternoon I came upon
the course. The company made a very brilliant
appearance, all earnestly employed in one pursuit, that
of pleasure; how different from mine, that of
reclaiming a lost child to virtue!' (Chapter 18).
Ref: 8793
20. Arabisches Concert.
No..48 G. Döbler sc. Prag bei P. Bohmanns Erben.
[n.d. c.1820.]
Aquatint. 259 x 342mm. 10¼" x 13½". Some staining
that comes into top left-hand plate area. £65
A group of Arab men playing musical instruments.
Ref: 8710
21. [Ballerina. Madame Le Cery]
ФОТОГРАФІЯ В.БАРКАНОВА
[n.d., c.1870.]
Photograph, 170 x 105mm. 6¾ x 4¼", signed by sitter.
£180
A ballerina dancing.
Ref: 8898
22. Musée de Mœurs en Actions. Les
Coulisses de L’Opéra (Le Corps des
Ingénues) Opera Slips (A Body of Young
Maido.) || Die Coulissen des Opernhauses
(Die Schaar der Unschuld.)
Peint par Gavarni. Lith par Régnier et Bettannier. [n.d.
c.1850] Paris, Berlin, Barcelona, Bulla Frères et Jouy.
London, E. Gambart & Co. 25 Berners St. Oxf. St.
Coloured lithograph. 470 x 578mm. 18½" x 22¾". Fine
impression. £480
A scene of ballet dancers rehearsing.
Ref: 8497
23. [Putti.] De Bambini il vagir addita, e
insegna/ C'h'il dolce suon de musicali
accenti/ Ne piu teneri Cor S'imprime, e
regna
Amiconi. Pinx. Wagner sculp. Appresso J. Wagner in
Merz. Venetia C.P.E.S.
Etching, 305 x 370mm. 12 x 14½". Very fine
impression. Cut to image and laid on original sheet.
£260
Five cherubs, two of whom hold music scores and one
blows a horn. In the background is a double bass with a
cat looking on.
Ref: 8684
24. Danse a l'Italienne Il vous est doux,
Iris, que tous ces Spectateurs/ De vos pas
gracieux approuvent la Cadence,/ Et
deviennent pour vous autant
d'admirateurs;/ Mais d'un plaisir plus
grand j'aurois la jouissance,/ Si vous
applaudissiez aux tendres mouvements/
Qu'inspirent à mon Coeur vos divins
agréments. C. Moraine
C. Parrocel delineavit Le Bas Sculp a Paris chez Le
Bas graveur du Roy, au bas de la rüe de la Harpe vis a
vis la rüe Percée chez un Fayancier.
Etching, 260 x 380mm. 10¼ x 15". Wide margins.
Uncut sheet. £320
A large group of spectators watch a couple dancing, as
described in the French verses by Moraine inscribed
beneath.
Ref: 8676
25. Le Serpant Terrassé Par Le Lion._
Northcote pinxt. Renard Sculpt. A Paris chez Boulet
Rue Chanbannais No. 6 [n.d., 1799].
Stipple and etching, 500 x 630mm. 19¾ x 23¾". £650

A lion subdues a snake with its mighty paw. A fine
impression of this striking image after James Northcote
(1746 - 1831).
A reverse copy of S.W. Reynold's engraving of the
picture published in 1799.
Ref: 9073
26. [A rocky outcrop with shrubbery.]
[n.d., c.1785.]
Pencil drawing, laid on to album card within ink ruled
gold leaf and watercolour wash border. Image 180 x
250mm, 7 x 9¾". £690
A skillfullly executed landscape study by John Claude
Nattes (c.1765 - 1839), topographical draughtsman and
drawing master.
With etched trade card on verso, 85 x 85mm, 3¼ x 3¼',
a vignette of a formal 18th century garden with
lettering set into banner cartouche above. Inscribed as
follows: 'Monsieur Nattes No.41, Charles Street,
Westminster. Pupil of Mr. Dean, respectfully acquaints
the Nobility & Gentry that he teaches Drawing, in the
manner of that celebrated Master, on moderate
terms_he also teaches Perspective so very essential in
taking Local Views. Monsieur Nattes likewise
continues to decorate Drawings & Prints in the most
elegant manner, & has a very superior method of fixing
or binding Drawings, in Chalks or Lead, to prevent
them from being Effaced.'
It seems this may be Nattes's own presentation, from a
sample album created by the artist to showcase his
talents in both draughtsmanship, presentation and
binding.
Nattes's date and place of birth are not known. He may
have been Irish or possibly French; he became a pupil
of the Irish artist H.P. Deane and may have visited Italy
with him. He exhibited regularly at the Royal Academy
from 1780. As well as a painter, he was a
watercolourist, drawing master and print dealer and a
founding member of the Old Watercolour Society,
from which he was expelled in 1807 for submitting
other artists' works under his name. From 1802 he
made frequent visits and several sojourns to France.
Ref: 9230
Pencil drawing, laid on to album card within ink ruled
gold leaf and watercolour wash border. Image 180 x
230mm, 7 x 9". Dent/scratch above tree upper right.
£690
A skillfullly executed landscape study by John Claude
Nattes (c.1765 - 1839), topographical draughtsman and
drawing master.
With etched trade card on verso, 85 x 85mm, 3¼ x 3¼
ins, a vignette of a formal 18th century garden with
lettering set into banner cartouche above. Inscribed as
follows: 'Monsieur Nattes No.41, Charles Street,
Westminster. Pupil of Mr. Dean, respectfully acquaints
the Nobility & Gentry that he teaches Drawing, in the
manner of that celebrated Master, on moderate
terms_he also teaches Perspective so very essential in
taking Local Views. Monsieur Nattes likewise
continues to decorate Drawings & Prints in the most
elegant manner, & has a very superior method of fixing
or binding Drawings, in Chalks or Lead, to prevent
them from being Effaced.'
It seems this may be Nattes's own presentation, from a
sample album created by the artist to showcase his
talents in both draughtsmanship, presentation and
binding.
Nattes's date and place of birth are not known. He may
have been Irish or possibly French; he became a pupil
of the Irish artist H.P. Deane and may have visited Italy
with him. He exhibited regularly at the Royal Academy
from 1780. As well as a painter, he was a
watercolourist, drawing master and print dealer and a
founding member of the Old Watercolour Society,
from which he was expelled in 1807 for submitting
other artists' works under his name. From 1802 he
made frequent visits and several sojourns to France.
Ref: 9228
28. [Classical guitarist] R. de los Rios
[pencil signature]
R. de los Rios. Sculpt. Charles Sprague Pearce. Paris
[n.d. c.1890]
Engraving. 357 x 279mm. 14" x 11". £180
Ricardo de los Ríos (1846-1929) was an artist, he was
born in Spain. He did a lot of work while he lived in
Paris, France.
Ref: 8693
29. A la Gloire de la Peinture...
P.Souch pinxit. F.Ertinger f. Par Monsieur Clement
Conseiller a la Cour des Aydes. [n.d., c.1780.]
Engraving. Sheet 150 x 90mm, 6 x 3½". Trimmed to
plate. £160
An homage to the art of painting, with mediallion
portraits of painters of the Roman School, including
Michelangelo, and the Lombard School, inluding
Tintoretto.
Ref: 9063
27. [Landscape with a bridge over a
river, a cottage in distance to left.]
[n.d., c.1785.]
30. Incerta volucri fertur Proserpina
curru / Caesariem diffusa notoplanctuq[ue]
lacertos. / Verberat,
adstantes socias, Matremq[ae] remotam. /
Invocat, at guoetus ad nubila fundit Inanes.

P.P. Rubens Pinxit. Cum Privilegio P. Soutman Fecit.
[n.d. c.1621.]
Etching. 215 x 331mm. 8½" x 13". Uncut sheet. £160
The text comes from Claudian's 'De Raptu
Proserpinae', first published in Venice about 1471.
Venus, in order to bring love to Pluto, sent her son
Amor to hit Pluto with one of his arrows. Proserpina
was in Sicily at the fountain of Arethusa near Enna,
where she was playing with some nymphs and
collecting flowers, when Pluto came out from the
volcano Etna with four black horses. He abducted her
in order to marry her and live with her in
theUnderworld, of which he was the ruler. She is
therefore Queen of the Underworld.
Ref: 8900
Mezzotint. 360 x 510mm. 14¼ x 20". Tears in margins.
£240
An adoring Titania snuggled next to a large clothed
Bottom with a small nude Puck and fairies riding white
rabbits, concentrating on the ass's head. Landseer's
only illustration to Shakespeare, the painting was
commissioned by Isambard Kingdom Brunel in 1847
and finished in 1851.
Sir Edwin Henry Landseer, RA 1802-1873.
Ref: 9303
31. Macbeth. Act 1. Scene 3. Banquo,
______________ What are these, so
wither'd, and so wild in their attire; That
look not like the inhabitants o'the earth,
And yet are on't ?
H. Fuseli pinxit. W. Bromley sculp. Published Jany, 1,
1817, by John Murray. Albermarle Street, London.
Engraving. 400 x 198mm. 15¾" x 7¾". £180
W: 134.
Ref: 8471
32. [A Blacksmith's Shop From the
Original Picture Painted by Mr. Joseph
Wright; In the Collection of the Right
Honourable Lord Melbourne.]
Joseph Wright pinxit. Rich.d Earlom sculpsit. J.
Boydell Execudit 1771. [Published August 25th, 1771,
by John Boydell, Engraver in Cheapside London.]
Mezzotint. 610 x 430mm. Trimmed to image on three
sides, into title area at bottom; minor rubbing, laid on
board £650
Interior of a forge with three men working at an anvil
with two boys beside them, one shielding his eyes from
flying sparks; to right, an old man sits resting his hands
on a hammer; in the background, through an arch with
classical decoration, three men attend to two horses.
CS:47.
Ref: 6729
33. [Die Lautenspielerin / The lute
player]
Mauchard pinx. [n.d. c.1750] Nro. 58. Se vend à
Augsbourg chez J.J. Haid et fils. 1.
Mezzotint. 426 x 304mm. 16¾" x 12". Stain to bottom
right-hand corner. Some spotting. Creasing through the
image. £330
A lute player.
Ref: 8691
34. Midsummer Night's Dream.
Painted by Sir E. Landseer R.A. Engraved by A.C.
Alais. London Published May 14th 1880 by Henry
Graves & Co. the Proprietors Publishers to H.M. the
Queen and T.R.H. the Prince & Princess of Wales. 6
Pall Mall_Copyright Registered
35. Painting.
Painted and Engraved by J.R. Smith. Publish'd Mar.h
10.th 1783 by J. R. Smith N:83 Oxford Street.
A very fine mezzotint. Title plate 50 x 324mm. 2" x
12¾". Image plate 387 x 324mm. 15¼" x 12¾". £450
A young lady applying her make-up as the servant girl
stands waiting and onlooking.
Ex: Oettingen-Wallerstein collection.
Ref: 9198
36. L'Adolescence de Paul & Virginie.
L'Enfance de Paul et Virginie. [&] Paul...
Virgin.e... [&] Le Papayer de Virginie. Le
Sommet du Pouce...
Dutailly del. Guyot sculp. A Paris chez Guyot Graveur
et M.d d'Estampes, Rue St Jacques au Grand Gesner,
No.10.
Printed in colour. Six scenes of 14 on three plates,
each printed from four mezzotint plates in black, red,
yellow and blue. £1100
A novel by Bernardin de Saint-Pierre tells the story of
two children who grow up as brother and sister in the
French colony, possible inspired by the wreck of the
Saint Géran in 1744. In this series twelve views
illustrate the novel and two ilustrate the subsequent
play.
Ex: Oettingen-Wallerstein collection. BM:
1895,1015.137.
Ref: 9177

37. Phaëton.
G.Stubbs Pinx.t. B.Green fecit. Sold by Ryland &
Bryer at the Kings Arms in Cornhill. [n.d., c.1765-7].
Mezzotint. 450 x 550mm. Some damage, laid on thick
paper. £550
Phaëton, the son of Helios, losing control of his father's
chariot.
The first published state of one of Stubb's earliest
prints. Green engraved another version of this picture
in 1770.
Lennox-Boyd: 3, state II of III.
Ref: 8541
38. Le Philosophe en Contemplation.
J. Ph. Koch. exc: [n.d., c.1730.]
Mezzotint in sepia, 180 x 205mm. 7 x 8". Some foxing.
£180
A seated philosopher meditating before an open book,
hands in his lap. On the right a woman tends to a fire,
with a spiral staircase behind with another woman
standing halfway up by a door. After Rembrandt (1606
- 1669).
Ref: 9047
39. William and Margaret From the
celebrated ballad in Piercies Reliques of
Antient English Poetry Vol 3 XVI.
Painted by J. Wright Engraved by J. R. Smith
Mezzotinto Engraver to His Royal Highness the Prince
of Wales. London Published June 1. 1802, by R.
Ackermann at his Repository of Arts No. 101 Strand
Coloured mezzotint, 455 x 555mm; 19 ¼ x 24 ½. Laid
on card, tears in upper margin £650
Margaret's ghost appears to William. An impression
refreshed with colour in the state republished by
Ackermann.
Clayton P26, final state; D'Oench 257
Ref: 8581
40. Invention. From the Original Picture
on the Ceiling, in the second room, of the
Royal Academy. [&] Composition... [&]
Design... [&] Colouring.
Angelica Kauffmann Pinx.t. F.Bartolozzi Sculpsit.
John & Josiah Boydell excudit 1787. Published Jan.ry
1st 1787. by John & Josiah Boydell No 90 Cheapside.
A rare matching set of four oval stipples. 300 x
290mm, 11½ x 11¾". Some spotting. Unexamined out
of the frames. £1600
When the Royal Academy moved to Somerset House
in 1780, Kauffman painted four allegorical ovals for
the ceiling of the Council Chamber, representing the
four parts of Painting: Invention, Composition, Design
and Colour. These were set around a central painting
by Benjamin West, depicting Nature, the Three Graces
and the Four Elements. In 1837 the paintings were
moved to new premises in Trafalgar Square, and in
1899 were placed on the entrance ceiling at Burlington
House, the Academy's current home.
Ref: 8674
41. L'Astronomie.
F. Mich. Daenzel inv. et del.t [n.d., c. 1790]
Mezzotint, printed in sepia, 190 x 140mm. 7½ x 5½".
Fine. £180
Decorative scene with two figures kneeling by a chart,
with a telescope in the background.
Ref: 8570
42. Comedy To the Baron Obendorff,
Minister to His most Serence Highness the
Elector Palatine, this Plate is Dedicated by
His most humble and obedient Servant H.
Sitzenich.
Angelica Kauffman del.t Sintzenich Sculpt. John
Boydell exc.t 1782. publish'd Oct.r 1.st 1782 by John
Boydell Engraver in Cheapside London.
Stipple, 280 x 215mm. Fine. £330
A young woman holding a mask in her left hand.
Ref: 8419
43. The Dutchess of C. coming out of the
Cavern, 'As I ended these words, my door
opened ... & there fall down in a fit.' & The
Dutchess of C giving her daughter to
Count Belmire, 'I give her to you, said I to
him.....what it formerly deprived you of.'
D. Rigaud R A pinxit. L Schiavonetti Sculpsit. / F. J.
Riguad R.A. pinxit. G. Testolini Sculpsit Pubd. June 1.
1790 by Molteno, Colnaghi & Co. No. 132 Pall Mall'.
Pair of stipples with etching 352 x 428mm. Trimmed
close to plate top and bottom. £380
'Adele et Theodore' Paris 1782. Duchess of Cerifalco,
freed from a cavern in which her husband has
imprisoned her, half-fainting with hunger and
exhaustion, supported by her mother, who steps
forward to support her, while her father approaches
from left with outstretched arms and a valet de
chambre, wearing slashed hose and a plumed hat,
stands behind her to right; with two other women and
two soldiers in the background to left; in an oval. & A
woman sitting in the centre of a group, turning to look
at a young man standing at right who holds her hand,
and gesturing towards her daughter who stands

demurely at left with two attendants, one holding her
skirts; oval design.
Stéphanie Félicité de Genlis, author & poet [1746 -
1830] married Charles Alexis Brûlart, Count of Genlis
and Marquess of Sillery in 1763 but they separated in
1782. From 1772, she became lady-in-waiting of
Louise Marie Adélaide de Bourbon, the wife of
Philippe Egalité Duke of Chartres. Félicité de Genlis
became the mistress of the Duke and was soon named
governess of their daughters and, controversially, of
their sons. Many of her works were written for their
education and through her writing became a friend of
Rousseau. In 1793 she fled the excesses of the
Revolution and after living in England she was allowed
to return in 1801 by Napoleon who admired her.
Known in France as a 'Woman of Letteers'.
Oettingen-Wallerstein Collection. Lugt:2715a
Ref: 9045
44. The Deserted Village. Good heaven!
what sorrows gloom'ed that partint day.....
And clasp'd them close, in sorrow doubly
dear [eight lines of verse to left and right of
title].
F. Wheatley R.A. pinxt. F. Bartolozzi sculpt. London
Publish'd May 1st. 1795 by thos. Macklin, Poets
Gallery, Fleet Street.
Etching and stipple in sepia, 435 x 510mm. 17 x 20".
Uncut sheet. £260
A family with a dog, standing sadly at the gate of their
cottage, looking somberly at the village they are forced
to leave through poverty; after Wheatley.
Illustrates 'The Deserted Village' by Oliver Goldsmith
(1728 - 1774). Published by Thomas Macklin (c.1760 -
1800) for his series of 'British Poets', begun in 1787.
Ref: 8893
45. La Geographie.
F. Mich. Daenzel inv. et del.t [n.d., c. 1790.]
Mezzotint, printed in sepia 190 x 140mm. 7½ x 5½".
Fine. £160
Decorative scene with two figures in a room, a globe
and maps hung on a wall.
Ref: 8569
46. Lucy of Leinster. Of Leinster, fam'd
for maidens fair ... Her life now near its
end. Vide Colin & Lucy [three verses of
four lines each below title].
Henry Bunbury Esq. delt. F. Bartolozzi R.A. sculpt.
London. Publish'd May 10. 1799, by Thos. Macklin,
Poets Gallery, Fleet Street.
Etching and stipple in sepia, 435 x 510mm. 17 x 20".
Some light foxing. Uncut sheet. £220
A young woman supported by three others, helping her
to a stool in front of a cottage under a vine trellis. An
old woman sits with an open book looking at Lucy
with concern, a little boy holding a basket of flowers
and a dog. After Bunbury, this illustrates poet and
statesman Thomas Tickell's (1685 - 1740) 'Lucy and
Colin', in which Colin abandoned Lucy for a wealthier
bride. Lucy died on her lover's wedding day and,
pursuant to her request, was brought to the church.
Upon seeing his true love's body, Colin succumbed to
death as well, and the lovers were buried in the same
tomb.
Published by Thomas Macklin (c.1760 - 1800) for his
series of 'British Poets', begun in 1787.
Ref: 8892
47. Sterne conducting Maria into
Moulines.
Painted by Northcote. Engrav'd by J.Parker. Publish'd
Feby. 17th. 1786 by John Harris, Sweetings Alley,
Cornhill, London.
Stipple and etching, 395 x 350mm. 15½ x 13¾". Fine.
£280
Scene from Laurence Sterne's (1713 - 1768) 'A
Sentimental Journey', the author taking a young girl
with a dog and a pipe on string around her neck by the
arm. He gestures towards buildings through an arch.
Two paragraphs of verse from Sterne below title.
Ex: Oettingen-Wallerstein collection.
Ref: 9222
48. Dogs of the Dalmatian breed. - from
an original picture in the possession of Sir
John Fleming Leicester Baronet &c. &c.
James Ward R.A. Pinx et Delt. London Pubd. May 1st.
1824. R. Ackermann Strand.
Lithograph on india laid paper, image 370 x 510mm.
14½ x 20". Some foxing. Tatty extremities outside
india. £850
While is no reference by Julia Frankau to this very
unusual and rare lithograph of the Dalmatian dog, an
exhibition list does mention a drawing with the same
title exhibited at the British Institute in 1806.
A prolific artist, James Ward R..A. (1769 - 1859) was
one of the finest animal, portrait, and landscape
painters of Regency England. Brittle, pious, and
argumentative, Ward worked well into the mid-19th
century, creating dynamic compositions that
epitomized Romanticism. He was devoted to the art of
Rubens and Van Dyck, and emulated them more than
any of his contemporaries.
Ref: 9078
49. [Falstaff at Herne's Oak.]
Engraving with etching, sheet 480 x 615mm, 19 x
24¼" Folds at top. £380
Finished proof before all letters of the scene showing
the discomfiture of Falstaff by fairies in the Merry

Wives of Windsor. One of the best paintings done for
Boydell's Shakespeare.
Ref: 8617
50. [A Midsummer Night's Dream.]
Painted by Sir Edwin Landseer R.A. Engraved by
Samuel Cousins, R.A. New York, Published by
M.Knoedler, Broadway, Jan.y. 1st 1858; and Entered
according to Act of Congress in the Clerk's Office of
the District Court of the United States of the Southern
District of New York. [London; Published Jan.y 1,
1858 by Henry Graves & Compy Publishers to the
Queen-6 Pall Mall.]
Mezzotint. 630 x 920mm. Unexamined out of frame.
Title possibly hidden under mount. £1250
With an adoring Titania snuggled next to a large
clothed Bottom with a small nude Puck and fairies
riding white
rabbits, typically concentrating on the ass's head and
two white rabbits with luminous eyes, is at the National
Gallery of Victoria, Melbourne, Australia. Landseer's
only illustration to Shakespeare the painting was
commissioned by Isambard Kingdom Brunel in 1847
and finished 1851
Sir Edwin Henry Landseer, RA 1802-1873. Edwin
Landseer was the youngest son of an engraver. The
three Landseer brothers studied under Benjamin Robert
Haydon, the historical painter, from 1815. Haydon
encouraged Landseer to study animal anatomy. In
1816, Landseer entered the Royal Academy Schools,
but he had already exhibited at the Royal Academy
Summer Exhibition in the previous year. He was
elected Associate of the Royal Academy in 1826 aged
only twenty four, and full Academician in 1831 when
not yet thirty. In the 1830s his work gained wide
popularity and was bought both by the aristocracy and
the newly important middle class. He himself moved
freely in aristocratic circles, and after 1836 he enjoyed
royal patronage, especially in the 1840s when Victoria
and Albert also discovered Scotland. He paid his first
visit to their home, Balmoral in 1850 to paint a large
group portrait of the royal family. He was knighted that
year even though the painting was never finished.
Landseer had a permanent fight against depression and
ill health, although he continued to paint brilliantly
almost until the end of his life. In the 1860s he
modelled the lions at the base of Nelson's Column in
Trafalgar Square and these were unveiled in 1867. In
1866 he declined the presidency of the Royal
Academy, and after 1870 sank slowly into madness.
Whitman: 201 state iii of iii.
Ref: 9320
51. Long Charley the Noted Bookseller
And Matcher.
[n.d. c.1800]
Hand coloured drawing. Sheet 351 x 286mm. 13¾" x
11¼". Some small tears. £250
Ref: 8686
52. T. Osborn Bookseller
[n.d. c.1800]
Hand coloured watercolour. Sheet 351 x 286mm. 13¾"
x 11¼". Small tear. £250
Ref: 8685
53. [The Bride of Lammermoor.]
John Everett Millais. Thos Oldham Barlow [Pencil
signatures.] Published January 10th, 1882, by Thomas
Agnew & Sons, London, Liverpool & Manchester, and
Knoedler New York. Copyright Registered.
Mezzotint on india, Printsellers' blindstamp. Limited to
200. 580 x 780mm. Tear just entering india. £550
Sir Walter Scott's novel 'The Bride of Lammermoor',
basis of Donizetti's 'Lucia di Lammermoor". Edgar,
Master of Ravenswood, has just rescued Lucy Ashton,
daughter of his enemy, from a wild bull. Unaware of
his identity she is surprised at his cold manner. The
model for Ravenswood perfectly fits Scott's
description: 'A monteso cap and a black feather
drooped over the wearer's brow, and partly concealed
his features which, so far as seen were dark, regular,
and full of majestic though somewhat sullen
expression'. Millais, Holman Hunt and Rossetti had
formed the revolutionary Pre-Raphaelite Brotherhood
in 1848.
Printsellers: 37. Ex: Collection of The Hon. C. Lennox-
Boyd.
Ref: 8241
54. A Christmas Box.
S.K._invt. G Ck fect. Pubd. Decr. 26th. 1826 by S.
Knights_Sweetings __ley Royal Exchange.
Coloured engraving. 152 x 121mm. 6" x 4¾". Cut and
laid on sheet. £80
Ref: 8643

BOOKS & EPHEMERA
55. Les Cadeaux de l'Enfant-Jesus No.2
Imp Vayro, Paris. [n.d. c.1860] Au Bureau du Musée
Francais Anglais, Rue Bergère, 20.
Lithograph. Sheet 444 x 318mm. 17½" x 12½". Some
spotting. £130
Christmas Scene.
Ref: 8638
56. [Curiosities.] Giovani Baptista
Belzoni. Ann Siggs. Patrick O'Brien.
George Romondo. Mr Daniel Lambert.
[n.d., c.1815.]
Coloured engraving, 195 x 300mm. 7¾ x 11¾".
Scarce. Hole in top right. Stamped 1815. £190
A print celebrating early nineteenth century curiosities,
in cluding the beggar Ann Siggs, the 8' 11" Irishman
Patrick O'Brien, Daniel Lambert (1770- 1808) who
died weighing 739 pounds and is referred to in 'Vanity
Fair' and 'Nicholas Nickleby', and George Romondo,
noted for the imitative qualities of his voice.
Ref: 8752
57. An Account of the Election and
Return of Thomas Coster Esqr. [Text
detailing the Election of Members to serve
in Parliament for the City and County of
the City of Bristol.]
James Stewart script. Thos. Gardiner Sculpt. J. Faber
Fecit. J. De Groot. Junr. Pinxt. L. P. Boitard Sculpt.
[n.d. c.1734.]
A very rare mezzotint & engraved broadsheet. 610 x
415mm. 24" x 16¼". Scarce. £490
Broadsheet commissioned by Thomas Coster, the Tory
representative in the General Election, 24 May 1734.
The British general election, 1734 returned members to
serve in the House of Commons of the 8th Parliament
of Great Britain to be held, after the merger of the
Parliament of England and the Parliament of Scotland
in 1707.
CS:91; From Oettingen-Wallenstein Collection. Lugt:
2715a.
Ref: 8680
58. Fossil Fish Found Near Stowe Nine
Churches.
G. Scharf del: et lithog. [n.d. c.1829].
Rare Lithograph. Sheet 370 x 543mm. 14" 5/8 x 21"
3/8. £120
George Scharf (1788 - 1860). Bavarian born
lithographic artist who arrived in London in 1816. He
was the lithographer for the plates accompanying
Clift’s paper 'On the Fossil Remains of two New
Species of Mastodon and of other Vertebrated
Animals, found on the left Bank of the Irawadi' [1829].
Ref: 8462
59. A Genealogy of the Kings of England
from Alfred the Great. By Rd. Mitchell.
R. Mitchell. Entered At Stationers Hall London, May
19th. 1823. Published for the Author by George
Wilson, Essex Street, Strand, and Sold by Ackermann,
Strand; Hurst & Co. Cheapside; Colaghi, Cockspur
Street; Hookham, Bond Street; Hailes, Piccadilly;
Wilson, Cornhill; and the Engraver, W.J. White,
Brownlow Street, Holborn. Forth Edition, with
considerable additions.
Engraved broadside chart with vignette coats of arms,
740 x 530mm, 29 x 21". Creases through upper left and
right corners. £330
Impressive and large family tree of English royalty,
from the ninth century Alfred to George IV.
Explanatory notes set in cartouches at corners.
Ref: 8596
60. [A giant soldier.]
Darmier[?] Litog Vigotti. [n.d., c.1840.]
Very Scarce Lithograph. Printed area 490 x 360mm,
19¼ x 14¼". Some creasing, wormhole in edge. £480
Ref: 8559
61. A Collection of Prints, Engraved
from the finest Paintings of the Greatest
Masters, Chosen out of the most
Celebrated Collections in Engalnd, and
France. Recüeil d’Estampes, Graveés
d’après les Meilleurs Tableaux des Grands
Maitres, dont on a fait choix dans les
Cabinets les plus célébres, d’Angleterre, et
de France.
H. Gravelot invt. Tho. Major Sculpt. Engraved and
Sold by ~ Thomas Major, Engraver to his Majesty, and
to his R.H. The Prince of Wales, at the Golden Head;
in Chandois Street near St. Martin's Lane London.
Publish'd according to Act of Parliament 28 May,
1756. ~
Engraving. Title page to book. 476 x 381mm. 18¾" x
15". Some staining to corners of the margin. £260
Thomas Major (1720-1799). "Collection of Prints
Engraved from the finest Paintings of the Great
Masters chosen out of the celebrated collections in
England and France".

From a portfolio, 1756, 58 works after Teniers,
Wouverman, Bergham, Vanderneer, Vernet and others,
on various papers.
Ref: 8501
62. I. A Plan of the Great Oke call'd The
Green-Dale Oke in the Lane near Welbeck
in Nottinham Shire. (1) Virtute et Fide [In
banner]. The Arch cut thro^ the tree. 10
Feet 2 Inches high.; (2) Soepe sub hâc
Dryades festas duxere chorcas: / Soepe
etiam minibus nexis ex ordine, trunci /
Circuiere modum: mensuraqs roboris
ulnas Quinque ter implebat nec non et
coetera tanto / Silva sub hâc sylvâ quanto
jacet herba sub omni. / Ov: Met:; (3) Lo
the Oke!; (4) Lo the Oke! that hath so long
a norishing. / Fro the time that it ginnith
first to spring / And hath so long a life, as
we may see; / Yet at the laste, wastid is the
Tree. Chaucer.; (5) Una Nemus.
G. Vertue. (1) These Draughts taken 31 August 1727.
Line engraving. 357 x 209mm. 14" x 8¼". Some
staining. £650
Very rare set in good condition. Title page to 4
draughts.
Ref: 8658
63. 'The Court of King Christmas.'
R Dudley del. H Hoval sc. Printed in colors by William
Clowes and Sons [n.d., c.1900.]
Coloured engraving, 230 x 285mm. 11¼ x 9". Central
vertical crease; Trimmed, losing part of publication
line £70
Vibrant scene depicting festive revels in the court of
King Christmas.
Ref: 8777
64. The 'Ladies of Llangollen,' as
sketched by many hands; with Notices of
Other Objects of Interest in "That
Sweetest of Vales."
By John Hinklin, Editor of the 'Chester Courant,'
Author of 'The History of Chester Cathedral,' Etc.
Chester: Thomas Catherall, Eastgate Row; London:
Whittaker & Co.; Ackermann & Co., Strand; Dublin:
T.Cranfield.
Folio, half morocco with original printed front board,
later back board, disbound; lithographed title, half-title
& dedication; pp. 29, 6 tinted lithographs. Some
spotting. £330
Including a plate of two women in traditional Welsh
dress.
Ref: 8846
65. [The Martyr's Memorial, Oxford]
The Oxford Memorial of Cranmer, Ridley,
and Latymer. Under the Patronage of the
Bishop of Oxford, and the sanction of the
Archbishops of Cantebury and York. [4
page document describing the becomings
of and future of the memorial.] Plus rare
letterpress accompaning.
[n.d. c.1840.]
Lithograph. Sheet 605 x 438mm. 23¾" x 17¼". Rare
together. £360
The Martyrs' Memorial commemorates the 16thcentury
"Oxford Martyrs". The monument was
designed by Sir George Gilbert Scott, and completed in
1843 after two years' work. The Oxford Martyrs were
tried for heresy in 1555 and subsequently burnt at the
stake in Oxford, England, for their religious beliefs and
teachings. The three martyrs were the bishops Hugh
Latimer and Nicholas Ridley, and the Archbishop
Thomas Cranmer.
Ref: 8679
66. A Report of the State of the Sheffield
General Infirmary, (Open to the Sick and
Lame Poor of any Nation) From
Missummer 1801, to Midsummer, 1802.
By the Committee of Accounts, Appointed by the
Statutes of the Charity to Prepare the Same. T.Pierson,
Printer, Sheffield. [n.d., watermarked 1802.]
Folio letterpress broadsheet, 4pp., with engraving on
front. Sheet (opened) 475 x 605mm, 18¾ x 23¾".
Splits in folds, one tear. £650
With lists of the receipts and payments, patients
admitted and discharged, legacies and subscribers.
Sheffield General Infirmary was founded in 1792,
becoming the Royal Infirmary in 1897, closing in
1980. The original building, as shown in the engraving,
is now Heritage House, a Grade II* listed building.
Ref: 9048
67. Original Sketches, Drawn and
Engraved on Stone.
By Henry Stretton, Esq. Subscribers' Copies to be had
of Mr. Paul Gauci, 9, North Crescent, Alfred Place;
and of Mr. Worsfold, 161, Regent Street. [n.d.,
c.1840.]
Original blind-stamped cloth, titled in gilt on front
board, hinges strained; title, dedication, list of 180
subscribers, 10 tinted lithograph plates, printed by Paul
Gauci. Some spotting. £450
One of only 180 subscribers' copies of the book.
Ref: 8840

68. [Textile designs.] Bonneville Paris.
Gravé par Deschamps. Dubreuil, rue Lacharie, No. 8, à
Paris. [n.d., c. 1800.]
Engravings, each approx. 300 x 450mm. 12 x 17¾".
Some foxing, creasing, slight tears and scuffing to
paper. £390
Seventeen sheets of patterned textile designs.
Ref: 9053
69. [A young woman reading a
valentine.]
London, Published August 22nd. 1866, by Moore,
McQueen & Company Limited 25, Berners Street,
Oxford Street; Pairs, chez François Delarue, Editeur,
18, Rue J.J. Rousseau.
Mixed method engraving, proof before title, 720 x
515mm. 28¼ x 20¼". £220
A young woman reading a love letter by a fire place, a
rose having fallen to the ground, while her father works
in a back room. A fine impression.
Ref: 8489
70. Das Vater Unser eines
Underwaldners.
erfunden von J. Martin Usteri in Zürich ausgeführt und
in Tuschmanier geäzt von Marquard Wocher in Basel
Freiburg im Breisgau in der Herderschen
Kunsthandlung. [n.d., c.1814.]
4to. Cover and 8 leaves of calligraphic lithograph text,
with 8 aquatint plates.330 x 240mm. 13 x 9½". Some
foxing on pages but not on plates; loosely bound. £420
Usteri's anti-French series of illustrations and one of
his most important works. The aquatints depict the
Schwarzer September ('Black September'), as the
bloody rebellion of the Swiss Nidwalden against the
invading French revolutionary troops in September
1798 became known. 600 houses were burned down
and a large number of women and children perished.
The illustrations follow a Nidwald mountain shepherd
and his young nephew accompanied by a text based on
the Lord's Prayer.
Ref: 8909
71. Le Temps qui détruit tout, donne à
tout l’existence: Des débris que tu vois, j’ai
reçu la naissance.
Fortier Sculpsit. A Paris, chez L. Dubois Peintre, Rue
de L'Éperon No.8. Et chez tous les Mds. de
Nouveautés. Déposé à la Bibliothèque Impériale. [n.d.
c.1780.]
Engraving. 260 x 292mm. 10¼" x 11½". Small tear
that comes into the top platemark. Repaired hole to the
right-hand side of the image. £120
Jean-Antoine Roucher (1745-1794), french poet. These
words feature in his poetry set "Les Mois" - 'Avril'. The
image shows the face of a man with a beard when
turned upside down.
Ref: 8750
72. Cupido Dormiens. Cupid Sleeping.
From a painting of Guido Reni, in the
Collection of Sir Laurence Dundas Bar.t.
[With framer's trade label on verso:]
Thomas Fentham, Carver, Gilder and
Picture-Frame Maker, At No. 52. Opposite
Old Round-Court, Strand, London, Sells
all Sorts of Picture, Print, and Looking-
Glass Frames, of any colour to match
rooms; various Sorts of Green and Gold
Dressing-Glasses, rich Girandoles, &c. and
Green and Blue Venetian Window-Blinds.
Old Pictures and Prints Cleaned, lined,
repaired, and secured from Dust.
Guido Reni Pinxit. Rob.t Strange delin.t et Sculp.t.
[n.d., 1766.]
Engraving. 380 x 435mm. Narrow margins, laid on
linen. £230
Cupid asleep on a couch, his chin on his hand, the
elbow propped on a cushion on the right, with a curtain
above to right and a view of a landscape with a castle
in the background to left.
Thomas Fentham had several addresses in the Strand
between 1774 and 1825: he occupied No.52 between
1778-94.
Ref: 8352
73. [A putti playing a lyre and riding a
lion.]
Engraved by F. Bartolozzi. London, Publish'd May 25;
1785 by W. Dickinson, Engraver & Printseller No. 158
Bond Street.
Stipple and etching, proof, 155 x 130mm. 6 x 5". £90
A beautifully engraved classical design, possibly for a
ticket.
Ex: Oettingen-Wallerstein collection.
Ref: 9179
74. Almanac 1883.
From T.J. Sawyerr, 162, Rawdon Street, Freetown.
A.J. White, Limited, 21, Farringdon Road, London,
E.C.
Printed pamphlet wrapper, chromolithograph, and one
disbound sheet. 12vo, 150 x 95mm, 6 x 3¾". £120
An Almanac printed for the British settlement at
Freetown, Sierra Leone, West Africa. The printed text

within, including verso side of disbound sheet, is
overwritten by hand in ink in a non-European script.
The recto of the sheet ( numbered '5') lists significant
historical events for the month of February, and is
illustrated with a monk looking at his fishy catch to
signify Pisces. Below is a recommendation for 'Seigel's
Curative Syrup' by one Joseph Woods, Chemist.
According to a pencil note offered with this item, the
ink manuscript is a local charm, to be recited for the
purpose of curing the sick.
A truly unique piece of ephemera.
Ref: 9319
75. Public Banquet To The Suite Of His
Majesty Louis Philippe, King Of The
French, and the Officers of the French
Squadron, by the Mayor & Inhabitants of
the Port of Portsmouth & Vicinities
Saturday 12th. Octr. 1844.
Charpentier, Sct. Portsmouth [c.1844].
Ticket, lithograph on laminated paper, 115 x 150mm.
4½ x 6". Some staining. £60
An unallocated ticket to an 1844 banquet in honour of
the visiting Louis Philippe (1773 – 1850), King of the
French from 1830 to 1848. With vignette of the French
and British crowns and flags, a representation of the
1830 French constitution adjacent to the British royal
coat of arms.
Ref: 9263
76. John Beckett Sword Cutler & Belt
Maker, To his Majesty; /at the King's
Arms and two Flaming Swords, in St.
James's Street. / Make and Sells all Sorts of
Rich Swords and Belts, Silk and Leather.
Whosesale and Retail at Reasonable
Rates.~ and in French. Hand written on
verso: "Coll Clynton Bgt. of John Beckett
& John Bland. Novr 7 1758 An Hollow
Scabard & Gilt Chape to Steel & gold
Sword £~4"6. Jany 16 1764 A Neat wrot
Steel Sword Gilt Black & gold £4"14"6.
Feby 26 1765 A Wrot Steel & gold Chape
to Ditto Sword £~3"6. - £5"2"6. [In a
Different Hand] Jany 28 1766 / Recd the
Contents in of all Demands for John
Beckett and John Bland. [with a signature
in similar ink] Beckett.
Engraving 200 x 235mm. Foxed with folds and outer
edges of the paper time stained. £750
We conclude the 'Clynton' to whom this invoice relates
was General Sir Henry Clinton 1730-1795 who served
as British Commander in Chief in the American
Revolutionary War. The first purchase does seem to
coinside with the year he was risen to the rank of
lieutenant colonel in the 1st Foot Guards [later
Grenadier Guards]. In 1760 he went on active service
for the first time. A brigade of guards was attached to
the force under Prince Ferdinand, and Clinton so
greatly distinguished himself that he was selected to fill
the post of aide-de-camp to the hereditary Prince of
Brunswick, who commanded a division. His gallantry
was conspicuous; he was promoted colonel on 24 June
1762, was wounded at Johannisberg on 30 Aug. 1762,
and after the conclusion of peace was appointed
colonel of the 12th regiment in 1766. He was promoted
major-general on 25 May 1772.
Ref: 8820
77. [Birth Certificate.] These are to
Certify, That Priscilla Moginie Daughter of
John Moginie and Maria- his Wife, who
was Daughter of James & Elizabeth
Elsworthy, was born in St. John's Street in
the Parish of St. John's Clerkenwell in the
County, of Midx. the first Day of May in
the Year one thousand eight hundred five.
At whose Birth we were present. [...]
Registered at Dr William's Library,
Redcross-Street, near Cripplegate,
London. Dec. 30th 1806. Tho. Morgan,
Register. Attendance at the Library every
Tuesday, Wednesday, Thursday, and
Friday, between the Hours of Ten in the
Morning and Three in the Afternoon;
except during the Month of August, and
the Whitsun and Christmas Weeks, when
the Library is shut up.
Printed by C. and W. Galabin, Ingram-Court, London.
Certificate, 175 x 200mm. 7 x 8". Horizontal and
vertical creases. £220
Birth certificate describing the birthplace and lineage
of a child. Registered at a library.
Ref: 8780

78. Address of the Citizens of the Ward
of Farringdon Without, in the City of
London, to their Fellow-Citizens of the
other Wards in the said City. [&] The
Memorial of the Citizens of the Ward of
Farringdon Without, in Wardmote
assembled [...]
G. Neal, Printer, Fleet-lane, Farringdon-street. [1850.]
Printed text, 320 x 420mm. 12½ x 16½". Small folds in
corners and paper scuffing; horizontal creases £65
Address criticizing the operation of the Corporation of
London, explaining the holding of Wardmotes in
Farringdon to provide a forum for discussion and
proposing severa; resolutions to improve the
corporation. The 'Memorial' also conecerns the
Corporation of London. Both documents written by
John Pontifex, Ward Clerk, 5, St. Andrew's Court,
Holborn.
Ref: 8899
79. His Majesty's Coronation Fleet.
Received of [blank] the day of [blank] the
Sum of [blank] Sovereign being the
Amount of his Subscription as a Member
of the above Fleet for the Year 182 [blank].
E.H. Cross Sc 92 Leadenhall Street. [n.d., c.1820.]
Engraved receipt with vignette royal coat of arms and
sailing boats on a lake, 220 x 210mm.8¾ x 8¼".
Creases where folded; laid to card. £130
Unannotated, unsigned diploma of membership of
King George IV's Coronation Fleet.
Ref: 9315
80. West view of Ely Cathedral.
Ebenezer William Creak, Choristers'
School, Ely.
Rock & Co. London. [n.d., c.1800.]
Engraving, 155 x 110mm. 6 x 4¼". Horizontal creases;
trimmed. £45
A calling-card, with a view of Ely cathedral.
Ref: 9065
81. Leggatt, Hayward and Leggatt's New
City Gallery, Principal Entrance, 22,
Cornhill, Opposite the Royal Exchange.
London.
[n.d., c.1840.]
Aquatint advertising card. 105 x 140mm, 4¼ x 5½".
Glue stains in corners. £120
A view of the interior of a leading Vivtorian picture
dealer's establishment. At various times Leggatt,
Hayward and Leggatt exhibited paintings by Landseer,
Cooper, Eastlake and Ward, as well as W. P. Frith's
famous picture 'The Derby Day'.
Ref: 9216
82. Glasgow Looking Glass. Vol. 1.-
No.4.
Glasgow. Printed, Published, & Sold by J. Watson
Lith. Press, 169 George Street, & Sold by R. Griffin &
Co., W.R. McPhun, & M'Callum & Co. Glasgow and
West, C Smith & Co, and Robertson & Ballantyne,
Edinburgh.
Lithograph, 430 x 560mm. 17 x 22". Very rare. £220
A four page publication including comical scenes,
poetry and a large view of Glasgow fair, showing
numerous stage shows. Also includes a print of a face
with a separate flap which can be folded back to
change the appearance of the face.
Ref: 8901
83. J. Halliday's Juvenile Dress &
Hosiery Warehouse, 235 Regent Street,
Near Portland Place, London. Tradecard.
Drawn by James Fillans Eng.d by W. West. Margaret
St.
Engraving, 80 x 110mm. Brown marks, trimmed close
to image, small hole in top-left corner £80
A balloon bearing the address of J. Halliday's
warehouse, amongst a scene of children playing
various games, including cricket and archery.
Ref: 8220
84. Presented by Heath & Wiltshire Ltd
of Farnham Surrey to [blank] to
commemorate [blank] years of valued
service with the company 1951 Chairman.
James Hockey fecit 1951. [etched in plate.] James
Hockey 1951 [signed and dated in pencil below.]
Etched illustrated diploma on watermarked laid paper,
unsigned and uninscribed, 310 x 350mm. 12¼ x 13¾".
£230
An attractive certificate issued by a Farnham car dealer
or manufacturer. It is decorated by vignettes illustrating
the progress of transport, from horse-drawn coaches
above, through different eras of the motor car, to
contemporary automobiles.
Ref: 8984
85. [Zermatt souvenir Menus & Guide.]
Polygraphisches Institut, Zurich [n.d., c.1900.]
Four coloured lithographed menu cards and
lithographed folded pamphlet, approx. 220 x 125mm.
8¾ x 5". Horizontal creases; two menus are torn. £120
Small souvenir collection consisting of a pamphlet
advertising the Hôtels Seilet in Zermatt on front, Hotel
Zermatt, Hotel Monte Rosa, Hotel Riffelaip, L'hotel du
Lac Noir, L'hotel Riffelberg, all in Switzerland, in the
inside with a collage of secenery of the back. Four

handwritten menus on stationery from the Hôtel
Riffelberg. On the front of each, next to the menu is an
alpine scene, with a descripion of the area, hotel prices
and suggested excursions on the reverse.
Ref: 8894
86. Severall Wayes of Hunting, Hawking,
and Fishing, Acording to the English
Manner If Hunting, Hawking, Fishing,
pleasure yeald,/ How much may Art
excede, as if in Feild,/ You vew'd each
Sport, by figure so exprest,/ The Severall
wayes they take, Fowle, Fish, & Beast.
invented by Francis Barlow. Etched by W. Hollar. And
are to be Sould by John Overton, at the White Horse,
without Newgate, London, A 1671.
Engraving, 180 x 290mm. 11½ x 7". Stain; trimmed
close around image; tear on right. £160
Frontispiece to the 1671 publication 'Severall Wayes of
Hunting, Hawking, and Fishing, Acording to the
English Manner', etched by Wenceslaus Hollar.
P 2028 I of II
Ref: 8757
87. British Wesleyan Methodism, 1836.
Circular to the Circuit Stewards of the
Whole Connexion.
Letterpress broadsheet with wood-engraved border. 2
sheets, printed on three sides, each sheet 285 x 240mm,
11¼ x 9½". Some creasing & staining. £140
An account of a Methodist meeting in Halifax,
Yorkshire.
Ref: 9281
88. Borough Of Portsmouth. Naval
Review At Spithead. At a Public Meeting
of the Inhabitants of the Borough of
Portsmouth, held at the Guildhall, on
Thursday, the 20th inst., for the purpose of
considering what steps should be taken to
represent this Borough and neighbourhood
on the occasion of the Naval Review at
Spithead in July next, in honour of the
Sultan's Visit To England The Worshipful
The Mayor, Emanuel Emanuel, Esq., In
The Chair:- ...[Details of the Resolutions
passed by the meeting, and the names of
the proposers, follow] ... Portsmouth, June
21, 1867.
Harrison & Co., Printers, Portsmouth.
Printed letterpress broadside, 440 x 285mm. 17¼ x
11¼". Discoloured; laid to card. £120
Public notice of the decisions of a meeting at
Portsmouth Guildhall in 1867 concerning the
upcoming visit to the town by Abdülaziz, the 32nd
sultan of the Ottoman Empire (1830 – 1876). He
reigned between June 25, 1861 and May 30, 1876. A
Fleet Review of the Royal Navy was arranged in the
sultan's honour in July 1867 at nearby Spithead on the
Solent.
Ref: 9257
89. Banquet Given By The Mayor (Major
W.T. Dupree) and the Inhabitants of
Portsmouth To Captain Percy Scott, R.N.,
C.B. and the Officers and Men of H.M.S.
"Terrible" in Honour and Appreciation of
their Gallant Services In South Africa and
North China.
W.H. Barrell, Printer, 114 High Street, Portsmouth.
Printed song pamphlet, 12mo (180 x 120mm, 7 x 5")
and folded embossed menu lettered and decorated in
gilt, 215 x 105mm, 8½ x 4". £160
Two rare pieces of ephemera printed for a banquet
given by the Mayor of Portsmouth at the Connaught
Drill Hall, on September 23rd, 1902, in honour of
Captain Percy Scott of HMS Terrible. Includes a small
book of 14 songs in original printed wrapper. Also the
menu issued to guests, which features a reproduction of
a contemporary photograph of the Terrible on the
verso.
HMS Terrible was a ship of the Powerful-class of
armoured cruiser built by J&G Thompson on
Clydebank and launched on May 27, 1895. She served
with her sister ship, HMS Powerful on the China
Station and provided landing parties which fought in
the relief of the Siege of Ladysmith in the Second Boer
War. Crews from the two ships also took part in
suppressing the Boxer Rebellion in China.
Ref: 9308
90. Portsmouth Grand Testimonial
Banquet In honour of the Officers & Men
Of The British Army, Navy & Royal
Marines Engaged In The Late War With
Russia 1854. 1855. 1856. On Tuesday &
Wednesday The 16th. & 17th. Of
September 1856. Lord George Lennox,
President. Admit [in ink:] A:L:
Vandenbergh, Esqre.
Day & Son, London. Lithrs. to the Queen. [1856.]
Ticket, lithograph on laminated paper with three red
wax seals, 200 x 250mm. 7¾ x 9¾". Slightly faded.£90
Personalised invitation to a banquet in honour of
veterans of the Crimean War (1854– 1856) in
Portsmouth. A vignette of the coat of arms of the town

surrounded by military standards bearing the names of
major battles at the centre.
Numbered 'No.12' in ink upper left, priced '£1,,1,,0'
lower left.
Ref: 9261
91. The Charters Of Liberty. A.D.
1215.../ A.D. 1688.../ A.D. 1832...
Portsmouth, Aug. 8, 1832. Henry Slight. Price, Printer.
Letterpress broadside with woodcut vignette of trumpet
and lyre, 230 x 175mm. 9 x 7". Lower right corner
missing. Glue stain from verso, horizontal creases
where folded. £90
A very rare contemporary poem in praise of the Great
Reform Act (passed 7th June 1832) divided into three
eight-line stanzas, with two other great dates/moments
in the progress of English liberty singled out. The
events alluded to are the signing of Magna Charta in
1215, and the 'Glorious Revolution' of 1688.
Ref: 9313
92. This Day was published, by
Subscription, [Price 10s.6d. in Colours, or
5s.6d. Plain] An Engraving, From an
Original Drawing, takedn and coloured on
the Spot, by W.Fowler, From the curious
Roman Pavement in Prior Crawden's
beautiful Chapel, in the College at Ely.
M.Watson, Printer, Angel-Inn-Yard, Market Hill,
Cambridge. Winterton, Lincolnshire, May 20, 1801.
Letterpress advert. Sheet 255 x 200mm, 10 x 8". £90
Fowler published the 'Mosaic Pavements of Great
Britain', 1804.
Ref: 9219
93. To The King. I Humbly beg leave to
lay at Your Majesty's feet the folllowing
Dissertation.... May it please Your
Majesty, Your Majesty's dutiful servant
and faithful subject, William Chambers.
[n.d., 1772.]
Titlepage, engraved dedication with stipple engraved
and etched vignette, 235 x 175mm. 9¼ x 7". £80
From 'A Dissertation on Oriental Gardening', W.
Griffin, London, 1772. The book represented an
unfortunate literary venture by the architect Sir
William Chambers (1726 - 1796), in which he
endeavoured to prove the superiority of the Chinese
system of landscape gardening over that practised in
Europe. His preface is animated with irritation against
Lancelot ‘Capability’ Brown, whose design for Lord
Clive's villa at Claremont had been preferred to his.
The ‘Dissertation’ itself, with its absurd depreciation of
nature, its bombastic style, and its ridiculous
descriptions (mainly borrowed from other works) of
the gardens of the emperor of China, was sufficient to
account for the satires which it called into life. The
most important of these was ‘An Heroic Epistle to Sir
W. C.,’ followed by ‘An Heroic Postscript’ to this
epistle, in both of which the satire was keen and the
verses pointed. These lively pieces were published
anonymously, and their authorship was for some time a
matter for conjecture. There is now no doubt that they
were by William Mason, the poet, the first book of
whose ‘English Garden’ was published in 1772.
Chambers commenced to exhibit with the Society of
Artists (in Spring Gardens) in 1761, and was one of the
first members and the first treasurer of the Royal
Academy when established in 1768. In 1775 he was
appointed architect of Somerset House at a salary of
2,000l. a year.
With image above of two sides of a coin depicting
George III as a Roman emperor and the facade of the
Royal Academy. After Cipriani, engraved by
Bartolozzi.
British Library system number: 000655477.
Ref: 9314
94. [Various modes of travelling.]
Milton Welch Jan.y 1867.
Engraving on embossed card, 140 x 165mm. 5½ x 6½".
Mounted inside cardboard sheet with tissue flap. £120
Small engravings depicting seven modes of transport
(balloon, walking, horse-drawn carriage, ship, horse,
train, riding on the back of a tortoise]) forming a cross
shape in the centre of a sheet of embossed card. In ink
on the cardboard mount is written 'these various modes
of travelling are drawn by the left hand. J.M.'. On the
reverse is a riddle, handwritten in ink, entitled 'The
Oxford Puzzle.'
Ref: 8695
95. The Ghost. _ A Christmas Frolic. Le
Revenant.
I.M.Wright pinxt. W.Nicholls sculp. London: Pub.
Decr. 24, 18_by Thomas Rickards, 344, Strand.
Aquatint. 394 x 436mm. 15½" x 17¼". Very rare.
Some tears, staining and worm holes. £220
A witty christmas scare scene. Young boy behind a
home mad ghost figure.
Ref: 8520
96. The Art of Making Paper Flowers
and Ornaments. A Novel, and
Entertaining, and Popular Amusement.
[n.d., c.1860.]

Wood engraving, printed in colours. Sheet 490 x
345mm. An extremely rare surviver. Some spotting, a
little rubbing near text, laid on album paper. £320
A short guide to origami.
Ref: 8354
97. Spooner's Protean Views No.30.
Greenwich Hospital. Changing to The
Battle of Trafalgar.
London: Published by W.Spooner, 377 Strand. [n.d.,
c.1845]
Lithograph, sheet 150 x 180mm, mounted on card with
title label, as issued. Very bright colour. £260
A quiet scene on the Thames transforms into a battle
scene (printed on verso), when the image is held
against a light source.
Ref: 8359
98. The Shield of Wellington Executed in
Silver Gilt by Greens & Ward, late
Ludagte Street. Goldsmiths & Jewellers.
20, Cockspur Street, London.
Giennell Sc. [n.d. c.1820.]
Engraving. Tradecard. 114 x 76mm. 4½" x 3". £120
Ref: 8467
DECORATIVE
99. [A cat creeping through a window to
reach dead game.]
[Johann Stixner.] [n.d., c.1800.]
Lithograph, proof before letters. Image 455 x 330mm,
17¾ x 13". £460
Strixner (1782-1855) was a pioneer of lithography,
producing the first colour lithographs in 1808 with
Ferdinand Pilot.
Ref: 9296
100. [Persepolis.]
F. Stacpoole A.R.A [signed in pencil lower right]. In
progress in the Proprietors, Messrs. Thos. Agnew &
Sons, Manchester, Liverpool and London [n.d.,
c.1880].
Mixed method engraving on india laid paper, signed
progress proof. 545 x 855mm. A working proof,
before all letters. Some light staining. £350
A lion and two lionesses prowling up a broad flight of
stone steps, with the remnants of Persian columns and
statuary above them. After Briton Riviere.
Companion to 'The Night Watch', also after Riviere,
which features a group of lions and lionesses prowling
at night over broken flag-stones among sets of classical
columns.
Ref: 8361
101. [La Chevelure de Berenice.]
Peint par Faléro. Gravé par Varin.. Imprimé & Publié
par Boussod, Valadon & C.ie, Editeurs successeurs de
Goupil & C.ie, Le 1.er Octobre 1886 _
Paris_Londres_La Haye.
Photogravure, proof before title on india. 660 x
385mm. £680
Luis Ricardo Faléro (1851 - 1896), born in Granada,
Spain, settled in London in the 1880s, dying there in
1896 at the age of 45. He specialised in the female
nude in a mythological or fantasy setting.
Ref: 8240
102. [A dinner party.]
Denon ft. Florence 1793.
Etching, 220 x 305mm. 8¾ x 12". Creases through
upper left corner. £140
A dinner party depicted in the style of the Italian
renaissance, with guests drinking wine and a man at the
centre playing a lute. By Baron Dominique Vivant
Denon (1747 - 1825), painter, draughtsman, etcher,
curator and author. Denon worked as a diplomat in
Naples (1779-85), where he learned how to engrave.
He travelled through Italy in 1788/89 and settled in
Venice from where he was expelled in July 1793,
prompting his return to Paris; in 1797/98 he followed
Napoleon in Egypt. He became Napoleon's Minister of
Arts and first director of the Louvre (1802-15), Paris.
Ref: 9310
103. The Dancing Master __/ The Magick
Lantern._/ The Stage Dancer __/ The
Fencing Master./ The Singing Master._/
The puffing Organist._
[n.d., c.1760.]
Very scarce as Set of six etchings, each c.165 x
200mm. 6½ x 8". Plate 1 discoloured, two tears from
above into Plate 6. £1300
Monkeys performing human activities. This very
scarce series appears to be copied from a set published
earlier in France; 'Singeries ou différentes actions de la
vie humaine représentées par des singes', after
Christophe Huet (1700 - 1759), French painter,
draughtsman, and rococo ornamentalist.
Plates numbered 1-6 upper right.
See BM: 1866,0407.62.
Ref: 9062

E. Hull 1823 [signed and dated in plate lower right.] E.
Hull del. Printed by C. Hullmandel. Published by E.
Hull, North Brixton.
Original Coloured lithograph, 235 x 370mm. £260
Men and women promenading in a park, with carriages
and horse riders behind them. A poodle to left. By
Edward Hull (1815 - 1829; fl.), lithographer and
drawing master who worked in London.
On Whatman paper watermarked 1823.
Ref: 8525
104. Premieres Amours. The First love
Die erste Liebe.
Peint Par L. Perrault. Grave Par C.A. Deblois. Imprime
et publié par Goupil & Cie Editeurs le 1er Avril 1870.
Paris_Londres_la Haye. Berlin - Verlag von Goupil &
Co. New York - Published by M. Knoedler.
Etching and engraving, 560 x 410mm. 22 x 16". £290
A young girl cuddles a cat on a step. By Charles
Alphonse Deblois (1822 - 1883 c.) after Léon Bazile
Perrault (1835 - 1908).
Ref: 8496
105. [Two boys clamber up a rock to get a
better view]
J, H, Faciebat. Publish'd according to Act of Parliam.t
July 30, 1759.
An extremely scarce engraving. Plate 195 x 127mm.
7½" x 5". £180
View near a lake, where two boys clamber up a rock to
get a better vantage point to look over onto the island
in the middle
Ref: 9237
106. [Landscape with cattle and herdsmen
resting.]
Drawn by J. Ashley 1823, from Gainsborough. Printed
by C. Hullmandel.
Lithograph, image 265 x 205mm. 10½ x 8". Margins
slightly trimmed. Occasional stain spots. £180
Landscape with cattle and herdsmen resting amongst
fallen tree branches. A cottage can be seen behind and
a town with church spire over fields beyond. After
Thomas Gainsborough by J G Ashley (1821 - 1837;
fl.), landscape and flower painter in London. He
exhibited work at the summer exhibition of the Royal
Academy of Arts 1822-37, and was also a lithographer.
The Gainsborough picture was in the collection of
Monsieur D'Esenfans in 1796. Rare.
BM Registration number: 1867,0112.105. Not in
Horne.
Ref: 8853
107. 'The Park! that magnet of the town,
That idol to which all bow down."
108. [A rocky landscape with foliage.]
J. Bryant delt. et Sculpt. Pub. Septr. 1st. 1807, by R.
Ackermann, at his Repository of Arts, 101, Strand,
London.
Soft ground etching, image 230 x 310mm. 9 x 12¼".
Water stains from lower extremity. £35
A landscape study, probably from a drawing book for
artists. Numbered 'Plate 35' upper right.
Ref: 9317
109. No.8. ~August~ The Jolly Farmer
here Despotie Stands. / While Men &
Maids obey, his just Commands; / His
Golden heaps Surveying Count's his Store,
/ Blest with a due encrease, he asks no
more.
[n.d. c.1770]
Copper line engraving. 254 x 362mm. 10" x 14¼".
£140
A rustic scene at a mill, where the corn is being
prepared for the Autumn to come.
Ref: 8657
110. Blind-Man's Buff.
Painted by David Wilkie, R.A. / Engraved by Abraham
Raimbach, Hony. Memebr of the Impr. Academy at St.
Petersburgh Publish'd 1st. Jany. 1820 by D.Wilkie and
A.Raimbach, London
Etching and engraving on india laid paper, open letter
proof. 500 x 635mm. 19¾ x 25". Fine. Stain residue in
title area. £280
A large, simple interior where a group of men, women
and children play blind-man's buff, the blind-man in
the centre to the right, the others clambering over each
other to avoid getting caught.
After David Wilkie R.A.(1785 - 1841), Scottish genre
painter and etcher, b. Fife, trained Edinburgh. He often
co-published important prints after his work.
Ref: 8845
111. Canute the Great reproving his
Courtiers for their impious flattery. This
prince walking on the sea shore, his
attendants took occasion to make their
court by the most extravagant praises;
imputing to him dominion over sea & land,
and comparing him to the Almighty...
R.E.Pine Pinx. F. Aliamet sculp. Publish'd according
to Act of Parliamt. 1766 by R. E. Pine in St. Martin's
Lane, London.

Etching with engraving, 505 x 580mm; 29 ¾ x 22 ¾"
Trimmed just inside platemark and backed at edge of
sheet. Inconspicuous crease. £360
A fine, early impression of Canute ordering the waves
not to wet him.
Ref: 8604
112. No.12 ~ December ~ The fatten'd
Hogs they now prepare to kill / and of
Black Puddings Roger gets his fill, / The
farmer for good Bacon gets Renown, / By
sending some to several Hogs in Town. ~
[n.d. c.1770]
Copper line engraving. 261 x 362mm. 10¼" x 14¼".
Some small staining. £180
A rustic scene of men preparing hogs for the roast, and
a woodcutter in the background. From a collection of
the 12 months.
Ref: 8656
113. Diana And Acteon. From the
Original Picture in the Collection of Richd.
Lloyd Esqr.
Carlo Maratti Pinxit. John Boydell excudit 1781.
Scorodoomoff Sculpsit. Published Jany. 1st. 1781 by
John Boydell Engraver in Cheapside London.
Stipple engraving with etching, 660 x 480mm. Some
creasing in margins. Tatty extremities with water stain
in image lower and upper right corners. £280
A detail from Carlo Maratti's painting painted between
1664 and 1670, now in the Hermitage Museum.
'Actaeon had the misfortune to view the virgin huntress
goddess Diana while she was bathing. But his
harmless voyeurism leads to tragedy; Diana sees him,
and fears he will boast of what he's seen. And so she
turns him instantly into a stag - which his own 50
hounds then tear apart.'
Ref: 8346
114. Interview between Edgar and Elfrida
Painted by Angelica Kauffman Engraved by William
Wynne Ryland London, Published Feby. 1st, 1786, by
M. Ryland, the corner of Berner's & Oxford Streets.
Line engraving, 490 x 625mm; 19 1/4 x 24 1/2 Very
fine with large uncut margins. £460
Scratched letter proof of this posthumously published
print of Edgar meeting Elfrida.
Ref: 8580
115. Le Négociant Ambulant. Dédié à
Monsieur Rolland de Villarceaux Receveur
Général des finances de la Généralité de
Riom.
Freudeberg Inv et del 1770. Ingouf Junior Sculp 1777.
A Paris chés Buldet rue de Gesvres. Par son très
Humble et très Obéissant Serviteur Buldet.
Engraving. Plate 278 x 310mm. 11" x 12¼". £160
A merchant offers his goods to the Lady of the family.
Ex: Oettingen-Wallerstein collection.
Ref: 9246
116. Midsummer-Night's Dream. Act 2.
Scene 3. A Wood. Oberon, Queen, Puck
and Fairies.
Painted by H. Fuseli R.A. Engraved by Rhodes.
Publish'd Augt. 1st. 1794, by Mr. Woodmason.
Leadenhall Street. London.
Line engraving. 385 x 283mm. 15¼" x 11 1/8". £180
W: 133.
Ref: 8469
117. Niobe From the First Picture on that
Subject Painted by Richard Wilson Esq. R
A. In the Collection of Sir George
Beaumont Bar.t To whom this Plate is
respectfully Dedicated by his obliged
humble Servant Samuel Smith
The Figures Engraved by Will.m Sharp The Landscape
by Sam.l Smith London Published as the Act directs by
S. Smith No. 58 Cattle Street east Oxford-Street May
31.st 1792.
Copper engraving, 500 x 660mm. 19¾ x 26". Very fine
impression with large margins. Few scuffs. £320
Niobe, her arm around her youngest daughter, defies
Latona, who sits in clouds in upper left, watching her
son Apollo avenge her for Niobe's boast that she was
richer in her fourteen children than the goddess in her
two; after already having struck several of Niobe's
children, Apollo draws his bow to strike down another
of the children.
Ref: 8554
118. Nymphe Erigone. Gravée d’Aprés le
Tableau Original de Mr. Pierre Premier
Peintre du Roy. Du Cabinet de Mr. le
Comte de Baudoüin.
J. B. M. Pierre Reg. Ord. Eques Primus Reg. Pictor
Pinx. Anna le Fort Sculp. A Paris chez Chereau rue des
Mathurins au coin de celle de Sorbonne. [n.d. c.1750.]
Line engraving. Plate 330 x 438mm. 13" x 17¼". Very
fine. £320
The nymph, Erigone, is mentioned by Statius and
Virgil, and figures prominently in the sixth book of
Ovid's Metamorphoses. She is, in legend, the source of
the constellation Virgo.
Ex: Oettingen-Wallerstein collection.
Ref: 9204

119. [Statue of Paris.]
[n.d., c.1820.]
Etching and engraving, 640 x 410mm. 25¼ x 16".
Vertical crease through left edge of plate. Some surface
soiling. £220
Paris was the son of Priam, king of Troy, and appears
in a number of Greek legends. Probably the bestknown
was his elopement with Helen, queen of Sparta,
one of the immediate causes of the Trojan War, as told
by Homer in his epic poem the 'Iliad'. He holds behind
his back the Apple of Discord which according to
mythology he awarded to the goddess Aphrodite when
judging a contest of beauty also involving Hera and
Athena.
Ref: 9124
120. Priam redeems the dead Body of
Hector. From the Original Picture in the
Collection of Luke Gardiner Esqr. See
Pope Homer's Iliad Vol. 5, Book 24.
Gavinus Hamilton Pinxit. Domenicus Cunego
Sculpsit. Published by John & Josiah Boydell No. 90,
Cheapside, London.
Line engraving, 448 x 640mm, 17¾ x 25". £420
A later impression, on wove watermarked J
WHATMAN, of this celebrated neo-classical print
showing Priam begging Achilles for the body of Hector
Ref: 8622
121. Primavera | Printemps. All’apparir
della stagioni fiorita / Zeffiro torna a
vezzeggiar il prato / E rinverde l’erbette
inardita; / E s’allegra natura al molle fiato.
/ Graces à ton retour, tout sort de l’inertie /
Tour prend une autre forme une nouvelle
vie. / Aspect charmant! Tout rit: et
l’homme avec son coeur / Porte au sein de
l’Amour son sort et son bonheur.
Dessiné par Hamilton. Dirigé par Sunloch. [n.d c.1800]
Engraving. 267 x 293mm. 10½" x 11½". Some
spotting. £320
Ref: 8766
122. La Prison.
Désiné à Paris par Lautherbourg en 1763. Gravé à
Bâle par A. Romanet en 1765. A Paris Chez Buldet rue
de Gesures au Grand Coeur à Bâle Ches Chrt de
Mechel Graveur.
Engraving. 260 x 342mm. 10¼" x 13½". £120
Ref: 8482
123. The Procession of the Flitch of Bacon.
Painted by Thomas Stothard Esqr. R.A. Engraved by
James Henry Watt. Published Decr. 1832 by the
Propietors, Alaric A. Watts, 58, Torrington Square; and
James H. Watt, 26, George Street, New Road.
Engraving, 435 x 865 mm, 17 x 34" Creased at edges;
one tear extending into india paper, some folds at left.
£660
Fine open letter proof on india paper of this wellknown
subject showing the procession of the flitch of
bacon, claimed by a woman who declared upon oath a
year after her marriage that she had never in that time
quarrelled with her husband.
Ref: 8614
124. Midsummer Night's Dream. Act 3.
Scene 1. A Wood. Quince, Bottom with an
Ass's Head, Queen, Fairies --- Pyramus,
Thisbe, Puck and Snout.
Painted by H. Fuseli. Engraved by R. Rhodes.
Published Augt. 1. 1794. by Mr. Woodmason,
Leadenhall Street London.
Line engraving. 380 x 283mm. 15" x 11¼". £180
W: 133.
Ref: 8470
125. Le Soldat en Semestre. Dédié à
Monsieur Rolland de Villarceaux Receveur
Général des finances de la Généralité de
Riom.
Freudeberg Inv et del 1770. Ingouf Junior Sculp 1777.
A Paris chés Buldet rue de Gesvres. Par son très
Humble et très Obéissant Serviteur Buldet.
Engraving. Plate 278 x 310mm. 11" x 12¼" £140
The Soldier having returned from battle is at home
with the family.
Ex: Oettingen-Wallerstein collection.
Ref: 9245
126. The Storm. La Tempeste. From an
Original Drawing in the Possession of John
Smith Esq. F.R.S. of Sydling in
Dorsetshire. To whom this Plate is most
humbly dedicated By his most humble &
most obedient Servant, V. M. Picot.
The Landscape drawn by J. Barralet, & engrav'd by
V.M. Picot. The Figures drawn by J. B. Cipriani, &
engrav'd by F. Bartolozzi. Published July 9th. 1782 by
John Boydell, Engraver in Cheapside London.
Line engraving, 380 x 480mm; 15 x 18 ¾". Small tears
at edge of wide margins. £290
A stormy landscape with a boat washed over a
waterfall and into rapids. Four men try to haul it
ashore while women and children pray. Originally
published by Picot in 1773. Good impression of the
print as reissued by Boydell.

See 8587 for an unfinished proof before letters.
Ref: 8584
127. [The Storm]
Extremely rare etching and engraving, 380 x 480, 15 x
18 ¾" Some repaired tears. £220
Etched proof, unfinished and before all letters of the
print by Picot and Bartolozzi after Barralet and
Cipriani.
See 8584 for a lettered impression.
Ref: 8587
128. ~ Blind Mans Buff ~
Painted by G. Morland. Engrav'd by W. Ward.
Publish'd Decr. 14:th 1788 by J. R. Smith. No. 31
King Street, Covent Garden.
Mezzotint. Plate 450 x 547mm. 17¾" x 21½". Some
spotting. £440
Children play Blinds Man Buff in the yard.
Ref: 9185
129. No 9 Breaking the Ice.
Painted by G. Morland. Engraved by J.R. Smith Jun.r
London Published Oct. 20. 1798. by I.R. Smith King
Street, Covent Garden
Mezzotint. Plate 457 x 558mm. 18" x 22". Laid on
board. £350
A rustic scene where the man uses a bucket to break
the ice covering the pond to collect some water.
Ref: 9187
130. Children Nutting.
Painted by G. Morland. Engraved by E: Dayes. London
publish'd July 1st 1788 by JR: Smith N:o 31: King
Street Covent Garden.
Mezzotint. Plate 456 x 549mm. 18" x 21⅔". £480
A scene of children collecting and picking nuts, with
some sneakily being eaten.
Ref: 9186
131. Clorinda meets Tancred at the
Fountain. & The Death of Clorinda. From
the original Picture in the Possession of
Henry Cutler Esq.r/ Loose in the wind her
golden tresses flow'd,/ And now a maid
confus'd to all she stood,/ Keen flash her
eyes her look with fury glows/ Yet evn in
rage each lovely feature shows./ Vide Tasso
Jerusalem. & From the original Picture in
the Possession of Henry Cutler Esq.r/ His
hands now trembled while his helm he
rear'd,/ Ere yet the features of his foe
appear'd/ He sees_he knows_and deathless
stands the Knight,/ O fatal knowledge_O
distracting sight./ Vide Tasso Jerusalem.
Painted by W. Hamilton R.A. Engraved by Henry
Birche. Published June 1.st 1792. by B.B. Evans
Poultry London.
Mezzotints, 475 x 435mm. 18¾ x 17¼". Some repairs.
£720
A pair of mezzotints depicting scenes from Torquato
Tasso's poem 'Jerusalem Delivered. The first shows the
meeting of the female warrior Clorinda and the knight
Tancred, whilst the second depicts the death of
Clorinda with Tancred kneeling beside her. Richard
Earlom is credited under his pseudonym 'Henry
Birche.'
From the Oettingen-Wallerstein Collection. Lugt:
2715A.
Ref: 8552
132. The Country Stable.
G. Morland Pinxt. W. Ward Sculpt. London, Published
March 1, 1792, by D. Orme & Co. No. 14, Old Bond
Street, E. Walker, No. 7, Cornhill, & J.F. Tomkins, No.
49 New Bond Street.
Mezzotint, 480 x 605mm. Two tears to right margin.
Corners missing outside plate lower left and right.£350
Interior of a stable, with a white cart horse wearing a
halter, tethered beside the hay. Two dogs sit at its feet.
A man holding a staff and a cup watches a couple
sitting in the straw.
Frankau: 80, III. Chaloner Smith: undescribed.
Ref: 8357
133. Die Andacht. / Wan sich die
Gottesfurcht auf schönen Wangen findet, /
Und mit der Jugned Flor ein fromes Herz
verbindet, / Wird eines solchen Kinds
verdienter Ruhm erhöht, / Schaut, eitle
Töchter! Schaut, wie dies so schöne Steht.
Meditabunda devotio. / Religionis opus
pingens clarissima forma, / Inter virgineos
fax pietate choros, / Emicat ut fulgens coeli
inter sidera luna, / Illustris pietas ecce
venusta simul.
I.I. Haid exc. A.V. [n.d. c.1750.]
Mezzotint. Plate 381 x 280mm. 15" x 11". Very fine.
£380
A prayer advocating the fear of God.
Ex: Oettingen-Wallerstein collection.
Ref: 9201

134. Die harte Erziehung. / Ein Herz, das
Freundlichkeit und Gütigkeit vergist, /
Wird mit verstiegnem Stolz kein Herz
vernünfftig ziehen, / Die Weißheit weiß gar
klug die Härtigkeit zu fliehen, / Ob sie in
Wort un Werck gleich scharf und ernstlich
ist. Dura educatio. / Dum jucunda fugit
prudentis gratia vultus, / Filiolam mater
fingere nulla potest. / Evitat duram
vigilaris prudential mentem, / Severaque
tamen pectoral lege regit.
I.I. Haid exc. A.V. [n.d. c.1750.]
Mezzotint. Plate 381 x 280mm. 15" x 11". Very fine.
£380
A stern mother looks on as her daughter knits. A poem
advocating a hard upbringing.
Ex: Oettingen-Wallerstein collection.
Ref: 9202
135. Disce mori mundo vivere disce Deo.
[Learn to die in the world, learn to live in
God].
I Smith ex. [n.d. c.1740].
Mezzotint. 156 x 108mm. 6¼" x 4¼". £130
Ref: 8466
136. Effie Deans.
Painted by John Everett Millais. R.A. Engraved by T.
Oldham Barlow, A.R.A [Artist's monogram and 1877
in image lower left]. Published Oct. 20th 1879, by
Thomas Agnew & Sons, London, Liverpool and
Manchester__Copyright Registered.
Mixed method engraving on india laid paper, 780 x
580mm. 30¾ x 22¾". £520
Effie Deans is one of the central characters in The
Heart of Midlothian, a novel by Sir Walter Scott,
written in 1818. Effie had been imprisoned on a false
charge, accused of having killed her illegitimate child.
When an angry crowd stormed the goal, she had an
opportunity to escape. But Effie decided to stay. Prison
seemed a better prospect than a life of freedom with a
tarnished reputation. A fine impression. Sir John
Everett Millais (1829 - 1896) painter of history, genre,
landscape, and portraits, and president of the Royal
Academy.
Printseller's Association blindstamp lower right.
Ref: 8844
137. A Green Stall. From an Original
Picture by Gerrard Douw in the Possession
of the Elector of Manheim.
H.W. Schweickhardt del.t Rob.t Laurie fecit Published
12th August 1788 by Rob.t Sayer, No. 53. Fleet Street.
London.
Mezzotint, 355 x 450mm. 14 x 17¾". Scarce. £420
A customer purchasing produce from a food stall,
whilst a beggar walks past offering his hat.
Ref: 8751
138. [Hades.] Quid non mortalia pectora
cogis, Auri sacra sames. Virg. Æn III, v.56.
From the Original Picture of the same size,
in the Collection of Sir Joshua Reynolds.
Teniers pinxit. Ric.d Earlom Sculpsit. John & Josiah
Boydell Excudit 1786. Published Jany. 2d 1786 by
John & Josiah Boydell, Cheapside, London.
Mezzotint. 495 x 680mm. A few small tears to edges,
some surface marks. £550
A woman passing Cerberus on the way to Hades, with
malformed demons, in the tradition of Hieronymus
Bosch, shying away from her sword.
Painted by David Teniers the younger.
Ref: 8211
139. The Infancy of Jupiter. To the Right
Honorable Charles, Earl Grey, This Plate
is respectfully inscribed by his Lordship's
much obliged & most obedient humble
Servant, Henry Thompson.
Painted by Henry Thompson, Esqr. R.A. Engraved by
Henry Meyer Gt. Russell Strt. Bloomsbury. London,
Published for the Proprietor, and Sold by T.
Macdonald, 39 Fleet Street.
Mezzotint, 520 x 620mm, 20 ½ x 24 ½" Some foxing,
and folds in top margin £380
The infant Jupiter with nymphs and goat. A rather
smoky impression of this rare print.
Ref: 8606
140. A Dream. By the late Lord Littleton
three Nights before his Death. 'Fear came
upon me, and Tremling, which made akk
my Bones to shake. Then a Spirit passed

efore my Face, the Hairs of my Flesh
stood up.' _ Job:
[n.d., c.1800.]
Mezzotint. 185 x 245mm, 7¼ x 9½". Trimmed into
plate at bottom. £140
A spirit giving notice of Littleton's death.
Ref: 9292
141. [A Midsummer Night's Dream.]
Painted by Sir Edwin Landseer R.A. Engraved by
Samuel Cousins, R.A. New York, Published by
M.Knoedler, Broadway, Jan.y. 1st 1858; and Entered
according to Act of Congress in the Clerk's Office of
the District Court of the United States of the Southern
District of New York. [London; Published Jan.y 1,
1858 by Henry Graves & Compy Publishers to the
Queen-6 Pall Mall.]
Mezzotint. 630 x 920mm. Unexamined out of frame.
Title possibly hidden under mount. £1250
With an adoring Titania snuggled next to a large
clothed Bottom with a small nude Puck and fairies
riding white
rabbits, typically concentrating on the ass's head and
two white rabbits with luminous eyes, is at the National
Gallery of Victoria, Melbourne, Australia. Landseer's
only illustration to Shakespeare the painting was
commissioned by Isambard Kingdom Brunel in 1847
and finished 1851
Sir Edwin Henry Landseer, RA 1802-1873. Edwin
Landseer was the youngest son of an engraver. The
three Landseer brothers studied under Benjamin Robert
Haydon, the historical painter, from 1815. Haydon
encouraged Landseer to study animal anatomy. In
1816, Landseer entered the Royal Academy Schools,
but he had already exhibited at the Royal Academy
Summer Exhibition in the previous year. He was
elected Associate of the Royal Academy in 1826 aged
only twenty four, and full Academician in 1831 when
not yet thirty. In the 1830s his work gained wide
popularity and was bought both by the aristocracy and
the newly important middle class. He himself moved
freely in aristocratic circles, and after 1836 he enjoyed
royal patronage, especially in the 1840s when Victoria
and Albert also discovered Scotland. He paid his first
visit to their home, Balmoral in 1850 to paint a large
group portrait of the royal family. He was knighted that
year even though the painting was never finished.
Landseer had a permanent fight against depression and
ill health, although he continued to paint brilliantly
almost until the end of his life. In the 1860s he
modelled the lions at the base of Nelson's Column in
Trafalgar Square and these were unveiled in 1867. In
1866 he declined the presidency of the Royal
Academy, and after 1870 sank slowly into madness.
Whitman: 201 state iii of iii.
Ref: 9320
142. Le Printemps. Der Frühling. Un
beau bouquet de fleurs me fait un grand
plaisir, Et je de tout mon coeur à mon
amant le donne. Ah ! quand à mon coté,
pour me bien divertir, Il conte ses amours,
alors je le couronne. Der Blumen bunter
Schmuck macht un=gemein vergnügt,
Wenn Sich ein schönes Kind an selbigen
ergözet, Und es, wenn Coridon an seiner
Seite ligt, Durch einen Liebes-Trieb ihm
einen Kranz aufsezet.
Joh. Esaias Nilson inv. et delin. Ioh. Phil. Koch sculps
et excud. a.v. [n.d. 1740].
Mezzotint. 336 x 426mm. 13¼" x 16¾". Fine
impression. £420
Spring. A fine depiction of two couples courting in a
garden looked upon by putti.
Ref: 8495
143. [Saint Catherine] From a Picture in
the Collection of Robert Wigram Esqe. M.
P. To whom this Plate is dedicated by his
obedient Servant C. Turner.
Painted by Correggio. Engraved by Charles Turner.
London, Published Jany. 18. 1810, by C. Turner No.
50, Warren Street, Fitzroy Square.
Mezzotint, 560 x 405 mm; 22 x 16 in. £260
Saint Catherine holding a broken wheel, crowned by a
cherub. Early impression with traces of lettering from
a state unrecorded by Whitman.
Whiman, Turner, 704
Ref: 8577
144. Solomon and the Queen of Sheba.
And she came to Jerusalem with a very
great train with Camels that bare spices,
and very / much gold, and precious stones;
and when she was come to Solomon, she
communed with him / of all that was in her
heart. I. Kings, Chap. X. verse 2.
Printed for & Sold by Roake & Varty, Map &
Printsellers, No. 21 Strand, London. [engraved c.1800,
but printed c.1820]
Rare. Mezzotint, 340 x 255mm, 13½ x 10". £220
The Queen of Sheba's visit to King Solomon.
Ref: 8574
145. [Surrender of Calais]
London, June 20th 1815 Published by John Young 65
Upper Charlotte St. Fitzy Sqe.
Mezzotint, proof with dotted publication line only, 570
x 750mm. Some folds and creases in margins; plate
generally good. £520
A very fine early proof of this dramatic scene. Queen
Philippa on her knees before the throne of her husband
Edward III, in his tent outside the walls of Calais,
which he has reduced to surrender by seige (1447). She
intercedes on behalf of the six citizens of the town who
have come before him in chains as part of the ransom
the king demanded.
See Ref:8374 for a lettered impression.
Ref: 8628
146. Le Vainqueur des Curiaces. Dédié à
Son Excellence Monseigneur Philippe

Comte de Cobenzl, Vicechancelier de Cour
& d’Etat &. &. Président de l’Acacdémie
Imperiale et Royale des Beaux Arts de
Vienne. Par son très humble et très
obeisant Serviteur, J. Leon.
Peint par J. Platzer. Gravé à Vienne par J. Leon. 1792.
[J. Leon. 1792]
Mezzotint. Plate 502 x 578mm. Very fine. £480
A large entrance hall lit by torches; a Roman soldier
surrounded by helmet, lance and shield seated in the
centre; three figures on stairs to right.
Ex: Oettingen-Wallerstein collection. BM:
1920,0712.32.
Ref: 9211
149. Attention.
Ozias Humphrey, R.A. pinxt. J.Ogborne sculp. London
Pub. Sept. 1. 1797, by T. Simpson St. Pauls Church
Yard, and Darting & Thompson, Gt. Newport Street.
Stipple. 260 x 200mm. 10¼" x 8". Fine impression.
£130
See 8673 for proof before letters.
Ref: 8479
150. Autumn. Delightful is the ripen'd
year. Que la maturité est agréable!
Painted by R. Westal. Engrav'd by F. Bartolozzi R.A.
Engraver to his Majesty. Pubd. April. 9. 1790 by T.
Simpson St. Pauls Church Yard.
Stipple. 239 x 178mm. 9½" x 7". Cut to platemark.
Small crease in image. £190
A beautiful girl in the vineyard with a basket in her
right hand as she goes forth to collect the season's
ripened fruit.
Ref: 8896
151. The Birth of Venus. From the
celebrated Picture by the late James Barry
Esq. R.A.
Painted by James Barry. R.A. Engraved by Benjamin
Smith. Published Feby. 1827. (for the Proprietor) by
B.Smith, 21, Judd Place, West, New Road.
Stipple engraving. 264 x 203mm. 10" 3/8 x 8". A
romantic image. Cut at top to the platemark. £160
Ref: 8458
147. [Boy with violin.]
[Engraved by James McArdell after Frans Hals.] [n.d.,
c.1760.]
Mezzotint, proof before letters. 480 x 320mm, 19 x
12½". Very fine. £490
A young boy with a violin.
Not mentioned in Whitman.
Ref: 9290
148. [Achilles instructed by Chiron in the
use of the Javelin].
I.B. Cipriani invt. J. Clarke Sculpt. Publish'd as the Act
directs by J. Clarke No. 291 Strand May 1st 1789.
Stipple engraving. 353 x 302mm. 13" 7/8 x 11" 7/8.
Crease and repaired tear in margin. Fine impression.
£190
Ref: 8463
152. Caractacus, King of the Silures,
deliver'd up to Ostorius, the Roman
General, by Cartismandua, Queen of the
Brigantes. | Caractacus, Roi de Silures,
livré à Ostorius, le Général Romain par
Cartusmandua, Reine des Brigantes.
Histoire D'Angleterre.
W. Hamilton Pinx.t Fran.s Bartolozzi R.A. Sculp.t
London Publish'd Feby. 14.th 1788 by S. Vivares,
Great Newport Street..
Stipple. Plate 338 x 407mm. 13¼" x 16". Very fine.
£220
Caratacus, British king. Caratacus was one of several
sons of the great British king Cunobelinus and on his
father's death around AD 40 he and his brother
Togodumnus appear to have divided the
Catuvellaunian kingdom. Their forces opposed the
Roman invasion in AD 43 but Togodumnus died
shortly after the battle at the Thames and Caratacus
fled west. He re-emerged five years later leading the
Silures of south-east Wales. When the Romans planted
fortresses at Kingsholm (Gloucester) and Wroxeter,
Caratacus withdrew into central Wales and began to
organize the Ordovices. In a pitched battle, perhaps
near Caersws, his forces fought well but lost. He
himself escaped and fled to Brigantia, but was handed
over to the Romans by Queen Cartimandua.
Ex: Oettingen-Wallerstein collection.
Ref: 9199

153. [Fortune Teller.]
C.W. White Sculpt. [n.d., c.1800.]
Stipple, 140 x 140mm. 5½ x 5½". Mark on clothing of
figure on right. £80
The figure on the left reads the palm of the girl on the
right, while a third girl looks on.
Ref: 8564
154. France. The rural youth and virgins
o'er the field, / Each fond for each to cull
th'autumnal prime, / Exulting rove, and
speak the vintage nigh. / Then comes the
crushing swain; the country floats And
foams inbounded with the mashy flood; /
That by degrees fermented, and refin'd, /
Round the rais'd nations pours the cup of
joy: Vide Thomsons Autumn.
C. Ansell delint. W. Nutter sculpt. London Publish'd
Jan. 11. 1791 by C. Tomkins No.2 Rathbone Place.
Stipple. Plate 307 x 240mm. 12⅛" x 9½". £240
A French rural scene at the Vineyard in Autumn.
Ex: Oettingen-Wallerstein collection.
Ref: 9260
155. The Genius of Modesty preventing
Love unveiling Beauty. From the Original
Picture painted by J.B. Cipriani R.A. in the
Collection of R.P. Jones Esq.r
Painted by G.B Cipriani Engraved by T. Ryder & J.L.
Cossé. Published as the Act directs Feb. 20th 1791, by
S. Watts, No. 9, Kennington Cross, Lambeth. & to be
had of T. Ruder, No. 43 Titchfield Street.
Stipple, 360 x 400mm. Laid on board; four vertical
creases. £360
The reclining Venus gazes into a mirror held by a
child, while cupid hovering above attempts to remove
the swathe of fabric across her body, prevented from
doing so by a cherub representing modesty who pulls it
from him.
Ref: 8410
156. [Girl with Fruit]
London, Pub.d 20 Feby. 1796, by G.T. Stubbs, at the
Turf Gallery Conduit Street; and No. 9, High Street,
Mary-le-bone.
Stipple. Plate 451 x 324mm. 17¾" x 12¾". A few spots
in the platemark. £240
A depiction taken from Stubbs's collection of 'Figures
done after the Grecian Manner'.
Ref: 9188
157. Love. Her passions are made of
nothing but the finest / part of pure love. /
Shakespear.
Charles White, Sculpsit. Publish'd June 25.th 1781 by
John Boydell Engraver in Cheapside London.
Stipple, 205 x 175mm. 8 x 7", framed carved gilt frame
c.1900. Unexamined out of frame. £360
Woman feeling her veiled right breast. Same subject
as the larger mezzotint by John Raphael Smith.
Ref: 8572
158. Sanctus Maximus Martyr.
Ale delint. W. Henshaw Sculp. Cambridge, Publish'd
Nov: 23. 1772.
Stipple and etching in sanguine, 160 x 195mm. 6¼ x
7¾". Vertical centre crease. Slightly soiled. £160
A putti places a wreath on the head of a Christ-like
figure.
Engraved by William Henshaw (1753 - 1775). Nephew
of the Cambridge engraver William Stephens, his talent
was discovered by Reverend William Cole, who gave
him William Mason's portrait print of Thomas Gray to
copy. Horace Walpole arranged through Paul Sandby
to have Henshaw trained by Bartolozzi, with whom he
stayed from 1773, exhibiting at the RA in 1775, until
his death later that year.
Ref: 9067
159. Le Moment De La Reflexion.
Countess Spencer Delt. Chas. White Sculpt. Publish'd
July 9 1784 by C. White Stafford Row Pimlico &
Messrs. Torre Market Lane, London.
Stipple, 300 x 325mm. 11¾ x 12¾". Trimmed at lower
plate mark. £320
A girl sitting with feet raised on a footstool, gazing
thoughtfully down at a book in her lap, her head resting
on her hand.
A pair with 'Le moment de l'Imagination' by the same
artist, which features a young man sitting at a desk
writing.
Ref: 8712
160. Morning Amusement. From an
Original Picture by Angelica Kauffman in
the Possession of Henry Hoare, Esq.r
Angelica Kauffman pinx.t W.m Wynne Ryland Sculp.t
Publish'd March 1.st 1781 for the Proprietor by W.
Palmer No. 159 Strand.

Stipple and etching, 295 x 385mm. Fine. Trimmed on
three sides; hole beneath artist's name £340
A young woman in oriental dress at work embroidering
cloth.
Ref: 8422
161. La Peur Enfantine.
Peint par Banazech. Gravé par Girard. [n.d. c.1780] A
París, chez les Campions freres, rue St. Jacques, à la
ville de Rouen, No. 8.
Stipple. 171 x 228mm. 6¾" x 9". Fine. £220
Ref: 8636
Stipple engraving. 197 x 248mm. 7¾" x 9¾". £95
'Escaping from Fire; Plato when a Child; Pylades &
Orestes at the tomb of Agamemnon and A pilgrim
relating his adventures' A set of four designs after the
Princess Elizabeth.
Ref: 8762
165. Summer. What fragrance in the
gentle breeze. Quelle douceur dans le
zepphir!
Painted by F. Wheatley. Engrav'd by F. Bartolozzi
R.A. Engraver to his Majesty. Pubd. Feby. 1. 1789 by
T. Simpson St. Pauls Church Yard.
Stipple. 239 x 178mm. 9½" x 7". Some damage to the
paper and small tear. £190
A beautiful girl gazing into the distance as she leans up
against the garden wall with a rose delicately held in
her left hand.
Ref: 8895
166. Winter. Bless my heart how cold it is.
Ah mon Dieu qu'ill fait froid!
Painted by F. Wheatley. Engrav'd by F. Bartolozzi
R.A. Engraver to his Majesty. Pubd. Feby. 1. 1789 by
T. Simpson St. Pauls Church Yard.
Stipple. 239 x 178mm. 9½" x 7". Small hole in the top
left-hand corner of the margin. £220
A beautiful girl shields herself from the cold but hiding
behind a small shrub!
Ref: 8897
162. The Power of Beauty. Vain is you
powr, all efforts vain will prove. The Power
of Beauty sways the God Love. To the
Countess of Harrington. The Print from
the Original Drawing by G.B.Cipriani, is
with ye greatest respect Dedicated by Her
Ladyships most Humble Servt. W Palmer.
G.B. Cipriani Invt. Le Grand, Sculpt. [n.d. c.1780] A
Paris chez Mme. Breton, Mde. d'Estampes, au Pavillon,
Jardin du Palais Royal, et rue du Chantre, Maison du
Chandellier.
Coloured stipple printed in colour. 197 x 192mm. 7¾"
x 7½". £420
Ref: 8481
163. Prosperity.
I.B. Cipriani, Del. Le Grand, Sculpt. [n.d. c.1780] A
Paris chez Mme. Breton, Mde. d'Estampes, au Pavillon,
Jardin du Palais Royal, et rue du Chantre, Maison du
Chandellier.
Coloured stipple, printed in colour. 190 x 206mm. 7½"
x 8¼". £420
Ref: 8480
164. Pylades & Orestes at the Tomb of
Agamemnon.
Designed by Her Royal Highness the Princess
Elizabeth. Engraved by H. Thielcke. Pubd. 1st. Decr.
1816, by H. Thielcke, Queens House. Proof.
167. Sensibility. [Emma Hamilton]
Painted by George Romney. Engrav'd by Rd. Earlom.
Publish'd March 25th 1789. by John & Jonah Boydell
No.90, Cheapside, London.
Coloured stipple. Printed in colours. Plate 375 x
285mm. 14¾" x 11¼". Some creasing and spotting.
£360
Emma, Lady Hamilton (1761-1815) is best
remembered as the mistress of Lord Nelson and as the
muse of George Romney.
Horne 5O I of II.
Ref: 8963
168. The Storm. From an original
Drawing by H. Bunbury Esq. in the
Possession of T. Gainsborough Esq.r R.A.
H.W. Bunbury Esq.r del. T. Trotter fecit. J. Jones
executit. London, Publish'd as the Act directs April 7th
1788, by J. Jones, No. 75. Great Portland Street.
Stipple with etching, 385 x 345mm. Stains in image
£160
A woman in a bonnet hunched over and pulling her
cloak around her to protect her from the wind and rain,
blowing her skirts from the left.
Ref: 8412
169. The troublesome awakening. Le
Réveil importun. Dedié a Monsieur De Vin
de Fontenay, Conseiller au Parlement, Par

son très humble et très obéisant Serviteur
et Ami, Mouchet.
Mouchet Pinxit. L.. D'Areis Sculpsit. Se Vend à Paris,
chez Mouchet, Quay de Bourbon, No.9. [n.d c.1750]
Stipple engraving. 351 x 267mm. 13¾" x 10½". Very
fine impression. £230
Ref: 8764
Angelica Kauffman pinx.t F. Bartolozzi sculp.t
London. Publish'd July 1.st 1785 by W. Palmer, No.
163 Strand.
Stipple engraving, 335 x 400mm. £350
As described in Pliny's Natural History, when Zeuxis is
asked to paint Helen of Troy for the temple of Juno, he
can only do so by combining the beauties found in five
different models.
Ref: 8417
DOGS
172. Charity Begins At Home.
Painted By C. Burton Barber. [Facsimile signature with
1882 in plate lower right.] Engraved By W.T. Davey.
Printed by T. Brooker. London Published January 10th.
1884, By Arthur Tooth & Sons. 5 & 6, Haymarket,
S.W. _Entered According To Act Of Congress By
Messrs. Knoedler & Co. New York In The Office Of
The Librarian Of Congress At Washington.
Mixed-method engraving, open letters, 605 x 735mm.
23¾ x 29". £380
A young child eating cake is pestered by a Scottish
terrier, Jack Russell and colly. The child's doll lies on
the floor to right.
Printseller's Association blindstamp lower left.
Printseller's Association: pg.52.
Ref: 8847
170. Wisdom From the Original Picture
presented to the City by Ald.n Boydell. To
Their Most Excellent Majesties King
George III. & Queen Charlotte This Print
is most humbly Dedicated by their most
Dutiful and Loyal Subject, Jn.o Boydell.
[&] Innocence... [&] Happiness... [&]
Prudence...
Painted by I.F. Rigaud R.A. Engraved by I.P. Simon.
Benjamin Smith and Thomas Burke. Pub. Sept.r 29.
1799, by J & J. Boydell, No. 90, Cheapside, And at the
Shakespeare Gallery, Pall Mall, London.
Set of four stipple engravings, each 595 x 445mm. 23½
x 17½". Foxing, nicks and tears with some general time
aging to the outer edges of the paper, minor foxing to
margins inside plate mark. £850
Set of four moral allegories, each based around a
central female figure. Providence & Innocence
engraved by Benjamin Smith, Wisdom engraved by I.
P. Simon and finally Happiness by Thomas Burke.
Ref: 8615
171. Zeuxis composing the picture of
Juno. He prevailed on all the finest women
of Agrigentum, who where even ambitious
of the honour, _____ Of these he chose five
for his models, and molding all the
perfections of these beauties into one, he
composed the picture of the goddess.
173. The Country Squire And The
Gipsies. From the Original Picture in the
possession of John Skerrette Stubbs, Esqre.
To whom this Plate is respectfully
dedicated by his obliged Servants Hodgson
& Graves.
Painted By Charles Hancock. Engraved By Henry
Quilley. London, Published Novr. 1, 1836, By
Hodgson & Graves, Printsellers To The King, 6, Pall
Mall.
Etching, engraving and mezzotint, image 295 x
425mm. Margin partially missing. £130
A landowner surveys a gipsy camp from his horse.
Several dogs including terriers and a lurcher are
included in the scene.
Ex C. Lennox-Boyd Collection.
Ref: 8364
174. [Envy, Hatred and Malice.]
F. Stacpoole A.R.A [signed in pencil lower right].
[Published January 1st. 1884 by Thos. Agnew & Sons,
London, Liverpool & Manchester. Publication line
partially invisible, in faint scratched letters.]
Mixed method engraving on india laid paper, working
proof before title. 720 x 620mm. A strong impression,
light spotting to lower right corner. £420
Dogs of a variety of breeds surround a girl who cradles
a pug puppy on her shoulder. Some look up enviously,
others growl at the lucky dog. After Briton Rivière
(1840 - 1920).
Ref: 8333

175. [Girl and Poodle.]
François Flameng.
Etching, 350 x 250mm. 13¾ x 9¾". Stamp of Société
des Amis de l'Eau-Forte, Paris in bottom left; signed in
pencil by the artist. £120
A girl with a poodle. Remarque Proof.
Lugt: 113.
Ref: 9108
179. A Portrait Of An Italian Dancing Dog
Master.
Painted by E. Bird. Engraved by Willm. Ward
Engraver to His Royal Highness the Duke of York.
Bristol Published July 1805, by E. Bird.
Coloured mezzotint, 500 x 355mm. 19¾ x 14". £450
A street entertainer posing with his bagpipe, a monkey
sitting on the back of his chair. V. Rare.
Ref: 8530
180. The Young Recruit. To Sir Robert
Johnson Eden Bart. of Windleston This
Print is by permission respectfully
dedicated in token of gratitude by his
greatly obliged and very humble Servant
William Cribb.
Painted By J. Thom Of Edinburgh 1814. Engraved By
A. Duncan No.8 Upper Ashby Street. London,
Published May 27th. 1825 by W. Cribb 34 King Street,
Covent Garden.
Etching and engraving, 395 x 460mm. 15½ x 19".
Light foxing, crease through lower right corner of
plate. £180
A genre domestic scene in the interior of a Scottish
crofter's house. A young boy stands to attention in front
of his father in the manner of a soldier. A terrier looks
on.
Ref: 9253
176. Dans la Bruyère.
Peint par Hermann-Leon. Photogravure Goupil & Co.
Imprimé et Publié par Boussod, Valadon & C.ie.,
Successeurs de Goupil & C.ie le 1.er 8bre 1885_ Paris_
Londres_La Haye.
Photogravure on india paper. 480 x 480mm. £400
A pointer in the heather, with a partridge.
Ref: 7024
177. Het Rekest.
B. te Gempt del. Joh.s de Mare sculps. [n.d., c.1860.]
Mezzotint. Sheet 295 x 425mm. Trimemd to image on
three sides. £220
A dog's court scene! "The Petition".
Ref: 8358
178. Qui Vive!. Who Goes There!.
Emile Lassalle d'apres Alfred De Dreux. Imp. par
Lemercier, a Paris. ['Emile Lassalle' signature facsimile
in plate lower left.] New-York, Pubd. by Goupil & Co.
289 Broadway. Paris._Goupil, Vibert & Cie.
_Editeurs, 15. Boulevart Montmatre et 10 rue
d'Enghien. London._Pubd. By E. Gambart & Co. 25
Berners St. Oxford St. [n.d., c.1855.]
Coloured lithograph highlighted with gum arabic,
image 460 x 630mm. Light staining to title area. £680
A Cavalier King Charles spaniel and fox terrier alerted
by someone approaching.
With publisher's blindstamp below publication line.
Ref: 8329
181. [Borzoi.]
[By Henri Riche.] [n.d., c.1930.]
Etching, touched proof. 340 x 225mm, 13½ x 9". Rust
hole in sky. £160
Man restaining four borzoi. This proof has been
touched with pencil.
Ref: 9289
182. 'Cave Canem!' (Beware of the Dog.)
Engraved from, and the same size as, the
original Picture in the possession of Henry
James Turner Esq. of Stockleigh House,
Regents Park.
Painted By Briton Riviere, R.A. Engraved by J.J.
Chant. London Published May 3rd. 1881, By Arthur
Lucas, The Proprietor, 37, Duke Street, Piccadilly,
S.W.
Mezzotint and etching, final published state on india
laid paper, 605 x 455mm. 23¾ x 17¾". Some spotting;
traces of mold in image. Margins trimmed. £360
A puppy stands guard at a doorway. After Briton
Rivière (1840 - 1920).
Printseller's Association: pg.49.
Ref: 8849
183. [Dogs grooming themselves.]
[Etched by Paul Renouard.] [n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾". £130
Charles Paul Renouard (1845-1924). While at the
Ecole des Beaux-Arts in 1875 he and his instructor
were hired to decorate the ceiling of the Paris opera

house, which was the inspiration for his most wellknown
series of etchings, Le Nouvel Opéra. He came
to London in the 1890s and started work for the
'Graphic' newspaper, sketching theater-goers and
performers at the Theater Royal in Drury Lane, and
policemen and defendants at one of London’s many
police courts.
Ref: 9059
184. [Dalmation Dogs and kennels.]
[Etched by Paul Renouard.] [n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾". £150
Charles Paul Renouard (1845-1924). While at the
Ecole des Beaux-Arts in 1875 he and his instructor
were hired to decorate the ceiling of the Paris opera
house, which was the inspiration for his most wellknown
series of etchings, Le Nouvel Opéra. He came
to London in the 1890s and started work for the
'Graphic' newspaper, sketching theater-goers and
performers at the Theater Royal in Drury Lane, and
policemen and defendants at one of London’s many
police courts.
Ref: 9058
185. [Girl with dog.]
19. Heywood Hardy [pencil signature] [n.d. c.1900]
Etching. 202 x 254mm. 8" x 10". £260
Heywood Hardy [British Painter, 1843-1933]. Mastiff.
Ref: 8687
186. May. Visiting the Coops. Ilchester
Retriever.
Maud Earl. Copyright 1906. Published by the Berlin
Photographic Company Berlin - London W. 133 New
Bond Street.
Colour photogravure. 220 x 350mm. £260
An Ilchester Retriever. Maud Alice Earl (1864-1943)
was an eminent British-American canine painter. Her
works are much enjoyed by dog enthusiasts and also
accurately record many breeds. Earl was the born in
London, the daughter of artist George Earl and his first
wife Alice Beaumont Rawlins. Maud's profession was
the continuation of a family tradition. George Earl, an
avid sportsman and noted sporting painter, was his
daughter’s first teacher and had his daughter study the
anatomy of her subjects, drawing dog, horse and
human skeletons to improve her skill. She later said
that her father’s instruction had given her ability that
set her apart from other dog painters. After her father's
tutelage Maud went on to study at Royal Female
School of Art (later incorporated into the Central
School of Art). Earl became famous during the
Victorian Era, a time when women were not expected
to make their living at painting. Nevertheless, she
developed a select clientele, including Royals amongst
her patrons such as Queen Victoria and Queen
Alexandra. Although evidently extremely successful in
England, Earl felt that the world she knew had been
destroyed by World War I and she emigrated to New
York City in 1916. By this time her work had received
wide international recognition and her popular images
were published in a number of books and in print form.
The Sportsman's Year featured twelve of Earl's works
as engravings. Maud Earl died in New York in 1943
and is buried at Sleepy Hollow Cemetery in Sleepy
Hollow, New York.
Ref: 2260
187. [In the Heather.]
[Leon Hermann.] October 1st 1885. London Published
Boussad, Valadon & Co., successors to Goupil & Co.,
116 & 117 New Bond Street, W.
Photogravure, ltd edition of 100 on india paper. £450
A pointer on a moor, with a partridge.
Ref: 3862
188. Le Lunch.
Peint par Heywood Hardy. Photogravure Goupil &
Cie. Imprime & Publie le 1er. Avril 1892 par Boussod,
Valadon & Co. Editeurs, Successeurs de Goupil & Cie.
Paris_Londres_La Haye. Berlin, Verlag von Boussod,
Valadon & Cie. New-York, Published by Valadon &
Co.
Photogravure coloured by hand, on india laid paper.
600 x 740mm. 23½ x 29". £420
Very fine shooting party scene with retrievers.
Ref: 8487
189. On The Moors (Dogging).
Painted by Heywood Hardy, Goupil gravure. Printed in
Paris & Published April 1st 1894 by Boussod Valadon
& Co. Publishers, Successors to Goupil & Co.
Paris_London_The Hague. Berlin Verlad von Boussod,
Valadon & Co. New York Published by Boussod,
Valadon & Co.
Photogravure. 590 x 745mm. £550
Very fine shooting scene with setters.
Ref: 3011
190. Pointer Bitch, & Puppies. [&} Setters.
Painted by J.Ward. Engraved by S. Reynolds. [&]
Painted by G. Morland. Engraved by S. Reynolds.
London Published March 1. 1799 by S. Morgan No. 22
Margaret Street Cavendish Square.
Pair of mezzotints, printed in colours. Each 330 x
380mm. Framed. Very fine matching pair of colour
prints. Unexamined out of frame. £1250
Ref: 8367

191. Pointers.
Painted by J.N.Sartorius. Engraved by W.Ward
Engraver to H.R.H. the Duke of York. Proof. London,
Published June 16 1806. by James Linnell No 2
Streatham Street, Bloomsbury.
Mezzotint. 375 x 445mm. Some surface creasing.
£420
Frankau: 223, this state not listed. Ex: Collection of
The Hon. C. Lennox-Boyd.
Ref: 8203
192. [Water Spaniel.]
O De. Penne [facsimile signature.] [Goupil, c.1880.]
Colour photolitho with hand finishing. Oval, 480 x
410mm. £480
Early proof from Goupil's own reserve stock.
Ref: 1668
193. Meute de le Mr.le Comte de Barral. -
Barbaro.
[G.Jadin pinxt]. Pirodon lith. Imp. Lemercier & Co.
Paris. Publie par Goupil & Compie. Editeurs Paris,
London, La Haye, Berlin. [n.d., c. 1870.]
Lithograph. Printed area 370 x 445mm. Publisher's
blind stamp. £320
Ref: 3418
194. Meute de le Mr.le Comte de Barral. -
Calypso.
[G.Jadin pinxt]. Pirodon lith. Imp. Lemercier & Co.
Paris. Publie par Goupil & Compie. Editeurs Paris,
London, La Haye, Berlin. [n.d. c. 1870.]
Lithograph. Printed area 370 x 445mm. Publisher's
blind stamp. £320
Ref: 3419
195. Limiers De La Venerie - Morico
Metamort Linda Rusteau.
G.Jadin pinxt. E. Pirodon lith. Publie par Goupil &
Compie Editeurs Paris Londres, La Haye, Berlin.
Lithograph. Printed area 450 x 900mm. £620
Batard Saintongeois, Bauve de Bretagne, Bloodhound,
Saintongeois.
Louis Godefroy Jadin [French, 1805 -1882] was a
sporting artist described in 'Le Grand Livre du Chien'
as a painter of dogs of the 'haut monde' of the Second
Empire and of Napoleon III's hunting packs. He first
exhibited at the Salon in 1831, winning medals in 1840
and 1855. He painted on of the Hunting scenes in
NApoleon III's rooms as the Louvre. As a friend of
Alexandre Dumas, he travelled with him on many
occasions to Florence and Naple where Dumas
introduced him to Ferdinand-Philippe of Orleans, from
whom he gained many commissions. His work is in
many European galleries and museums. The Victoria
and Albert includes a painting of Greyhounds.
Goupil & Cie - After various starts, Goupil & Cie was
formed in 1850; the partners were Adolphe Goupil
1850-1884,Alfred Mainguet 1850-1856, Léon Goupil
1854-1855, Léon Boussod 1856-1884, Vincent van
Gogh 1861-1872, Albert Goupil 1872-1884,René
Valadon 1878-1884. Until 1861, the firm concentrated
on buying, selling and editing prints. Being one on the
leading art dealers of 19th Century Goupil had
branches in most of European capitals and North
America. It is suggested that this image and others
very similar , [please see items Ref: 3418-22] were
produced to hang in a panel of three, the central image
being the four dogs with a pair of individual portraits
on either side.
Ref: 8270
196. [Foxhounds outside their kennels.]
Drawn on Stone by George Augustus Frederick Fitz-
Wygram Esqr. [n.d., c.1820.]
Lithograph, image 270 x 405mm. 10½ x 16". Lightly
foxed. £350
An attractive lithograph. Very rare, possibly a private
plate.
Ref: 8883
197. Relais de Chiens dans le Desert.
J.L.Gerome Rajon Sct.
Peint par J.L. Gérôme. Gravé par P.A. Rajon. [n.d.
c.1890] Publié & Imprimé par Goupil & Cie. Paris.
Etched engraving. 184 x 248mm. 7¼" x 9¾".
Watermark in the platemark. £140
Two salukis held by their handler. Orientalist theorists
and academics have often retitled this print as a "Negro
Master of the Hounds," and "An Arab and his Dogs."
Ref: 8705
198. [Jester and Dogs.]
Briton Riviere [signed in pencil lower left.] ['BR 1896'
dated, with artist's monogram, in plate lower left.]
Published by Franz Hanfstaengl, Munich, London &
New York. Printed in Munich. Copyright 1898 by
Franz Hanfstaengl.
Photogravure on india laid paper, signed artist's proof
before title. 735 x 495mm. 29 x 19½". Paper age toned
outside india. £240
A jester looks anxiously down at an angry pack of dogs
from the top of a wall.
Publisher's blindstamp lower right.
Ref: 8523
199. Patience.
[Herbert Dicksee.] Copyright 1922 by Frost & Reed in
the United States.
Etching. 410 x 660mm. £850
A deerhound and a terrier waiting.
Ref: 1799

200. [Silent Sympathy.]
Herbert Dicksee. [pencil signature.] Published at 8,
Clare Street, Bristol by Frost & Reed, Printsellers of
London & Bristol, 1894.
Signed etching, 500 x 590mm, in publisher's frame.
£1500
A woman staring into the fire, accompanied by her
deerhound. One of Dicksees most romantic scenes.
Ref: 1810
201. [Waiting.]
H.D. Herbert Dicksee [pencil signature]. [Copyright
1924 by Frost & Reed Ltd (of Bristol, England) in the
United States of America.]
Signed etching. 210 x 230mm, 8½ x 9". Five
blindstamps in lower left of plate. £1250
A study of Dicksee's own Scottish deerhound.
Ref: 9169
202. [Studies of Staffordshire Bull
Terriers.]
[Etched by Paul Renouard.] [n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾". £230
Charles Paul Renouard (1845-1924). While at the
Ecole des Beaux-Arts in 1875 he and his instructor
were hired to decorate the ceiling of the Paris opera
house, which was the inspiration for his most wellknown
series of etchings, Le Nouvel Opéra. He came
to London in the 1890s and started work for the
'Graphic' newspaper, sketching theater-goers and
performers at the Theater Royal in Drury Lane, and
policemen and defendants at one of London’s many
police courts.
Ref: 9079
203. [Dandie Dinmont.]
[Engraved by Charles Mottram after Sir Edwin
Landsser.] London Published Nov.r 5th 1874 by Henry
Graves & Co., the Proprietors, Publishers to H.M. the
Queen and T.R.H. the Prince & Princess of Wales, Pall
Mall. Copyright registered.
Engraving on india, proof before title. 420 x 510mm,
16½ x 20". With Printsellers' blind-stamp. £320
A Dandie Dinmont terrier examining a hedgehog.
From the series of Queen Victoria's Pets.
Ref: 9301
204. [Babes in the Wood]
E.A. Holmes, R. Wallace Hester London Published
November 1st 1898 by J.P. Mendoza, Printseller &
Publisher to H.M. the Queen. St. James' Gallery, 4a
King Street, St. James'. Copyright registered. Printed
by A. Holdgate.
Photogravure, 350 c 470mm. 13¼ x 18½". £360
Two fox terriers together set against a woodland
backdrop. Proof signed in pencil by artist and engraver
Ref: 8744
205. [Scottish Terrier.]
Sandy Mac Havish Lisl Grossmann
Etching, 245 x 205mm. 9¾ x 8". Slight stains; tears on
left. £75
A Scottish Terrier, facing to the right, with a small ball.
Ref: 8742
206. The Sextette from Bonny.
Morgan Dennis. Limited edition 80/100. [n.d. c.1930]
Etching. Sheet 264 x 356mm. 10" 3/8 x 14". £240
Morgan Dennis (American, 1892 to 1960). A litter of
scotties looking over a fence.
Ref: 8460
207. [Child with biscuit & two King
Charles Spaniels.]
Haywood Hardy 1887.
Mixed method engraving, printed in colours and hand
finished. 350 x 460mm. 13¾ x 18". £680
Ref: 8539
208. The Lion Dog, From Malta. The Last
of his Tribe. Engraved from the Original
Picture in the possession of H.R.H. The
Duchess of Kent.
Painted by Edwin Landseer R.A. Engraved by
W.T.Davey. London. Published July 9th 1851, by
Thomas McLean, 26, Haymarket.
Mezzotint. 375 x 405mm. £330
A Maltese Terrier, seated on a table with the artist's
tools, a mouse and a lump of cheese. Looking on is a
St. Bernard.
Ref: 8214
209. [On the Threshold.]
H.D. Published at 8 Clare Street, Bristol, by Frost &
Reed, Printsellers of Bristol, Clifton & London,
November 24th 1904.
Etching, Artist's Proof on vellum, signed by the artist,
plate destroyed. 440 x 305mm. Narrow margins. £380
A woman on the step of a cottage, with a sheepdog to
one side.
Ref: 1797
210. Rat-Catching. Brutus; Boxer; Vixen.
Edwin Landseer pinxit. Tho.s Landseer, Aqf.f. John
Landseer, Sculpt. Engraver to the King & F.S.A.
London. Published by Hurst, Robinson & Co. 90
Cheapside, March 10, 1823.
Engraving, 345 x 490mm. 13½ x 19¼". £130

Three dogs approaching two dead rats, whilst another
rat timorously surveys the situation.
Ref: 9302
HISTORICAL, SOCIAL & POLITICAL
211. Addresses to Her Majesty Queen
Caroline Presented at Brandenburgh
House 30 Oct.r 1820.
Pub.d by G.Humphrey 27 S.t James's St 1821.
Coloured aquatint. Sheet 225 x 420mm, 9 x 16½".
Trimmed within plate. £250
The British public showing their support for Queen
Caroline during George IV's attempts to have his
marriage declared void.
Ref: 9034
212. De Conventie [Vernietiging van alle
erflyke Waardigheden] Rechten van de
Mensche] [Oppermacht des Volks]. In het
midden staat Neer=lands zetel, dien de
leeuw verdeedigt, daarnaast de vryheid, die
aan een' gemeenen burger het recht geeft
om er zich op te plaatzen op voorwaarde,
dat hy drie artijkelen die hem de drie
Bovenzweevende genies vertoonen
bezweert, hetgeen hy ook Gewillig doet:
Agter hem volgen de ambagten, Landbouw
en Vryekunsten, om met hem van hetself
de recht gebruik te maaken, de hoop liefde
en eer staan eens=Gelijks rondom. Den
xetel, om hunne vereeniging, en hoop tot
beterschap aantetoonen, het welk de
blaazende faam bekend maakt, de hoorn
des overvloeds ligt op den voorgrond bei
het gereedschap der handwerklieden, als
een gevolg dezer gebeurenisse; terwijl het
juk door den Sterken arm van een held in
het gezigt der Gewapende schutterij
verbroken wordt. Enz.
Bakker del. K.F. Bendorp sculps. te Rotterdam by J.H.
en G.J.Derens. in comp: Proefdruk. [n.d. c.1790]
Engraving, proof. 343 x 405mm. 13½" x 16". £220
During the French Revolution, the National
Convention or Convention, in France, comprised the
constitutional and legislative assembly which sat from
20 September 1792 to 26 October 1795 (the 4th of
Brumaire of the year IV under the French Republican
Calendar adopted by the Convention). It held executive
power in France during the first years of the French
First Republic. It was succeeded by the Directory,
commencing 2 November 1795. Prominent members
of the original Convention included Maximilien
Robespierre of the Jacobin Club, Jean-Paul Marat
(affiliated with the Jacobins, though never a formal
member), and Georges Danton of the Cordeliers.
Ref: 8910
213. Grand Sanhédrin des israélites de
l’Empire français & du Royaume d’Italie.
Damame De’Martrait del. Et sculpt. Beaublé script.
Convoqué à Paris par ordre de Napoleon-le-Grand
assemblé pour la premiere fois le 9 fev, 1807. Déposé à
la Bibliothèque Impériale. Ce Corps tombé ave le
Temple, va reparaitre
(Discours de M.M.les Commissaires Impériaux, dit
1807.)
Aquatint. 520 x 712mm. 20½" x 28". Damaged with
some creases, tears and visible repairs. £680
Extremely rare. The 'Grand Sanhedrin' was a Jewish
high court convened by Napoleon I to give legal
sanction to the principles expressed by the Assembly of
Notables in answer to the twelve questions submitted
to it by the government. On October 6, 1806, the
Assembly of Notables issued a proclamation to all the
Jewish communities of Europe, inviting them to send
delegates to the Sanhedrin, to convene on October 20.
This proclamation, written in Hebrew, French,
German, and Italian, speaks in extravagant terms of the
importance of this revived institution and of the
greatness of its imperial protector. While the action of
Napoleon aroused in many Jews of Germany the hope
that, influenced by it, their governments also would
grant them the rights of citizenship, others looked upon
it as a political contrivance.
Ref: 8957
214. The landing of Julius Caesar,
An:ant:Chr:55 Rom:699.
N Blakey Invt. & Delin S.F. Ravenet. Publish'd for I &
P. Knapton & R. Dodsley, according to Act of
Parliament, 1751.
Engraving. 428 x 480mm. £380
Caesar r. at prow as Roman galleys approach shore
beneath hail of arrows and rocks; hand-to-hand conflict
in foreground.
Ref: 7964
215. The Kings Entry into Paris on the 6
of October 1789. Entrée du Roi a Paris le 6
Octobre 1789.
Drawn on the Spot by an Eminent Artist. Designé sur
le lieu par un Amateur distingué. John Wells
aquatinta. London Publish'd Nov. 20. 1789. by B.
Vander Gucht Lower Brook Street.& J.White
Tavistock Street. Londres chez B. Vander Gucht & J.
White.
Aquatint. Plate 318 x 603mm. 12½" x 23¾". Very fine.
£480
Ex: Oettingen-Wallerstein collection.
Ref: 9207

Painted by B. West, Historical Painter to His Majesty.
Engraved by De Launay. Published as the Act directs,
by B. West, I. Hall & E. Woollett, London. [n.d.
c.1782.]
Line engraving. Plate 323 x 400mm. 12¾" x 15½".
£160
The Long Parliament is the name of the English
Parliament called by Charles I, on 3 November 1640,
following the Bishops' Wars. It received its name from
the fact that through a unique Act of Parliament, it
could only be dissolved with the agreement of the
members, and those members did not agree to its
dissolution until after the English Civil War and at the
end of Interregnum in 1660.
Ex: Oettingen-Wallerstein collection.
Ref: 9213
216. Le Droit justifié.
à Ausbourg chéz J.J. Haid et fils. [n.d. c.1750.]
Mezzotint with line engraving. Plate 241 x 272mm.
9½" x 10¾". Very fine. £420
'Suum cuique' ['to each his own'] (engraved on the
shield of the angelic messenger) served as a motto to
Prussia's King Frederick the Great.. It was a symbol of
the liberalism and religious tolerance of the Prussian
Kingdom, which meant that 'each can do as they
choose', but all citizens must unite in their support of
Prussia. In this image, Frederick the Great judges the
wrongdoers.
Ex: Oettingen-Wallerstein collection.
Ref: 9203
217. Magna Carta. Reproduced from the
Original in the British Museum. (A
Translation of this will be found in Part I.
of "The Dictionary of English History".)
[n.d. c.1850] Vincent Brooks, Day & Son, Lith.
Lithograph. Sheet 578 x 444mm. 22¾" x 17½".
Creased. £260
Magna Carta, is an English legal charter, written in
Latin, originally issued in the year 1215. It required
King John of England to proclaim certain rights,
respect certain legal procedures, and accept that his
will could be bound by the law. It explicitly protected
certain rights of the King's subjects, whether free or
fettered — most notably the writ of habeas corpus,
allowing appeal against unlawful imprisonment.
Magna Carta was arguably the most significant early
influence on the extensive historical process that led to
the rule of constitutional law today in the English
speaking world. Similarly, it has influenced the
development of the common law and many
constitutional documents, including the United States
Constitution.
Ref: 8682
218. Oliver Cromwell dissolving the Long
Parliament. From the original Picture in
the possession of The Right Honourable the
Earl Grosvenor.
219. Roman Tesselated Pavement
Discovered at Pitney near Langport,
Somersetshire, and viewed by the Members
of the Somerset Archaeological and
Natural History Society to whom this is
respectfully dedicated October 1861. Scale:
one inch to one foot.
On Stone by W. Pomeroy, Langport. Printed in
Colours by J. Lavars Broad St. Hall, Bristol.
Coloured lithograph, 260 x 345mm. 13½ x 10¼". Very
rare. £130
Roman pavement discovered in Pitney, Somerset.
Ref: 8795
220. Stone Tablet Found in a Tomb at
Thebes; Discovered by the Earl of
Belmore. _1818. Height of the Original 1
ft. 10½ in. Breadth 1 ft. 5in.
G. Scharf del. Printed by C. Hullmandel. [n.d. c.1822.]
Lithograph with hand-colour. Sheet 578 x 445mm.
22¾" x 17½". Tear into the image and creases. Bright
colour. £160
Somerset Lowry-Corry, 2nd Earl Belmore (11 July
1774 - 18 April 1841), known as Viscount Corry from
1797 to 1802, was an Irish nobleman and politician.
This plate comes from his "Collection of Egyptian
antiquities", published in 1822.
Ref: 8473
221. [The Queen giving audience to Lord
Beaconsfield at Osborne after his return
from Berlin bringing 'Peace with Honour'.]
[Painted by T.B. Wirgman. Engraved by T.L.
Atkinson. Signed in pencil by artist and engraver.]
[London, published by Dickinson 1887.]
Mixed method engraving on india laid paper, signed
artist's proof before all letters. 770 x 870mm. 30¼ x
34¼". £330
Queen Victoria with Benjamin Disraeli, Earl of
Beaconsfield (1804 - 1881), Prime Minister and
novelist. Through his outstanding abilities as a
politician and orator, Disraeli became Prime Minister
in 1868 and guided the Second Reform Bill through
Parliament. His diplomatic triumphs included the

Congress of Berlin (June 13 - July 13, 1878), a meeting
of the European Great Powers' and the Ottoman
Empire's leading statesmen. In the wake of the Russo-
Turkish War, 1877–78, the meeting's aim was to
reorganize the countries of the Balkan peninsula.
Ref: 8491
222. The Queen giving audience to Lord
Beaconsfield at Osborne after his return
from Berlin bringing 'Peace with Honour'.
Painted by T.B. Wirgman. Engraved by T.L. Atkinson.
London. Published by Messers. Dickinson Publishers
by Special Appointment to H.M. the Queen, 114, New
Bond Street. w. and Mr. J. Garle Brown. Wymondham,
near Leicester, January 3rd 1887. Copyright
Registered.
Mixed method engraving on india laid paper, 770 x
870mm. 30¼ x 34¼". £330
Queen Victoria with Benjamin Disraeli, Earl of
Beaconsfield (1804 - 1881), Prime Minister and
novelist. Through his outstanding abilities as a
politician and orator, Disraeli became Prime Minister
in 1868 and guided the Second Reform Bill through
Parliament. His diplomatic triumphs included the
Congress of Berlin (June 13 - July 13, 1878), a meeting
of the European Great Powers' and the Ottoman
Empire's leading statesmen. In the wake of the Russo-
Turkish War, 1877–78, the meeting's aim was to
reorganize the countries of the Balkan peninsula.
Ref: 8490
223. The Wicker Colossus of the Druids,
Wherein Malefactors, Prisoners of War,
and sometimes Innocent Persons (when
there was a deficiency of the former) were
Burnt as Sacrifices to their Deities.
Engraved for the Complete English Traveller. To face
Page 77. [Published by Nathaniel Spencer. London.
1771]
Copper engraving bookplate. 290 x 176mm. 11½" x 7".
£45
From 'The Complete English Traveller' of 1771.
Ref: 8912
224. William Penn's Treaty with the
Indians, when he founded the province of
Pensylvania in North America 1681. To
the Proprietaries of the Province of
Pensylvania &c. &c. This Print, Engraved
from the Original Painting belonging to the
Late Thomas Penn Esquire Is respectfully
Inscribed by Their obedient humble
Servant John Boydell.
Benj: West pinxit. John Hall sculpsit. Published, June
12th. 1775 by John Boydell Engraver in Cheapside
London
£1250
William Penn's (1644 - 1718) 'Great Treaty' reputedly
signed with Delaware Indian leaders in 1682 under an
ancient elm tree at the village of Shackamaxon, located
in what are now the borders of the city of Philadelphia,
Pennsylvania.,stands centre left with his arms open, his
entourage beside him, two of his men kneeling,
offering gifts to the Indians who are assembled at the
right; buildings in construction behind at the left, boats
on the sea at right. After Benjamin West (1738 - 1820),
who was born in Pennsylvania. He was the first
American-born artist to receive international
recognition and remains one of the most important
eighteenth-century painters of historical scenes. He
enjoyed a career that endured more than half a century
that included serving as president of the Royal
Academy.
William Penn, quaker leader and founder of
Pennsylvania, was the first great hero of American
liberty. During the late seventeenth century, when
Protestants persecuted Catholics, Catholics persecuted
Protestants, and both persecuted Quakers and Jews,
Penn established an American sanctuary which
protected freedom of conscience. Almost everywhere
else, colonists stole land from the Indians, but Penn
traveled unarmed among the Indians and negotiated
peaceful purchases. He insisted that women deserved
equal rights with men. He gave Pennsylvania a written
constitution which limited the power of government,
provided a humane penal code, and guaranteed many
fundamental liberties.
For the first time in modem history, a large society
offered equal rights to people of different races and
religions. Penn's dramatic example caused quite a stir
in Europe. The French philosopher Voltaire, a
champion of religious toleration, offered lavish praise.
'William Penn might, with reason, boast of having
brought down upon earth the Golden Age, which in all
probability, never had any real existence but in his
dominions. '
Ref: 9312
225. The Coronation of Her Majesty
Queen Victoria. Printed in Hyde Park June
18th 1838. [&] View of the Fair in Hyde
Park, Printed in the Park on June 28th,
1838.
Pair of lithographs. Images 250 x 210mm & 135 x
190mm. Trimmed close, stuck on album paper. £120

On the 28th June 1838, a famous fair took place in
Hyde Park with balloon in sky, to commemorate the
coronation of Queen Victoria, which is shown in these
two prints.
Ref: 8263
226. This Print is humbly addressed to the
British Nation: and more particularly
designed as an expression of gratitude to
the memory of William Hickes Esqr., a
Merchant of Hamburgh, whose Legacy
contributed largely towards the support of
the Marine Society. The advantages
derived from this Institution by Fitting out
Men and Boys for Sea Service in time of
War; and promoting Commerce & Police
in Peace, by relieving Boys in the most
dangerous and distressed Condition, will
ever merit the munificence of a free,
generous and Maritime People. The
Groupe of Charity and the Boy (being the
Gift of Thomas Nash Esqr. a Citizen of
London) alludes to the Figure now
standing on a Pedestal, with its proper
Inscription on the South Side of the Royal
Exchange.
Painted by E: Edwards. Engraved by John Hall.
Publish'd as the Act directs April 20th. 1774.
Etching and engraving coloured by hand, 540 x
330mm. 21¼ x 13". Some staining; tatty extremities.
£890
Charity represented as a woman receiving poor boys
for service at sea. Dedicated to a major donor to the
Marine Society. On 25 June 1756, following the
outbreak of the Seven Years War, John Thornton
joined his friend Jonas Hanway and some 22 interested
parties in the King’s Arms Tavern in the City of
London to discuss the effect that the war was likely to
have on trading conditions. By the end of the evening,
The Marine Society had been formed, with John
Thornton as Treasurer.
Sponsorship for naval recruits was offered by The
Marine Society “to all stout lads and boys, who incline
to go on board his Majesty’s ships, with a view to learn
the duty of a seaman, and are, upon examination,
approved by the Marine Society, shall be handsomely
clothed and provided with bedding, and their charges
born down to the ports…”
Following incorporation in Act of Parliament the
Society commissioned in 1786 the first pre-sea training
ship in the world, the 350 ton sloop Beatty and went on
to provide sea training all the way up to the Second
World War.
By 1763, the Society had recruited more than 10,000
men and boys, supplying 5% of the total intake during
the seven year war. Early reports from commanding
officers had indicated that the number of desertions
might be reduced if boys equipped by the Society were
given a period of training before being sent to sea. The
Society thus became the first organisation in the world
to pioneer nautical training for boys in its special
school ship. From 1756 to 1940 the Society recruited
more than 110,000 men and boys for the Royal Navy,
the East India Company and Merchant Service.
Conscription during World War II meant that the
Marine Society no longer had to continue with
recruitment.
A very rare print.
Not in BM.
Ref: 8851
227. To Her Royal Highness Princess
Charlotte Augusta This Plate of the
Surrender of Calais, is, with permission,
inscribed by her obliged and devoted
Servant, John Young.
Painted by Edward Bird R.A. Engraved by John
Young, Engraver in Mezzotinto to H.R.H. the Prince
Regent. London, March 1. 1817, by the Engraver, No.
65 Upper Charlotte Street Fitzroy Square.
Mezzotint, title in open letters, 570 x 750mm. Tatty
and discoloured margins; plate generally good. £380
A dramatic scene. Queen Philippa on her knees before
the throne of her husband Edward III, in his tent
outside the walls of Calais, which he has reduced to
surrender by seige (1447). She intercedes on behalf of
the six citizens of the town who have come before him
in chains as part of the ransom the king demanded.
See Ref:8628 for an early proof.
Ref: 8374
228. Part the II.d After the Preacher has
finished his Discourse, and with his
Assistant seated on the Floor, the Dervizes
changing their Garb, to a short Waistcoat
& long Petticoat, forming themselves as
described, turn around, to a doleful
Musick, then stop short; afterwards repeat

the whirling round, in which Exercise none
can equal these Zealots. II.de Partie.
Quand le Predicateur a fini son Discours,
et tandis que son Compagnon est assis sur
le Plancher avec lui, les Dervis changeant
leur Habillement en un Veste courte & une
longue Jupe, se mettent a tourner sur euxmêmes
de la maniere representée; au Son
d’une Musique lugubre; puis s’arretent &
recommencent à tourner, Personne ne
sauroit égaler ces Zélotes dans cet Exercise.
Pl. XX.
R Dalton delt. et fecit. [n.d. c.1700.]
Engraving. Plate 269 x 422mm. 10⅝" x 16⅝". £220
The Ottoman Sultan and his assistant watch as his
Subjects spiritually dance.
Ex: Oettingen-Wallerstein collection.
Ref: 9251
229. Prince William offering his sword to
the Dean, at the Altar, the Knights
Standing under their Banners.
J. Highmore del: J. Pine Sculpt. [n.d., c.1770.]
Etching and engraving, 445 x 610mm. 17¾ x 24".
Vertical centrefold as issued. Small chips and tears into
image from extremities. £360
Ceremony of installation of knights of the Order of the
Bath inside Westminster Abbey. A young Prince
William, Duke of Cumberland (1721 – 1765), a
younger son of George II, kneels before the altar. The
knights stand in plumed hats in rows at either side
under their banners, a huge crowd of spectators beyond
the altar.
The Most Honourable Order of the Bath is an order of
chivalry founded by George I on 18 May 1725. The
name derives from the medieval ceremony for creating
a knight, which involved bathing (as a symbol of
purification) as one of its elements. Recipients of the
Order are now usually senior military officers or senior
civil servants.
The Order of the Bath is the fourth-most senior of the
British Orders of Chivalry, after The Most Noble Order
of the Garter, The Most Ancient and Most Noble Order
of the Thistle, and The Most Illustrious Order of St
Patrick.
Numbered 'III' upper left, this is a plate to 'The
procession and ceremonies observed at the time of the
Installation of the Knights Companion of the Order of
the Bath', London; J. Pine, first published 1730. John
Pine (1690 - 1756), engraver, publisher, print and
mapseller, was Bluemantle pursuivant at the College of
Arms and engraver to the king's signet and stamp
office.
Very scarce.
Ref: 9099
230. The Paris Militia setting out for
Versailles on the 5th. of October 1789.
Départ de la Milice Bourgeoise pour
Versailles le 5 Octobre 1789.
Drawn on the Spot by an eminent Artist. Designé sur le
Lieu par un Amateur distingué. [J. Wells aquatinta.]
London Publish'd Nov. 24. 1789. by B. Vander Gucht
Lower Brook Street.& J.White Tavistock Street. A
Londres chez B. Vander Gucht et I. White Nov. 24
1789.
Aquatint. Plate 318 x 603mm. 12½" x 23¾". Very fine.
£480
Ex: Oettingen-Wallerstein collection.
Ref: 9209
231. The Taking of the Bastille on the 14
of July 1789. Prise de la Bastille, le 14
Juillet 1789.
Drawn on the Spot by an eminent Artist. Designé sur le
Lieu par un Amateur distingué. J. Wells aquatinta.
London Publish'd Nov. 20. 1789. by B. Vander Gucht
Lower Brook Street.& J.White Tavistock Street. A
Londres chez B. Vander Gucht & J. White.
Aquatint. Plate 375 x 501mm. 14¾" x 19¾". Very fine.
£480
Ex: Oettingen-Wallerstein collection.
Ref: 9208
LONDON
232. The London Fish Market At
Billingsgate. Erected By The Corporation
Of The City Of London.
Chromolithographed By C.F. Kell, 8 Castle St.
Holborn, E.C [n.d., 1877].
Chromolithograph trimmed to image and laid on
publisher's card as issued, image 295 x 650mm. 11¾ x
25½". Card trimmed/damaged. Missing some of the
text below image. £450
View of Billingsgate market from the river. In 1849,
the famous London fish market was moved off the
streets into its own riverside building, which was
demolished c. 1873 and replaced by this arcaded
market hall. It was designed by City architect Sir
Horace Jones and built by John Mowlem & Co. in
1875. This building, known as Old Billingsgate
Market, is now used as a corporate events venue.
Guildhall Library Record: 21750.
Ref: 8814

233. Part of the Bridge at Blackfriars. As
it was in July 1766.
Edw.d Rooker delin et Sculp. Publish'd Accordijng to
Act of Parliament by Edward Rooker, December the 31
1766.
Engraving. 420 x 660mm. 16½ x 26". Mint. £850
The first Blackfriars Bridge, built by Robert Milne
from Portland stone, opening 1769.
Ref: 9089
234. Red Lyon Square.
[n.d., c.1750.]
Engraving. 165 x 245mm, 6½ x 8½". Tears in margins.
£90
Red Lion Square in Bloomsbury, named after the local
inn. Laid out in 1698, it was described by Hatton in
1708 as 'a pleasant square of good buildings, between
High Holborn south and the fields north'. According to
legend the bodies of Oliver Cromwell and two other
regicides had been placed in a pit on the site of the
square.
Ref: 9233
235. The Royal Military Asylum At
Chelsea. For Soldiers Children of the
Regular Army__Intended for 500 Girls &
500 Boys.
Published 20th. May, 1805, by Laurie & Whittle,
No.53, Fleet Street, London.
Etching and engraving coloured by hand, image 260 x
405mm. 10¼ x 17¾". Trimmed to plate at top. Tear
through title. £220
View of the Royal Military Asylum, (Duke of York's
Royal Military School) Chelsea, with soldiers, women
and children outside. The Asylum was opened as a
school for the children of soldiers. It is now the Duke
of York's Barracks.
Ref: 8737
236. A View of Chelsea Water Works. ~
J. Boydell del & Sculp. Publish'd according to Act of
Parliament by J. Boydell Engraver at the Unicorn the
Corner of Queen Street, Cheapside. London 1752.
Price 1s.
Engraving. 430 x 260mm. Trimmed to plate and tipped
into album page. Vertical centre crease from fold. A
strong impression. £180
The Chelsea Waterworks Company was formed in
1723 and supplied water to Westminster and adjacent
parts. It introduced the first iron main in London in
1746. The company held water in reservoirs in Hyde
Park and Green Park and pumped water through an
elaborate sysstems of canals which covered a large area
of today's Pimlico. As the years marched by the water
was becoming more and more contaminated and the
Company installed the first Sand filtration operation to
purify the water. Eventurally in the late nineteenth
century the company became part of the Metropolitan
Water Board. Numbered 'No.5' lower right.
This was reprinted in Boydell's "A collection of one
hundred views in England and Wales" in 1770.
Ref: 8739
237. A Perspective View of Covent
Garden. Vue de Covent Garden.
Printed for Robert Wilkinson in Cornhil. & Carington
Bowles in St. Paul's Church Yard, London [n.d.,
c.1750].
Engraving and etching with hand colour, 250 x
425mm. 9¾ x 16¾". Marginal staining. £450
View of the piazza towards St Paul's church, with the
market in progress.
Ref: 8755
238. Crinoline 1858. Cremorne.
T.H. Guerin [in image lower right]. Published by T.
Archer [damage] Mortimer Street, Regent Street.
Sepia tinted lithograph with colour added by hand,
sheet 345 x 435mm. 13½ x 17". Creases; tear into
publication line. £180
A satire on mid 19th century female fashion set in
Cremorne Gardens, once a popular pleasure gardens by
the side of the River Thames in Chelsea. A woman in a
huge dress descends from a carriage, the driver above
ensuring that his reins are well out of the way.
Crinoline was originally a stiff fabric with a weft of
horse-hair and a warp of cotton or linen thread. The
fabric first appeared around 1830, but by 1850 the
word had come to mean a stiffened petticoat or rigid
skirt-shaped structure of steel designed to support the
skirts of a woman’s dress in the required shape. The
crinoline was the subject of much ridicule and satire,
particularly in Punch magazine. Dress reformers did
not like it either — they seized upon the cage aspect of
the crinoline and claimed that it effectively imprisoned
women. Given that the crinoline did eventually have a
maximum diameter of up to 180 centimetres (six feet),
it is easy to imagine difficulties in getting through
doors, in and out of carriages, and the general problems
of moving in such a large structure. The second
problem was the potential impropriety of the crinoline.
Its lightness was a curse as well as a blessing, as a gust
of wind or a knock could set it swinging and reveal the
wearer's legs. Even worse, if a woman tripped or was
knocked over, the crinoline would hold her skirts up.
Ref: 8997
239. Crinoline 1858. Belgravia.
T.H. Guerin. Del [in image lower left.] [London, T.
Archer.]
Sepia tinted lithograph with colour added by hand,
sheet 315 x 415mm. 12½ x 16¼". Trimmed to image
top and sides. £180
A satire on mid 19th century female fashion. A woman
in a huge dress rather awkwardly descends from a

carriage. Crinoline was originally a stiff fabric with a
weft of horse-hair and a warp of cotton or linen thread.
The fabric first appeared around 1830, but by 1850 the
word had come to mean a stiffened petticoat or rigid
skirt-shaped structure of steel designed to support the
skirts of a woman’s dress in the required shape. The
crinoline was the subject of much ridicule and satire,
particularly in Punch magazine. Dress reformers did
not like it either — they seized upon the cage aspect of
the crinoline and claimed that it effectively imprisoned
women. Given that the crinoline did eventually have a
maximum diameter of up to 180 centimetres (six feet),
it is easy to imagine difficulties in getting through
doors, in and out of carriages, and the general problems
of moving in such a large structure. The second
problem was the potential impropriety of the crinoline.
Its lightness was a curse as well as a blessing, as a gust
of wind or a knock could set it swinging and reveal the
wearer's legs. Even worse, if a woman tripped or was
knocked over, the crinoline would hold her skirts up.
Ref: 8996
240. Crinoline 1858. Brompton.
[T.H. Guerin.] [London, T. Archer.]
Sepia tinted lithograph with colour added by hand,
sheet 300 x 405mm. 11¾ x 16". Trimmed to image top
and sides. £180
A satire on mid 19th century female fashion. A male
passenger enjoys the view as a female carriage driver's
skirt is blown upwards. Crinoline was originally a stiff
fabric with a weft of horse-hair and a warp of cotton or
linen thread. The fabric first appeared around 1830, but
by 1850 the word had come to mean a stiffened
petticoat or rigid skirt-shaped structure of steel
designed to support the skirts of a woman’s dress in the
required shape. The crinoline was the subject of much
ridicule and satire, particularly in Punch magazine.
Dress reformers did not like it either — they seized
upon the cage aspect of the crinoline and claimed that
it effectively imprisoned women. Given that the
crinoline did eventually have a maximum diameter of
up to 180 centimetres (six feet), it is easy to imagine
difficulties in getting through doors, in and out of
carriages, and the general problems of moving in such
a large structure. The second problem was the potential
impropriety of the crinoline. Its lightness was a curse
as well as a blessing, as a gust of wind or a knock
could set it swinging and reveal the wearer's legs. Even
worse, if a woman tripped or was knocked over, the
crinoline would hold her skirts up.
Ref: 8993
241. [The Thames and the Embankment
looking east, with a view of St. Paul's.]
Rowland Langmaid [signed in pencil lower right.] [n.d.
c.1920.]
Etching. 295 x 230mm. 11½ x 9". £320
A pupil of W L Wyllie, Rowland Langmaid (1897 -
1956) served in the Royal Navy; He exhibited at the
R.A.
'Proof' blindstamp lower left.
Ref: 8629
242. The Tower & Preparation of the Fire
Works, with the Balloon, In the Park
Aug.t. 1st. 1814.
J.H. Clark Del. M. Dubourg Sculpt. Published & Sold
Aug.t 12.th 1814 by EDW.D ORME, Publisher to his
Majesty and H.R.H. the Prince Regent, Bond Street,
/corner of Brook Str./ London
Coloured aquatint, print area 200 x 290mm. £120
On Monday, August 1st 1814, a national jubilee took
place to celebrate the return of peace. In the early part
of the evening James Sadler, the first English
balloonist, ascended in his balloon from the space in
front of Buckingham House, after which a two hour
firework display took place in Green Park.
Ref: 8193
243. St. Bride's Avenue. The
Improvement in Fleet Street, Proposed To
Be Erected By Voluntary Subscription,
1825. The Committee [a list of members'
names follows in three columns below].
The Public are respectfully informed that
the Work is commenced and will be
completed with all convenient speed. Early
Contributions are requested in support of
an Improvement so conducive to the
general Embellishment of the Metropolis.
John B. Papworth, Archt. Thos. Kearnan, Sculpt.
Published by R. Ackermann, 101, Strand, Jany. 28th.
1825.
Engraving, outline proof with open letters, 505 x
330mm. £260
View of St Brides Avenue as seen from fleet street,
with figures and adjacent shop fronts, including the
premises of Pitman and Ashfield to the left.
John Buonarroti Papworth (1775 - 1847), architect and
designer, was a thorough master of drawing
perspective and classic ornament. Many of his
architectural designs were exhibited at the Royal
Academy yearly from 1794 to 1799. For the premises
of Rudolf Ackermann, the publisher of this engraving,
to whose ‘Repository of Arts and Essays’ from 1809 to
1823 he was a frequent contributor of prose and verse
and of drawings, he designed a hall or reception-room,
intended as a lounge for customers. In 1826 he worked
on the extensive building, No. 96 Strand, at the corner

of Beaufort Buildings, now occupied by Rimmel the
perfumer.
His most important architectural work in London is
here represented - St. Bride's Avenue, Fleet Street. This
provided a clear view and a good access for the
magnificent steeple of St. Bride's Church, previously
screened from Fleet Street by a row of houses. This
vision of how the new street might look is intended to
encourage subscriptions for the project. The details of
where subscriptions were received are provided to the
left and right of the caption below the image.
Guildhall Library Record: 1693. Also two coloured
impressions.
Ref: 8758
244. Fleet Street & St Paul's London
[pencil, lower left.]
Henry Lambert [signed in pencil lower right.] [n.d.,
c.1950.]
Etching with watercolour, 185 x 150mm. 7¼ x 6". £80
A lively view of Fleet Street looking towards St. Paul's
Cathedral by Terrence Henry Lambert b.1891.
Ref: 8805
245. [The Houses of Parliament from the
Thames.]
Marcel Schuette, 1928 [signed and dated in pencil
lower left.]
Etching, 270 x 390mm. 10½ x 15¼". Lightly stained.
£220
The Palace of Westminster from the river, some
Thames barges in the foreground.
Ref: 8626
246. Index to the View of London.
[Lettered A-Z; and; Numbered 1-90
listings of specific locations.]
[J. Swertner] Published as the Act directs by J.
Swertner Aug.t 1.st 1789.
Etching with aquatint. Plate 122 x 743mm. 4¾" x
29¼". Some tearing around the platemark, with some
creasing through the image. £260
Key to a view of Westminster and the City of London
from Islington.
Guildhall Library Print Room: p7494442.
Ref: 9192
247. Ironmongers Hall with a View of
Fenchurch Street. L'Hotel des Ferronniers
dans la Rue de Fenchurch a Londres.
I.Donowell delin. T.Bowles Sculp. Published
according to Act of Parliament Aug 1. 1753. London
Printed for Tho. Bowles in St Pauls Church Yard, John
Bowles & Son in Cornhill, R Sayer in Fleet Street and
H. Overton without Newgate.
Engraving and etching, 260 x 415mm. 10¼ x 16¼".
Tatty extremities. £180
View of Ironmongers' Hall and Fenchurch Street with a
street scene and horse-drawn vehicles. The new hall by
Thomas Holden replaced the Elizabethan building
which was in use until 1748.
Ref: 8741
248. Green House, Kensington Gardens.
[old ink mss.]
[n.d., c.1790.]
Aquatint, titled in old ink mss. 170 x 240mm, 16¾ x
9½". £130
Scarce.
Ref: 9221
249. A perspective View of the South
Front of Kensington Palace, taken from
the End of the Slope...
Highmore junr. delin. J. Tinney Sculpsit. [n.d., c.1770.]
Etching and engraving with fine original hand colour,
image 310 x 470mm. 12¼ x 18½". Trimmed to image
and laid on thick paper. Title excised and glued to
verso, incomplete. £360
From a collection of views showing Kensington Palace
and its gardens. Probably a re-worked and re-issued
plate from the series first published 1751 by Bowles
and Sayer.
Highmore, Anthony 1719-1799, draughtsman, was
deaf, and resided principally at Canterbury, where he
occupied himself with the study of theology.
John Tinney, engraver, practised both in line and
mezzotint, but with no great ability, during the reign of
George II. He was also a printseller, and carried on
business at the Golden Lion in Fleet Street, London,
where all his own works were published. His mezzotint
plates include portraits. He engraved in line a set of
ten views of Hampton Court and Kensington Palace,
after Anthony Highmore. Tinney is now remembered
as the master of the distinguished engravers William
Woollett, Anthony Walker, and John Browne. He died
in 1761.
See 3187.
Ref: 8807
250. Londres (avec le Bourg de
Southwark) superficie 3, 900, 000 toises.
Indication de Principales Rues et des
Principaux Edifices (Principal Street and
Buildings). CITY (N.B. On commence par
le Sud Ouest) (N.B. On va d'abord de
l'Ouest a l'Est) [Numbered locations 1-80.]
PARTIE OCCIDENTALE Depuis Hyde

Park jusqu'a la Cité et Grays Inn Lane.
(N.B. on commence au Sud Près la
Thamise) [Numbered locations 1-47.]
PARTIE SEPTENTRIONALE au Nord de
la Cité entre Grays Inn Lane à l'Ouest, et
N. Falgate à l'Est. [Numbered locations 1-
14.] PARTIE ORIENTALE à partir de la
Cité et de Northern Falgate (N.B, en
commençent au S.) [Numbered locations 1-
14.] BOURG de SOUTHWARK (N.B. en
començant par le S.) [Numbered locations
1-12.] EXPLICATION de quelques mots
Anglois [26 translations of English words.]
Gravé par P.F. Tardieu Ecrit par Dubiasson. [n.d.
c.1765.]
Copper Engraving. Plate 331 x 458mm. 13" x 18".
£350
View of the Cities of London and Westminster,
Southwark and Lambeth; with a key below.
Ref: 9193
251. [A View of London from Greenwich
Park.]
[Drawn by H.Hascler. Engraved by D.Havell, 31
Chandos Street, Covent Garden.] [Pub.d Feb 20, 1815,
by T.Clay, 18, Ludgate Hill, London.]
Coloured aquatint. Image 405 x 665mm. Framed.
Trimmed to image, mounted on card. Unexamined out
of frame. £1250
A fine, rare, view of London.
Ref: 8377
252. View of London from Greenwich
Park.
J. Farington R.A. del. J.C.Stadler sculp. Pub. June 1,
1796, by J. & J. Boydell, Shakespeare Gallery, Pall
Mall, & No. 90, Cheapside.
Coloured aquatint. 340 x 560mm. Very fine. With
centre fold, as issued. Unexamined out of frame. £680
A Panorama of the Thames. One of the double-page
plates from Joseph Farington's 'History of the River
Thames', with St Paul's Cathedral in the centre.
Abbey: 432.
Ref: 8350
253. View of London from Greenwich
Park.
J. Farington R.A. del. J.C.Stadler sculp. Pub. June 1,
1796, by J. & J. Boydell, Shakespeare Gallery, Pall
Mall, & No. 90, Cheapside.
Sepia aquatint, watermarked 1794. 340 x 560mm. With
centre fold, as issued. £450
One of the double-page plates from Joseph Farington's
'History of the River Thames', with St Paul's Cathedral
in the centre.
An early issue, printed in sepia for print 'connoisseurs'.
Abbey: 432.
Ref: 8349
254. A View of London from Lambeth.
J. Farington R.A. del. J.C.Stadler sculp. Pub. June 1,
1795, by J. & J. Boydell, Shakespeare Gallery, Pall
Mall, & No. 90, Cheapside.
Sepia aquatint, watermarked 1794. 340 x 560mm. With
centre fold, as issued. £450
One of the double-page plates from Joseph Farington's
'History of the River Thames'. It shows from
Westminster Abbey on the left to St Paul's Cathedral
on the right, with Lambeth Palace in the foreground.
An early issue, printed in sepia for print 'connoisseurs'.
Abbey: 432.
Ref: 8348
255. The North Prospect of Montague
House.
James Simon Fecit. Printed for & Sold by I. Smith in
Exeter Change in ye Strand [n.d., c.1750].
Copper engraving with etching, image 400 x 585mm.
15¾ x 23". Tear into lower edge of plate. Glue stains in
top margin. £480
A prospect of Montague House, Bloomsbury, with
figures gardening. The house later became the first
home of the British Museum.
Ref: 8769
256. [The Monument.] In perpetuam
Memoriam celeberrimæ Urbis flammis
prope desolatæ A.º prodigioso 1666.
Columna hœc ex Basi 27 ped in altitudinem
202 ped: sublime caput elevat Fundata
Richardo Ford Eq: Prætore Lond: 1671
finita Josepho Sheldon Eq: Præt: 1676.
[n.d., c.1680.]
Engraving. 640 x 410mm. Very rare. Folded near
bottom, laid on album sheet. £780
The Monument to the Great Fire of London of 1666,
designed by Christopher Wren. At the time of
construction (between 1671 and 1677) it was the tallest
free-standing stone column in the world. A
magnificient copper engraving showing merchants
going about their business.
Ref: 8360

257. New Bedlam In Morefields.
Hospitium Mente Captorum Londinense.
Sely fecit. [n.d., c.1770.]
Etching and engraving, 415 x 570mm. 16¼ x 22½".
Centrefold as issued. £360
View of Old Bethlehem Hospital, Moorfields, from a
plate originally engraved c. 1700. The Bethlem Royal
Hospital of London (now located in Bromley, south
east London), which has been variously known as St.
Mary Bethlehem, Bethlem Hospital, Bethlehem
Hospital and Bedlam, was one of Europe's first and
most notorious psychiatric hospitals. The word Bedlam
has long been used for lunatic asylums in general, and
later for a scene of uproar and confusion. In 1815,
Bedlam was moved to St George's Fields, Southwark,
into buildings designed by Sydney Smirke now used to
house the Imperial War Museum.
Ref: 8806
258. A view of the Canal, Chinese
Building, Rotundo, &c. in Ranelagh
Gardens, with the Masquerade. Vue du
Canal, du Batiment, Chinois, de la
Rotunda, &c, des Jardins de Ranelagh un
jour de Masquarade.
Canalet delint. C.Grignion Sculp. Publish'd according
to Act of Parliament. Printed for and sold by Robt
Sayer at the Golden Buck opposite Fetter Lane Fleet
Street [n.d., c.1750].
Engraving and etching with fine hand colour, sheet 265
x 405mm. 10½ x 16". £170
Ranelagh Gardens, adjoining Wren's Chelsea
Pensioner's Hospital, became popular as a place to
escape the city and take in the cleaner air in Chelsea.
Balls, concerts, dinners and of course gossip were
shared here almost daily. It quickly exceeded Vauxhall
in popularity, but it's popularity waned until the season
of 1804 when the fashionable set abandoned it entirely.
Revellers promenade in the gardens in their ball
costumes.
Ref: 8729
259. Shepherd Market. Mayfair.
Herbert Reeve [signed in pencil lower right.] [n.d.,
c.1910.]
Etching, 280 x 185mm. 11 x 7¼". £130
View of this fashionable shopping street by Herbert
Reeve (b.1870).
Ref: 8801
260. View Of Old Smithfield Market, June
1855.
Entered at Stationer's Hall. Published by W. Hodsdon,
68, St John St. Smithfield.
Lithograph, image 285 x 440mm. 11¼ x 17¼".
Trimmed and laid on board with excised title below.
£280
View of old Smithfield Market, with pigs and sheep in
pens and figures, cattle and horses. The present
Smithfield meat market on Charterhouse Street was
established by an Act of Parliament: the 1860
Metropolitan Meat and Poultry Market Act. It is a large
market with permanent buildings, designed by City
architect Sir Horace Jones, who was also responsible
for Billingsgate and Leadenhall Markets. Meat has
been traded at Smithfield Market for over 800 years,
making it one of the oldest markets in London. A
livestock market occupied the site as early as the 10th
century.
See Guildhall Library Record: 6893 for a coloured
impression.
Ref: 8786
261. Somerset House. La Maison de
Somerset.
L. Knyff Del. I. Kip Sculp. Printed & sold by J. Smith
at ye Sign of Exeter Change in ye Strand [n.d., c.1725].
Engraving and etching, 355 x 490mm. 14 x 19¼".
Filled worm holes, laid on conservation backing. £240
Bird's eye view of Somerset House and its garden and
fountain from the Thames.
This print was published in vol. I of Mortier/Smith's
'Nouveau Théâtre de la Grande Bretagne' between
1724 and 1729; it was plate 6 in Smith's editions, but
plate 4 in Mortier's. Numbered '4' bottom right.
Ref: 8723
262. [Somerset House and St Paul's
Cathedral from Embankment Gardens.]
R.Turner [?] 1879.
Pen and watercolour, signed and dated bottom right.
Sheet 170 x 250mm, 6¾ x 10". A few spots. £130
Also showing Cleopatra's Needle and Waterloo Bridge.
Ref: 9239
263. A Perspective View of the Royal
Garden of Somerset. next the River. Vue
de Jardin Royal de Somerset__ du cote de
la Riviere.
J.Maurer delin et Sculp. 1748. Publish'd According to
Act of Parliament.
Etching, 165 x 275mm. 6½ x 7¾". Some foxing. £150
The garden terrace at Somerset House, enjoyed by
Londoners before the Thames Embankment was
constructed in the following century.
Ref: 8803
264. The South Prospect of the Church of
St. Clements Danes~London. To the Right
Hon.ble John Coecill Earl of Exeter Baron

Coecill of Burleigh and Patron of this
Noble Structure the Church of St.
Clements Danes This Plate is Humbly
Dedicated by John Kip….
Ino. Kip deliniavit et fecit. Printed & Sold by I. Smith
in Exeter Change in ye Strand.
Engraving. 600 x 435mm. Centre crease, printed across
conjoined sheets. £350
Standing in a dominant position at the junction of Fleet
Street and the Strand, the church was not reached by
the Great Fire. It was still deemed unsafe by its
parishioners and in 1680 the body of the church was
rebuilt by Christopher Wren. Joshua Marshall had built
the west tower over a decade before Wren designed the
main body, and James Gibb added a spire in 1719.
Ref: 8250
265. To the Right Honorable and Right
Reverend William Howley, D.D. Lord
Bishop of London and the Right Reverend
the Dean and Chapter; This North West
View of the Cathedral Church of Saint
Paul, is by Permission most humbly
dedicated, by their Lordship's much
obliged and devoted Servant, John
Buckler.
Drawn & Etched by J. Buckler, F.S.A. Engraved by G.
Lewis. Published May 1814, by J. Buckler,
Bermondsey, Surrey.
Etching with aquatint, 520 x 675mm. Mint. £580
St Paul's Cathedral showing the colonnaded west front
and the dome, with figures walking in the foreground
admiring it. A rich and early impression from Buckler's
series 'Views of the Cathedral Churches of England
and Wales'.
On Whatman paper watermarked 1810.
Ref: 8378
266. A View of Stocks Market. Veue de la
place nommé Stocks Market.
Nichols Pinx.t. Fletcher sculp. Publish'd according to
Act of Parliam.t 1753 by J.Boydell Engraver at the
Unicorn the corner of Queen Street Cheapside,
London.
Engraving. 320 x 450mm, 12½ x 17¾". Watermarked
1819. Ink mss. in margin. £260
Stocks Market, so-called because it was originally the
site of the only permanent punishment stocks in the
City. It was cleared in 1737 for the building of
Mansion House.
Of interest is the equestrian statue of Charles II.
Originally an unfinished statue of King John Sobieski
of Poland trampling on a Turk, Sir Robert Vyner had
Charles's head added and changed the Turk to Oliver
Cromwell!
Ref: 9039
267. Admodum Reverendis, Amplissimis,
Clarissimisq. Viris, Curatoribus ex
Authoritate Senatus delegatis ad extruenda
Quinquaginta illa Templa qua Hortante et
Auspicante ANNA fælicis Piæq memoriæ
Reginâ Londini instaurari cæperunt,
Prospectum hunc Templi S.tæ Mariæ in
Vico dicto The Strand. Debito Obsequio D.
D: Jacobus Gibbs Architectus.
Jo: Harris Sculpsit. [n.d., c.1715.]
Engraving 600 x 450mm, 23½ x 17¾". Splits in folds.
£280
South west view of St Mary le Strand as proposed by
the architect James Gibbs, which was not as completed.
It shows a statue of Queen Anne above the portico
which was abandoned on her death in 1714.
St Mary-le-Strand was James Gibbs' first public
building, the first of the fifty new churches built in
London under the 'Commission for Building Fifty New
Churches', at a cost of some £16,000. Building started
in February 1715, but work was halted because of the
Jacobite rebellion. Gibbs, a secret Catholic and widely
believed to have Jacobite sympathies, was dismissed as
Surveyor to the Commissioners for building New
Churches in August 1715 but was allowed to complete
the church without pay. The steeple was completed in
September 1717, although the church was not
consecrated for use until 1 January 1723. Gibbs
complained about how the commissioners changed his
plans, including the addition of the steeple, which
meant Gibbs was 'obliged to spread [the church] from
south to north, which makes the plan oblong, which
should otherwise have been square'.
Ref: 9029
268. Surrey Chapel. Dedicated by
Permission to the Rev.d James Sherman by
his Obed.t & Humble Serv.t John T.S.
Ping.
Drawn by John Flowerdew. Engraved by Cha.s
Rosenberg and John T.S. Ping. London. Published for
the Proprietor, by David Stroud. 163. Blackfriars Road.
Aquatint. 490 x 650mm. 19¼ x 25½". Proof after
lettering. Paper scuffing and small tears outside of
image. £360
The Surrey Chapel on Blackfriars Road in London.
The chapel was built for the non-conformist preacher
Rowland Hill in 1783 using an inheritance from his
father. The chapel was destroyed during the Blitz.
Ref: 8534

269. The Pest Houses, Tothill Fields
Commonly Called The Five Chimnies
Formerly the Residence of Dick Hubbard.
[n.d., c.1825.]
Lithograph on india laid paper, india 210 x 235mm. 8¼
x 9¼". Light spotting. £120
View of figures in front of the Hospital for Infectious
Diseases in Tothill Fields, Westminster. 'Pest Houses'
were built originally to house victims of the Plague.
With skaters in the foreground.
Ref: 8815
270. A View Of Tottenham Court Chapel.
Erected By The Revd. George Whitfield,
Anno Domino 1756 _ Enlarged, 1759.
Drawn by T. Clark. Pubd. Octr. 1826, by J. Puckett, 52
Goodge St. Tottenham Court Road.
Original coloured lithograph, image 220 x 335mm.
Tipped into album page. £230
Very rare view of Whitefield's Tabernacle, Tottenham
Court Road, also called Tottenham Court Road Chapel,
built in 1756 for George Whitefield, (1714 - 1770), one
of the leaders of the Methodist movement. Its
foundation stone was laid by Whitefield in June 1756,
and it opened for its dedication service on November
7th of the same year. In 1890 the building was taken
down and re-erected as Whitefield's Central Mission.
On Palm Sunday 1945 the church building was
destroyed by the last V-2 rocket to fall on London. A
new chapel was built in 1957, and the grounds became
a public thoroughfare. Since 1976 the latest chapel has
been the home of the American Church in London.
Ref: 8812
271. [The Tower of London from the
south bank of the Thames.]
Fred A. Farrell [signed in pencil lower right.] ['faf'
monogram scratched in reverse in plate lower left.]
[n.d. c.1925]
Etching. 160 x 270mm. 6¼ x 10½". £330
b.1882. Scotland. Official Artist with the 51st
Highlanders 1914-1918.
Ref: 8631
272. Place Trafalgar Londres. Trafalgar
Square london.
Dessine et lith. par Jules Arnout. Imp. Lemercier, a
Paris. Paris, Bulla Freres et Jouy, Editeurs. London, E.
Gambart & Co. 25 Berners St. Oxf. St [n.d., c.1840].
Coloured lithograph, sheet 340 x 455mm. Slightly
trimmed. £290
Trafalgar Square, with the National Gallery, Nelson's
Column and St. Martins-in-the-Fields.
Ref: 8749
273. The Queen and Prince Albert taking
an airing in Hyde Park.
Painted by J.Pottera. [*] & [*] by Dean & Co
Threadneedle St. [n.d., c.1840.]
Coloured lithograph, hightened with gum arabic.
Printed area 210 x 260mm. Part of publication line
unclear. £120
Queen Victoria and Albert in a coach near the statue of
Achilles (dedicated to the Duke of Wellington,
unveiled 1822) in Hyde Park.
Ref: 9035
274. Westminster [in pencil lower right.]
Grant Edwards [signed in pencil lower right.] [n.d.,
c.1950.]
Coloured etching, 310 x 185mm. 12¼ x 7¼". £75
A view of 'Big Ben' (the Clock Tower, Palace of
Westminster).
Ref: 8930
275. To the Reverend The Dean and
Chapter of Westminster; This North East
View of the Abbey Church of Saint Peter,
Westminster, and Henry the Sevent's
Chapel, is by Permission, most humbly
dedicated by their much obliged and
devoted Servant John Buckler.
Drawn & Etched by J. Buckler. Engraved by R. Reeve.
Published November. 1809, by J. Buckler,
Bermondsey, Surrey.
Etching and aquatint, 504mm x 670mm. 19¾ x 26½".
£420
Westminster Abbey showing the rose window and
pointed, arched doorway in the north porch, the two
gothic towers of the west end and the elaborate,
decorative chapel at the east end.
Ref: 8484
276. A View of Westminster Bridge and
Lambeth Palace. Vue du Pont de
Westminster et du Palais de Lambeth.
Drawn & Engraved by Rob.t Havell & Son. London,
Published August 1. 1820 by Mess.rs Colnaghi & Co.
Cockspur Street.
Coloured aquatint. 250 x 350mm, 10 x 13¾". Trimmed
to plate. £230
Published in Havell's 'Views of the Public Buildings
and Bridges in London and its Environs', 1820-1.
Ref: 9026

277. The North-East View of the Old
Dormitory, in 1788 When the New
Buildings Were Begun in Old Palace yard
Westminster.
W. Courteney fect. 1760.
Etching, sheet 145 x 175mm. 5¾ x 7". Tipped into
album page. £90
Very rare and interesting etching of a dormitory in
Westminster School.
The school may have been attended by the artist,
William, 2nd Viscount Courtenay (1742 - 1788),
amateur etcher and caricaturist, who would have been
of schoolboy age when he etched this plate.
See Guildhall Library Record: 28413 for a 1788
engraving of the same image by William Angus.
Ref: 8778
278. Old Chelsea Seymour Haden 1863
Out of Whistler's window.
Seymour Haden [signed in pencil.]
Framed Etching, trial proof, 150 x 225mm. 6 x 9".
Framed. Light age toning. Unexamined out of frame.
£230
Battersea Reach. One of the pioneers of the 19th
century etching revival, Sir Francis Seymour Haden
(1818 - 1910) married the sister of James McNeill
Whistler (1834 - 1903) and became an important
influence on the American-born etcher's style.
Harrington: 52c.
Ref: 9083
279. Vue du Palais de St. James.. Prospect
von dem König & Pallast zu St. Jaes
ohnweit London in Engelland ~ Vüe du
Palais de St. James du Roi d'Angle terre.
Gravé par Jean Benoit Winckler Se vend à Augsbourg
au Negoce comunde L'acadenie Imperiale d'Empire des
Arts libereaux avec Privilege de Sa Majeste Imperiale
et avec Defense ni d'au faire ni de vendre les Copies.
[n.d., c.1720]
Coloured engraving, 305 x 400mm. Some small stains;
small tear inside platemark at top. £320
Vue d'optique from Augsbourg showing St. James's
Palace and park.. The scene is reversed for viewing
through a Zograscope.
Ref: 8413
280. The Yorkshire Irishman, or
Adventures of a Potatoe Merchant,
Written by Mr. G. Nicks & Sung by Mr.
Emery. My Father was once a great
Merchant, As any in Ireland was found, /
But faith he could ne'er save shilling, ,Tho
'tatoes he sold by the pound... / At last I
was drawn up to town, without in my
pocket a Farden, / But since I've earn'd
many a crown, By the shop here, in sweet
Common Garden.
[Publish'd Augt. 20. 1805 by Laurie & Whittle, 53
Fleet Street, London.]
Copper engraving 198 x 258mm. Framed. Trimmed
within platemark, losing publication line, laid on album
paper. £140
Ex: Blackburn collection.
Ref: 8242
281. A Perspective Sketch of the North
and East Fronts of Wilson Terrace
Belgrave Square.
H.B. delt. Printed by C. Hullmandel. [n.d. c.1830.]
A very scarce lithograph. 147 x 222mm. 5¾" x 8¾".
Cut and stuck on scrap. £75
A View of Wilton Terrace on Belgrave Square.
Ref: 8998
282. View of Black Fryers Bridge, from
Sommerset Place.
J. Farington R.A. delt. J. C. Stadler Sculp. Pub. June 1.
1795, by J. & J. Boydell, Shakespeare- -Gallery, Pall
Mall, & No. 90, Cheapside.
Coloured aquatint, image 220 x 320mm. Faint staining.
£220
A view looking east down the Thames from the terrace
of Somerset House. St. Paul's can be seen, with The
Monument and the Tower of London further down
river. From William Combe's 'History of the River
Thames' published in two volumes. Abbey: 432.
Ref: 8747
283. A View of part Blackfriars Bridge of
the Tower and of the Manufacture for
Cartridge Balls taken from the Terrace
over Somerset House. [Translated into
French below.]
[n.d., c.1790.]
Aquatint and etching, sheet 195 x 225mm. 7¾ x 8¾".
Trimmed inside plate. £240
View of part of Blackfriars Bridge and Watt's Shot
Tower on the Lambeth bank of the River Thames,
London, from Somerset House.
After painter Louis Bélanger (1756 - 1816), engraved
by Laurent Guyot (1756 - 1806).
Numbered '15' above image. Very rare.
Ref: 9138
284. St. John's Church, Clapham, Surrey.
The first stone of this church was laid on
the 24th of September, 1840, by John

Thornton Esq.e The Rev.d W.m Dealtry,
D.D. F.R.S. Chancellor of the Diocese of
Winchester, Rector.
G. Hawkins, lith. T. Marsh Nelson, architect. Day &
Haghe, Lith.rs to the Queen.
Lithograph, 295 x 400mm. 11½ x 14¾". £230
St. John's Church in Clapham.
Ref: 9264
285. The House of Lord Archer in Covent
Garden.
Published according to Act of Parliament 1754 for
Stowes Survey.
Copper engraving with etching, image 330 x 455mm.
13 x 17¾". Age toning. Vertical folds as issued. £240
View of Lord Archer's house that still stands at the
north west corner of Covent Garden piazza. From the
sixth edition printed in 1754 - 1755 of John Stowe's
work 'A Survey of the Cities of London and
Westminter and the Borough of Sothwark', originally
published in 1598 and 1603.
Numbered '6' lower right.
Ref: 8771
286. Covent Garden Market.
Drawn and Lith by T. Turner. Crane Court Fleet Street.
[n.d. c.1820.]
Lithograph. 164 x 206mm. 6½" x 8⅛". Cut. £65
A bustling street scene of Covent Garden market.
Various street vendors fill the cobbled market place.
Ref: 9002
287. A view of the Custom House, with
part of the Tower, taken from ye River
Thames London. [Translated into French
to right.]
Maurer Delin. T. Bowles Sculp. Publish'd according to
Act of Parliament 1753.
Engraving and etching in fine contemporary hand
colour, image 235 x 390mm. 9¼ x 15¼". Trimmed
within plate and laid on album page, the inscription
detached and glued to verso, as normal. £320
View of the Custom House with boats on the River
Thames and the Tower of London in the distance.
Ref: 9140
288. View Of The New Custom House,
Taken From The River Thames.
Published 12th. Augt. 1822, by Richd. H. Laurie,
No.53. Fleet Street London.
Etching and engraving in fine contemporary hand
colour, 290 x 440mm. 11½ x 17¼". Margins tatty, with
several tears, one into plate (not image) from above.
£260
View of the Custom House from the River Thames.
Ref: 9143
289. His Majesty George The Forth
Proclaimed King at the Royal Exchange
London. 31st. January 1820.
London Published as the Act directs Jany. 1827. by Sir
George Nayler Garter.
Hand coloured aquatint, 345 x 450mm. 13½ x 17¾".
Fine. £320
Scene of proclaimation of George IV's accession to the
throne at the Royal Exchange. George IV is seated in a
coach with a crowd raising their hats to him as he
receives a fanfare from mounted heralds and guards.
Published by Sir George Nayler (1764 c. - 1831),
Garter King-of arms. As Deputy king-of-arms, he
officiated at the coronation of King George IV.
Ref: 8825
290. St James's Holloway District Schools.
Boys. Girls. Infants.
Cooke & Kinloch. [n.d., 1854.]
Tinted lithograph with crayon highlights, image 205 x
285mm. 8 x 11¼". V. Scarce. £75
St. James's Church, Holloway, north London, was built
in Victoria (later Chillingworth) Road in 1837-8 and
the district schools in George's Road in 1838.
Ref: 9165
291. The South East View of Kensington
Church._ La Veue de l'Eglise de
Kensington au Sud Est._
Printed for and Sold by Henry Overton at the White
Horse without Newgate, London [n.d., c.1760].
Copper Engraving with fine hand colour, image 150 x
250mm. 6 x 9¾". Trimmed to plate. £160
The church shown here is St. Mary Abbots,
Kensington. It was rebuilt in 1869-72 by Sir George
Gilbert Scott, but this drawing shows the previous
structure. A child flies a kite in the foreground.
A later impression on wove paper.
Ref: 9163
292. A Perspective View of Lincoln's Inn.
|| Vüe de Lincolns Inn.
J. Maurer delin et Sculp London. [Published ac]cording
to the Act of Parliament 1741.
Engraving. 230 x 400mm. 9" x 15¾". Cut with some
damage done to the left-hand side of the image. £140
A view of Lincoln's Inn, one of the four of London's
inns of courts.
Ref: 9007
293. Plan Of Principal Floor [Lincoln's
Inn].
P. Hardwick Archt. July 1842. Day & Haghe, Lithrs. to
the Queen.

Lithographic architect's plan, sheet 270 x 400mm. 10½
x 15¾". Lithly soiled and foxed. £45
From a drawing by Philip Hardwick (1792 - 1870),
architect. In 1842 he commenced designs for the hall,
library, and offices of Lincoln's Inn. His health
seriously failing him, the work had to be placed in the
hands of his son. The first stone was laid 20 April
1843, and the buildings were opened by the queen 30
Oct. 1845.
The Honourable Society of Lincoln's Inn is one of four
Inns of Court in London to which barristers of England
and Wales belong and where they are called to the Bar.
Ref: 9167
294. General View [Lincoln's Inn]
Shewing The Proposed New Hall And
Library , Stone Buildings, &c.
P. Hardwick Archt. Day & Haghe Lithrs. to the Queen.
[n.d., 1842.]
Sepia tinted lithograph, image 185 x 305mm. 7¼ x 12".
£160
A general view of Lincoln's Inn. The Honourable
Society of Lincoln's Inn is one of four Inns of Court in
London to which barristers of England and Wales
belong and where they are called to the Bar.
From a drawing by Philip Hardwick (1792 - 1870),
architect. In 1842 he commenced designs for the hall,
library, and offices. His health seriously failing him,
the work had to be placed in the hands of his son. The
first stone was laid 20 April 1843, and the buildings
were opened by the queen 30 Oct. 1845.
Ref: 9132
295. South East View [Lincoln's Inn]
P. Hardwick Archt. Day & Haghe Lithrs. to the Queen.
[n.d., 1842.]
Sepia tinted lithograph, image 175 x 295mm. 7 x 11½".
£120
The Great Hall of Lincoln's Inn. The Honourable
Society of Lincoln's Inn is one of four Inns of Court in
London to which barristers of England and Wales
belong and where they are called to the Bar.
From a drawing by Philip Hardwick (1792 - 1870),
architect. In 1842 he commenced designs for the hall,
library, and offices of Lincoln's Inn. His health
seriously failing him, the work had to be placed in the
hands of his son. The first stone was laid 20 April
1843, and the buildings were opened by the queen 30
Oct. 1845.
Ref: 9135
296. Interior View From South To North
Of Great Hall [Lincoln's Inn]
P. Hardwick Archt. Day & Haghe Lithrs. to the Queen.
[n.d., 1842.]
Sepia tinted lithograph, image 235 x 180mm. 9¼ x 7".
£60
Interior of the Great Hall of Lincoln's Inn. The
Honourable Society of Lincoln's Inn is one of four Inns
of Court in London to which barristers of England and
Wales belong and where they are called to the Bar.
From a drawing by Philip Hardwick (1792 - 1870),
architect. In 1842 he commenced designs for the hall,
library, and offices of Lincoln's Inn. His health
seriously failing him, the work had to be placed in the
hands of his son. The first stone was laid 20 April
1843, and the buildings were opened by the queen 30
Oct. 1845.
Ref: 9136
297. London and Westminster. 1669.
Published by J. Mawman, London. January 1st. 1821.
Aquatint in sepia, image 160 x 820mm. 6¼ x 32¼".
Whatman Turkey Mill watermark. Two vertical folds
(as issued) torn at lower edge, stabilised tears continue
into lower part of image. £280
“Count L. Magalott, Travels of Cosmo the Third,
Grand Duke of Tuscany, through England during the
Reign of King Charles the Second 1669” (1821).
In 1669 Cosimo de Medici III travelled through various
countries, including England. He had in his retinue an
artist to record the places he saw and Count Lorenzo
Magalotti, who was entrusted with creating a written
account. The illustrated manuscript was later deposited
in the Laurentian Library, Florence, where the section
on the English leg of his tour attracted the interest of
English visitors.
In the 19th century a translation was made along with
Indian ink copies of the original drawings by Thomas
Hosmer Shepherd. Those copies are now in the British
Library Department of Manuscripts. Scaled down
engravings in aquatint from these illustrate the 1821
translation.
Panoramic view of Westminster and the City of
London from Lambeth, looking across the River
Thames to Westminster Abbey, and showing the builtup
area from Millbank to the Tower of London. The
remains of the old St.Paul's Cathedral with its Inigo
Jones facade is to be seen, and numerous church towers
that survived the Great Fire of London in 1666.
Ref: 8818
298. [London Bridge.]
J.W. Jackson [pencil signature.] [n.d. c.1910.]
Etching. Plate 147 x 175mm. 5¾" x 6⅞". £80
View of London Bridge from the South-side of the
River looking towards Monument.
Ref: 9231
299. View of London Bridge, Including
the Church of St. Magnus, and the
Monument.

Josh. Farington R.A. delint. J.C. Stadler fecit. London
Pubd. as the Act directs May, 15 1790 by W. Byrne
No.79 Titchfield Street.
Aquatint printed in grey and blue and etching printed
in brown, image 405 x 610mm. 16 x 24". Trimmed to
plate top and sides, expertly repaired tear into top of
image. £1200
View of London Bridge, including St Magnus the
Martyr and the Monument with vessels on the River
Thames.
Joseph Farington (1747 - 1821) was a pupil of painter
Richard Wilson who became a member of RA in 1785.
Ref: 9249
300. The Lord Mayor's Mansion House,
shewing the Front of the House & the West
Side. Vüe de l’Hôtel du Lord Maire, qui
comprend la Façade et le Côté Occidental.
[Wale del. Fourdrinier Sc.] Printed for Robert
Wilkinson in Cornhil, and Bowles & Carver, 69,
St..Pauls Church Yard London. [n.d. c.1754]
Coloured engraving. Plate 274 x 419mm. 10¾" x
16½". Some marking and spotting. £260
Ref: 9015
301. The Mansion House from the
Poultry.
[T. Malton] Published Nov.r 5, 1798 by T. Malton.
Coloured aquatint. Plate 268 x 343mm. 10½" x 13½".
£220
This image comes from 'A Picturesque Tour Through
the Cities of London and Westminster, illustrated With
the most interesting Views, accurately delineated And
executed in Aquatinta by Thomas Malton London.
Published Augt. 21st 1792 By Thos. Malton No. 103
Long Acre. Vol. II. Tomkins Ser. Ashby Sculp'.
Ref: 9008
302. The Rev.d C.H. Spurgeon's
Metropolitan Tabernacle.
W.W. Pocock, Architect. H.M. Ridgway de. et lith.
London Published May 1st 1861, by H.M. Ridgway, 16
Argyle St. King's Cross.
Lithograph, 340 x 470mm. Slight foxing throughout;
tear in title area. £290
The Metropolitan Tabrnacle at the Elephant & Castle
in London, published in 1861, the year the building
was completed.
Ref: 8399
303. [Trafalgar Square.]
S m Litten [pencil signature.] [n.d. c.1926.]
Etching. Plate 198 x 148mm. 7⅞" x 5⅞". £140
View of Trafalgar Square and Nelson's Column, from
Whitehall in the South looking Northwards. Sidney
Mackenzie Litten (1887-1949) was a British etcher and
engraver who studied at the RCS. The William Monk
style of an undated Trafalgar Square suggests there
may be works by Litten earlier than those of 1926.
Ref: 9232
304. The General Post Office.
Sutton Nicholls delin: et Sculp. Sold by John Bowles
Print & Map=Seller over against Stocks Market [n.d.,
c.1730].
Etching and engraving, 340 x 465mm. 13¼ x 18¼".
Centrefold as issued. £320
View of the inner courtyard in the General Post Office,
Lombard Street in the City of London, with figures.
The General Post Office was officially established in
England in 1660 by Charles II.
Ref: 9131
305. The Queen's Visit to the City. No.v.r
9.th 1837. Drawn on the Spot from the
corner of Chancery Lane.
W. Lake. lith. 50. Old Bailey. Pub.d by E. Davies, 437.
Oxford St.
Coloured lithograph. 229 x 330mm. 9" x 13". £100
Queen Victoria in her Royal Carriage coming into the
City of London, on Lord Mayor's Day, whereby he
presented her with the sword of Justice.
Ref: 9003
306. A True and Exact Prospect of the
Famous Citty of London from S.e Marie
Overs Steeple in Southwarke in its
Flourishing Condition before the Fire.
Another Prospect of the Sayd Citty Taken
from the same Place as it Appeareth now
after the Sad Calamitie and Destruction by
fire, In the Yeare M. DC. LXVI. [1 - 58
numbered key highlighting specific
locations]
Designed by W: Hollar of Prage, Boli:en Wenceslaus
Hollar delin: et Scvulp: 1666. [1666-1750.]
Two engraved sheets. Plate 227 x 343mm. 9" x 13½".
Later editions. £280
A panoramic view across two sheets of London before
and after the Great Fire of London.
Ref: 9184
307. Brewers, Chesters, and Galley Quays
1841. St. Katherine's Dock.
Drawn by T.H. Shepherd. On Stone by Sam.l Lumley.
Printed by S. Lumley, 1. Nottingham Place
Whitechapel. [n.d. c.1841]
Coloured lithograph. 330 x 494mm. 13" x 19½". £360
A riverbank scene of small merchant vessels loading
and unloading at St. Katherine's dock.
Ref: 9005

308. The Fleet of the City Steam Boats
passing in Review Order off Chelsea on the
Annual Commemoration. Dedicated to the
Chairman R. Jennings, Esq., Directors, &
Shareholders, by their obed.t Servant, J.B.
Burney, Sup.t
H.S. Melville, del. Edwin Jewitt, lith. [n.d., c.1859.]
Colour tinted lithograph, 385 x 460mm. 15¼ x 18".
£750
A print issued by the City Steam Boat Company to
celebrate the anniversary of the installation of a dry
dock in Battersea.
Longford 299
Ref: 9145
309. [Panorama showing Westminster
Bridge and the Thames from the Adelphi.]
Etched and Aquatinted by Mr. Clark. [London,
published by Samuel Leigh, c.1829.]
Aquatint, a fine proof impression, image 180 x
620mm.7 x 24½". Three vertical folds as issued. £360
One third of a very large and impressive panorama of
the River Thames from the Adelphi. It shows
Westminster Abbey and St Margaret, and Lambeth
Palace across Westminster Bridge. The panorama
would have included the view looking east, featuring
the south bank and Waterloo Bridge, with St Paul's
Cathedral visible.
Ref: 8817
310. [Trafalgar Square from the south
west.]
Henry Lambert [signed in pencil lower right.] [n.d.,
c.1950.]
Etching, 155 x 210mm. 6 x 8¼". £80
A view of Trafalgar Square, including Nelson's
Column, St. Martins-in-the-Fields and the National
Gallery, as seen from on top of Admiralty Arch.
Ref: 9173
311. [Warehouses at the West India
Docks, London.]
[n.d. c.1800.]
A very rare engraving. Plate 272 x 386mm. 10¾" x
15¼". £180
View of the West India Docks in London.
Ref: 9241
312. [Westminster Bridge with the Houses
of Parliament and Big Ben]
Fred Newman [pencil signature] [n.d. c.1900]
Etching. Plate 146 x 228mm. 5¾" x 9". £95
View from Thames, West of Westminster Bridge, with
Big Ben and Houses of Parliament.
Ref: 9229
313. A View of the Wilderness, with the
Alhambra, the Pagoda & the Mosque, in
the Garden of Her Royal Highness the
Princess Dowager of Wales, at Kew. Vüe
de Désert, de l’Alhambra, de la Pagoda &
de la Mosquée qui Sont dans le jardin de
Son Altesse Royale Madame la Princesse
de Galles à Kew.
[Edward Rooker, after William Marlow] London
Printed for Rob.t Sayer at the Golden Buck near
Serjeants Inn Fleet Street. [n.d. c.1763.]
Engraving. Plate 172 x 273mm. 6¾" x 10¾". £120
Royal Collection: RCIN 702947.s.
Ref: 9011
314. A View of Sir Charles Asgils House,
Richmond.
Mr. Spyres Delint. J. Wells Excudit. London,
Publish'd. July 1st. 1784, by W. Dickinson Engraver &
Printseller No.158 New Bond Street.
Etching and coloured aquatint, 265 x 365mm.10½ x
14¼". £330
The home of Sir Charles Asgill (1762 or 1763 - 1823),
general. In 1781 he was ordered to America, joined the
army under the Marquis of Cornwallis, and on the
capitulation of York Town, Virginia, in the following
October, he was taken prisoner. A very rare view.
Ref: 8718
315. Asylum To Be Erected At Brixton
For The Saint Ann's Society Schools.
I.H. Taylor, Archt. June, 1829. Printed by C.
Hullmandel.
Lithograph, sheet 380 x 560mm. 15 x 22". Creases
where folded. £280
'Approved G Augustus Frederick R' facsimile
manuscript and signature lower right, a reference to the
royal patronage conferred by George IV (George
Augustus Frederick; 1762 – 1830). The Royal Asylum
of St. Ann's Society was founded in 1702 "for the
education and support of the daughters of persons once
in prosperity, whether orphans or not." The asylum
situated on Streatham Hill was erected in 1829 and is
described by Edward Walford in 'Brixton and
Clapham, Old and New' (1878) as "a handsome
building of three storeys, having an Ionic portico and
pediment, ornamented by a sculpture of the royal
arms."
Ref: 9307

316. Chelsea From Cheyne Walk.
Drawn from Nature by J.C. Burgess. 1829. Printed by
W. Day. 17. Gate Strt.
Coloured lithograph on india laid paper, image 270 x
360mm. Marginal stains from old tape on verso. £520
A view of the River Thames at Chelsea with small
boats.
After John Cart Burgess (1798 - d. 1863), painter and
writer. Son of William Burgess, he was the brother of
Henry William Burgess and Thomas Burgess.
Not in Longford.
Ref: 9225
317. Chelsea From Cheyne Walk.
Drawn from Nature by J.C. Burgess. 1829. Printed by
W. Day. 17. Gate Strt.
Coloured lithograph on india laid paper, image 270 x
360mm. Very scarce. Marginal stains from old tape on
verso. £450
A view of the River Thames at Chelsea, with a beached
boats in the foreground.
After John Cart Burgess (1798 - d. 1863), painter and
writer. Son of William Burgess, he was the brother of
Henry William Burgess and Thomas Burgess.
Longford 575
Ref: 9226
318. Chelsea From The Bridge.
Drawn from Nature by J.C. Burgess. 1829. Printed by
W. Day. 17. Gate Strt.
Coloured lithograph on india laid paper, image 270 x
360mm. Very scarce. Marginal stains from old tape on
verso. £450
A view on the River Thames at Chelsea, with the tower
of Chelsea Old Church behind the waterfront buildings.
After John Cart Burgess (1798 - d. 1863), painter and
writer. Son of William Burgess, he was the brother of
Henry William Burgess and Thomas Burgess.
Longford 152.
Ref: 9227
319. Cheyne Walk Old Chelsea [in pencil
on overlaid strip of paper lower right.]
W. Greaves [etched in plate lower right.] [n.d., c.1880.]
Etching, 110 x 225mm. 4½ x 9". Some soiling/scuffing
to surface. £260
A charming Chelsea scene by Walter Greaves (1846 -
1930), a close associate of Whistler.
Ref: 8804
320. A View Near Fulham.
T. Thornton, Pinxit. Hassell, Sc. [n.d., c.1800.]
Etching and aquatint in sepia, sheet 225 x 275mm. 9 x
10¾". Trimmed to plate, publication line and part of
title missing. £220
View of the timber-built Putney Bridge, replaced 1886,
also showing the River Thames and All Saints in
Fulham.
A rare and fine aquatint.
Guildhall Library Record: 23148.
Ref: 8725
321. Fulham Church.
E.H. Browne, Architect, 13 Beaufort Buildings. March
7th 1838. G.Hawkins Jun.r. Lith. _ Day & Hague
Lith.rs to the Queen.
Lithograph. Printed area 340 x 480mm, 13½ x 19".
Centre fold, as issued, some spotting to edges. £220
Elevations and ground plans of the existing All Saints
Church Fulham and the proposed enlargement. The
plan had to maintain the tower, which dates back to
1440.
Ref: 9244
322. [Notepaper from Rosamund's Bower,
Fulham, with an invitation to breakfast.
from the owner Thomas Crofton Crocker]
[n.d., c.1840.]
A.l.s, 195 x 240mm, 7¾ x 9½", folded once, with steelengraved
vignette. Some creasing. £220
A house in Parsons Green, owned by the Irish
antiquary Thomas Crofton Crocker (1798-1854),
collector of ancient Irish poetry and folklore. His work
'South of Ireland' was translated into German by the
Brothers Grimm. He was buried in Brompton
Cemetery, London.
'A few steps further northward, partly hidden from the
road by intervening buildings, was the old house called
Rosamund's Bower. Before its demolition in 1892 it
was quaintly pretty, with leaded window-panes and
red-tiled roof, and was then known as Audley Cottage.
It was called Rosamond's Bower first in order to
perpetuate the tradition of its standing on the site of a
mansion of Fair Rosamund. The earliest mention of it
is in 1480, when it was valued at ten marks per annum.
It belonged to Sir Michael Wharton before 1725, and
when he died in that year it was divided between his
co-heirs. It was the residence of Mr. Crofton Croker
between 1837 and 1846, and he has written a very full
account of it.' From 'The Fascination of London:
Hammersmith, Fulham and Putney', by G.E.Mitton &
J.C.Geikie, 1903.
Ref: 9236
323. [Hammersmith Bridge]
Ernest H. G. Cox [pencil signature.] [n.d c.1910.]
Etching. Plate 171 x 246mm. 6¾" x 9¾". £130
A view of Hammersmith Bridge with factory in the
background.
Ref: 9234
324. Hampstead Heath.

N.E. Green, Del et Lith. London, Published 1854, by J.
Barnard. 339, Oxford St.
Coloured lithograph, printed area 350 x 450mm. 13¾ x
17¾". Scarce. £490
A study of two boys and their donkeys at the end of a
day's work.
Jenkins and Ditchburn 282.
Ref: 8665
325. The East View of Kew and Strand
Gree. ~ La Veüe de Kew et Strand Green
L'Est. ~
Published by Laurie & Whittle, 53 Fleet Street London.
[n.d. c.1780.]
Rare coloured engraving. Plate 255 x 400mm. 10" x
15¾". £350
Ref: 9014
326. A View of the Palace at Kew from the
Lawn.
Jos. Kirby delint: W: Woollett Sculpt. [n.d., c.1763.]
Hand coloured etching, 310 x 470mm. 12¼ x 18½".
£160
Plate from Chambers' 'Plans, Elevations, Sections, and
Perspective Views of the Gardens and Buildings at
Kew, in Surrey, the Seat of H.R.H. the Princess
Dowager of Wales' showing the facade of Kew Palace
from the lawn.
Fagan: 47.
Ref: 8808
327. A View of the Palace, of Her Royal
Highness the Princess Dowager of Wales,
at Kew. Vüe du Palais de Son Altesse
Royale Madame la Princesse de Galles à
Kew.
[William Woollet, after Joshua Kirby.] London Printed
for Rob.t Sayer at the Golden Buck near Serjeants Inn
Fleet Street. [n.d. c.1763.]
Engraving. Plate 172 x 273mm. 6¾" x 10¾". £120
Royal Collection: RCIN 702947.a.
Ref: 9012
328. A View Of Paddington Green.
London, Printed for R.Sayer & J.Bennett, Map, Chart
and Printsellers, No 53, Fleet Street, 25th Jan.y 1783.
Mezzotint printed in sepia. 250 x 350mm, 9¾ x 13¾".
£240
Ref: 9036
329. Governor Pitt's House (late Secretary
Johnson's) at Twickenham. Maison de
Monsieur le Governeur Pitts a
Twickenham.
A. Heckell Delint. T. Mason Sc. Publish'd according to
Act of Parliament 13 Febry. 1749. Printed for John
Bowles at the Black Horse in Cornhill.
Hand coloured engraving. 255 x 410mm. 10 x 16".
Repaired tear through lower left corner of plate (image
unaffected). £260
This is the house on the Thames at Twickenham that
would become known as Orleans House. An early
impression on watermarked laid paper.
Ref: 8601
330. A View of Richmond, taken near
Twickenham Vue de Richmond, du coste
de Twickenham
John Boydell Delin & Sculp Sold by J. Boydell
Engraver at the Unicorn the Corner of Queen Street in
Cheapsode London 1753.
Copper engraving coloured by hand, 250 x 420mm. 9¾
x 16½". £220
A later impression on wove paper, with good colour.
Ref: 8722
331. A View from Richmond Hill.
Drawn by W.Havell. Engraved by R. Havell. Published
March 1. 1815, for the Proprietors by Mess.rs Colnaghi
& Co. No 23 Cockspur Street. London.
Coloured aquatint. 275 x 360mm, 10½ x 14¼".
Trimmed to plate. Old ink mss. in title area. £230
A view down to across Petersham Meadows to Ham, St
Margarets and Twickenham.
Ref: 9027
332. The North West Prospect of St Pauls
Church Deptford with the Rectors House
&c. Vuë du Nord West de l’Eglise de St.
Pauls & de la Maison du Recteur a
Deptford.
Chez Ryland & Bryer vis avis la Bourse a Londres.
[n.d. c.1770]
A very rare engraving. 291 x 429mm. 11½" x 17".
Some spotting. £190
View of St. Paul's Church Deptford, with adjacent
Rector's House.
Ex: Oettingen-Wallerstein collection.
Ref: 9250
333. A South View of the Church of St.
Pancras in the County of Middlesex.
Printed for & Sold by Bowles & Carver, No.69 in St.
Pauls Church Yard, London [n.d., c.1801].
Engraving and etching with fine hand colour, 275 x
420mm. 10¾ x 16½". £220

South east view of St Pancras Old Church, St Pancras
with figures standing in the churchyard, including a
grave digger at work and a lady looking through a
telescope.
On Whatman paper watermarked 1801, numbered '40'
lower left.
Ref: 8731
334. Totteridge.
[n.d. c.1870.]
Lithograph. 113 x 164m. 4½" x 6½". £45
View of St. Andrew's Church in Totteridge, North
London.
Ref: 9238
335. Twickenham.
W.T.G. Published by Felix Rosenstiel, 78 Molton
Street, London, E.C. [n.d., c.1880.]
Etching with remarque of a deerhound's head. 260 x
380mm, 10¼ x 15". Trimmed to plate. £130
View of Twickenham from the Surrey side of the
Thames, with St Mary's church in the centre and Eel
Pie Island on the left. Anglers fish from the shore and a
punt.
Ref: 9224
336. Lodge in Twickenham meadows. 19.
C. King del.t [n.d. c.1800]
Lithograph. Sheet. 254 x 337mm. 10" x 13¼". £140
A rustic scene on Twickenham Meadow. A woman
hangs the washing on the line outside the back of the
quaint cottage, whilst workers collect the hay.
Ref: 9001
337. A View of the Seat of Lord Frederick
Cavendish in Twickenham Park.
Mr. Spyres delint. J. Wells Excudit. London, Pubd.
Jany. 8, 1796, by J. Read, No. 133, Pall Mall.
Etching and aquatint in sepia, 260 x 360mm.10¼ x
14¼". £250
A very rare view of the estate of Lord Frederick
Cavendish (1729 - 1803), field-marshal.
Gascoigne 'Images of Twickenham': 29.
Ref: 8717
338. A View of the Earl of Warwick's
House at Isleworth.
Mr. Spyres Delint. J. Wells Excudit. London, Pubd.
Jany. 8, 1796, by J. Read, No. 133, Pall Mall.
Etching and aquatint in sepia, 260 x 360mm.10¼ x
14¼". £250
A very rare view of this house on the Thames at
Isleworth that has been home to many illustrious
occupants.
On paper watermarked 1794.
Gascoigne 'Images of Twickenham': 12.
Ref: 8715
339. Willow Bank, Fulham. Rebuilt, A.D.
1847. The Seat of Arthur. H. Webster
Esqr.
Horace Francis, del. et lith. Day & Son. Lith.rs to the
Queen. Frederick J. Francis, Architects London. [n.d.
c.1850]
A rare lithograph. Sheet 286 x 381mm. 11¼" x 15".
£180
A view of Willow Bank in Fulham.
Ref: 8992
340. South West View of Wimbledon
Church, Surrey. As rebuilt 1841. George
Gilbert Scott & W.m Bonython Moffatt,
Architects.
G. Hawkins Lith. Day & Haghe Lith.rs to the Queen.
[n.d., c.1841.]
Lithograph, 320 x 355mm. 12½ x 14". Pinholes in
corners. £180
St. Mary's church, Wimbledon. The church is believed
to have existed since 1066 when it was recorded in the
Domesday Book. Architect Gilbert Scott's nineteenth
century construction incorporated parts of the previous
church to keep within a strict budget.
Ref: 9259
341. The Grand National Jubilee in
Commemoration of Peace August 1st 1814.
Published by John Fairburn Jun.r Fountain Court,
Minories. Sold also by Champante & Whitrow, Jewry
Street.
Coloured engraving, 440 x 360mm, 17¼ x 14". With
extra scrap glued in centre. Glue stains in left margin, 2
small holes in edge. £360
The celebrations for the short-lived peace while
Napoleon was in exile on Elba. The top image and the
scrap show the Temple of Concord erected in Green
Park; others show the Chinese pagoda (set on fire by
the fireworks, killing two people) and bridge in St
James's Park, with the Jubilee Balloon, and the mock
sea-battles on the Serpentine in Hyde Park.
Ref: 8561
342. Covent Garden [in pencil below
image.]
Edward Bawden [signed in pencil lower right.]
[Curwen Prints, n.d., c.1967.]
Linocut printed in colour, artist's proof, image 460 x
610mm. 18 x 24". Paper slightly age toned. £950

Covent Garden flower market. An original print in the
series of 'Six London Markets' by Edward Bawden
(1903 - 1989) first published by Curwen Prints in 1967.
Edward Bawden was born at Braintree in Essex iand
studied at the Cambridge School of Art (1919-21). He
worked under Paul Nash at the Royal College of Art
(1922-26) where he made friends with Eric Ravilious
and Douglas Percy Bliss. His talent as an illustrator
quickly came to the fore and in 1925 he was
commissioned by the Curwen Press to illustrate a
booklet and design some patterned paper. Throughout
the 1930s he taught at Goldsmith's College and the
Royal College of Art. In 1935, he and Eric Ravilious
took on Brick House at Great Bardfield, Essex and
became the centre of the group of artists generally
defined as the Great Bardfield School which included
John Nash and Ravilious.
Inscribed 'A/P' in pencil lower left.
Ref: 8835
343. The Crystal Palace and Park.
Designed and Executed by Sir Joseph
Paxton. Copyright.
J. Needham, Lith. London, Printed and Published May
25th 1854, under Authority of the Company, by Day &
Son, Lithographers to the Queen, in the Crystal Palace,
& at 17, Gate St. Lin. Inn Fields.
Lithograph. Sheet 337 x 495mm. 13¼" x 19½". Some
tears in the margin. £160
A perspective view of the Crystal Palace and the exotic
fountains and gardens.
Ref: 9183
344. A Perspective View of David
Loudon's Bunn House At Chelsey Who
Has the Honour to Sreve the Royal Family.
[n.d., c.1750.]
Engraving. 210 x 375mm. Framed. Tear near
centrefold. Unexamined out of frame. £480
An open loggia, with royal arms and other figures
above.
Ref: 8366
345. Opera House.
Rowlandson & Pugin delt. et sculpt. J. Bluck, aquat.
London Pub. 1st. March 1809, at R. Ackermann’s
Repository of Arts 101 Strand.
Coloured aquatint. Sheet 265 x 325mm. £260
Her (or His, depending upon the sex of the reigning
monarch) Majesty's Theatre, Haymarket. After 1709,
the theatre was devoted to Italian opera and was
sometimes known informally as The Haymarket Opera
House. The theatre was established by architect and
playwright John Vanbrugh, in 1705, as the Queen's
Theatre.This is the interior of the second theatre which
hosted performances between 1791 and 1867.
On Whatman paper watermarked 1808.
Ref: 8327
346. The Parish Church of St Margarets
Westm:r where the Speaker & House of
Commons resort on extraordinary
Festivals &c.
Brooke fecit in Fleet Street. [n.d., c.1740.]
Engraving. Sheet 320 x 190mm, 12½ x 7½". Trimmed
to plate, mounted on album paper. £75
Ref: 9297
MAPS
347. A Plan of Fort S.t George, part of the
Black Town and the Country Adjacent as
it was when besieged by the French, 12
December, 1758.
T.Jefferys sculp. [n.d., c.1760.]
Copper engraving. 260 x 455mm. £180
The British Fort St George, founded in 1639 by the
East India Company, known locally as 'White Town'.
'Black Town', on the right, is part of Madras (now
Chennai).
Ref: 8292
348. Middle-Sex described with the Most
Famous Cities of London and Westminster,
Described by John Norden, Augme'ted by J. Speed.
Jodocus Hondius cælavit cum Privilegio Anno 1610.
Solde in Popes head alley against the Exchange by
George Humble.
Coloured engraving. 385 x 520mm. Split in lower
centrefold repaired, some age-toning. Framed with
double glass, allowing the verso text to be read. £950
A First Edition example of Speed's map of Middlesex,
adapted from the manuscript map by John Norden and
engraved by Jodocus Hondius in Amsterdam. In the
corners are plans of London and Westminster, also
taken from Norden, and elevations of St Peter's
Westminster and St Paul's Cathedral.
Ref: 8363
349. The London Directory or a New &
Improved Plan of London, Westminster &
Southwak; with the adjacent Country, the
New Buildings, the New Roads, and the
late alterations by Opening of New Streets,
& Widening of others, 1786. A Table of

References to the Churches and the other
Public Buildings shewing their Situation in
the above Plan. [List of churches & public
buildings].
Printed for Robert Sayer, Map & Printseller, No. 53
Fleet Street. [n.d. c.1786.]
Engraving with colour. 426 x 527mm. 16¾" x 20¾".
Some creasing and paper toning caused by the original
colour. £330
Ref: 8475
350. Plan of the London Botanic Garden.
Gent. Mag. Aug. 1810. Pl. II. p. 113.
Entrance from Sloane Sheet. [In the middle
of the image.] Library. Green House.
Conservatory. Hot House. [In title area.]
References. No.1 Foreign Annual Plants. 2.
___Herbaceous Plants. ...[other
references]...16. British Trees & Shrubs.
17. ___Aquatic Plants. a. Grass, Gravel
Walks & Shrubbery. b. Shaded Walks. c.
Space for New Holland Plants. d.
Orangery.
Gent. Mag. Aug. 1810. Pl. II. p. 113.
Engraving. Plate 165 x 393mm. 6½" x 15½". £55
A Plan to the London Botanic Garden, Chelsea;
published in August's Gentleman's Magazine of 1810.
Ref: 8991
MODERN ETCHINGS
351. The Baby House. 9.
J.E.Millais R.A. [n.d. c.1872] [Published by the
Etching Club for 'Etchings for the Art Union of
London', 1872 (no 9).]
Etching on india. Signed with the monogram in the
plate. Plate 146 x 184mm. 5¾" x 7¼". £180
Two little girls with their dolls-house.
Ref: 8948
352. [Bath of Caracalla.]
W. Walcott [signed in pencil lower right]. [n.d.,
c.1925.]
Drypoint etching, signed artist's proof, 465 x 595mm.
18¼ x 23½". £650
Impressive imagining of the Baths of Caracalla, Rome,
in classical antiquity. The public baths, or thermae,
were built between AD 212 and 216, during the reign
of the Emperor Caracalla. The extensive ruins of the
baths have become a popular tourist attraction. William
Walcott R.E.(1874 - 1943) was decribed by Furst as
'next to Brangwyn the greatest decorative etcher this
country has produced'.
Ref: 8829
353. [Bears in Canada.]
G. Watson.
Etching, 120 x 110mm. 4¾ x 4¼". Tear on right.
Signed in pencil by artist. Scarce. £130
Canadian Interest. A large bear moving towards a cave,
with two smaller bears following. On the reverse the
following is handwritten in biro: 'a friend of ours does
these etchings- there are bears only about 10 miles
from us! You might tell father that I have sold over a
dozen watercolours- all the B.C. scene.'
Ref: 8698
354. [Wisentbulle].
Signed in Pencil Friedrich Wilhelm Kuhnert. 1919 [in
the plate.]
Drypoint 390 x 280mm, 15 x 11 inches. £750
Very fine drypoint of a Bison. Friedrich Wilhelm
Kuhnert 1865 - 1926 Born 28th September 1865,
Oppeln, Germany and died 11th February 1926, Flims,
Switzerland. He was held in great esteem by several
Royal patrons including King Frederick of Prussia,
Czar Nicholas II. Exhibited extensively
in Sweden, Germany, Russia & England, being
awarded many European prizes. He was one of the
earliest artists to go out to Africa drawing painting and
etching the wild animals; he also went to India and
Ceylon, all before the first world war. A naturally
gifted draughtsman he had profound knowledge of the
character and behaviour of his animal subjects, a skill
not demonstrated by many of his contemporaries.
Ref: 8579
355. [A girl shows a small boy her
needlework.]
Hubert Herkomer 91 [scratched in plate upper left.]
Hubert Herkomer [signed in pencil loer right.]
[c.1891.]
Etching, 150 x 100mm. 6 x 4". Age toned; laid on card.
£80
A charming domestic scene by Sir Hubert von
Herkomer (1849 - 1914), painter, watercolourist,
draughtsman and etcher of portraits, landscapes, genre
subjects. In 1869 he began working as an artist for a
newly-founded newspaper called The Graphic.
Herkomer was also a pioneering film maker. He
established a studio in Lululaund and directed a
number of historical costume dramas, designed to be
shown accompanied by his own music.
Ref: 9112
356. [Two boys in a street fighting, where
other boys gather round to watch and
cheer them on]

J.H. Dowd signed in pencil. [n.d. c.1940]
Etching. Plate 171 x 203mm. 6¾" x 8". £260
A typical scene of boys fighting in the street, where
'boys will be boys'. Children run from all directions to
be a part of the action. Two girls slope away from the
rough goings on.
Ref: 8952
357. [A man stands on the doorstep of his
junk shop in Portobello Road?]
Percy Lancaster [signature in pencil] [n.d. c.1920.]
Limited edition 3/40. Etching. Plate 197 x 249mm. 7¾"
x 9¾". £120
Percy Lancaster (British, 1878-1951). A prolific artist
he is best known for landscapes, moorland scenes and
his pictures of Dutch and French flower markets. He
was also a very successful etcher. This print depicts a
man standing on the doorstep of what appears to be a
bric-a-brac store.
Ref: 8953
358. [Brickfield, Segovia.]
W.Strang 1912. Wm Strang. [Pencil signature]
Etching. 205 x 230mm. £180
Ref: 8202
359. Chat a sa toilette [in pencil below
image.]
F. Oger [signed in pencil lower left.] [n.d., c.1925.]
Drypoint etching in sepia, edition limited to 15, image
280 x 480mm. 11 x 18". Damage to printed surface in
right paw, filled. £480
A stylish etching of a cat cleaning itself. By the French
artist Ferdinand Henri Oger (1872 - 1929).
Inscribed '12/15' by the artist in pencil lower left.
Ref: 9126
360. [A Cockatoo.]
H.Rayner [etched in plate lower right.] Henry Rayner
[signed in pencil lower right.] [n.d., c.1940.]
Drypoint etching printed in green, black and sanguine,
170 x 125mm. 6¾ x 5". £90
A cockatoo is any of the 20 bird species belonging to
the family Cacatuidae. Along with the Psittacidae
family (the true parrots), they make up the order
Psittaciformes. Cockatoos have a much more restricted
range than the true parrots, occurring naturally only in
Australia and nearby islands. Eleven of the 21 species
exist in the wild only in Australia, while seven species
occur in Indonesia, New Guinea, and other south
Pacific islands. By Henry Hewitt Redstone Rayner
(1902 - 1957). Australian-born, he worked in the
Antipodes before studying at the Royal Academy. He
was a friend of Sickert.
Ref: 9110
361. Going to the Park. 2.
J.E.Millais R.A. [n.d. c.1872] [Published by the
Etching Club for 'Etchings for the Art Union of
London', 1872 (no 9).]
Etching on india. Signed with the monogram in the
plate. Plate 184 x 133mm. 7¼" x 5¼". £280
Two little girls, one in a three-wheeler pram being
pushed by nursemaid.
Ref: 8949
362. [Jagd 1801]
W. Delamotte de. Oxford 1801. [J. Whatman 1794.
Watermark]
Etching. 261 x 348mm. 10¼" x 13¾". A few marks
and scuffs on the surface. £190
A man cleaning out his shot gun preparing for the hunt
as geese fly overhead. William Delamotte [de la Motte]
(1775-1863), was a British landscape artist.
Ref: 8915
363. [Kittie.]
E. J. Detmold [signed in pencil]. [n.d., 1926.]
Drypoint etching 230 x 310mm. Framed. A very fine
etching of a cat. Unexamined out of frame. £850
Edward Julius Detmold (1883-1957).
Ref: 8457
364. [A lorikeet.]
H.Rayner [etched in plate lower right.] Henry Rayner
[signed in pencil lower right.] [n.d., c.1940.]
Drypoint etching in sanguine, 170 x 130mm. 6¾ x 5".
£95
A lorikeet, or small parrot, probably native to
Australia, by Henry Hewitt Redstone Rayner (1902 -
1957). Australian-born, he worked in the Antipodes
before studying at the Royal Academy. He was a friend
of Sickert.
Ref: 9109
365. August Stoehr Musikalien.
A. Stoehr 1904. VII.
Etching, 160 x 115mm. 6¼ x 4½". £140
A book plate featuring three musicians.
Ref: 9291
366. Morning.
H. Raeburn Macbeth [signed in pencil lower right of
plate]. [n.d. c. 1910.]
Etching. 148 x 99mm. 5¾" x 4". Uncut sheet. £85
Sir Henry MacBeth Raeburn RA, RE [1860 - 1947].
Uncleaned plate edges, possibly some kind of proof.
Ref: 8954
367. [Justinian's Marriage to Theodora.]
W. Walcott [signed in pencil lower right]. [n.d.,
c.1925.]
Drypoint etching, signed artist's trial proof, 490 x
590mm. 19¼ x 23¼". £450

Flavius Petrus Sabbatius Iustinianus, known in English
as Justinian I or Justinian the Great (482/483 – 565),
was Eastern Roman Emperor from 527 until his death.
He is considered a saint amongst Eastern Orthodox
Christians. Around 525 he married Theodora, who was
by profession a courtesan about 20 years his junior.
Justinian would have, in earlier times, been unable to
marry her because of her class, but his uncle Emperor
Justin I had passed a law allowing intermarriage
between social classes. Theodora would become very
influential in the politics of the Empire, and later
emperors would follow Justinian's precedent in
marrying outside the aristocratic class. The marriage
caused a scandal, but Theodora would prove to be very
intelligent, a good judge of character and Justinian's
greatest supporter. By William Walcott R.E.(1874 -
1943). Walcott was described by Furst as 'next to
Brangwyn the greatest decorative etcher this country
has produced'.
Ref: 8830
368. [Southampton?]
W.L. Wyllie [signed in pencil]. [n.d., c.1930.]
Etching. 170 x 37omm. Framed. Unexamined out of
frame. £450
William Lionel Wyllie (1851-1931). In the early 1870s
Wyllie became an illustrator for the Graphic. He held
several exhibitions at galleries of the Fine Art Society
and elsewhere. In 1889 he was elected an associate of
the Royal Academy, and exhibited his work their in
1901. He worked for the White Star Shipping Line and
served in the Royal Navy during WWI. It was his
etchings and watercolours showing working life on the
Thames and the Medway that brought him widespread
popularity. Later in his life he played an important role
in the restoration of the Victory.
Ref: 8483
369. Frühling.
[n.d., c.1913.]
Etching, 200 x 105mm. 8 x 4". £140
An etching entitled Frühling ('Spring') in which a putto
urinates over a plant which towers over him, whilst
butterflies flutter nearby. Signed in pencil by artist.
Ref: 9298
370. [Studies of hens & chickens.]
Paul Renouard. [n.d., 1907.]
Etching. 350 x 250mm, 11 x 8¾". £130
Charles Paul Renouard (1845-1924). While at the
Ecole des Beaux-Arts in 1875 he and his instructor
were hired to decorate the ceiling of the Paris opera
house, which was the inspiration for his most wellknown
series of etchings, Le Nouvel Opéra. He came
to London in the 1890s and started work for the
'Graphic' newspaper, sketching theater-goers and
performers at the Theater Royal in Drury Lane, and
policemen and defendants at one of London’s many
police courts.
Ref: 9061
371. [Study of Piglets.]
[Etched by Paul Renouard.] [n.d., 1907.]
Etching. 280 x 225mm, 11 x 9". £130
Charles Paul Renouard (1845-1924). While at the
Ecole des Beaux-Arts in 1875 he and his instructor
were hired to decorate the ceiling of the Paris opera
house, which was the inspiration for his most wellknown
series of etchings, Le Nouvel Opéra. He came
to London in the 1890s and started work for the
'Graphic' newspaper, sketching theater-goers and
performers at the Theater Royal in Drury Lane, and
policemen and defendants at one of London’s many
police courts.
Ref: 9055
372. [Study of a sow.]
[Etched by Paul Renouard.] [n.d., 1907.]
Etching. 280 x 225mm, 11 x 8¾". £130
Charles Paul Renouard (1845-1924). While at the
Ecole des Beaux-Arts in 1875 he and his instructor
were hired to decorate the ceiling of the Paris opera
house, which was the inspiration for his most wellknown
series of etchings, Le Nouvel Opéra. He came
to London in the 1890s and started work for the
'Graphic' newspaper, sketching theater-goers and
performers at the Theater Royal in Drury Lane, and
policemen and defendants at one of London’s many
police courts.
Ref: 9057
373. [Delivery boy cornered by pigs.]
[Illegible pencil signature.] [n.d., c.1880.]
Etching on india, blind-stamped 'London Artist Proof.
315 x 400mm. £240
With a remarque of two sheep.
Ref: 9288
374. Flight.
F.S. Farley.
Etching, 125 x 140mm. 5 x 5½". £70
A group of canadian geese in flight.
Ref: 9299
375. Rispah. 2.nd Book of Samuel.
Chap.21.
Drawn & Etched by J.M.W. Turner. Engraved by R.
Dunkarton. Published April 23 1812 by J.M.W. Turner
Queen Ann Street West.
Etching & Mezzotint. 205 x 300mm. £260
To get a famine lifted, King David handed over the
sons of Saul and Rizpah to the Gibeonites, who slew

them and and hung up their bodies at the sanctuary at
Gibeah. Rizpah stood guard over the bodies for five
months, preventing them from being devoured by wild
animals, before David finally had them buried. From
Turner's 'Liber Studiorum".
Finsberg: 46, iv of iv. Rawlinson: 46, iv of iv.
Ref: 8307
376. [Laboratory.]
Frank Hall [n.d., c.1920.]
Etching, 155 x 230mm. 6 x 9". £70
Unusual image of a woman surrounded by
disproportionately large bottles and receptacles. On a
board in the background is a list of elements- "oxygen,
hydrogen, carbon, nitrogen, a little sulphur, + a few
grains of iron"- that make up the human body.
Ref: 9293
377. [Leith & Edinburgh.]
W.L. Wyllie [signed in pencil]. [n.d., c.1930.]
Drypoint. 165 x 375mm. Framed. Unexamined out of
frame. £450
William Lionel Wyllie (1851-1931). In the early 1870s
Wyllie became an illustrator for the Graphic. He held
several exhibitions at galleries of the Fine Art Society
and elsewhere. In 1889 he was elected an associate of
the Royal Academy, and exhibited his work their in
1901. He worked for the White Star Shipping Line and
served in the Royal Navy during WWI. It was his
etchings and watercolours showing working life on the
Thames and the Medway that brought him widespread
popularity. Later in his life he played an important role
in the restoration of the Victory.
Ref: 8464
NATURAL HISTORY
378. Cedar of Lebanon. Plate 15. [top
right-hand corner]
H.W. Burgess delt. 1828. Printed by C. Hullmandel.
[J.Dickinson, 114 New Bond Street, London.]
Lithograph. 335 x 419mm. 13¼" x 16½". Cut and laid
on paper. £95
From 'Eidodendron : views of the general character and
appearance of trees foreign and indigenous connected
with picturesque scenery'. (published 1827)
Ref: 8770
379. The Cotton Plant. Dedicated to the
Cotton Planters of the South.
From Nature By T.B. Thorpe Esq. Of Louisiana. Lith.
Of G. & W. Endicott N. York. Lithographed And
Published By G. & W. Endicott No.59 Beekman St.
New York [n.d., c.1860].
Coloured lithograph, sheet 470 x 600mm. 18 x 23"
Some marginal staining and tears. Paper surface
scuffed through part of title. Image good. £490
Parts of image numbered in white with key below title.
Ref: 8535
380. Red Cedar. In the Grounds at
Wimbledon House. Plate 21. [top righthand
corner]
H.W. Burgess delt. 1829. Printed by C. Hullmandel.
[J.Dickinson, 114 New Bond Street, London.]
Lithograph. 432 x 348mm. 17" x 13¾". Cut and laid on
paper. £90
From 'Eidodendron : views of the general character and
appearance of trees foreign and indigenous connected
with picturesque scenery'. (published 1827)
Ref: 8773
381. [Draught Horses.] Engraved from
the Original Picture in the Collection of Sir
J.E. Swinburne. Bart. to whom this Plate is
humbly dedicated by his obedient Servants.
A. Cooper & W. Giller. ]
Painted by A. Cooper Esqr. R.A. Engraved by W.
Giller. London, Published Feby. 14. 1829. by Messrs.
Moon Boys & Graves, Pall Mall.
Mezzotint, proof before title. 360 x 410mm. £490
Fine engraving of two shire horses in a stable.
Ref: 8233
382. The Elephant &.c.
[n.d., c.1850.]
Coloured lithograph. Sheet 125 x 165mm, 5 x 6½".
Trimmed to image, laid on album sheet with title
separate. £50
An elephant in a zoo enclosure, with a zebra in the next
cage.
Ref: 9217
383. Head of a Lion. The Drawing in the
possession of Sir J.E.Swinburne, Bart.
Drawn & Engraved by J.F. Lewis. London, Published
May, 1st. 1824, W.B.Cooke, 9, Soho Square.
Etching. 298 x 226mm. 11¾" x 8" 7/8. Fine. £160
John Frederick Lewis (1804 – 1876) is best known for
his glittering scenes of oriental life inspired by a
decade living in Cairo. As a young artist in London,
however, Lewis showed great promise as a painter and
draughtsman of animals. This image is from his "Six
Studies of Wild Animals".
Ref: 8455

387. Sleeping Lion. The Drawing in the
possession of Sir Thos. Lawrence, P.R.A.
Drawn & Engraved by J.F. Lewis. London, Published
June, 1. 1824, by W.B. Cooke, 9, Soho Square.
Etching. 248 x 330mm. 9¾" x 13". Fine. £160
John Frederick Lewis (1804 – 1876) is best known for
his glittering scenes of oriental life inspired by a
decade living in Cairo. As a young artist in London,
however, Lewis showed great promise as a painter and
draughtsman of animals. This image is from his "Six
Studies of Wild Animals".
Ref: 8456
384. Lion & Lioness (Prowling). The
Drawing in the possession of Sir Thos.
Lawrence, P.R.A. Proof.
Drawn & Engraved by J.F. Lewis. London, Published
Septr. 10. 1825, by W.B. Cooke, 9, Soho Square.
Etching. 248 x 330mm. 9¾" x 13". £300
John Frederick Lewis (1804 – 1876) is best known for
his glittering scenes of oriental life inspired by a
decade living in Cairo. As a young artist in London,
however, Lewis showed great promise as a painter and
draughtsman of animals. This image is from his "Six
Studies of Wild Animals".
Ref: 8707
385. [Peace]
HD 1906 [In the bottom right-hand corner of the
image] KH [stamp to the bottom left-hand side of the
plate] Copyright 1906, in the United States of America
by Frost & Reed, Bristol England. Published at 8, Clare
Street, Bristol by Frost & Reed, Printsellers of Bristol,
Clifton, and London. November 30th. 1906 Berlin
Stiefbold & Co. No. 25, Mankgrafenstrausse copyright
registered.
Signed etching on vellum. Plate 362 x 571mm. 14¼" x
22½". Laid on a sheet. £950
Lioness and cubs, drinking, at side of a stream.
Ref: 9191
386. A Short Horned Heifer, 7 Years old.
Bred & fed by Mr Robert Colling of
Barmpton, near Darlington, in the County
of Durham, to whom this Print is
respectfully inscribed by his obedient
Servant, Wm. Robinson.
Painted by Thos. Weaver. Engraved by Willm Ward,
Engraver extraordinary to their R.H. the Prince Regent
& Duke of York. Published Decr 13, 1811, by W.
Robinson, Darlington.
Coloured mezzotint engraving. 602 x 505mm.
Unexamined out of frame, but appears to have
undergone repair work. £680
Boalch: 28.
Ref: 9306
388. King Eider. Male and Female. Half
natural size [in ink].
[Illegible artist's signature in pencil lower left.] [n.d.,
c.1860.]
Watercolour over pencil, sheet 430 x 335mm. 17 x
13¼". Tatty extremities, some spotting. £240
The King Eider (Somateria spectabilis) is a large sea
duck, which breeds along northern hemisphere Arctic
coasts of northeast Europe, North America and Asia.
This species is smaller than Common Eider. The male
is unmistakable with its black body, white breast and
multicoloured head.
Ref: 9311
389. Trichoglossus concinnus.
[n.d., c.1830.]
Etching with watercolour, 275 x 225mm. 10¾ x 9".
£140
A handsome portrait, in fine contemporary colour, of
the Musk Lorikeet. These birds are only found in
south-eastern Australia, being widespread in eastern
New South Wales, all regions of Victoria and in the
south-east of South Australia.
Musk Lorikeets live in tall, open, dry forest and
woodlands, dominated by eucalypts and are usually
found in the canopy.
Plate 34 (as numbered upper right) to Volume 1 of
'Illustrations of Ornithology by Sir W. Jardine, Bart.,
and Prideaux John Selby, with the co-operation of J. E.
Bicheno, J. G. Children, T. Hardwicke, T. Horsfield, R.
Jameson, Sir T. S. Raffles, N. A. Vigors.' Published in
Edinburgh by Daniel Lizars in 2 vols c.1830.
Offered with titlepage.
Ref: 9102
390. In the Reeds.
[Signed in pencil Herbert Dicksee.] Frost & Reed,
1928.
Etching 385 x 220mm, 15¼ x 8½inches. £750
A pensive tiger.
Ref: 9333
391. Lioness Sleeping
[Signed in pencil Herbert Dicksee] Frost & Reed
limited to 125 signed proofs.
Etching. 305 x 185mm, 12 x 7¼". £750
Ref: 9322

392. [A Tiger.]
[Signed in pencil by Herbert Dicksee] Frost & Reed.
Etching 17½ x 7¼ inches, 445 x 198mm. £750
Ref: 9334
393. Plovers. 9th Plate of the British
Feather Game.
Barenger pinx.t. Turner sculp.t. London Publish'd Sept.
1 1810 at R.Ackermann's Repository of Arts, 101
Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x
17¼". Some damage in title area. £320
James Barenger (1780 - 1831), nephew of William
Woollett, the eminent engraver. He obtained some
celebrity as a painter of racehorses, dogs, deer, and
other animals, which he exhibited at the Royal
Academy from 1807 until his death.
From a series of fourteen prints ""British Feather
Game", depicting English game birds, all engraved by
Charles Turner and published 1810-12.
Whitman: 659. Siltzer: pg. 79.
Ref: 8669
Déssiné Et Gravé par P. T le Grand. Chez le Grand
Rue des noyers no. 13. [n.d., c.1850.]
Aquatint partly printed in colours, very fine and rare.
510 x 405mm. 20 x 16". Several small tears and
creases around image. £750
Depicting a bouquet of flowers.
Ref: 8609
398. The Quadrangular Passion Flower.
Henderson pinx.t. Hopwood sculp.t. London. Published
by Dr Thornton June 1st 1802.
Aquatint with stipple, printed in colours and handfinished.
540 x 425mm, 21¼ x 16½". Watermarked
"H.Smith 1810". Faint mount burn £1500
Published in Thornton's 'Temple of Flora', the first
series our flower prints to have the plant in its natural
habitat. Although originally from South America the
plant is shown here climbing a column, with a Grecian
temple in the background.
State ii of ii. Dunthorne, p.251: "One of the best
examples of colour printing".
Ref: 9081
394. Snipes. 3.d Plate of the British
Feather Game.
C.Turner del.t et sculp.t. London Published March 1
1810 at R.Ackermann's Repository of Arts, 101 Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x
17¼". £780
From a series of fourteen prints "British Feather
Game", depicting English game birds, all engraved by
Charles Turner and published 1810-12. Other birds in
the series were painted by James Barenger (1780 -
1831), nephew of William Woollett.
Not in Whitman. Siltzer: pg. 79.
Ref: 8670
395. Woodcocks 4th Plate of the British
Feather Game.
C.Turner del.t et sculp.t. London Published March 1
1810 at R.Ackermann's Repository of Arts, 101 Strand.
Mezzotint, printed in colours. 365 x 435mm, 14¼ x
17¼". £780
From a series of fourteen prints ""British Feather
Game", depicting English game birds, all engraved by
Charles Turner and published 1810-12. Other birds in
the series were painted by James Barenger (1780 -
1831), nephew of William Woollett.
Not in Whitman. Siltzer: pg. 79.
Ref: 8672
396. [Fleurs Naturelles.]
[le Grand.] [n.d., c.1850.]
Very fine and rare aquatint partly printed in colours,
510 x 405mm. 20 x 16". Several small tears and
creases around image. £650
Depicting a bouquet of flowers.
Ref: 8611
397. Fleurs Naturelles. Déposé à la
Bibliotheque nationale.
399. The Winged Passion Flower.
Henderson del.t. Warner sculp.t. London. Published by
Dr Thornton June 1st 1802.
Aquatint with stipple and line, printed in colours and
hand-finished. 540 x 425mm, 21¼ x 16½".
Watermarked "H.Smith 1810". Faint mount burn£1500
Published in Thornton's 'Temple of Flora', the first
series our flower prints to have the plant in its natural
habitat. Although originally from Peru the plant is
shown here climbing a column, with a Grecian temple
in the background.
State ii of ii. Dunthorne, p.251: "One of the best
examples of colour printing".
Ref: 9080

400. ('Black Buck') The Alarm [in pencil]
Horace W. Williamson [signature in pencil] [n.d.
c.1930.]
Etching. Plate 203 x 266mm. 8" x 10½". Small crease
in the paper. £180
Blackbuck (Antilope cervicapra) is a species of
antelope found mainly in India, but also in parts of
Pakistan and Nepal.
Ref: 8951
NAVAL & MILITARY
401. Faits Mémorables. de la Vie Militaire
et Privée de sa Majesté L'Empereur des
Français et Roi d'Italie.
Paris, chez Ostervald Ainé, rue du Petit-Lion-Saint-
Sulpice, No 20. 1807 [-1809].
Large oblong folio, original half calf with marbled
boards, rubbed, front board detached, endpapers
creased; engr. title, 1pp. text, 33 engraved plates. Some
creasing and tears throughout. £850
The achievements of Napoleon Bonaparte including,
despite the date on the titlepage, the Battle of Wagram
in 1809.
Ref: 8838
402. The Landing of the British Forces
under Lord Hood on the Island of Corsica.
Publish'd as the Act directs Sep.r 4th by C.Sheppard,
No 15, St Peters Hill Doctors Commons.
Engraving. Sheet 170 x 275mm. Trimmed within plate,
laid on album sheet. £160
Ref: 8537
403. [Taking of Delhi.]
[Signed by Orlando Norrie.] [n.d. c.1850.]
Watercolour Sandwiched between old mount boards,
although not laid flat. £650
Orlando Norrie (1832-1901) was a popular and prolific
painter of military subjects. He exhibited at the Royal
Academy between 1876 and 1889 and had a studio at
Aldershot to study his military subjects at first hand.
The Sepoy Mutiny: On the morning of 11 May,
mutineers stormed into the Red Castle in Delhi, killed
what British officers they found, and begged Bahadur
Shah, the aging Moghul king, to lead them. He knew
the likely outcome, but felt compelled to cooperate. His
sons quickly joined the uprising, Mirza Moghul taking
command of the army. More sepoys in Delhi killed
their British officers and joined the mutiny. After a few
hours’ defense, the British blew up the magazine rather
than have it fall into rebel hands. Most Europeans,
living outside the city, fled for Meerut or Karnal. Fifty
British civilians, including women and children, were
held for a few days, then hacked to pieces when they
refused to convert to Islam. The Britsh regained the
city and showed very little mercy on their return. It
lead to the downfall of the Moghul Dynasty.
Ref: 8855
404. The New York & London Packet
Ship Devonshire, 1300 Tons. To Captain
E.E. Morgan, this print is by permission
most respectfully dedicated by his obedient
Servant, Thomas G. Dutton.
T.G. Dutton del & lith. Day & Son Lith.rs to the
Queen. Published June 1848 by the Artist, at Bale's
Cottage, Wandsworth Road, Vauxhall, also by
Ackermann & Co Strand, & W.Foster Fenchurch
Street.
Tinted lithograph. Printed area 340 x 460mm. £1250
Very scarce. One of Dutton's very first shipping scenes.
NMM: PAH061.
Ref: 8444
405. Paul Jones Attaque une Flotte
Anglaise commandée par Pearson revenant
de la Baltique en 1793.
Dessiné et lith par Ferd. Perrot. Imp. par Lemercier.
London, published 15th March 1844, by the
Anaglyphic Company, 25 Berniers St., Oxford St.
Paris, publié par V.or Delarue & C.ie, Place de Louvre,
10.
Lithograph on india. 380 x 495mm, 15 x 19½".
Publisher's blind stamp in title. £580
The Battle of Flamborough Head, 23 September 1779
[not 1793 as the title], was one of the most bitter naval
contests of the century. The American naval
commander, John Paul Jones, attacked a British
convoy escorted by Captain Richard Pearson in HMS
Serapis. Jones took the Serapis but his own ship was so
badly damaged that she sank two days later. The
convoy escaped
Ref: 9071
406. 'Mirage', R.Y..S., 200 Tons. 5th
October 1872.
T.G. Dutton, del.t et lith. M. & N. Hanhart, Imp.t.
London: Published March 1st 1873 by Arthur
Ackermann, 191, Regent Street.
Colour tinted lithograph. Printed area 420 x 600mm.
£1450
Ref: 8402

407. Inscriptions Gravees Suyre Les
Monumens Eriges a Waterloo Sur Le
Champ De Bataille, En Memoire Du 18
Juin 1815.
Bruxelles, Imprimerie de J.-B. Champon, Rue Pierre
Plate, No 11.
Printed booklet in original printed wrappers, stitched
on spine; pp. [12]. Stitches broken. £280
Very unusual booklet containing representations of
memorials to the brave and dead soldiers from each
nation erected on the field of Waterloo by fellow
soldiers and family.
Ref: 8824
408. [Military Band.]
C.W. White Sculpt. [n.d., c.1800.]
Stipple, 140 x 140mm. 5½ x 5½". £80
Two figures, playing the drum and flute, flank a central
drillmaster, while A figure behind them holds a flag.
Ref: 8565
409. The Lightning. Galop by Charles
D'Albert.
G. Brandard. M & N. Hanhart, Imp. Ent. Sta. Hall.
London, Chappell, 50, New Bond Street [n.d., c.1854].
Lithographic sheet music pamphlet with roundell tinted
lithograph of the "Lightning" clipper ship on cover.
Small folio, 345 x 250mm. 13½ x 9¾". Extremities
slightly stained, missing back cover. £90
The 'Lightning' was a clipper of 2083 tons built by
Donald McKay of East Boston, USA in 1853 for James
Baines & Co. of Liverpool. She served their Black Ball
Line fleet of Australian passenger ships. The Lightning
was well known for fast passages and was destroyed by
fire while at Geelong, Victoria, Australia, on October
30th 1869 and subsequently scuttled.
Music written by dance composer Charles d'Albert
(1809 - 1886).
Ref: 9316
410. Bataille de Fleurus, Jourdan- 26 Juin
1794. "Captive" Balloon to which a line
was attached.
Martinet, delt. Al. Massard, sculp. [n.d., c.1810.]
Tinted lithograph. 245 x 345mm. Slight tear; folds
flattened. £60
In the Battle of Fleurus (June 26, 1794), French forces
led by Jean-Baptiste Jourdan defeated the Austrian
army. The battle was notable as the first in which a
reconaissance balloon (the L'Entreprenant) played a
decisive role in the French victory, by continually
informing Jourdan of movements by the Austrian
army.
Ref: 8191
411. A Christmas Dinner on the Heights
Before Sebastopol. Plate XXX.
W. Simpson, delt._J.A.Vinter, lith. Day & Son, lithrs.
to the Queen. Paris_Goupil & Cle. Déposé.
Leipzig_Otto Weigel. Colnagni's Authentic Series.
Published May 22nd. 1855, by Paul & Dominic
Colnaghi & Co. 13 & 14, Pall Mall East. _Publishers to
Her Majesty.
Lithograph. Sheet 369 x 558mm. 14½" x 22". Some
spotting in the margin. £65
From: The Seat of War in the East. Print shows (from
left) Capn. Sir Charles Russell, Bart, Capn. Charles
Turner, Capn. Alexander Viscount Balgonie, Capn.
Fredk. Bathurst, Capn. Burnaby, Lieut. Colonel
Charles Lindsay, Col. Fredk. Wm. Hamilton, Lieut.
Col. Prince Edward of Saxe Weimar, Capn. George
Higginson, Lieut. Robert Wm. Hamilton, Capn. H.W.
Verschoyle, and Capn. Sir James Fergusson, Bart
seated around a table in a tent, enjoying a Christmas
dinner.
NMM.
Ref: 8640
412. Le Lieutenant Général Czernicheff
Aide de Camp-Général de S.M.
L'Empereur de toutes les Russies.
Dessiné par L. Letronne/ Gravé par I.V. Kininger 1815
Mezzotint. 710 x 540mm. £720
Czernicheff, Alexander's aide-de-camp, was received
warmly by Napoleon in 1809 but in 1811 was arrested
in France on suspicion of paying informants to procure
war secrets. He later became a General in Russia,
commanding a Cossack division at Hanau.
Ref: 8271
413. The Darnaway, 15/1no. 1828.
Drawn & Etched by E. Bakhouse Jr. 15/1 no 1828.
Etching, 135 x 220mm. 5½ x 8¾". Rare. Laid on
separate album sheet of paper; foxing; small tears top
and bottom glue stains ready. £90
V, rare. Three sea vessels near land and in a storm.
Ref: 8811
414. Bataille de Fleurus gagnee par
l'Armee Francaise le Messidor, de l'An 2.
Commandee par les Generaux Jourdan, Le
Fevre, et Batre; Contre l'Armee Imperiale;
Commandee par Cobourg, et Beaulieu.
Naudet del. Le Beau Sculp. Depose a la Bibliotheque
Nationale. A Paris chez Jean, rue Jean de Beauvais,
No.32 [n.d., c.1802].
Etching and engraving, 390 x 540mm. 15¼ x 21¼".
£350

In the Battle of Fleurus (June 26, 1794) French forces
under Jourdan defeated an Austrian army in one of the
most decisive battles in the Low Countries during the
French Revolutionary Wars. Both sides had forces
numbering in the vicinity of 80,000 men but the French
were able to more effectively concentrate their forces
in order to achieve victory against the Austrians. The
French use of the reconnaissance balloon
'l'Entreprenant', seen in the sky upper right, marked the
first military use of an aircraft that had decisive
influence on the outcome of the battle. L'Entreprenant
continuously informed Jourdan about Austrian
movements.
From the series 'Conquêtes de Napoléonle Grand'
published 1802. Numbered 'No.29' upper right.
Ref: 9021
415. Battle of Foentes d'Onor, Taken from
the Right of the Position occupied by the
1.st 3.rd ad 7.th Divisions on the 5.th May
1811. No. 3 of a series of Views in Spain
and Portugal.
Painted by Major T. St. Clair Engraved by C. Turner.
London. Pub. Oct.r 10. 1812 by C. Turner 50 Warren
Street. Fitzroy Square Mess.rs Colnaghi Cockspur
Street Mr. Molteno Pall Mall Mess.rs Boydell
Cheapside and Mr. Booth Duke Street Portland Chapel.
Aquatint with etching, 415 x 585mm. Slight paper
discoloration £460
The Battle of Fuentes d'Onoro was fought on May 3rd
to 5th 1811 during the Spanish War of Independence.
The French Commander André Masséna attacked the
Duke of Wellington in an attempt to relieve the city of
Almeida, but failed to capture the position and
retreated on May 5th 1811. The Duke of Wellington's
victory then secured the evacuation of Almeida.
Ref: 8414
416. Bataille Et Victoire D'Inkermann
Mort du General Anglais. Crimee 5
Novembre 1854. Battle And Victory Of
Inkermann Death of the english
Commander in Chief Crimea the 5th.
November 1854.
V. Adam [facsimile signature in image lower left.] a
Paris, chez Gosselin, Imp. Editr St. Jacques, 71. a
lyon, chez Gadola [n.d., c.1855].
Coloured lithograph, sheet 440 x 600mm. 17¼ x 23½".
£360
The Battle of Inkerman, a battle of the Crimean War,
was fought on November 5, 1854 and resulted in a
British and French victory under General Pierre
Bosquet against the Russian forces under General
Menshikov. In this battle British soldiers fought
bravely under the remote leadership of Lord Raglan.
The battle was eventually won by a counter-offensive
by the French soldiers under General Bosquet.
Victor Adam (1801 - 1866), painter and lithographer.
Ref: 9042
417. Napoleon at Eylau Visiting with his
Generals , in the morning of the 9th, the
field of the battle, gained by the Emperor,
February 8th. 1807.
Gros Pinxit Alfred Lucas Sculpt.
Mezzotint, 520 x 630 mm, 20 ½ x 24 ¾" Folds at edges
of wide margins. £320
Reproduction of the famous painting showing the
gruesome scene after fierce fighting with dead and
wounded littering frozen ground with portraits of
Napoleon and Marshals.
Ref: 8592
418. Master General's office.__ preparing
for the Chartists 10th April 1848; London
Clerks preparing for the Chartists 10th
April 1848; Special Constable taking leave
of his wife & family 10th April 1848;
Preparing for the Chartists 10th April
1848.
4 pencil and ink drawings, each 275 x 370mm. 10¾ x
14½". Small tears and paper scuffing at edges. £550
Set of four drawings depicting resistance to the Chartist
movement for social and political reform. April 10th
1848 was the occasion of a mass meeting on
Kennington Common, for which 8,000 soldiers and
150,000 special constables were in London in as a
precaution in case of violence.
Ref: 8903
419. The Attack Of The Rear Guard Of
The French At Salamonde. To Lieut.
General Sir John Cope Sherbrooke, KB,
this Plate is respectfully inscribed by his
most obedient Servant, H.L. Eveque.
Drawn by H.L. Eveque. Engraved by Fitler. London,
published by Colnaghi 1812 [publication line faint].
Etching and stipple in sepia and blue ink, 375 x
505mm. 14¾ x 20". Age toned. £220
The battle at Salamonde, Portugal, on 17 May 1809
was the only serious fighting during Marshal Soult’s
retreat after his defeat at Oporto on 12 May. After
Henri L'Evêque (1769 - 1832), painter, engraver,
watercolorist and enamelist. He established a school
for enamelists in Geneva with his brother. Early 19th
century he travelled to Spain and Portugal. From a
series 'Campaigns of the British Army in Portugal'.

On Whatman paper watermarked 1813, numbered
'Plate 9' upper right.
Ref: 8974
420. Praelium ad Warsaviam dies Tertius
20 July 1656.
Dahlbergh ad Vivum Delineavit. W. Swidde
sculp[Stock] Holmiae. [Stockholm, n.d., c.1700.]
Etching, 300 x 565mm. 11¾ x 22¼". Creases; tear to
centre of image. Laid on board. £420
Bird's eye view of the Battle of Warsaw (with that city
in the distance upper left) on July 18, 1656 – July 20,
1656, between the armies of the Polish-Lithuanian
Commonwealth and of Sweden and Brandenburg. It
was a major battle in the war between Poland and
Sweden in the period 1655 - 1660, also known as The
Deluge (part of the Northern Wars).
Latin key explanations to points of interest are set into
a decorative cartouche lower left. A vignette portrait
of the victorious Charles X Gustav (1622 – 1660),
King of Sweden above this.
In the battle, a smaller Swedish-Brandenburg force
gained victory over a Polish-Lithuanian force superior
in numbers, though in the long term the victory
achieved little. Polish-Lithuanian losses were
insignificant, and even though Swedish forces were
able to reoccupy Warsaw, they were forced to abandon
it soon afterward.
Engraved by Dutchman Willem Swidde (1660 c. -
1714) who worked in Amsterdam and Stockholm.
Ref: 9023
421. The Battle Of Waterloo. The Contest
of the British and Allied Troops,
commanded by the Duke of Wellington,
Marshal Blucher, &c. against the French
Army, commanded by Buonaparte,
between La Haye and la Belle Alliance,
18th. June 1815.
Publish'd May 1, 1816, by Whittle & Laurie, 53, Fleet
Street London.
Hand coloured engraving, 285 x 445mm. 11¼ x 17½".
Tear into image upper left. £280
Dramatic fighting during the Battle of Waterloo (18th
June 1815).
Ref: 9049
422. The Total Defeat & Flight Of The
French Army (At The Battle Of Waterloo)
Commanded By Napoln. Bounaparte: June
18, 1815.
Publish'd June 4, 1816, by Whittle & Laurie, 53, Fleet
Street London.
Hand coloured engraving, 285 x 445mm. 11¼ x 17½".
Tear into image lower left. £220
A defeated Napoleon fleeing from the Battle of
Waterloo (18th June 1815) on his charger, towards a
waiting coach.
Ref: 9051
423. The Exterior of Hougoumont at the
commencement of the Battle of Waterloo,
June 18th. 1815. Plate I./ The Interior of
Hougoumont during the battle on the
glorious 18th. of June, 1815. Plate II./
Centre of the British Army at La Haye
Sainte, June 18th. 1815. Plate III./ View of
the Village of Waterloo, The day after the
Battle, June 19th. 1815. Plate 4.
Drawn by A.M.S [Plate III: by W.H.]. Engraved by T.
Sutherland. London: Pubd. Feby: 1 1816, by J. Jenkins,
No.48, Strand [Plate III: March 1st 1816].
Set of four hand coloured aquatints, each c.325 x
415mm. 12¾ x 16¼". Centre folds as issued. Tear
along fold from lower edge into plates, into image plate
I. £700
Four phases of the Battle of Waterloo (18th June
1815), the final plate illustrating a scene from the day
after the battle. In fine original colour.
Lettered with description to left and right of titles.
Ogilvie: 500.
Ref: 9054
424. [The bag piper.]
fac similé d'après Edouard Detaille 1879 [in image
lower left]. [London, Goupil & Co., c.1880.]
Photogravure printed in colour, with gouache
heightening. 310 x 215mm. 12¼ x 8½". £180
Scottish regimental bag piper, with black cap and white
shirt, in a green kilt with white sporran.
After Édouard Jean Baptiste Detaille (1848 - 1912),
French painter and etcher.
Ref: 9019
425. [The fifre.]
fac similé d'après Edouard Detaille 1879 [in image
lower right]. [London, Goupil & Co., c.1880.]
Photogravure printed in colour, with gouache
heightening. 305 x 215mm. 12 x 8½". £140
Grenadier guard with bearskin, red jacket, black
trousers, and trumpet hanging from a cord.
After Édouard Jean Baptiste Detaille (1848 - 1912),
French painter and etcher.
Ref: 9020
426. Sons Of The Empire. Dedicated by
Special Permission to Field-Marshal the
Right Hon. Viscount Wolseley, K.P.,
G.C.B., G.C.M.G. Commander-in-Chief of
the British Army.
Harry Payne Decr./99 [in image lower left.] Printed in
Vienna. Published in London Jan. 1st. 1900, by

Raphael Tuck & Sons, Ltd. for the Benefit of the
Transvaal War Fund for Widows and Orphans.
Publishers to Her Majesty the Queen and to their Royal
Highnesses the Prince & Princess of Wales.
Photogravure in sepia on india laid paper, image 455 x
340mm. 18 x 13¼". Crinkling to upper part of india.
£220
A powerful emblem of patriotic military service.
British soldiers and sailors in different uniforms under
service in different parts of the Empire are posed
united under a Union Flag held aloft by a Grenadier
Guard.
Signed in ink by the dedicatee, Field Marshall Garnet
Joseph Wolseley, first Viscount Wolseley (1833 -
1913).
This print was published during the difficult early
stages of the Second Boer War (1899 – 1902).
Ref: 9024
427. The Battle Of The Alma Showing
The Decisive Charge Of The Highland
Brigade Under Sir Colin Campbell,
Supported By The Guards And Fusiliers.
W. Simpson, Lith. Day & Son, Lithrs. to the Queen.
London, Published Octr. 20th. 1854, By Lloyd
Brothers & Co. 22, Ludgate Hill.
Tinted lithograph, image 300 x 445mm. 11¾ x 17½".
Tear from above as far as upper edge of image. £130
The Battle of the Alma (20 September 1854) is usually
considered the first battle of the Crimean War (1853 –
1856), and took place in the vicinity of the River Alma
in the Crimea. An Anglo-French force under General
St. Arnaud and Lord Raglan defeated General
Menshikov's Russian army, which lost around 6,000
troops. Certain features of the battle are captioned
below the image.
By William Simpson (1823 - 1899) for his 'The Seat of
War in the East'.
Ref: 9013
428. [The First Burma War.]
W. Wingfield. 1826.
Pen and watercolour in frame. Mount window 255 x
360mm, 9¾ x 14¼". Unexamined out of frame. £420
The 13th (Somerset) Light Infantry taking part in the
defence of Rangoon during the First Burmese War
(1824-26).
Ref: 8828
429. Coll. Eyre's Brigade.
Lithographed, Printed & Published by Dickinson
Brothers, 114, New Bond St [n.d., 1854].
Lithograph coloured by hand, image 260 x 365mm.
10¼ x 14¼". £130
Plate 10 from Lieutenants Graham and Robinson's
'Scenes In Kafirland' published 1854. The Xhosa
Wars, also known as the Kaffir Wars or Cape Frontier
Wars, were a series of nine wars between the
amaXhosa people and European settlers from 1779 to
1879 in what is now the Eastern Cape in South Africa.
In April 1851 Sir William Eyre (1805 - 1859)defeated
the Kaffirs at Quibigui River, and on 10 September at
Committee's Hill. On 7 April he captured over eight
hundred cattle in an independent expedition into the
Amatola country. This may be the incident here
depicted, as cattle are running in the background.
When Sir George Cathcart succeeded Sir Harry Smith,
he maintained Eyre in command of his independent
column, and under the new commander-in-chief Eyre
co-operated throughout the final operations of the
Kaffir war with the greatest credit.
Abbey: 344.
Ref: 8934
430. Painted Glass In A Window Of
Farndon Church Containing Portraits of
Cheshire Gentlemen who attended K.
Charles I. at the Seige of Chester.
From a Drawing contributed by the very Revd. Hugh
Cholmondeley Dean of Chester. London, George
Routledge & Sons, 1878.
Hand coloured etching, 365 x 285mm. 14¼ x 11¼".
£85
In 1662 William Barnston commissioned this Civil
War window in his chapel in St. Chad's, Farndon,
Cheshire. It commemorates the Royalist defenders of
Chester. The artist obtained accurate details of dress
and equipment from contemporary illustrations. You
can see that the officers wear 'bucket-top' boots, while
the musketeers, pikemen and musicians have breeches
and stockings with garters tied in a bow. From left to
right along the top are Sir Richard Grosvenor, Sir
William Mainwaring and William Barnston, identified
by their coats of arms. In the centre, Sir Francis Gamul,
another of Charles's attendants at the Siege of Chester,
stands in front of his tent, reviewing a fascinating array
of military equipment. St. Chad's role in the Civil War
is an exciting one. In 1643 it was used as barracks for
his troops by Sir William Brereton, commander of the
Cheshire and Lancashire Parliamentarian forces. The
Parliamentarians needed to force a passage over the

Dee and invade the Royalist stronghold of Wales. On
9th November some 2,000 Roundheads were
assembled near the bridge, on which the Royalists had
built a defensive gatehouse. On the opposite bank, the
Royalists were well prepared, their ranks swelled by
extra troops from Ireland. They rang the bells of Holt
church backwards and lit beacons to warn of the
invasion. Brereton distracted the defence by marching
a detachment of his troops down river. Then a second
division attacked the bridge with the full force of their
grenades, and broke through. Both sides fought
backwards and forwards along the bridge and as far
back as Farndon churchyard. In the confusion of battle
few even noticed that the church roof was ablaze.
Brereton by-passed Holt Castle to take Wrexham and
Hawarden. Although severely damaged, Farndon
church remained a garrison until the winter of 1645,
when advancing Royalists, led by Prince Rupert and
Prince Maurice, forced the Roundheads to flee, after
more heavy fighting, leaving the church derelict.
Ref: 8914
431. Florence Nightingale At Scutari. A
Mission Of Mercy.
Painted By Jerry Barrett. Engraved by Samuel Bellin.
Published By Thomas Agnew & Sons, Printsellers To
Her Majesty The Queen, Exchange St. Manchester &
Exchange Buildings, Liverpool. May 1st. 1861.
Printed by J> Brooker.
Mixed method engraving, 665 x 930mm. 26¼ x 36½".
Marginal tears, light spotting. £620
Florence Nightingale (1820 - 1910), reformer of
hospital nursing and of the Army Medical Services
kneeling on the ground and offering a cup to a
wounded soldier lying on a stretcher. Many people are
gathered round, including a man in oriental dress with
two children. This scene at Scutari, called Üsküdar, a
large and densely populated suburb of Istanbul, on the
Anatolian shore of the Bosphorus right opposite the
heart of the great city.
Florence Nightingale reformed hospital nursing during
the 19th Century. She trained as a sick nurse and was
invited to take nurses out to tend the wounded in the
Crimean War (1854). Her sanitary reforms there
lessened cases of disease. She was subsequently
consulted by foreign governments at war as an
authority on hospital administration and sanitation.
After Jerry Barrett's oil in the National Portrait Gallery
titled 'Florence Nightingale Receiving the Wounded at
Scutari — 1856 — The Mission of Mercy'.
The following figures have been identified: Sir
William Linton, (to the left of the archway); Sir Henry
Knight Storks, (to his right); Alexis Benoit Soyer, (in
white to Nightingale's left).
NPG: 4305.
Ref: 8486
432. The Heroic Defence of Rorke's Drift.
Copyright. John G.Murdoch, Publisher, London. [n.d.,
c.1879.]
Chromolithograph. Printed area 410 x 520mm, 16 x
20½". Framed. Unexamined out of frame. £360
The defence of Rorke's Drift (22 January-23 January
1879) by 139 British soldiers successfully defended
themselves against five thousand Zulu warriors is
regarded as one of history's finest defences.
Ref: 8571
433. [Assault on the Redan.]
[n.d., c.1855.]
Hand coloured lithograph, 1st state, image 295 x
800mm. 11½ x 31½". On two sheets, trimmed to image
and laid on card folded at centre. £130
A gloriously dramatic battle scene. Sir Charles Ash
Windham (1810 - 1870) was selected to lead the
storming party of the 2nd division at the assault on the
Redan (Russian fortress) at the Siege of Sevastopol
during the Crimean War, on 8th Sept. 1855. Although
the assault failed, the gallantry of Windham's conduct
earned the warm commendation of General James
Simpson, who had succeeded Lord Raglan in the
command of the army in the Crimea. Extraordinary
enthusiasm was aroused when the descriptions of the
assault, written by the special correspondents of the
‘Times’ and other papers, were published in England,
and Windham became, in a moment, the best known
and most popular man in his native country.
Ref: 9318
434. South African Army, Cavalry
Brigade, (Composed of the XII.th Royal
Lancers, Royal Artillery & C.M. Riflemen,
Crossing the Great Orange River,
December 1852. To Lieut. Genl. The
Hon.ble Sir George Cathcart, K.C.B. &c.
&c. &c. This Print is respectfully dedicated
by his obliged & obed.t Servant, Rudolph
Ackermann, 191, Regent Street.
Painted by H.y Martens, From a Sketch by Lt. Col.
Carey, Cape Mounted Rifles. Engraved by J. Harris.
London: Published June 1st. 1854, by Rudolph
Ackermann, at his Eclipse Sporting and Military
Gallery_191, Regent Street.
Coloured Aquatint. Plate 532 x 691mm. 21" x 27¼".
£1500
Sir George Cathcart GCB (May 12, 1794 – November
5, 1854) was a British general and diplomat. In 1852
to 1853, as Governor of the Cape of Good Hope, where

in the north, the Orange River, also known as the
Gariep River, served for a long time as the boundary
Ref: 9190
435. To the King's most excellent Majesty.
This plate, The Death of General Wolfe, is
with His gracious Permission humbly
dedicated by His Majesty's most dutiful
Subject & Servant, William Woollett.
From the original Picture in the Collection
of the Right honourable Lord Grosvenor.
Painted by B. West, Historical Painter to His Majesty.
Engraved by W.m Woollett, Engraver to His Majesty.
Published as the Act directs, January 1st 1776 by
Mess.rs Woollett, Boydell & Ryland, London.
Engraving, 480 x 615mm. Trimmed to plate on three
sides, laid on paper. Some wear. £850
General James Wolfe 1727–59), killed at the moment
of his famous victory over the French at Quebec, which
delivered Canada into the hands of the British.
Ref: 8201
436. The Advena. [&] The Mary 9/11 no.
1825.
Etched by E. Backhouse Jr. 1 no. 1828.
Etching, 135 x 210mm. 5¼ x 8¼". Laid on separate
album sheet of glue stains visible, Rare. £90
Scene of two ships ashore at low tide with repair work
being done on the as a result of a major storm, against
a backdrop of cliffs and clouds.
NMM:PAD6415
Ref: 8810
437. H.M.S. Atalante passing Sambro,
Halifax, N.S.
J.E. del.t Bailey sculp.t Published May 31. 1814. by
Joyce Gold, Naval Chronicle Office 103, Shoe Lane
London.
Aquatint, 150 x 230mm. 9" x 6". Laid down on
separate sheet of paper. £120
The HMS Atalante passing Sambro in Nova Scotia,
Canada.
Ref: 8788
438. The Going off from the Coast of the
Cabails. Ils de Sauvent. ~ 4 The Cabails or
Mountaneers, who whenever the Northerly
winds blow Temptestuously, are extreamly
attentive to observe from the tops of their
Mountains what passes upon the Coast
having seen the approach of this Vessel,
rod down towards the Sea-Side in great
numbers to pilliage her, and overtook but
one of these poor men whom they made a
Slave of, the other other happily got off
from these pirates & Men Stealers.
[n.d. c.1750]
Coloured engraving. 228 x 311mm. 9" x 12¼". £130
These Cabails, or Mountain Moors, lived on small
islands near Cape Metafuz, pilliaging ships forced
ashore by the bad weather.
Ref: 8649
439. Landing the British Forces under
Lord Hood on the Island of Corsica.
Publish'd as the Act directs, Sepr.4th.1794, by
C.Sheppard No.15, St.Peters Hill Doctors Commons.
Copper engraving. 172 x 275mm. 6¾" x 10¾". £160
Samuel Hood, 1st Viscount Hood (12 December 1724
– 27 January 1816) was a British Admiral.
Ref: 8510
440. The Cutter Yacht 'Cynthia', 50 Tons.
(from the original picture in the possession
of John Wicks Esq.) Dedicated by
permission to the Commodore & Members
of the R.T.Y.C. Winning the £50 Purse at
Torbay, Aug.t 24th 1849._ Built April 1849
by Mess.rs Wanhill, of Poole.
Painted by N.M. Condy T.G. Dutton Lith. Day & Son.
Lith.rs to the Queen. London, Published Augt 2.nd
1850. by Messrs Fores, at their Sporting & Fine Print
Repository, & Frame Manufactory, 44 Piccadilly,
Corner of Sackville Street.
Coloured lithograph, 395 x 490mm. £850
The Cutter Yacht "Cynthia", a member of the Royal
Thames Yacht Club, built in April 1849 by Mess.rs
Wanhill of Poole for John Wicks Esq.
Ref: 8393
441. H.M.S. Daedalus. Action between
H.M.S. Bacchante and the French Brig le
Griffon.
Lieut Evans R.A. Baily [Joyce Gold, 1813.]
Aquatint, 250 x 160mm. 9¾ x 6¼". Laid on paper.
Uncut. Proofs on one sheet. £120
Two images on one sheet, the first of HMS Daedalus
and the second between the British HMS Bacchante
and French Le Griffon.
Ref: 8916
442. The beheading of Captn: Doughty by
Drake.
J: June. Sc. [n.d. c.1740]
Engraving. Sheet 101 x 162mm. 4" x 6 3/8". £45

Thomas Doughty was an English nobleman, soldier,
scholar and personal secretary of Christopher Hatton.
His association with Francis Drake, on a 1577 voyage
to interfere with Spanish treasure fleets, ended in a
shipboard trial for treason and witchcraft and
Doughty's execution. On July 2, 1578, Thomas
Doughty was beheaded.
Ref: 8688
443. A Dutch Galliot with a view of
Amsterdam. Galiote Hollandaise et vue
d'Amsterdam.
Domk. Serres del. J. Clarke & J. Hamble sculp. Edwd.
Orme Excudit. No. 35 [top right-hand corner].
Published & Sold Jany, 1, 1807. by Edwd, Orme 59,
Bond Street London.
Aquatint engraving. 280 x 437mm. 11" x 17¼". Small
tear into title area. £160
Ref: 8503
Ref: 8507
448. Galerie du Palais Royal (T..re.
Gudin) L’América
Subutier du Sig par V. __ Lith de C. Motte [n.d.
c.1830] J P Quenot direx
Lithograph with the seal of the Duc D'Orleans. 303 x
438mm. 12" x 17¼". Some staining in the margins.
£420
A view of a ship bearing the American flag.
Ref: 8740
449. The Parthian, L_ying along side the
Virginia Hulk.
F Williams 1825.
Original Wash Drawing from a drawing book. Sheet
152 x 254mm. 6" x 10". £190
Ref: 8512
444. Un Vaisseau de Guerre Hollandois du
4e: Rang Construit a l'angloise, Carguant
sa Misaine. || Een Hollands Oorlog Schip
van de 4e: Rang op zyn Engels gebouwt
zym Fok op Gyende. || a 4th. Rate Dutch
men of war, English built hawling up her
forsail.
Pretrus Schenk. Exc. [n.d. c.1700].
Line engraving. 216 x 343mm. 8½" x 13½". Mint
condition. £260
Ref: 8504
445. Un Vaisseau de Guerre Hollandois du
4e: Rang Construit a l'Angloise, venant
al'Ancre. || Een Hollands Oorlog Schip van
de 4e: Rang, op zyn Engels gebouwt, ten
Anker komende. || a 4th. Rate Dutch men
of war, English built koming to an Anchor.
Pretrus Schenk. Exc. [n.d. c.1700].
Line engraving. 216 x 343mm. 8½" x 13½". Mint
condition. £260
Ref: 8505
446. L'Espoir Sloop of 14 Guns & her
Prize the Liguria of 44 Guns.
N. Pocock del. W. Ellis sculp. Publish'd by Bunney &
Gold Nov. 1 1801
Aquatint, 130 x 230mm. 5 x 9". £60
Taken from the Naval Chronicle, vol. vi, p.277. The
British ship L'Espoir having defeated the Liguria. The
rock of Gibraltar can be seen in the background
Ref: 8730
447. To His Royal Highness George Prince
of Wales. Honi. Soit. Qui. Mal. Y. Pense.
Ich Dien. [in crest]
T Baston F. J. Harris S. [n.d. c.1721].
Coloured engraving. 209 x 305mm. Fine impression.
£130
NMM.
450. To the Right Honorable Charles
Philip Yorke, First Lord of the Admiralty,
This Print elucidating the extreme
disproportion of Force between the
American Frigate President Commodore
Rodgers, and His Majesty's Sloop the Little
Belt Arthur Batt Bingham Esquire
Commander, and representing the
situation of both Ships in the morning after
the Action of the 11 May 1811. is
respectfully inscribed by his obliged
Servant Josh. Cartwright.
Drawn by J. Cartwright. Engraved by J. Hassell.
London, Pub. 1 Dec. 1811 by J. Hassell, No.11
Clements Inn & J. Cartwright, 39, Arundel Street,
Strand.
Hand coloured aquatint, image 350 x 520mm. 13¾ x
20½". £1500
This fine aquatint records the 'Little Belt Affair' on the
night of May 16, 1811. It involved the American
frigate USS President and the British sixth-rate HMS
Little Belt, a sloop-of-war. The incident took place off
Sandy Hook on the North Carolina coast. This action
was one of many incidents and events that led to the
War of 1812 between the countries. It was a mismatch;
President sustained only one human injury while Little

Belt took ten deaths and 22 injuries, and the sloop was
badly damaged in the attack. On the morning of May
17th, American Lieutenant John Creighton went to
Little Belt to apologize for the 'unfortunate affair' and
to offer space at any of the 'Ports of the United States',
which the British Commander Bingham declined.
When Bingham asked why President had attacked his
much smaller ship, Creighton claimed that it was
because Little Belt had provoked the action. Bingham
staunchly denied this account. President sailed to New
York City, and Little Belt went to Halifax, Nova
Scotia. The two nations continued to argue about how
the battle began for several months.
Joseph Cartwright (1789? - 1829), marine painter, was
apparently a native of Dawlish in Devonshire, and was
attached to the navy in a civil capacity. When the
Ionian Islands came into the possession of the English,
he was appointed paymaster-general of the forces at
Corfu, which post he held for some years. On his return
to England he published a volume entitled ‘Views in
the Ionian Islands,’ and henceforth devoted himself to
art, and especially to painting marine subjects and
naval engagements. He exhibited many pictures at the
Royal Academy, the British Institution, and the Society
of British Artists, and obtained a great reputation in his
particular line. In 1825 he was elected a member of the
Society of British Artists, and in 1828 he was
appointed marine painter to H.R.H. the Duke of
Clarence, lord high admiral of England
Ships captioned below inscription, with numbers of
guns and men recorded.
This offered with the following found behind the print
in an old frame: a copy of The Bath And Cheltenham
Gazette for April 14th, 1813 and one for February 17th
1813, both mentioning the 1812-3 war with America; a
scrap of contemporary watermarked paper bearing ink
calculations; and a scrap of wrapping paper annotated
by hand: "Open Dec. 25th. Mrs. De Sausmarez 19.
Devon Road Bedford".
Parker: 213b. Provenance: de Sausmarez collection.
Ref: 8103
451. Portraits of two Russian Men of War.
Pocock del J. Baily sc. Publish'd by Bunney & Gold.
Oct. 1. 1799.
Aquatint, 135 x 225mm. 5¼ x 8¾". Slight stain at top.
£60
An image of Russian ships at Sheerness, Kent.
Ref: 8728
452. The Sailor's Wedding.
Drawn by A. Hoffay from a Painting by E.B. East.
Published May 5, 1828, by Engelmann, Graf, Coindet.
& Co. 92, Dean St, Soho, London; & H Buchan, at the
Hants Picture Gallery, Southampton. Printed by
Engelmann & Co.
Coloured lithograph.. 255 x 191mm. 10" x 7½". Rare.
Some staining. £60
A street scene of a sailor's wedding as they leave the
local pub, led by a solo violinist and a girl offering
flowers. Onlookers drink merrily to the happy couple.
Ref: 8508
453. A view of a Ship in distress, and
British Sailors attempting to help the
sufferers in their dreadful situation; the
People upon the pier cheering them for
their noble and generous efforts.
[n.d., c.1750.]
Coloured wood engraving, 190 x 290mm. 7½ x 11½".
Trimmed and laid on another piece of paper. £45
Print of a ship being struck by lightning. Two small
boats head for the stricken ship whilst a large crowd
watches from the pier.
Ref: 8763
454. A Squadron under a press of Sail
Chacing to Windward by a Signal from the
Senior Captain. This Print and its
Companion is most respectfully Inscribed
to Andrew Mitchell Esq.r Commander of
his Majesty's Ship Sultan by his Obliged &
Obedient Ser.t Rob.t Dodd.
Painted by Rob.t Dodd. London. Published February.
21. 1793. by R. Dodd, No.22, Alsop Buildings, New
Road, Marybone. & Freeman & Co. Strand.
Very rare aquatint, 440 x 675mm. 17¼ x 26½".
Trimmed close to image. £580
A dramatic close up of squadron of ships manoering.
Ref: 8550
455. Portrait of H M late Ship Sylph off
the Gull Light House, Connecticut, N
America.
J.G. delt Baily sc. Published 30 April 1818 by J. Gold,
103 Shoe Lane London
Aquatint, 145 x 230mm. 9 x 5¾". Laid on separate
sheet of paper. £120
HM Sylph passing a lighthouse in Connecticut, USA.
Ref: 8789
456. The British Tree of Liberty.
[n.d., c.1801.]
Etching, 220 x 220mm. 8½ x 8½". Trimmed to image;
foxing. £180
A tree from which hang penants commemorating
celebrated British naval commanders with the dates
they are famous for, with a fleet of ships at sea in the
background. Nelson's name is at the top of the tree. On
the trunk of the tree are the names Scotland, England
and Ireland, with a ring inscribed 'union', and a anchor

next to the tree bear the legend 'loyalty.' In the
foreground, a lion prowls over pieces of fabric with the
names of Spain, France and Hol[land].
Ref: 9072
457. The 'Vernon', East Indiaman, 1000
Tons. To, Captn. E. Voss and The Officers
of the Ship This print is respectfully
dedicated by their most obedient Servant,
W. Foster.
Thomas Dutton 1850 [in plate lower right]. T.G.
Dutton, del. et lith. Day & Son, Lithrs. to The Queen.
London, Wm. Foster, 114 Fenchurch St. Portsmouth,
A. Hinton.
Coloured lithograph, image 290 x 415mm. £650
Indianman, owned by Richard Green of Blackwall and
commanded by Captain E. Voss.
Parker 2213
Ref: 8362
458. View 1st, 2nd, 3rd, 4th Of the
Memorable Victory of the Nile, Gained in
August 1798, over the French by the
British Fleet in Aboukir Bay. (1) The
British Fleet on the Evening of the 1st. of
August, led by the Goliath and Zealous, in
their course of progressively bearing down
to the Enemy at Anchor, to take that
splendid station in which was obtained the
Glorious Conquest. [...] From the Minutes
of an Officer of Bank in the Squadron. To
His most Excellent Majesty George the
Third, This Plate is humbly Inscribed by
His Majesty's obedient & respectful
Servant George Riley; (2) South-West
View, at 10 o'Clock on the Night of the 1.st
of August, of the awful situation of the
English and French Fleets. in that most
tremendous period when L'Orient blew up,
and the British Navy exhibited the sublime
of National Triumph. [...]; (3) South-West
View on the 2nd of August at the time Le
Genereux, Le Guillaume Tell, La Justice
and La Diane were escaping, pursued by
the Zealous. [...]; (4) West View of the
Fleet; when Victory was complete. in the
Morning of the 3.rd of August the Tonnant
striking to the Theseus and Leander, and
Le Timoleon burning on Shore. [...]
Finish'd from a Drawing in the possession of Capt. Sir
T.B. Thompson by F. Chesham, the Aquatinta by W.
Ellis. [1, 3]; Finished from a Drawing in the possession
of His Majesty by F. Chesham, the Aquatinta by W.
Ellis.___ Painted by W. Anderson [2, 4.]
London,__Published by G. Riley, 65 Old Bailey,
Ludgate Street, Nov.r 1799 [1, 3]; Published by Alex.r
Riley, 82 Pall Mall London. Dec.r 1 1800. [2, 4.]
Set of four aquatints, 340 x 440mm. 13½ x 17¼" [1, 3];
350 x 455mm. 13¾ x 18" [2, 4]. (1) Tears in border,
light foxing; (2) three horizontal creases; (3) tears in
border, light foxing; (4) three horizontal creases, stain
in title area £650
Complete set of four views depicting scenes from the
naval battle between the French and British fleets in
Aboukir Bay, August 1798.
Ref: 8692
459. H.M. Brig Acorn, 16 guns, In Chase
Of The Piratical Slaver Gabriel. To
Captain Adams and the Officers of the
Brig This Print is respectfully dedicated
by their obedient servant Edmund Fry.
N.M.Condy del_T.G.Dutton.Lith. Day & Haghe Lithrs.
to the Queen. [Published in London by Ackemann &
Co. and George Foster, in Plymouth by Edmund Fry.
c.1850.]
Coloured lithograph, image 300 x 400mm. 11¾ x
15¾". Some time staining, with old mount residue.
Lacking publication line. £650
The British West Africa Squadron was established in
1808. Its primary role being to suppress any activity by
British slavers. It was also assigned for other activities.
The squadron was to be ready for combat at sea, to
blockade ports between Cape Verde and Benguela if
necessary, to seize foreign slavers, and to protect
legitimate traders.
The Journal du Havre publishes the following report on
the capture of the Gabriel, communicated by Captain
Blay, of the Jeune Pauline, just arrived at Havre from
Rio Janeiro:- ' The following was published in
Edinburgh Oct/Nov, 1841. The English brig Acorn
having, in lat. 5.N perceived at great distance a vessel
pillaging another, made chase, and instantly the
Gabriel hoisted all her sail, and endeavoured to escape.
At three in the afternoon the Acorn fired, and the
Gabriel returned the fire, at the same time hoisting
Portuguese colours. The chase continued for 12 hours,
during the whole of which time firing was kept up by
both vessels, but eventually the Gabriel was dismasted,
and captured.She was sent to St Helena, but her crew,
consisting of fifty- eight men, Spaniards and others,
were put on board an English vessel at Rio. The
captain jumped overboard during the chase, with all his
papers.The merchandise found on board the Gabriel
was valued at 8000 pounds. The Acorn had not time to

ascertain to what country the vessel which was being
pillaged by the Gabriel belonged, but she carried
English colours. Captain Blay also reports that the
English merchants resident at Rio have presented
Captain Lecosannet, of the Roland, with a handsome
gold chronometer and snuff box, and given to each of
his crew a hundred francs, in testimony of the sense
entertained of their humanity in saving the crew and
passengers of the India.
Ref: 8546
460. To the R.t Hon.ble. Lord Viscount
Nelson, K.B. Duke of Bronte &c. &c. &c.,
This Print of the commencent of the gallent
defence, made by His Majesty's Sloop
Arrow of 23 Guns & 132 Men, Richard
Budd Vincent Esq.r Commander; and His
Maj: Bomb Vessel Acheron of 8 Guns and
& 57 Men, Arthur Farquhar Esq.r Com.r
against the French Frigate, L'Hortense and
L'Incorruptible of 44 Guns & 550 Men
each, including troops of the Line, which
took place on the Morning of the 4.th of
Feb.y 1805, off Cape Palos; for the
preservation of a Valuable Convoy Is (by
Permission most humbly Dedicated by his
most obliged humble Servant, George
ANdrews. [&] To the R.t Hon.ble. Lord
Viscount Nelson, K.B. Duke of Bronte &c.
&c. &c., This Print of the sinking of His
Majesty's Sloop Arrow...
Painted by F.Sartorius. Engraved by J.Jeakes.
Published Oct. 21. 1805, by G.Andrews, No. 7,
Charing Cross.
Pair of coloured aquatints. Each 480 x 640mm, 19 x
25". Some restoration £950
Captain Richard Budd Vincent (1770?-1831) was
given command of the Arrow in 1802 and spent a year
in the English Channel before being sent to the
Mediterranean. By 1804 the Arrow was in bad shape,
with rotting timbers, so she was sent home from Malta
accompanying some merchant ships. When the two
much larger French ships came across the convoy
Vincent got his ship in between, allowing all but two of
the convoy to escape. However both the Arrow and
Acheron were lost. The court-martial on Vincent,
standard practice when a captain lost his ship, not only
‘most honourably acquitted’ him, but pronounced his
conduct ‘highly meritorious and praiseworthy.
At 4.30pm on the day of publication of these prints
Admiral Lord Nelson, to whom they were dedicated,
died of his wounds at Trafalgar.
Ref: 9022
461. The Glorious Defeat of the French
Fleet under the Command of Marshal
Conflans, off Belle-Isle, on the 20th of
November 1759, by a Fleet of His
Majesty's Ships under the Command of the
Hon.ble Sir Edward Hawke Admiral of the
Blue and Knight of the most Hon.ble Order
of the Bath & c. Whereby they were
prevented Escorting a Body of Forces to
Invade the British Dominions.
Designed and Painted by Swaine. P. Benazech Sculp.
Printed for Jno. Bowles at the Black Horse in Cornhill,
Carington Bowles in S.t Pauls Church Yard and Rob.t
Sayer in Fleet Street.
Etching. 330 x 460mm. Framed. Unexamined out of
frame. £550
The British attacked a French fleet of 21 ships of the
line and after hard fighting, sank, captured, or forced
aground most of them, thus giving the Royal Navy one
of its greatest victories.
NMM: PAG8843. Parker 65a.
Ref: 8404
462. [Battle of Camperdown.]
G. Groenewegen del. Rein Vinkeler Sculp. [1798.]
Line engraving. Plate 305 x 414mm. 12" x 16⅜". £220
A scene of carnage at the Batlle of Camperdown. The
Battle of Camperdown (11 October 1797) was a British
naval victory in the North Sea over the Dutch[1] during
the French Revolutionary Wars. The British fleet under
Admiral Duncan defeated the Dutch fleet under
Admiral de Winter off the coastal village of
Camperduin, north-west of Alkmaar.
Ref: 9256
463. [Battle of Camperdown.]
G. Groenewegen delin. Rein Vinkeler Sculp. [1798.]
Line engraving. Plate 305 x 414mm. 12" x 16⅜". £220
A scene of carnage at the Batlle of Camperdown. The
Battle of Camperdown (11 October 1797) was a British
naval victory in the North Sea over the Dutch[1] during
the French Revolutionary Wars. The British fleet under
Admiral Duncan defeated the Dutch fleet under

Admiral de Winter off the coastal village of
Camperduin, north-west of Alkmaar.
Ref: 9255
464. [Battle of Camperdown.]
G. Groenewegen Delin. Rein Vinkeler Sculp 1798.
[1798.]
Line engraving. Plate 305 x 414mm. 12" x 16⅜". Two
tears that go throuhg the platemake into the image.
£130
A scene of carnage at the Batlle of Camperdown. The
Battle of Camperdown (11 October 1797) was a British
naval victory in the North Sea over the Dutch[1] during
the French Revolutionary Wars. The British fleet under
Admiral Duncan defeated the Dutch fleet under
Admiral de Winter off the coastal village of
Camperduin, north-west of Alkmaar.
Ref: 9254
465. A Representation of the memorable
Action between the British Fleet under the
command of Admiral Sir George Brydges
Rodney Bart. and the Spanish Fleet
commanded by the Don Juan De Langara,
off Cape St. Vincent in the Evening of the
16th. of Jany. 1780. In the above
Engagement, which was in tempestuous
weather and Shoal Water, Sir George
captur'd the Phenix (the finest Ship in the
Spanish service) and five more of the Line;
besides one of Seventy Guns, blown up
during the Action.
Thos Luny Pinxt. Jas. Fittler sculpt. London Published
as the Act directs, 15 April 1782, by the Proprietor W.
Byrne, No.19 Titchfield Street. Sold likewise by T.
Luny, No. 42 Ratcliff highway, E. Hedges. No.92
Piazas Royal Exchange, & W. Faden, Corner of St.
Martins Lane Strand.
Engraving, image 265 x 405mm. 10½ x 16". Glue
residue in corners. £260
The Battle of Cape St Vincent, or Battle of Cape Santa
Maria, took place on 16th January 1780. It was a
victory of a British fleet under Admiral Sir George
Rodney over a Spanish squadron under Don Juan de
Lángara. It is also known as the Moonlight Battle,
because it was unusual for naval battles in the age of
sail to take place at night.
Parker: 81b.
Ref: 8917
466. To the Rt. Honble. the Earl of
Chatham, First Lord of the Admiralty,
&c.&c. this Plate, representing the
Commencement of the Action between his
Majesty's Ship Crescent, & the French
Frigate Le Reunion off Cape Barfleur, the
20th Octr 1793; is by Permission humbly
Dedicated, By His Lordship's most obedt.
Hble. Servant, J. Mackellar. [&] To the
Rt. Honble. the Earl of Chatham, First
Lord of the Admiralty, &c.&c. this Plate,
representing the French Frigate La
Reunion, stricking within sight of
Cherbourg, to His Majesty's Ship
Crescent, after an Action of two hours &
twenty minutes; is by Permission humbly
Dedicated, By His Lordship's most obedt.
hble. Servant, J. Mackellar.
Drawn by Lieut. Mackellar Royal Navy. Engrav'd by J.
Wells. London, Publish'd for Lieut. Mackellar, at No.6,
Grt. Marlboro' Street [n.d., c.1795].
Pair of aquatints with etching, images c.300 x 440mm.
Trimmed to plates and laid on thick paper. £880
A very scarce pair depicting the skirmish off
Cherbourg between Captain James Saumarez's frigate
Crescent and the French ship Reunion. The Reunion
was forced to surrender and was incorporated into the
Royal Navy with her name retained.
Parker: 97d. Not in the National Maritime Museum.
From the Saumarez Family.
Ref: 8347
467. His Majesty's Frigate the Diamond,
commanded by Captain Sir Sidney Smith,
K.S. being on a cruise off Cape La Heve...
to cut out a French lugger named Le
Vengeur.. 18 April 1796... was boarded...
but the cable cut by one of the prisoners...
swept... into the River Seine...
surrender..till they effected their escape.
To J. Spencer Smith, Esqr. M.P. F.R.S.
F.S.A. &c. this Print, from the original
Drawing in his collection, is respectfully
inscribed by E. Orme.
Drawn by J.T. Serres, from a sketch by J. Boxer, R.N.
Engraved by J. Jeakes. Published for the Proprietor, as
the Act directs, Septr. 1803, by Edwd. Orme, His
Majesty's Printseller, 59, New Bond Street, London.
Coloured aquatint, image 370 x 565mm. 14½ x 22¼".
Trimmed to plate, nicks and tears to exremities. Paper
age toned. Crease through lower left corner of image.
£360

The frigate 'Diamond' was overpowered in the port of
Havre on April 17th 1796. Her commander Captain Sir
William Sydney Smith was imprisoned but escaped in
May 1798.
The respective ships captioned above the image.
Parker: 114a.
Ref: 9025
468. A Representation of the Engagement
between the Flamborough, Capt. Kennedy,
& Biddeford, Capt. Skinner, of 20 Guns
and 100 Men each, And two French
Frigates, La Malicieuse, of 36 Guns, and
L'Omphale of 32 Guns, & 300 Men; each,
on the 4th. April 1760 near the Rock of
Lisbon.
[n.d., c.1770.]
Etching, image 140 x 195mm. 5½ x 7¾". Trimmed to
plate. £45
Numbered '3' upper right.
Ref: 9016
469. To the Officers, Seamen & Marines
of His Majesty's Ships Amphion, Cerberus,
Volage & Active, This Plate represents
their attacking the United French & Italian
squadrons off the Island of Lissa, in the
Adriatic on the 13 March 1811, This Plate
is with great respect dedicated by their
most obed.t h.ble serv.t. [&] To the
Officers, Seamen & Marines of His
Majesty's Ships Amphion, Cerberus,
Volage & Active, This Plate represents
their Situation & the Enemy's Squadron at
the time of the Blowing up of the French
Commodore, off the Island of Lissa, in the
Adriatic, on the 13 March 1811, This Plate
is with great respect Dedicated by their
most obed.t h.ble serv.t
G.Webster pinx.t. H.Merke sculp. London Published
Feb.y 1st. 1812 by R. Lambe. No. 39 Fleet Street.
Pair of coloured aquatints, images c.450 x 630mm.
17¾ x 24¾". The first plate with repaired tear into
upper part of image, the second with repaired tear in
sky to upper right. Both trimmed to plate with tatty
extremities. Old ink signiture in title area. £1650
By 1811 Napoleon controlled most of the mainland
coast of the Adriatic. Britain however controlled the
small island of Lissa (now Vis), near Split. Lissa was
being used as a base by smugglers infiltrating British
goods into Europe in defiance of Napoleon's
Continental System, and by privateers preying on the
coastwise trade. It was also the base of a small British
squadron, likewise there to disrupt trade and
communications. The island was thus a thorn in
Napoleon's flesh in the eastern Mediterranean. A
mixed flotilla of French and Venetian frigates
commanded by Commodore Dubordieu, together with
troops and transports approached the island with a view
to invading and occupying it. A British frigate flotilla
commanded by Capt. William Hoste intercepted the
expedition and drove it off.
A french frigate squadron led by Commodore Bernard
Dubourdieu and based at Ancona had attempted to take
Lissa the previous autumn, but had failed, having
insufficient troops. Early in 1811, 500 additional
Italian troops had been assigned, and Dubourdieu's
squadron, with the associated transports, had sailed
from Ancona on 11th March.
Good impressions finely coloured, particularly second
plate. After George Webster (1797 - 1832; fl.),
engraved by Henri Merke.
Parker: 210b. DNB: "one of the most brilliant naval
achievements of the war." NMM PA 16161 & 16162.
Ref: 8839
470. The Monmouth of 64 Guns, taking
the Foudroyant a French Man of War of 84
Guns on the 28th of Feb. 1758, in the
Mediterranean…
Francis Swain Pinx. [Engraved by Peter Paul
Benazech?] Printed for Jno. Bowles at No 13 Cornhill,
Carington Bowles at No 69 in S.t Pauls Church Yard,
Rob.t Sayer at the Golden Buck in Fleet Street, and
Hen. Parker, opposite Birchin Lane in Cornhill. [n.d.,
c.1760.]
Etching. 330 x 460mm. Framed. Unexamined out of
frame. £550
The Monmouth was built in 1667 at Chatham, and
finally scrapped a century later (although rebuilt three
times). She saw battle during the Dutch Raid on the
Medway (1667), the Battles of Solebay (1672), Texel
(1673), Barfleur (1692), Vigo Bay (1702), Siege of
Gibraltar and Velez Malaga (1704), Finisterre and
Ushant (1757), and Belle Île (1761).
Parker No. 60b.
Ref: 8403
471. The Pearl Captn. Montague taking
L'Esperance. This Action was fought in the
Latitude of Burmudas Octr 1st 1780. The
Enemy after being chased several hours
was brought to close fight, which they
maintained upwards of four hours, but
being disabled with six foot water in the
Hold, she struck & proved to be a valuable

Prize being laden with Sugar, Coffee,
Indigo & Ingots of Gold, mounted 38 Guns
& had 200 Men.
Robt Dodd, Pinxit. John Peltro, Sculpsit. London:
Publish'd Augt. 29th 1782. by John Harris, Sweetings
Alley Cornhill.
Engraving with etching, 470 x 360mm. 18½ x 14¼".
Margins stained, plate good. £580
The British frigate Pearl, Captain George Montagu,
being off Bermuda, captured, after a well- contested
action, the French merchant frigate, Esperance,
mounting twenty-eight jus. The Pearl lost Lieutenant
Foulke of the Marines and five men killed. The
Esperance had twenty killed and was added to the
British navy as the thirty-two gun frigate Clinton.
On paper watermarked 1810.
Parker: 84
Ref: 8536
472. Pondicherry attack'd by the British
Fleet, under Admiral Boscawen.
[n.d., c.1756.]
Engraving, 230 x 370mm. 9 x 14". Small tears into
plate upper left. £160
On August 30, 1748, Admiral Edward Boscawen (1711
- 1761) with a fleet of 30 sail, and a land force of 6,000
men, attacked the French fort at Pondicherry, India,
defended by a French garrison of 4,800, under Dupleix.
The siege was grossly mismanaged, and in October
Boscawen was forced to withdraw, having lost by
sickness or in action nearly a third of his land force.
The French lost 250 only during the siege.
Published 1756 for Captain George Berkeley's 'Naval
History of Great Britain'.
Parker: 53a.
Ref: 9017
473. The Experimental Brigs. H.M. Brig
Daring, 12 Guns. Constructed by Mr.
Joseph White. [Background ships named
below image.]
H.J. Vernon, lith: Day & Haghe, lithrs. to the Queen.
Portsmouth, A. Hinton _ London, Ackermann & Co.
Strand, and Foster, Fenchurch Street [n.d., c.1845].
Tinted lithograph with blue added by hand, image 260
x 370mm. 10¼ x 14½". Crease in upper right corner of
image. £260
HMS Daring was a 12 gun-brig of the Royal Navy
built in Portsmouth Dockyard in 1844. She formed
part of the 1844 Experimental Brig Squadron. The
Experimental Squadrons of the Royal Navy were
groups of ships sent out in the 1830s and 1840s to test
new techniques of ship design, armament, building and
propulsion against old ones. They came about as a
result of conflict between the 'empirical' school of
shipbuilding (led by William Symonds, Surveyor of the
Navy), the 'scientific' school led by the first School of
Naval Architecture (closed in 1832), and the
'traditional' school led by Master Shipwrights from the
Royal Dockyards.
Ref: 8924
474. [A galleon.]
Printed and Sold by John Garrett at his shop, next ye
Exchange stayres in Cornhill: where ye may have all
sorts of Large and small Mapps, Books for Drawing,
and Copy Books, and Choyce of very good prints [n.d.,
c.1690].
Engraving, image 370 x 460mm. 14½ x 18". Two pin
holes in sky area, hole in left edge of image. Some
staining, centrefold as issued. £360
Impressive engraving of a galleon, its various
components numbered in the image (key lettering
missing). Published by John Garrett (1673 active -
1718/20) at his premises at the south entrance of the
Royal Exchange in Cornhill, London. One of the
leading map and print sellers of the last quarter of the
17th century, Garrett was connected to most of the
major figures in the trade. Maybe an advert.
Very rare.
Ref: 8927
475. Schooner Yacht Dolphin. G.H.
Ackers, Esqr. Winning the Queen's Plate at
Cowes, August 17th 1839. To the Right
Hon.ble the Earl of Yarborough, D.C.L.
F.R.S. F.S.A. &c. Commadore of the Royal
Yacht Squadron. This Print is respectfully
dedicated by his Lordship's most obedient
and very humble Servant, O.W. Brierly.
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the
Queen. Edmund Fry, London & Edmund Fry Jnr.
Plymouth. [n.d. c.1839.]
Tinted zincograph, sheet 385 x 555mm. 15¼ x 21¾".
Light soiling, small tears to extremities. £480
In the background are captioned 'Kestral', belonging to
the Earl of Yarborough and B.Boyd's 'Wanderer'.
Ref: 8582
476. A Ship In Distress. Design'd to
represent the loss of the Victory by a
violent Storm near the Race of Alderney in
the Year 1744, Sr. John Balchen the
Admiral, & upwards of 1000 men were on
board & unhappily perish'd in the Waves
[French translation to right].
Monamy pinxt. Canot sculp. Publish'd according to Act
of Parliament 21 Febry. 1745-6. John Bowles at the
Black Horse in Cornhill.

Etching and engraving, 300 x 400mm. 11¾ x 15¾".
Repaired tear into title area. £230
HMS Victory was a 100-gun first-rate ship of the line
launched in 1737. She was wrecked in 1744 on the
Casquets off Alderney, the most northerly of the
Channel Islands.
Numbered '6' upper left.
Ref: 8926
477. 'Der Tag.' H.M. Battleship "Queen
Elizabeth" leading the escort. Surrender
of the German Fleet in the Firth of Forth
21st November, 1918.
Frank H. Mason [signed in pencil lower right.]
Published by the Industrial Publicity Service Ltd, 4 to
7, Red Lion Court, Fleet Street, London, E.C.4. from
the original picture, specially painted for Messrs J.
Stone & Co., Ltd, Deptford, S.E.14, by Mr. Frank H.
Mason, R.B.A.
Photogravure on india laid paper, image 540 x 440mm.
21¼ x 17¼". £340
After the German surrender to end the First World
War, the Royal Navy escorted the German High Seas
Fleet into the Firth of Forth, Scotland, on 21 November
1918.
Frank H. Mason (1876 - 1965) was a cadet on HMS
Conway. Having served in the Royal Navy in the First
World War, Mason became a war artist, with several
such images held at the Imperial War Museum.
Between the wars he became a full-time artist, working
as an illustrator, a poster artist for railway companies,
and supplying posters and postcards for shipping
companies. From 1900 onwards he exhibited at the
RA, and was awarded R.I. in 1929. Mason illustrated
the book North Sea Fishers and Fighters in 1911, and
was a 'significant artist of marine and coastal scenes, as
well as an illustrator of shipping books'.
Ref: 8831
478. [Marine scene at moonlight.] To
Thomas Martin Esqr. This print Engrav'd
from an Original Painting of Monamy in
the Collection of Baptist May Esqr. is
Inscrib'd by his Obedient humble Servant
Thos. Major.
Monamy Pinxt. Major sculpt. Publish'd according to
Act of Parliament Novr. ye 30, 1757 by T. Major
Engraver to His Majesty & to His R. H. the Prince of
Wales, at the Golden Head in Chandos Street London.
Etching and engraving, 475 x 500mm. 18¾ x 19¾".
Mint, uncut sheet. £480
A fine impression of this nightime coastal scene, with
fishermen offloading baskets of their catch at left, ships
moored in the bay, and a fortifed building beyond.
After Peter Monamy (1681 - 1749) sea painter and
occasional etcher.
.
Ref: 8618
479. The Death of Nelson, at the Battle of
Trafalgar. From the Original wall
painting in the Palace of Westminster.
Painted by Daniel Maclise R.A. Engraved by Chas. W.
Sharpe. Published at 444 West Street, 1874, & Art
Union of London 1876
Engraving 1210 x 420mm. £480
Daniel Maclise (1806 - April 25, 1870), Irish painter,
was born at Cork, the son of a Highland soldier.
In 1858 on the walls of the Royal Gallery in the Palace
of Westminster, Maclise commenced the two great
monumental works of his life. It was begun in fresco, a
process which proved unmanageable. The artist wished
to resign the task; but, encouraged by Prince Albert, he
studied in Berlin the new method of water-glass
painting, the 'Death of Nelson', in that medium,
completing the painting in 1864. Its companion piece
[not in stock at present] is Wellington and Blucher.
Ref: 8651
480. The Royal Navy. Dedicated to
Admiral Sir Thomas Sabine Pasley, Bart.,
Captn. H.S. Hillyar C.B., and the Officers
of H.M.S. The Royal Oak.
Drawn By Orlando Norie & T.G. Dutton. Engraved By
W. Summers. Published, October 1st. 1869, by R. & A.
Ackermann, 191, Regent Street, London.
Aquatint printed in colour and finished by hand, 515 x
820mm. 20¼ x 32¼". Repaired tears into plate from
margin; image unaffected. £750
An impressive view on board H.M.S The Royal Oak
showing the uniforms of the different ranks of seamen.
Each is captioned below the image.
After Orlando Norie (1832 - 1901).
Ref: 8498
481. [Sailors on shore.] From a sketch
taken at Portsmouth by W.H.Bunbury
Esq.r.
London, Published March 20, 1802 by John Harris No
3. Sweetings Alley Cornhill & 8. Old Broad Street.
Stipple. 430 x 375mm. Trimmed to plate on three
sides, split in platemark at top. £320
Sailors enjoying shore leave. Published five days after
the signing of the Treaty of Amiens, a brief respite in
the wars with France.
Ref: 8300
482. Schooner Yacht 'Henrietta', 205
Tons, New-York Yacht Club. To J.G.

Bennett Jun.r Esq. this print of his Yacht,
the winner of the Great Atlantic Race is
respectfully dedicated by his most obedient
Servant, Wm. Foster. Left New-York 11th
December and Arrived off Cowes, 25th
December 1866 in the unprecedented time
of 13 days 22 hours & 46 minutes. Built my
Mr. Steers, New-York.
T.G. Dutton, del. et lith. London, Published 25..th
January 1867 by Wm. Foster 17, Billiter Street, E.C.
Lithograph. Sheet 489 x 692mm. Slight staining in the
bottom right-hand margin. £950
A depiction of the 'Henrietta' mid-Atlantic valiantly
sailing between the USA and the UK.
Ref: 9189
483. Fores's Marine Sketches The Iron
Steam Yacht 'Alexandria', 416 Tons. Built
for H.I.M. the Emperor of Russia, by C J
Mare & Co of Blackwall. Designed By Mr.
Watermann Junr. &. Fitted With Engines
Of 140, Horse Power By Sir John & Mr.
George Rennie.
T.S. Robins Delt. E.T. Dolby Lith. M. & N. Hanhart
Impt. Published May 14th. 1852 By Messrs. Fores, 41,
Piccadilly, London.
Coloured lithograph, image 310 x 450mm. 12¼ x
17¾". Some surface soiling; tear in lower inscription.
£680
A fine view of the Imperial Russian Steam Yacht.
Also inscribed below the image with statistical details
The ship's length was 195ft. 10in. with a breadth of
21ft. 7in.
Ref: 8913
484. The South Western Railway
Company's Royal Mail Packet, Courier.
44 Tons Burthen __ and 200 Horse Power
James. Goodridge, Jun., Commander
From the Channel Islands to Southampton.
Champin _ Lith. P.J. Ouless, Pinxt. Imp. Lith.
Decan_Paris [n.d., c.1850.]
Tinted lithograph, sheet 275 x 400mm. 10¾ x 15¾".
Small water stains to lower left margin. £360
Rare. A Royal Mail Packet caught in a storm.
Not in Parker & Bowen.
Ref: 8947
485. Iron Twin Screw Armour Clad War
Steamer 'Moyini Zaffer'. Built for the
Tirkish Government by Samuda Brothers.
London.
T.G. Dutton, del. & lith. London. Published Dec.r 1st
1869 by W.m Foster, 17 Billiter Streeet, E.C.
Tinted lithograph, printed area 410 x 615mm.
Unexamined out of frame. £850
A Turkish warship. Samuda Brothers was an
engineering and ship building firm on the Isle of Dogs,
founded by Jacob and Joseph d'Aguilar Samuda,
Jewish civil engineers. They built boats for the Royal
Navy, P&O, and the navys of Turkey, Egypt, Japan,
Prussia, Brazil & Argentina. Jacob also invented the
'atmospheric' railway, using air pressure to provide
power for propulsion. Joseph became MP for Tavistock
and, at the time this print was published, Tower
Hamlets.
NMM: PAH9306.
Ref: 8369
486. The Iron Steam Yacht 'Peterhoff',
416 Tons. Built for H.I.M. the Emperor of
Russia, by C J Mare & Co of Blackwall.
Designed By Mr. Watermann Junr. &.
Fitted With Engines Of 140 Horse Power
By Sir John & Mr. George Rennie.
T.S. Robins Delt. E.T. Dolby Lith. M. & N. Hanhart
Impt. Published Novbr. 21st. 1850. By Messrs. Fores,
41, Piccadilly, London.
Coloured lithograph, image 310 x 450mm. 12¼ x
17¾". £1250
A fine view of the Imperial Russian Steam Yacht.
Also inscribed below the image with statistical details
The ship's length was 195ft. with a breadth of 21ft. 7in.
Ref: 8911
PORTRAITS
487. [Jon Pereira.]
Engraved by D. Pound from a Daguerreotype by
Myall. [n.d., c.1853.]
Engraving, 260 x 155mm. 10¼ x 6". Slight foxing
outside of printed area. £95
Inscribed 'faithfully yours Jon Pereira.'
Ref: 8716
488. A Study
Joseph Middeleer
Drawing, 165 x 140mm. 6½ x 5½". £120
Study of a face. Joseph Middeleer (1865-1934),
Belgian artist.
Ref: 9287

489. [Attention.]
[Ozias Humphrey R.A. pinx.t J. Ogborne sculp.] [pub.
1797, London, T. Simpson St. Pauls Church Yard, and
Darling & Thompson. Gt. Newport Street.]
Stipple, 255 x 200mm. 10 x 8". Proof before letters.
Trimmed to platemark and laid on separate sheet. Light
spotting. £180
Inscribed below 'The Siren. Mrs. Sheridan in the
character of Attention'. Elizabeth Anne Sheridan, née
Linley, writer and singer (1754-1792).
See reference number 8479 for titled print.
Ref: 8673
490. John Bacon Esq. R.A.
Published by J.Sewell, Cornhill, 1 Sep. 1790.
Engraving, 120 x 185mm. 4¾ x 7¼". Foxing; torn
along left side of platemark £65
Portrait from the 'European Magazine', of John Bacon
(1740-1799), sculptor. Born in Southwark, Bacon was
apprenticed to a porcelain manufacturer before
becoming a sculptor. He won the first gold medal
awarded for sculpture by the Royal Academy of Arts in
1769 and was later engaged to execute a bust of King
George III. His work can be seen in St. Paul's
Cathedral, Westminster Abbey, Christ Church and
Pembroke College, Oxford, and Bristol Cathedral.
Ref: 8781
491. Carmina Desunt. Vera Effigies A:
Brome 1664. Aetatis suae 44.
[n.d. c.1664.]
Line engraving. 136 x 90mm. 5¼" x 3½". £60
Alexander Browne (1659-1706), Artist; publisher and
printseller; auctioneer and dealer. He was a significant
figure in the late seventeenth century art scene in
London. He was variously a ‘practitioner of the art of
limning’, a drawing master, an author of a drawing
manual and treatise on art, an art auctioneer and dealer,
a print publisher and printseller. Browne was granted
in 1684 a privilege or Royal License for ‘the sole
printing and publishing’ of his plates for fourteen
years. Possibly engraved by Loggan.
Ref: 8428
492. The Shade Of Byron Contemplating
The Ruins Of Missolonghi. In this Print
may be traced a full length figure of Lord
Byron, -also small Portraits of Lady Byron,
-his Daughter, -The Countess Guiccioli, -
Sir J.C. Hobhouse, -Thos. Moore, -Bysshe
Shelley, -Marco Botzaris, -Capo D'Istrias, -
and Colcotroni.
Printed by Lefevre & Co. 52, Newman St. London:
Published, Jany. 12, 1832, by J. Mc.Cormick, 147,
Strand.
Coloured lithograph, 205 x 205mm. 8 x 8". Trimmed
and laid on scrap card. £95
A puzzle print; a view of Messolonghi, Greece,
conceals profiles of George Gordon Byron, 6th Baron
Byron (1788 - 1824) and his circle.
Ref: 8979
493. Lord Byron.
Peint par W.E. West des Etats Unis d'Amerique. Grave
par J.T. Wedgewood Graveur de S.A.R. le Prince de
Saxe Coburg & de feu S.A.R. la Princesse Charlotte. a
Paris chez Wedgewood Graveur Editeur Rue & Hotel
de Seine No.46 [n.d., c.1830]. Depose a la Direction.
Etching and engraving on india laid paper, 425 x
340mm. 16¾ x 13¼". Very fine. £380
George Gordon Byron, 6th Baron Byron (1788 - 1824),
poet.
From the painting by William Edward West (1788 -
1857) in the National Galleries of Scotland collection.
West made a name for himself as a painter of miniature
portraits in his native Kentucky whilst still in his teens.
A benefactor financed his studies in Thomas Sully's
studio in Philadelphia. He visited Italy in 1819 and
stayed in Europe for the next twenty years. In 1825 he
moved to London but financial difficulties forced him
to go back to America. Washington Irving, Percy
Bysshe Shelley and Lord Byron were among his most
celebrated sitters.
NGS Accession no: PG 1561.
Ref: 8879
494. To the Memory of Richard Cosway
Esquire. Royal Academician. Principal
Painter to His Royal Highness George
Prince of Wales. He died July the Fourth
1821; aged 80 years. His widow Maria
Cosway erects this memorial.
Rics. Westmacott Invt. et in Marm. Fecit. Chas. Picart
sculpt.
Stipple with engraved letters and plan, 360 x 285 mm,
14 x 11 ¼". £360
A fine impression of this rare private plate of the
memorial to Richard Cosway commissioned by his
widow, Maria.
Ref: 8632

495. John Cranch*, Born in Kingsbridge
in Devonshire, 12th of Oct.r 1751 Aged 44,
Fellow of the American Society of Arts &
Sciences, Painter of an unique Picture of
the Death of Chatterton; & Author of the
Oeconomy of Testaments; &c. Engraved
from a Picture, which, with the Death of
Chatterton, is in the possession of Sir
James Winter Lake, Bar.t. F.S.A. *Vide,
Langworthy's attempt to promote the
Commercial Interests of Great Britain.
Painted and Engraved by J.T. Smith, Engraver of the
Antiquities if London & Environs. Published by W.
Smith. 23 Lisle Street Leicester Square. [n.d., c.1810]
Engraving with stipple, 225 x 180mm. £140
A portrait of English painter John Cranch (1751-1821)
holding a volume of Shakespeare.
Ref: 8384
496. Dannecker.
J.W. Cook, sc. London: Richard Bentley, 1849.
Engraving, 240 x 170mm. 9½ x 6¾". Stains inside
platemark, but outside printed area. £70
Johann von Dannecker (1758-1841), sculptor.
Ref: 8720
497. Fanny Essler.
Alexandre Lacauchie, Lith de Rigo frères, Pass,
Saulnier, 19. Publié par Marchant, 12, Boulol. St.
Martin.
Lithograph. 248 x 159mm. 9¾" x 6¼". Some spotting.
£220
Fanny Essler (1810-1884, Vienna), ballet dancer.
Ref: 8500
498. I am, my dear Dr. Clarke yours most
truly, James Everett [facsimile manuscript
and signature.]
Henry Anelay. W.H. Egleton. Printed by Mitchell,
Lovell's Court, Paternoster Row [n.d., c.1860].
Stipple engraving, 290 x 230mm. 11½ x 9". Light
foxing. £95
James Everett (1784 - 1872), miscellaneous writer. In
August 1849 he was formally expelled from the
Weslyan conference and was in 1857 elected the first
president of the assembly of the ‘United Methodist
Free Church.’
After Henry Anelay (1817 - 1883), draughtsman on
wood, painter and illustrator.
Ref: 9087
499. [Blanche Fane.]
Painted by James Edgell Collins Printed by Lemercier,
Paris Lithographed by Léon-Noel. Published by Henry
Graves and Co. Publishers to the Queen. 6 Pall Mall
March 1856.
Lithograph, 540 x 400mm. 21¼ x 15¾". Some foxing
outside printed area. £95
Actress Blanche Fane, playing Gertrude in 'The Little
Treasure', half-length, head turned slightly to the right.
Ref: 8713
500. Miss Farren in the Character of
Hermione. Winter's Tale Act V.
Johann Zoffany Pinx.t. E.Fisher Sculp. Publish'd July
15th 1781, by Mess.rs Sayer & Bennett, Printsellers,
No 53, Fleet Street & E.Fisher, No 11 Ludgate Street.
Mezzotint. 605 x 405mm, 24 x 16". Trimmed to plate,
left and right margins built up. £290
Popular Irish actress (1759-1829) who married Edward
Smith Stanley, 12th Earl of Derby, to become Countess
of Derby.
CS: 17, II of II.
Ref: 9084
501. Carlo Goldoni.
Antionio Fedi disegno Rafaello Morghen inc.
Engraving, 265 x 190mm. Crease outside platemark.
£85
Carlo Goldoni, (1707-1793), celebrated Venetian
playwright and librettist.
Ref: 8408
502. Madam Gwin.
[n.d., late 17th century but 18th century printing.]
Line engraving. 254 x 171mm. 10" x 6¾". Very rare.
£240
Nell Gwyn (1650-1687), prominent English actress and
long-time mistress of Charles II.
Ref: 8439
503. A Harrow School Boy (1805) They
shew a tomb in the Churchyard at Harrow
commanding a view over Windsor, which
was so well known to be his favourite
resting place that the Boys called it
"Byron's Tomb."

Sketched & drawn on stone by A Hervieu 1833.
Lithograph, 230 x 260mm. 9 x 10¼". £160
George Gordon Byron, 6th Baron Byron [1788 - 1824],
poet. Byron lying on tomb.
Ref: 8549
Homer ( 9th century BC - 8th century BC; fl.c.). Epic
poet; presumed author of the 'Iliad' and the 'Odyssey'.
Lettered below title with four lines of Latin quotation.
Ref: 9240
504. Mr Henderson in the Character of
Macbeth.
Painted by George Romney. Engraved by John Jones.
Publish'd as the Act directs Decr. 1st. 1787, by J.
Jones, Engraver No. 75, Great Portland Street.
Mezzotint, 455 x 540mm. Trimmed to platemark lower
left. £420
Portrait of John Henderson (1747 - 1785)as Macbeth,
looking over his left shoulder at the Three Witches. A
procession passes across the landscape in the distance.
Chaloner Smith: 37, II.
Ref: 8339
505. The late Henry Holland, Esqr: _
View Hans Place.
London Painted & Published Augt. 21 1806.
Etching, 300 x 205mm. 11¾ x 8". £180
Henry Holland (1746? - 1806), architect, was a relative
of Lancelot Brown, to whose influence he probably
owed his first architectural employment. In 1787, he
was employed in designing Brighton Pavilion, and the
following year began his principal work, the alteration
and enlargement of Carlton House, Pall Mall, as a
residence for the Prince of Wales.
About 1780 Holland purchased a hundred acres of land
in Chelsea, as a building speculation; he laid out
Sloane Street, erecting the white brick houses there,
Cadogan Place, and Hans Place, and erected a villa for
himself in Hans Place (seen over his left sholder in the
portrait). Part of the ground was afterwards occupied
by Prince's Club, and the property has recently been
almost entirely rebuilt.
Holland died at his house in Hans Place on 17 June
1806, aged about sixty. A marble bust of him by
George Garrard (1760 - 1826), the animal painter and
sculptor who produced this print in his memory, is
placed at the entrance to the sculpture gallery at
Woburn Abbey.
George Garrard (1760 - 1826) was a painter who
turned his attention to the making of casts and models
of many subjects, but mainly of domestic animals. He
was sponsored by the fifth Duke of Bedford, who was
the first president of the Smithfield Club (founded hi
I798), and by the third Earl of Egremont, as well as by
other members of the Board of Agriculture. Garrard
called his house in Hanover Square, London, 'The
Agricultural Museum,' and from there he sold his
paintings, engraving and models.
On Whatman paper watermarked 1805.
Ref: 8727
506. Homerus. De Aereo Capite olim
penes illustriss. Comitem Arundellium,
nunc in Museo Richardi Mead. M.D.
Wood del. B. Baron sculp. [n.d., c.1750.]
Etching, 365 x 255mm. 14¼ x 10". Rust spot in
inscription. £90
507. Samuel Johnson, L.L.D.
Painted by Sir Joshua Reynolds. Engraved by Willm
Doughty. London Publish'd as the Act directs June
24th. 1779. by Wm. Doughty No. 4. Little Titchfield
Street, Cavendish Square.
Mezzotint, 455 x 330mm. 18 x 13". £580
Dr Samuel Johnson (1709 - 1784), lexicographer and
author.
Northcote tells a story about this print: "Doughty had
engraved in mezzotint Sir Joshua's portrait of Doctor
Johnson very finely indeed, and on his showing it to
Sir Joshua it pleased him exceedingly, and he said, "I
would advise you by all means to stick to mezzotint".
Now this remark disconcerted poor Doughty very
much; he made the mistake of thinking that the remark
implied that he was not likely to succeed as a painter,
though, I believe, Sir Joshua did not mean that."
('Conversations of James Northcote with James Ward',
ed. E. Fletcher, 1901, p. 232.) Johnson must have
watched over this plate. In the second state Doughty
had put "Dr Samuel Johnson". This was hastily
changed to "Samuel Johnson LLD".
Chaloner Smith: 2, unrecorded, between II and III.
Hamilton p.42, btwn. II and III.
Ref: 8578
508. John Martin [signature facsimile.]
[n.d., c.1834.]
Stipple engraving with etching on india laid paper,
proof before publication line. 225 x 165mm. 9 x 6½".
Scarce. £450
John Martin (1789 - 1854), history, landscape and
biblical painter, seated next to his canvas. By Charles

Edward Wagstaff (b.1808), after Thomas Charles
Wageman (1787 - 1863).
NP: D16950.
Ref: 8876
509. Charles James Mathews, Aetat 75.
from the last Photograph taken by Charles Watkins.
[n.d., c.1880.]
Photolithograph, 200 x 135mm. 8 x 5¼". Spotting.
£230
Charles James Mathews (1803 - 1878), actor and
dramatist, son of Charles Mathews. On 18 July 1838, at
Kensington Church, he married his manager, Lucia
Elizabeth or Elizabetta Mathews, also known as
Madame Vestris (1797 - 1856). She has written and
signed the ink inscription attached to the verso of the
paper on to which the portrait is laid. It reads 'To
William Algernon Young, with kindest regards from
Mrs. Charles Mathews'.
Ref: 9018
public works, the control of which was the attribute of
the new Academy, Mignard was chiefly active in
portraiture. Turenne, Molière, Bossuet, Maintenon
(Louvre), La Vallière, Sévigné, Montespan, Descartes
(Castle Howard), all the beauties and celebrities of his
day, sat to him. His readiness and skill, his happy
instinct for grace of arrangement, atoned for want of
originality and real power. With the death of Le Brun
(1690) the situation changed. Mignard deserted his
allies, and succeeded to all the posts held by his
opponent. These late honours he did not long enjoy. In
1695 he died whilst about to commence work on the
cupola of the Invalides.
Ref: 8277
510. D. Antonio Rafael Mengs,
Pintado por el mismo y grabado por su Yerno Carmona
1780. 1780.
Engraving, 195 x 140mm. 7½ x 5½". £90
Anton Raphael Mengs [1728 - 1779]. Anton Raphael
Mengs began studying art at the age of twelve. He
traveled to Rome and stayed there for four years. He
then returned to Dresden and achieved success as a
pastel portrait painter. He travelled to Rome in 1746
and began using oils and converted to Catholicism. He
spent the majority of his life in Italy after that where he
painted altarpieces, frescos, and Grand Tour portraits.
He was admitted to the Accademia di San Luca in
Rome and taught at the Accademia del Nudo.
Ref: 8528
511. Pierre Mignard de Troyes Ecuyer
Premier Peintre du Roy Directeur et
Chancelier de l'Academie. Aage, de 78 ans.
1690.
P. Mignard pinxit. C. Vermeulen Sculpsit 1690. et ex.
Line engraving. Plate 434 x 360mm. 17" x 14¼".
Trimmed to plate mark £180
Pierre Mignard (1612—1695), called 'Le Romain' to
distinguish him from his brother Nicolas, was a French
painter. He was born at Troyes, and came of a family
of artists; he also needs to be distinguished from his
nephew Pierre (1640-1725), often called 'Pierre II' or
'Le Chevalier'. In 1630 he left the studio of Simon
Vouet for Italy, where he spent twenty-two years, and
made a reputation which brought him a summons to
Paris. Successful with his portrait of the king, and in
favour with the court, Mignard pitted himself against
Le Brun, declined to enter the Academy of which he
was the head, and made himself the centre of
opposition to its authority. The history of this struggle
is most important, because it was identical, as long as it
lasted, with that between the old gilds of France and
the new body which Colbert, for political reasons, was
determined to support. Shut out, in spite of the
deserved success of his decorations of the cupola of
Val de Grace (1664), from any great share in those
512. The Modern Orpheus, Opera House
June 3rd 1831. Sketches of the Musical
World No.1, to be continued.
Published by Thos. Mc.Lean, 26, Haymarket, June
10th. 1831.
Lithograph, sheet 440 x 300mm. 17¼ x 11¾". £320
Rare and fine depiction of Niccolo Paganini, Italian
violinist whose virtuosity became a legend (1782 –
1840). Among the few compositions published during
his lifetime are the 24 caprices for violin that were
adapted for piano by both Schumann and Liszt. A
pianist and double bassist are among his admirers at
this performance.
Publisher's blindstamp below inscription.
Ref: 8583
513. Mozart. Can aught the raptur'd ear
enchain,/ Like airs that o'er his lyre have
sung?/ Song to the memory of Mozart.
Drawn by David Thomsonfrom a bass-relief executed
at Vienna. Engraved by Paton Thomson. Publish'd
April 20.th 1813, by Mess.rs Clementi & Co. 26,
Cheapside, London.
Lithograph, 280 x 230mm. £140

Wolfgang Amadeus Mozart (1756-1791). Austrian
composer.
Ref: 8409
514. [Mr. Parsons.]
R. Dighton Pinxt. / R. Laurie Sculpt. Published as the
Act Directs July 1st. 1779.
Mezzotint, scratched letter state before title and motif.
150 x 115mm. 6 x 4½". £85
The actor William Parsons (1736 - 1795), from a set of
twelve theatrical portraits. Parsons was a comic actor
who originally trained as a surveyor and exhibited as
an Honorary exhibitor at the Free Society of Artists
and the Society of Artists in 1765 and 1773
respectively.
Chaloner Smith: II of III.
Ref: 8542
515. Contemplating Philosopher. Voila
l'homme itonnant, dont le talent sublime/
De la mort, chaque jour, trompe l'avidité/
Et qu'aucun intérêt n'anime/ Que celui de
l'humanité. - Behold this wond'rous man
whose talents sublime/ His skill each day
doth eager death disarm,/ His noble soul,
sordid interest doth decline,/ Humanity
alone his breast doth warm.
Fran.s Bartolozzi R.A. & Engraver to His Majesty
delin.t Rob.t Sam.l Marcuard Pupil of F. Bartolozzi
Sculp.t [n.d., c.1780.]
Stipple, 270 x 195mm. 10½ x 7¾". Trimmed. £95
A philosopher looking skywards.
Ref: 8882
516. A Literary Party at Sir Joshua
Reynolds's.
Painted by James E. Doyle. Engraved by D. George
Thompson. London: Published Octr. 1st. 1851, By
Owen Bailey, 4 Arlington St. Mornington Crescent.
Mixed method. 465 x 638mm. 18¼ x 25¼". A good
impression. Some repairs. £240
Sir Joshua Reynolds (1723 - 1792) led the eighteenthcentury
art world as first President of the Royal
Academy as a Britain's leading portrait painter. An
incredible socialite, social climber and self-promoter,
Reynolds used his contacts to advance himself.
Appointed President of the newly established Royal
Academy in 1768, his annual lectures - or Discourses
on Art - had a lasting impact on the contemporary
theory of art and practice.
With facsimile signatures below image of Reynolds
and his illustrious guests around the table. They
include: James Boswell (1740 - 1795), biographer of
Dr Johnson;
Edmund Burke (c.1730 - 1797), statesman; Charles
Burney (1726 - 1814), musician and historian of music;
David Garrick (1717 - 1779), actor, playwright and
theatre manager;
Oliver Goldsmith (1728 - 1774), writer; Samuel
Johnson (1709 - 1784), poet, critic and lexicographer;
(Filippo Antonio) Pasquale Paoli (1725 - 1807),
Corsican general and patriot; Thomas Warton the
Younger (1728 - 1790), historian of English poetry.
Ref: 8524
517. Peterus Paulus Rubens & c.
P. Pelham fec: et Excud: 1724. Printed for John
Bowles & Son at the Black Horse in Cornhill.
Mezzotint. 350 x 254mm. 13¾ x 10". Fine impression.
Cut to plate. Slight creasing. £240
Petrus Paulus Rubens (1577-1640). Rubens was a
Flemish baroque painter. He was born in Westphalia to
a successful Protestant lawyer. Rubens was knighted
by King Charles I of England for his diplomatic efforts
to bring about a peace treaty between that country and
Spain. He was also commissioned to paint the ceiling
of the Banqueting House at the Palace of Whitehall.
Ref: 8785
518. Guilus. Wynne Ryland, Histae.
Calcographus.
P. Falconet del 1768. D.P. Pariset Sculp. Sold by P.
Falconet Broad Street Carnaby Market, & Bryer & Co.
Cornhill.
Stipple engraving with soft-ground etching, 215 x
150mm. 8½ x 6". £120
William Wynne Ryland (1733 - 1783), engraver and
publisher. Trained in London with his father Edward
Ryland and with S F Ravenet, and in Paris with
Boucher and Le Bas; in 1761 appointed engraver to the
King. He was executed for forging bills of exchange.
By Pierre Etienne Falconet (1741 - 1791). In 1768-9 ha
made a series of portraits of members of the Royal
Academy that were engraved by Pariset. In 1773 joined
his father in St Petersburg, and returned to his native
France in 1778, where married the same year Marie
Anne Collot, the sculptress, and pupil and former
mistress of his father.
Ref: 8597
519. [George Bernard Shaw.]
Simpson. [Rider, 36 St. Martins Court W.C. n.d.,
c.1935.]
Woodcut, printed area 180 x 130mm, 7 x 5¼", titled
and signed by the artist in pencil, limited edition of
175. Time stained. £260
George Bernard Shaw (1856 - 1950), one of three
caricature portraits of the literary giants of the age,

published as 'Three Living Lions', the others being
G.K.Chesterton and H.G. Wells.
Joseph Simpson (1879 - 1939), painter and etcher of
portraits and sporting subjects, born in Carlisle and
studied art at Glasgow School of Art. He designed
covers for Edinburgh publishers and was a prolific
designer of bookplates. In 1918 he became an official
war artist for the RAF and was stationed in France.
Simpson was already forty-five when he took up
etching in 1925, at the height of the boom period for
the medium. His first twenty or so plates were etched
with a gramophone needle and printed by the artist
himself on the small press lent to him by a local
Carlisle printing firm. His first exhibition of etchings
took place in Glasgow at Wishart Brown in March
1926, for which his friend Frank Brangwyn wrote the
catalogue introduction.
Ref: 8932
520. Robert Southey Esqre. D.C.L. Poet
Laureate, &c. &c. &c.
H. Singleton, pinxt. M. Gauci Lithog. [n.d. c.1850] M
& N. Hanhart, Lith Printers.
Fine coloured lithograph. 385 x 345mm. 15¼" x 13½".
Some spotting and foxing. £360
Robert Southey (August 12, 1774 – March 21, 1843)
was an English poet of the Romantic school, one of the
so-called 'Lake Poets', and Poet Laureate for 30 years
from 1813 to his death in 1843. Although his fame
tends to be eclipsed by that of his contemporaries and
friends William Wordsworth and Samuel Taylor
Coleridge, Southey's verse enjoys enduring
popularity.[citation needed] Moreover, he was a
prolific letter writer, literary scholar, essay writer,
historian and biographer. His biographies include the
life and works of John Bunyan, John Wesley, William
Cowper, Oliver Cromwell and Horatio Nelson. The
latter has rarely been out of print since its publication
in 1813 and was adapted for the screen in the 1926
British film, Nelson. He was also a renowned
Portuguese and Spanish scholar, translating a number
of works of those two countries into English and
writing both a History of Brazil (part of his planned
History of Portugal which was never completed) and a
History of the Peninsular War. Perhaps his most
enduring contribution to literary history is the immortal
children's classic, The Story of the Three Bears, the
original Goldilocks story, which first saw print in 1834
in Southey's novel, The Doctor.
Ref: 8283
521. [Robert Southey.]
[Painted by Thomas Phillips. Engraved by Samuel
William Reynolds.] [n.d., c.1820.]
Mezzotint, proof before letters, 230 x 160mm. 9 x 6¼".
Trimmed close to plate. £180
Robert Southey (1774 - 1843), poet and writer; friend
of Coleridge and Walter Scott and poet laureate from
1813. After Thomas Phillips (1770 - 1845).
Whitman: 270, I of II. N PG: D6815.
Ref: 8875
522. [Spanish Beggar Boy]
[Bartolomé Estebán Murillo] [William Say] [n.d.
c.1800]
Fine mezzotint. Proof before letters. 660 x 417mm. 26"
x 16½". £380
Bartolomé Estebán Murillo, (1618-1682). Among his
earliest and best known pictures are those charming
studies of the beggar boys and flower girls of Seville,
of which this is one.
Ref: 8311
523. Taglioni.
Lith de Rigo frères, Pass: Saulnier, 19. Alexe.
Lacauchie. [n.d. c.1840] Pari Publié par Marchann.
Lithograph. 254 x 159mm. 10" x 6¼". Some spotting.
£220
Marie Taglioni (April 23, 1804–April 24, 1884) was a
famous Italian ballerina of the Romantic ballet era, a
central figure in the history of European dance.
Ref: 8499
524. [Leo Tolstoy.]
Will Henderson [signed in pencil lower right.]
Published 1926 by the Museum Galleries, 53, Shorts
Gardens, London, W.C. Copyright.
Colour printed mezzotint, 315 x 230mm. 12½ x 9".
Publisher's blindstamp lower left. £130
Count Leo Tolstoy [1828 - 1910], Russian novelist.
Ref: 8547
525. To the King's most excellent Majesty,
This Print of Sir Joseph Banks, Bart.t
President of the Royal Society, is with His
Gracious Permission (Granted in July
1809) humbly Dedicated by His Majesty's
most dutiful Subjects and Servants,
Thomas Phillips and Nicolas Schiavonetti.
Painted by Tho.s Phillips, R.A. Engraved by
N.Schiavonetti. London, Published 1812, by
N.Schiavonetti, No 12. Michael's Place, Brompton.
Mezzotint. Sheet 500 x 370mm, 19¾ x 14½". Trimmed
within plate, remarginned. £320
Sir Joseph Banks, Bt, KCB, FRS. (1743-1820).
Naturalist and patron of science, famous for his trip
around the world with Captain Cook. He is shown with

the trappings of his office as President of the Royal
Society, including the mace granted by Charles II.
Phillips' original oil is in the National Portrait
Gallery, NPG 885.
Ref: 8928
526. Le Capne. Jacques Cook. Membre
de la Societé Royale de Londres. Pl. 1.
Benard direx. [Paris. n.d., c.1778.]
Copper engraving. £120
Robert Benard (1750-1785). Frontispiece to: Voyage
dans l'hemisphere austral et autour du monde. Captain
James Cook FRS RN (7 November 1728 – 14 February
1779) was an English explorer, navigator and
cartographer, ultimately rising to the rank of Captain in
the Royal Navy. Cook was the first to map
Newfoundland prior to making three voyages to the
Pacific Ocean during which he achieved the first
European contact with the eastern coastline of
Australia and the Hawaiian Islands as well as the first
recorded circumnavigation of New Zealand.
After the engraving by Basire of the William Hodges
portrait. U3028. Rex Nan Kivell Collection NK6564.
Ref: 8468
527. Captain James Cook.
N. Dance Pinxt. Engrd. by J.K. Sherwin Engraver to
his Majesty & his Royal highnss. Prince of Wales.
Publish'd Augt. 1st 1784 by J.K. Sherwin No.28 St.
James's Street & and by R. Wilkinson No.58 Cornhill,
London.
Etching, 295 x 255mm. 11½ x 10". £150
James Cook (1728 - 1779). The son of a Yorkshire
labourer, Cook learned his seamanship on small Eastcoast
traders. Although only a warrant officer, he was
chosen to command the Endeavour in 1768. He made
three important voyages of discovery to the South and
North Pacific - charting land, sea and stars - and was
the first British captain to land in Australia. He was
killed in Hawaii during a skirmish. From the portrait by
Nathaniel Dance (1735 - 1811). The original portrait
was commissioned by the explorer Sir Joseph Banks
and was praised as an excellent likeness.
A later impression, re-issued by Robert Wilkinson.
Ref: 9098
528. Jas. C: Ross Captain [facsimile
autograph.]
Negelen [facsimile signature in plate lower left.] J.
Graf, Printer to her Majesty [n.d., c.1845].
Lithograph on india laid paper, india 360 x 280mm. 14
x 11". £180
Sir James Clark Ross (1800 - 1862), Rear-Admiral and
Arctic
explorer; discovered magnetic pole on expedition with
Felix Booth, 1831; commanded expedition on the
Antarctic, 1839-43, and searched for Sir John Franklin,
1848-9.
Ref: 9097
529. Amy tu connoistras l'Autheur par ce
portrait. Tu ne Sçaurois trouver Voyageur
plus parfait.
[François Chauveau del.] [Paris : Jolly, Thomas] [n.d.
c.1664]
A very rare engraving. Sheet 207 x 134mm. 8¼" x
5¼". Cut. £90
From the title page to 'Relation D'Un Voyage fait au
Levant' - The travels of Monsieur de Thevenot into the
Levant. Jean de Thévenot (June 16, 1633 – November
28, 1667) was a French traveller in the East, who wrote
extensively about his journeys. He was also a linguist,
natural scientist and botanist. He was born in Paris and
received his education in the Collège de Navarre.
Ref: 8988
530. Timon of Athens From the Original
Picture, painted by Mr. Nathanl. Dance: In
the Collection of his Majesty.
N. Dance Pinxit. John Hall Sculpsit. Published June
1st. 1771, by John Boydell Engraver in Cheapside
London.
Line engraving, 565 x 600 mm, 22 ¼ x 23 ¾". Tears in
inscription space. £180
Good early impression of this print from the second
volume of John Boydell's collection of engravings
from the best paintings in England.
Ref: 8594
531. Jacob Johan Ankarström, Late
Captain; 30 years of age; committed his
crime on the 16th March, 1792; was
apprehended the 17th.; sentence
pronounced on him the 16th. April' set on
the Pillory, with and Iron collar around his
neck, in 3 public places on 3 successive
days, namely, 19th., 20th. and 21st April,
and each time received by the hand of the
executioner 15 lashes; had his right hand
cut off, was beheaded and quartered at the
Gallows, 27th. April.

Engraved by James Smith, 65 High Holborn. After a
Swedish print in the Collection of the late John
Tweddell Esqr. Published May 1st. 1815, by J
Mawman.
Coloured engraving. 270 x 210mm. 10½" x 8¼".
£140
Jacob Johan Anckarström (May 11, 1762 - April 27,
1792) was a Swedish military officer, and regicide. On
March 16, 1792, King Gustav III had returned to
Stockholm, after spending the day at Haga Palace
outside the city, to dine and visit a masquerade ball at
the Royal Opera. He was later cornered by
Anckarström and his co-conspirators Claes Horn and
Adolf Ribbing, whereby Anckarström moved in behind
the King and fired a pistol-shot into the left side of his
back.Anckarström was arrested the following morning,
and immediately confessed to the murder, although
denying a conspiracy until informed that Horn and
Ribbing also had been arrested and confessed in full.
Ref: 8493
535. J. De La Fontaine. Peint par son ami
Rigaud. Dedie a Monsieu Ginguene,
Membre de l'Institut de France des
Academies de Turin, de Florence, &c.
Pointeau delt. Coqueret Sct. A Paris, chez l'Auteur,
Rue des Fosses St. Jacques, No.3 [n.d., c.1820].
Depose a la Direction Royale de l'Imprimerie.
Coloured soft ground etching, 400 x 320mm. 15¾ x
12½". Tear from right along platemark. £130
Jean de la Fontaine (1621 – 1695) was the most famous
French fabulist and one of the most widely read French
poets of the 17th century. According to Flaubert, he
was the only French poet to understand and master the
texture of the French language before Hugo.
Pierre Charles Coqueret (1761 - 1832 c.). Engraver:
aquatint and crayon-manner; active in Paris. Trained by
Janinet (q.v.). Works exhibited at the Salon, 1789-
1810.
Ref: 9030
532. Arnaute du Caire.
Peint par J.L. Gérôme. PL XL. Photogravure Goupil &
Co. [n.d. c.1870] Berlin_Verlag von Goupil & Co.
Imprimé & Publié par Goupil & Cie. Editeurs
Paris_Londres_La Haye. New_York. Published by M.
Knoedler.
Photogravure. 261 x 204mm. 10¼" x 8". £190
A police officer in Cairo with a pair of Pharoah
hounds.
Ref: 8704
533. [Cardinal Bouffet.]
[n.d., c.1710.]
Etching, proof before letters, 520 x 375mm. 20½ x
14¾". Chip into upper left corner of plate. £230
Cardinal Bouffet (b.1627 according to ink inscription
below plate) set full length into a highly decorative
emblematic border. Below is an empty cartouche
before inscription.
Probably engraved and published by François Chéreau
(1680 - 1729).
Ref: 9009
534. Baron de Buhler Conseiller d'Etat
actuel de S.M.I. de toutes les Russies, Son
Ministre plenipotentiaire et Envoye
extraordinaire pres de S.A.J.E. Bavaro
palatin, Grand Croix de l'Ordre de St.
Wolodimir. Dedie a Son Excellence Par
son tres humble et tres obeissant Serviteur
A. Kessler.
Peint par N. Lampi. Grave par A. Kessler. [n.d.,
c.1790.]
Colour printed stipple with etching, some colour added
by hand. 330 x 255mm. 13 x 10". Foxed; laid to card.
£260
Fine and expressive portrait of a Russian minister of
state.
Ref: 9032
536. Ex Museo Neaplitano.
C. Bretherton fecet [sic]. [n.d. c.1780.]
Etching, sheet 170 x 135mm. Trimmed to platemark
top and bottom. £75
Caricature portrait of Gaetano Pugnani (1727 - 1803),
composer and violinist. Under his arm is a violin.
BM Satire: 5759.
Ref: 8714
537. Frederic II. Roi De Prusse. Electeur
de Brandebourg
Pesne pinx. Fritzsch sculp. [n.d., c.1750.]
Etching and engraving in 19th century rococo gilt
metal frame. Image 570 x 485mm. 22½ x 19". Paper
generally soiled and stained around edges; damaged to
paper surface around sitter's right eye. Lower left
corner molding of frame partially missing. £1250

Large and impressive portrait of Frederick II (1712 –
1786), in a jacket bearing the insignia of the Order of
the Black Eagle. Frederick was a King of Prussia (1740
– 1786) from the Hohenzollern dynasty. In his role as a
prince-elector of the Holy Roman Empire, he was
Frederick IV (Friedrich IV) of Brandenburg. He
became known as Frederick the Great.
After Antoine Pesne (1683 - 1757), French painter who
spent most of his career as court painter to Frederick
the Great. Engraved by Christian Friedrich Fritzsch
(1719 - 1774).
Ref: 8852
538. [Portrait of a young man.]
L Griessler pinx: J.F. Leonart fec. Ratisponae. [n.d.,
c.1670.]
Mezzotint, proof before letters from an uncleaned
plate, 195 x 140mm. 7¾ x 5½". Creases to upper right
corner. Small tear just into image upper left, damage to
lower left margin. £420
A German prince or dignitary, engraved at Regensburg
(Latin: Ratisbona) in Bavaria, Germany, by Johann
Friedrich Leonart (1633 - 1680). Born in Dunkirk,
Leonart was working in Prague and Regensburg in
1670, and from 1673 in Berlin where he died in 1680.
A rich impression of this early mezzotint.
Ref: 9309
539. Maria Grazia. The Brigand's Wife.
Painted by Schnetz. Engraved by H. Berthoud. Junr.
Published by Berthoud & Son. 65. Quadrant. London.
1828.
Coloured aquatint. 337 x 247mm. 13¼" x 9¾". £65
In 1819 Papal troops demolished the community of
Sonnino, arresting several hundreds of prisoners. The
men were detained in the Castel Sant’Angelo, whereas
the women and children were held in a workhouse
adjacent to the Thermes of Diocletian. After several
months the Roman authorities could not maintain the
women and children at such a high expense, so
released them. Maria Grazia, whom was amongst
these captives, became mistress of Schnetz and
remained in Rome to make a long career of posing,
becoming somewhat of a celebrity.
Ref: 8522
540. Anthonius Iacobi roscius hornæ
quondam verbi divini minister, et
medicinæ doctor. Natus A°. 1594. Denatus
A°. 1624. Hier hebdÿ Roscius, door trou
verongeluckt, Dat niet een Christen hert,
maer veel gemoeden druckt: Op wien Gods
gaven vroegh als druppels nedervielen, En
was gesalft tot troost van lichamen en
zielen. Der kruÿdren kracht hÿ vergde, en
voor het lichaem las, En door't beschreven
Woord de krancke ziel genas.
[P.H. Roghman] [n.d. c.1630]
Engraving. 213 x 140mm. 8 3/8" x 5½". Rare. £120
Anthoni Jacobs (1594 - 1624), sometimes called
Roscius after the friend and teacher of Cicero. He was
a Dutch Mennonite elder in the Waterlander
congregation at Hoorn. Anthoni studied medicine,
obtained his doctor's degree and was appointed elder at
an early age.
W: 2537.
Ref: 8477
541. European Magazine. Thos. Jefferson,
President of the United States of America.
Painted by Stuart, in America. Published by J. Sewell,
Cornhill June 1 - 1802.
Stipple engraving. 172 x 114mm. 10¾" x 4½". Some
spotting. £50
Thomas Jefferson (April 13, 1743 – July 4, 1826) was
the third President of the United States (1801–1809),
the principal author of the Declaration of Independence
(1776), and one of the most influential Founding
Fathers for his promotion of the ideals of
republicanism in the United States.
Ref: 8776
542. Kleedinghe van Paraquarien.
[Abraham Van Diepenbeck] [A. Melaer] [n.d. c.1680.]
Engraving. Image 280 x 172mm. 11" x 6¾". Cut to
platemark.. £160
A Brazilian native American.
Ref: 8904
543. Louis. Philippe. I.
A. Chenavard invt. Barre Père et Fils scult. Procédé de
Ach. Collas. Se vend à Paris au Bureau de Trésor de
Numismatique et de Glyptique, Rue du Colombier, 30
et chez Rittner et Goupil, Boulevart montmartre, 15.
[n.d., c.1830.]
Line engraving. 617 x 485mm. 24¼" x 19". £180
Louis Philippe (6 October 1773 –26 August 1850) was
King of the French from 1830 to 1848 in what was

known as the July Monarchy. He was the last king to
rule France. Louis Phillippe ruled in an unpretentious
fashion, avoiding the pomp and lavish spending of his
predecessors. Despite this outward appearance of
simplicity, his support came from the wealthy middle
classes. At first, he was much loved and called the
"Citizen King" and the "bourgeois monarch," but his
popularity suffered as his government was perceived as
increasingly conservative and monarchical. Under his
management the conditions of the working classes
deteriorated, and the income gap widened
considerably. An economic crisis in 1847 led to the
citizens of France revolting against their king again the
following year. On February 24, 1848, during the
February 1848 Revolution, to general surprise, King
Louis Philippe abdicated in favor of his nine-year-old
grandson, Philippe. Fearful of what had happened to
Louis XVI, Louis Philippe quickly disguised himself
and fled Paris. Riding in an ordinary cab under the
name of "Mr. Smith", he escaped to England.
According to The Times of March 6, 1848, the King
and Queen were received at Newhaven, East Sussex
before travelling by train to London.
The National Assembly initially planned to accept
young Philippe as king, but the strong current of public
opinion rejected that. On February 26, the Second
Republic was proclaimed. Prince Louis Napoleon
Bonaparte was elected President in December; a few
years later he declared himself president for life and
then Emperor Napoleon III.
Louis Philippe and his family lived in England until his
death in Claremont, Surrey. He is buried with his wife,
Amelia (April 26, 1782–March 24, 1866), at the
Chapelle Royale, the family necropolis he had built in
1816, in Dreux.
Ref: 8321
544. [Louis, Dauphin of France.]
[n.d., c.1710.]
Etching, proof before letters, 520 x 370mm. 20½ x
14½". £320
Louis, Dauphin of France (1661 - 1711) set full length
into a highly decorative border consisting of emblems
of the French monarchy. Below is an empty cartouche
before inscription. Louis was the eldest son and heir of
Louis XIV, King of France and his Queen, Marie-
Thérèse d'Autriche. He was popularly known as le
Grand Dauphin. This wasn't due to any sense of
greatness but, rather, to his large physical size. He died
before his father.
Probably engraved by François Chéreau (1680 - 1729).
Ref: 9006
545. Mehémed Riza beg Ambassad.r de
Perse. 1715.
I. François delin fet Sculp. [n.d. c.1715]
Engraving. Plate 138 x 99mm. 5½" x 4". Stain to in
right-hand side of the image. £140
Mohammed Reza Beg was a high-ranking official to
the Persian governor of the Yerevan province. He
conducted negotiations towards establishing trade
treaties between Persia and France. He returned to
Persia in autumn 1715 bearing treaties on commerce
and friendship between France and Persia that had been
signed in Versailles on 13 August.
Ref: 8986
546. Omai. 10.
[Carl Brodtmann.] [The Natural History of Mammals,
1827.]
Coloured ithograph. Sheet 325 x 234mm. £280
In September 1773 during Cook’s second voyage
Captain Furneaux of the Adventure took aboard a
young man of the island of Huahine near Tahiti. Omai
became the first South Sea islander seen in Britain. In
his early twenties, Omai became the darling of the
London scene. He was introduced to the King and
Queen, wined and dined in high society circles, and
painted by the great artists of the time before being
returned to his native home in 1776.
Ref: 8955
547. Paddy-Carr. Creek interpreteur.
[F.W. Greenough] [n.d. c.1838] Lithd. Cold. &
Published by J.T. Bowen, Philada.
Coloured lithograph. Sheet 228 x 146mm. 9" x 5¾".
Stuck on scrap sheet. Crease above title area. £70
At the age of nineteen, Paddy Carr was principal
interpreter for the Creek chiefs when they visited
President John Quincy Adams in 1826 to protest
bitterly the infamous Indian Springs treaty. The plate
comes from the History of the Indian Tribes of North
America Sketched of the Principal Chiefs.
Ref: 8902
548. Jean Frederic Phelypeaux Comte de
Maurepas, Comandeur des ordres du Roy,
Secretaire d'Etat de la maison du Roy et de
la Marine.
L.M. Van loo le Fils pinxit. Petit Sculpsit 1736.
Etching and engraving, 510 x 335mm. £290
Jean-Frédéric Phélypeaux, comte de Maurepas (1701 -
1781) was a French statesman. He was born at
Versailles, the son of Jérôme Phélypeaux, secretary of

state for the marine and the royal household. Maurepas
succeeded to his father's charge at fourteen, and began
his functions as minister of the royal household at
seventeen, while on August 16, 1723 he undertook the
actual administration of the navy, a position he held
until April 23, 1749. Although essentially light and
frivolous in character, Maurepas was seriously
interested in scientific matters, and he used the best
brains of France to apply science to questions of
navigation and of naval construction. He was disgraced
in 1749, and exiled from Paris for an epigram against
Madame de Pompadour. On the accession of Louis
XVI in 1774, twenty-five years later, he became a
minister of state and Louis XVI's chief adviser, a
position he held until 1781.
With his right hand he indicates some ships in the
background. A fine impression.
Ref: 9028
Mezzotint, proof on india. 575 x 800mm, 22¾ x 31½".
Tear in margin, some spotting. £520
David Zeisberger (1721-1808) was a Moravian
missionary who lived with the Delaware Indians in
Pennsylvania during the 1760s. In 1781, during the
American Revolution, the British arrested Zeisberger
and charged him with treason, but he convinced the
authorities of his neutrality and was released. During
his imprisonment many of his native converts were
murdered by American militia, the Gnadenhutten
massacre, of March 8, 1782.
The painter was Christian Schussele (1824-79).
Ref: 8856
549. His Majesty Pomarrè, King of
Taheite.
Freeman sc. Pub.d by F. Westley, Stationers Court
May 1821.
Stipple, 140 x 100mm. 5½ x 4". Tears outside printed
area. glued inside separate sheet of paper. £95
Pomare II of Tahiti (1782-1821). He died of drinkrelated
causes in December 1821 and was succeeded
by Pomare III.
Ref: 8721
550. Galleria pittorica Poniatowski.
...alla Battaglia di Lipsia [Italian
description follows in three lines.]
G. Gatti dis. da Adam. Lit. Gatti e Dura _ V.S. Spirito
No.49. Napoli 26 Agosto 1837.
Lithograph, sheet 480 x 410mm. 18¾ x 16". Some
staining outsid eimage. £130
Prince Joseph Poniatowski (1763 - 1813) was the
nephew of the last king of independent Poland,
Stanislas-Auguste Poniatowski. He fought in the Polish
army against the Russians in 1792 and took part in the
anti-Russian revolt of 1794, led by Kosciuszko. In
1807, Napoleon appointed him to commander-in-chief
of the Duchy of Warsaw and he was made a marshal of
France during the Battle of Leipzig (here represented)
in 1813. He was killed during this battle.
Numbered 'No.20' upper right. From a drawing by
Victor Adam (1801 - 1866).
Ref: 9040
551. The Power of the Gospel. David
Zeisberger, the Moravian Apostle among
the North American Indians, Preaching by
Night at Geshgoshunk on the Alleghany
River, Penn.a. October 16th 1787.
Original by C.Schussele, Phil.a. Engraved by John
Sartain, Phil.a. Philadelphia, 1864. Published by John
Skirving, 726 Sansom St. Entered according to act of
Congress in the Year 1864, by John Skirving in the
Clerk's officve of the District Court for the Eastern
District of Pennsylvania. Entered at Stationer's Hall
London, by John Skirving, March 22nd 1864.
552. C.J. Rhodes [signature facsimile.]
W. & D. Downey, Photo. Art Repro. Coy. London, po.
sc. Published by Marion & Co. London, W [n.d.,
c.1900].
Photogravure, 340 x 240mm. 13¼ x 9½". £180
Cecil John Rhodes (1853 - 1902), Imperialist and
statesman in South Africa. Rhodes shaped the
economic and political development of South
Africa,and extended British influence into what is now
Zimbabwe; compromised by the Jameson Raid in
1895, but remained enormously influential. He
endowed the Rhodes scholarships.
Ref: 8931
553. Dirk Scholl. Organist en
klokkenist...[Dutch description follows.]
Anno 1699. T. vander Wilt, pinx. et fec.
Mezzotint, 235 x 175mm. 9¼ x 7". Trimmed to plate.
Small chips to extremities. £140
Portrait of Dirck Janszoon Scholl (1640/41 - 1727) at
the

age of 58. Scholl was an organist, carillonneur and
composer. He must have received his early musical
training from his father, Jan Scholl, who was
carillonneur at Brielle. In 1661 Scholl was appointed
organist and carillonneur at St. Eusebius, Arnhem,
where he also became a member of the local collegium
musicum. In 1665 he moved to Delft and worked at the
Nieuwe Kerk as organist and carilloneur.
Besides, he played the harpsichord and the viola da
gamba and composed various chamber music, certainly
performed by his collegium musicum in Delft. Scholl
was also active as a carillon and organ expert and
inspected instruments all over the country.
In the background is the spire of the Nieuwe Kerk,
Delft.
By Thomas van der Wilt (1659 - 1733), painter and
mezzotint-engraver. Between 1690 and 1714 he was
repeatedly dean of the guild of St. Luke in Delft. Pupil
of Jan Verkolje I.
Ref: 9041
Mezzotint with added hand colour. Very scarce. 351 x
248mm. 13¾" x 9¾". Small holes and tears in the
margin. £260
Jan Willem de Winter, Dutch admiral [1750-1812].
Ref: 8418
554. Karl Steffensen 1816. 1888.
Joh. Burger sc.
Engraving, 335 x 260mm. £120
A portrait of the philosopher Karl Steffensen (1816
Flensburg- 1888 Basel.)
Ref: 8407
555. Tahmas Kuli Khan. Sophi of Persia.
This Prince from the low Condition of a
Shepherd (his Father living in ye same
Occupation) rais'd himself to the Throne of
one of ye most flourishing Empires in ye
World; and has fill'd all Asia for some
time with Terror & Astonishment.
Drawn from the Life, whilst in the Field of Battle, by a
private Centinel, and brought over to England by an
Eastern Merchant.__ Engrav'd from ye Original, with
ye additional Decorations Design'd by G. Bickham
junr. and Sold at ye Printing Office in Aldermary
Church Yard London. 88 [bottom right-hand corner.]
[n.d. c.1740]
A very rare engraving. Plate 362 x 234mm. 14¼" x
9¼". Some creasing and repairs. £160
Tahmas Kuli Khan. (1688-1747. Regent and throneholder
between 1736-47. He conquered Delhi in 1738.
Ref: 8995
556. Admiral de Winter. Commander in
Chief of the Dutch Fleet, in the late Action
with Admiral Lord Viscount Duncan, on
the nth. of October 1797._________The
British Squadron Captured Nine Sail of the
Line and Two Frigates, on Board of which
were three Dutch Admirals, _Viz. Adml. de
Winter, __Vice Adml. Reyntjes, (since
dead) and Read Adml. Munier.
Published 20th, November 1797, by Laurie & Whittle,
53 Fleet Street, London.
557. 'We Sat Tight' B.P.
[n.d., c.1900.]
Etching. 200 x 140mm. £120
A semi-caricature portrait of Robert Baden-Powell
sitting on a keg of gunppowder, apparently writing his
despatch of November 20th 1899, duringthe 217-day
Seige of Mafeking (1899) in which he which he wrote
"The enemy's sentries drew us out Saturday by making
a show of going away and leaving a gun, apparently in
a state of being dismantled. Our scounbts found the
enemy in force. So we sat tight".
Ref: 8436
558. The Honourable Samuel Barrington,
Vice Admiral of the Blue, and Commander
in Chief of his Majestys Ships at the
Reduction of St. Lucia.
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Printsellers,
No.53, Fleet Street; as the Act directs, 12th.
Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed
collectors stamp for Ch. Kemeys-Tynte [Luft gives
1779-1860 as the dates although these may not be
correct.] Repaired tear in lower margin. £250
Rear Admiral Samuel Barrington RN (1729 — 1800)
British Admiral whose career spanned 50 years served
in the Mediterranean against North African Corsairs,
off the West African coast, off France and in the
Channel. He accompanied Commordore Keppel to

North America in 1755 and again served with Keppel
in 1761 at Belle-Isle. He served as a Captain in the
Channel for many years when in 1778 was advanced to
Rear Admiral of the White and sent as Commander in
Chief in the West Indies. Having been succesful in
taking St. Lucia from the French he served in the West
Indies for another couple of years after which in 1782
he returned to the Channel Fleet and served under
Howe at the relief of Gibraltar.
CS:6.ii
Ref: 8465
559. The Honble. Lt. Coll. Charles
Cathcart.
Gulielmus Sharp Sculpsit Londini, Januarius 1. 1791.
G. Romney Pinxt.
Line engraving. 275 x 217mm. 10¾" x 8½". Slight
mark top left of the image. £75
Charles Murray Cathcart, 2nd Earl Cathcart GCB
(Walton-on-the-Naze 21 December 1783 – 16 July
1859 St Leonards-on-Sea) was a British Army general
who became Governor General of the Province of
Canada and Lieutenant Governor of Canada West
(November 26, 1845 – January 30, 1847). See 8280.
Ref: 8278
560. [The Honble. Lt. Coll. Charles
Cathcart.]
Gulielmus Sharp Sculpsit Londini, Januarius 1. 1791.
[G. Romney Pinxt.]
Line engraving. Proof before title. 275 x 217mm.
10¾" x 8½". Fine impression. £95
Charles Murray Cathcart, 2nd Earl Cathcart GCB
(Walton-on-the-Naze 21 December 1783 – 16 July
1859 St Leonards-on-Sea) was a British Army general
who became Governor General of the Province of
Canada and Lieutenant Governor of Canada West
(November 26, 1845 – January 30, 1847). See 8280.
Ref: 8279
561. The Honble. Lt. Coll. Charles
Cathcart.
Gulielmus Sharp Sculpsit Londini, Januarius 1. 1791.
G. Romney Pinxt.
Line engraving. 275 x 217mm. 10¾" x 8½". Mint. £95
Charles Murray Cathcart, 2nd Earl Cathcart GCB
(Walton-on-the-Naze 21 December 1783 – 16 July
1859 St Leonards-on-Sea) was a British Army general
who became Governor General of the Province of
Canada and Lieutenant Governor of Canada West
(November 26, 1845 – January 30, 1847). Having
obtained his majority on 14 May 1807, he saw service
in the Walcheren Expedition in 1809, taking part in the
siege of Flushing, after which for some time he was
disabled by the injurious effects of the pestilence which
cut off so many thousands of his companions.
Becoming lieutenant-colonel on 30 August 1810, he
embarked for the Peninsula, where he was present in
the battles of Barossa, for which he received a gold
medal on 6 April 1812, of Salamanca, and of Vittoria,
during which he served as assistant quartermastergeneral.
He was next sent to assist Lord Lynedoch in Holland as
the head of the quartermaster-general's staff, and was
afterwards present at Waterloo, where he greatly
distinguished himself, having three horses shot under
him. For his services he received the Russian order of
St. Wladimir, the Dutch order of St. Wilhelm, and was
made a C.B. on 4 June 1815. He was colonel of the
11th hussars, 1842–7, of the 3rd dragoon guards,
1847–51, of the 1st dragoon guards, 1851 to his
decease, and a general in the army, 20 June 1854.
Among other honours, he was created a K.C.B. on 19
July 1838, and a G.C.B. 21 June 1859.
Ref: 8280
562. Lt. General the Honble. Sir George
Cathcart, K.C.B. A. D. C. at Leipsic and
Waterloo_Restored peace to Africa 1853,
was killed 5th. Novr. 1854, at Inkerman,
commanding 4th Division.
Painted by T.Y. Gooderson. Engraved by J. Richardson
Jackson. London. T.Y. Gooderson, 126, Albany Street,
N.W. 1857.
Mezzotint. 515 x 406mm. 20¼" x 16". Fine impression
£280
Sir George Cathcart (1794-1854), English soldier, third
son of the 1st Earl Cathcart, was born in London on the
12th of May 1794. He was educated at Eton and
Edinburgh University. In 1810 he entered the army,
and two years later accompanied his father to Russia as
aide-de-camp. With him he joined the Russian
headquarters in March 1813; and he was present at all
the great battles of that year in Germany, and of the
following year in France, and also at the taking of
Paris. The fruits of his careful observation and critical
study of these operations appeared in the
Commentaries on the war in Russia and Germany
1812-1813, a plain soldier-like history, which he
published in 1850. After the peace of 1814 he
accompanied his father to the congress of Vienna. He
was present at Quatre Bras and at Waterloo, as an aide-

de-camp to the duke of Wellington. He was recalled to
active service in 1838, and sent as commander of the
King's Dragoon Guards to Canada, where he played an
important part in suppressing the rebellion and
pacifying the country. In 1844 he returned to England,
and two years later was appointed deputy-lieutenant of
the Tower, a post which he held up to the time of his
promotion to major-general in 1851. In March 1852 he
succeeded Sir Harry Smith as governor and
commander-in-chief at the Cape, and brought the
Kaffir war, then in progress, to a successful conclusion.
He promulgated the first constitution of Cape Colony,
and conducted operations against the Basuto. Cathcart
was made a K.C.B. and received the thanks of both
Houses for his services (1853). In December 1853 he
was made adjutant-general of the army, but never
entered upon his duties, being sent out to the Crimean
War as soon as he arrived in England. He was even
given a dormant commission entitling him to the chief
command in case of accident to Lord Raglan, and the
highest hopes were fixed on him as a scientific and
experienced soldier. But these hopes were not to be
fulfilled; for he fell at the battle of Inkerman
(November 5, 1854). His remains, with those of other
officers, were buried on Cathcart's Hill. Sir George
Cathcart married in 1824 Lady Georgiana Greville,
who survived him, and by whom he had a family.
Ref: 8281
563. Vice Admiral Sir Edward Codrington
G.C.B - G.C.St.L. - K.St.G.
Painted by Sir Thomas Lawrence. Engraved by C.
Turner, A.R.A. Engraver in Ordinary to His Majesty.
London Published June 1, 1830 by Messrs. Colnaghi.
Son & Co. Printsellers to His Majesty, Pall Mall, East.
Mezzotint. 250 x 350mm. Water stain through right
side of sheet. £380
Admiral Sir Edward Codrington (1770-1851). Fought
at Trafalgar (1805, as commander of the Orion. As
Commander of the Mediterranean Fleet he led a
combined British, French and Russian fleet to victory
against the Turkish and Egyptian fleets in the Battle of
Navarino (1827).
W 128
Ref: 8200
564. The Honble. Caroline Lucy Douglas
[&] Captn. The Honble. George Douglas
R.N.
Drawn by C.L.D. Engraved by W. Say Engraver to
H.R.H. the Duke of Glocester. London: Pubd. & Sold
by Edwd. Orme, Printseller to the King & Royal
Family Bond Strt. Corner of Brook Street. &
Publication line trimmed away on George Douglas
R.N.
Pair of mezzotints, possibly private plates. 608 x
478mm. 24" x 18¾". [&] 595 x 478mm. 23" 1/3 x
18¾". Trimmed to plate mark second plate publication
line lost minor foxing and outer edges a little dirty.
£580
A fantastic pair of romantic portraits of he children of
the 1st Baron Douglas of Douglas, by the daughter,
Caroline Lucy Douglas (1784-1857, later known as
Caroline Lucy Scott after marrying Vice Adml.Sir
George Scott). The son, George Douglas (1788-1838),
became a commander in the Royal Navy .
Ref: 8282
565. Major General Charles George
Gordon. C.B. A Mandarin of the Highest
Order in Service to China. And a Pasha in
the Service of the Porte. Issued as a
Supplement to the Worcester Herald,
Saturday Feby. 7th 1885.
(From a Photograph by Adams & Scanlan.
Southampton.) Maclure & Macdonald Liths. to the
Queen, London.
Lithograph. Sheet 571 x 444mm. 22½" x 17½". £130
Major-General Charles George Gordon, CB (28
January 1833 – 26 January 1885), known as Chinese
Gordon, Gordon Pasha, and Gordon of Khartoum, was
a British army officer and administrator. He is
remembered for his campaigns in China and northern
Africa.
NPG: Photographs Collection.
Ref: 8968
566. Sr. Philip Honywood, Knight of the
most Honourable Order of the Bath,
General of Horse, Colonel of his Majesty's
first Regiment of Dragoon Guards,
Governor of Portsmouth &c.
B. Dandridge Pinxt. 1751. Ias. McArdell Fecit. Sold
by Jas. McArdell at the Golden Head in Covent
Garden.
Mezzotint, 502 x 355mm, 19 ¾ x 14" Glue stains
where attached to backing sheet, slight abrasions.
£420