Fundamental Concepts in Video
Fundamental Concepts in Video
Fundamental Concepts in Video
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<strong>Fundamental</strong>s of Multimedia, Chapter 5<br />
S-<strong>Video</strong> — 2 Signals<br />
• S-<strong>Video</strong>: as a compromise, (Separated video, or Supervideo,<br />
e.g., <strong>in</strong> S-VHS) uses two wires, one for lum<strong>in</strong>ance<br />
and another for a composite chrom<strong>in</strong>ance signal.<br />
• As a result, there is less crosstalk between the color <strong>in</strong>formation<br />
and the crucial gray-scale <strong>in</strong>formation.<br />
• The reason for plac<strong>in</strong>g lum<strong>in</strong>ance <strong>in</strong>to its own part of the<br />
signal is that black-and-white <strong>in</strong>formation is most crucial for<br />
visual perception.<br />
– In fact, humans are able to differentiate spatial resolution <strong>in</strong> grayscale<br />
images with a much higher acuity than for the color part of<br />
color images.<br />
– As a result, we can send less accurate color <strong>in</strong>formation than must<br />
be sent for <strong>in</strong>tensity <strong>in</strong>formation — we can only see fairly large blobs<br />
of color, so it makes sense to send less color detail.<br />
4 Li & Drew c○Prentice Hall 2003