Unit 4 - Romanticism - Sketchbook
A2 Critical and Contextual Studies
A2 Critical and Contextual Studies
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▲ Temple of Juno in Agrigento,<br />
Caspar David Friedrich, c.1828-<br />
1830, oil on canvas, small scale<br />
That lack of God in the society and the virtues such as innocence or chivalry,<br />
made the artist of <strong>Romanticism</strong> nostalgically look back to the medieval times,<br />
when these aforementioned values seemed to play a more important part in the<br />
society.<br />
<strong>Romanticism</strong> was a response to the ugliness of the industrialisation, which was going away from the Nature they<br />
celebrated. They criticised it. Often, they looked at countryside, which to them evoked the notion of beauty and idyll<br />
that was being blemished by mechanisation, thus making some farm workers lose their job.<br />
Religion, which as I mentioned before was in a sort of a decline, and especially the mystical element, which<br />
constitutes the nature of it in general, and the idea that there is something that even the thinkers of Enlightenment<br />
cannot simply comprehend was what appealed to the Romantic artists.<br />
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