CMG HC_ D1 021011.indd - The Hollywood Reporter
CMG HC_ D1 021011.indd - The Hollywood Reporter
CMG HC_ D1 021011.indd - The Hollywood Reporter
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Reviews<br />
Elite Squad 2<br />
By Stephen Farber<br />
THOSE WHO HAVE<br />
had their fill of<br />
angst and weirdness<br />
at this year’s<br />
Sundance Film Festival<br />
relished one of the festival’s<br />
most purely entertaining<br />
movies, Elite Squad 2: <strong>The</strong><br />
Enemy Within, which also<br />
happens to be the most<br />
successful Brazilian movie<br />
in history. Director Jose<br />
Padilha has had several earlier<br />
films at Sundance and<br />
this year served as a juror in<br />
the world cinema documentary<br />
category. Action movies<br />
aren’t usually showcased<br />
at Sundance, but this movie<br />
does have the sense of<br />
political anger and urgency<br />
that distinguishes many<br />
other films at the festival.<br />
Following up on some<br />
of the themes and characters<br />
of Elite Squad, the<br />
brutal thriller that won the<br />
Golden Bear in Berlin in<br />
2008, the sequel is actually<br />
a more compelling movie.<br />
And unlike many sequels,<br />
it is completely selfcontained,<br />
so if you don’t<br />
remember a thing about<br />
the first movie, that won’t<br />
interfere with your enjoyment<br />
of this one. From the<br />
brilliantly staged opening<br />
sequence — a prison riot<br />
that turns into a bloodbath<br />
— the energy never lets up.<br />
<strong>The</strong> main character, Nascimento<br />
(Wagner Moura),<br />
the leader of Rio de Janeiro’s<br />
special military police<br />
unit, mismanages the prison<br />
riot, so he is removed from<br />
his job but eventually kicked<br />
upstairs to a government<br />
intelligence post. <strong>The</strong>re he<br />
uncovers a web of corruption<br />
that spreads from the<br />
police department to the<br />
highest levels of government.<br />
Although the film is<br />
billed as fiction, it draws<br />
on real scandals in Brazil,<br />
which may explain why it<br />
has connected so powerfully<br />
with audiences at home. A<br />
8<br />
smart distributor should be<br />
able to lure an American<br />
audience as well, because<br />
the picture has considerable<br />
suspense as well as piercing<br />
human insight.<br />
Much of the humanity<br />
comes from Moura’s performance.<br />
While Nascimento<br />
can kick butt with the sangfroid<br />
of Dirty Harry, the<br />
actor also conveys genuine<br />
anguish when surveying the<br />
tragic consequences of the<br />
violence ravaging Rio. In the<br />
opening scenes Nascimento’s<br />
nemesis is a publicityhungry<br />
human rights<br />
advocate, Fraga (Irandhir<br />
Santos), a crusader against<br />
police brutality who also<br />
happens to be married to<br />
Nascimento’s ex-wife (Maria<br />
Panorama<br />
Bottom Line: A fast-paced,<br />
hard-hitting Brazilian police<br />
thriller.<br />
Production: Zazen Producoest<br />
Cast: Wagner Moura, Irandhir<br />
Santos, Andre Ramiro, Pedro<br />
Van Held, Maria Ribeiro, Sandro<br />
Rocha, Milhem Cortaz. Director:<br />
Jose Padilha. Screenwriters:<br />
Braulio Mantovani, Jose Padilha<br />
Producers: Marcos Prado, Jose<br />
Padilha Executive producers:<br />
James D’Arcy, Leonardo Edde<br />
Elite Squad 2<br />
Ribeiro). Eventually, however,<br />
the cop and the journalist<br />
join forces to expose<br />
the real villains — a cadre of<br />
vicious, corrupt cops led by<br />
the menacing Sandro Rocha<br />
and Milhem Cortaz.<br />
Nascimento’s relationship<br />
with his teenage son<br />
(Pedro Van Held) adds<br />
unexpected tenderness<br />
to the chases and shootouts.<br />
<strong>The</strong> violence is less<br />
relentless than in the first<br />
movie, but it still packs<br />
a visceral charge. <strong>The</strong><br />
one flaw in the film is an<br />
excessive use of voice-over<br />
narration by Nascimento.<br />
Much of the exposition<br />
seems unnecessary given<br />
the cogent visual storytelling<br />
that Padilha masters.<br />
Tight editing keeps driving<br />
the movie forward, and the<br />
director and his cinematographer,<br />
Lula Carvalho,<br />
capture the many sides of<br />
Rio, from the favelas to the<br />
sleek corridors of power.<br />
Could there be a third Elite<br />
Squad? Given the success<br />
of Part 2 and the slightly<br />
ambiguous ending, don’t<br />
bet against it. THR<br />
day1_rev_elite.indd 1 2/9/11 4:01 PM