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CMG HC_ D1 021011.indd - The Hollywood Reporter

CMG HC_ D1 021011.indd - The Hollywood Reporter

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Reviews<br />

Elite Squad 2<br />

By Stephen Farber<br />

THOSE WHO HAVE<br />

had their fill of<br />

angst and weirdness<br />

at this year’s<br />

Sundance Film Festival<br />

relished one of the festival’s<br />

most purely entertaining<br />

movies, Elite Squad 2: <strong>The</strong><br />

Enemy Within, which also<br />

happens to be the most<br />

successful Brazilian movie<br />

in history. Director Jose<br />

Padilha has had several earlier<br />

films at Sundance and<br />

this year served as a juror in<br />

the world cinema documentary<br />

category. Action movies<br />

aren’t usually showcased<br />

at Sundance, but this movie<br />

does have the sense of<br />

political anger and urgency<br />

that distinguishes many<br />

other films at the festival.<br />

Following up on some<br />

of the themes and characters<br />

of Elite Squad, the<br />

brutal thriller that won the<br />

Golden Bear in Berlin in<br />

2008, the sequel is actually<br />

a more compelling movie.<br />

And unlike many sequels,<br />

it is completely selfcontained,<br />

so if you don’t<br />

remember a thing about<br />

the first movie, that won’t<br />

interfere with your enjoyment<br />

of this one. From the<br />

brilliantly staged opening<br />

sequence — a prison riot<br />

that turns into a bloodbath<br />

— the energy never lets up.<br />

<strong>The</strong> main character, Nascimento<br />

(Wagner Moura),<br />

the leader of Rio de Janeiro’s<br />

special military police<br />

unit, mismanages the prison<br />

riot, so he is removed from<br />

his job but eventually kicked<br />

upstairs to a government<br />

intelligence post. <strong>The</strong>re he<br />

uncovers a web of corruption<br />

that spreads from the<br />

police department to the<br />

highest levels of government.<br />

Although the film is<br />

billed as fiction, it draws<br />

on real scandals in Brazil,<br />

which may explain why it<br />

has connected so powerfully<br />

with audiences at home. A<br />

8<br />

smart distributor should be<br />

able to lure an American<br />

audience as well, because<br />

the picture has considerable<br />

suspense as well as piercing<br />

human insight.<br />

Much of the humanity<br />

comes from Moura’s performance.<br />

While Nascimento<br />

can kick butt with the sangfroid<br />

of Dirty Harry, the<br />

actor also conveys genuine<br />

anguish when surveying the<br />

tragic consequences of the<br />

violence ravaging Rio. In the<br />

opening scenes Nascimento’s<br />

nemesis is a publicityhungry<br />

human rights<br />

advocate, Fraga (Irandhir<br />

Santos), a crusader against<br />

police brutality who also<br />

happens to be married to<br />

Nascimento’s ex-wife (Maria<br />

Panorama<br />

Bottom Line: A fast-paced,<br />

hard-hitting Brazilian police<br />

thriller.<br />

Production: Zazen Producoest<br />

Cast: Wagner Moura, Irandhir<br />

Santos, Andre Ramiro, Pedro<br />

Van Held, Maria Ribeiro, Sandro<br />

Rocha, Milhem Cortaz. Director:<br />

Jose Padilha. Screenwriters:<br />

Braulio Mantovani, Jose Padilha<br />

Producers: Marcos Prado, Jose<br />

Padilha Executive producers:<br />

James D’Arcy, Leonardo Edde<br />

Elite Squad 2<br />

Ribeiro). Eventually, however,<br />

the cop and the journalist<br />

join forces to expose<br />

the real villains — a cadre of<br />

vicious, corrupt cops led by<br />

the menacing Sandro Rocha<br />

and Milhem Cortaz.<br />

Nascimento’s relationship<br />

with his teenage son<br />

(Pedro Van Held) adds<br />

unexpected tenderness<br />

to the chases and shootouts.<br />

<strong>The</strong> violence is less<br />

relentless than in the first<br />

movie, but it still packs<br />

a visceral charge. <strong>The</strong><br />

one flaw in the film is an<br />

excessive use of voice-over<br />

narration by Nascimento.<br />

Much of the exposition<br />

seems unnecessary given<br />

the cogent visual storytelling<br />

that Padilha masters.<br />

Tight editing keeps driving<br />

the movie forward, and the<br />

director and his cinematographer,<br />

Lula Carvalho,<br />

capture the many sides of<br />

Rio, from the favelas to the<br />

sleek corridors of power.<br />

Could there be a third Elite<br />

Squad? Given the success<br />

of Part 2 and the slightly<br />

ambiguous ending, don’t<br />

bet against it. THR<br />

day1_rev_elite.indd 1 2/9/11 4:01 PM

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