CURRICULUM VITAE Adrian Margaret Smith ... - Brooklyn Museum

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Adrian Margaret Smith Piper: Curriculum Vitae Davis, Ca. April 1987 50. Past Time, Maryland Art Place, Baltimore, Md. September 1987 51. Commitment to Print, The Museum of Modern Art, New York, N.Y. (traveling) January 1988 52. Coast to Coast: A Women of Color National Artists’ Book Project, WCA, Houston, Texas (traveling) February 1988 53. Autobiography: In Her Own Image, Intar Gallery, New York, N.Y. (traveling) April 1988 54. Modes of Address, Whitney Museum Downtown, New York, N.Y. July 1988 55. Unknown Secrets: Art of the Rosenberg Era (traveling), curated by Nina Felshin September 1988 56. Signs, Art Gallery of Ontario, Toronto, Canada (traveling) September 1988 57. The Turning Point: Art and Politics in 1968, Cleveland Center for Contemporary Art, Cleveland, Ohio (traveling) September 1988 58. Works on Paper, OneTwentyEight, New York, N.Y. December 1988 59. Art as a Verb, Maryland Institute of Art, Baltimore, Md. October 1988 60. Identity, Whitney Museum Downtown, New York, N.Y. December 1988 61. Making Their Mark: Women Artists Move Into the Mainstream 1970-85, Cincinnati Art Museum, Cincinnati, Ohio (traveling) Feb.-March 1989 62. Collecting, Organizing, Transposing, Maryland Art Place, Baltimore, Md. February 1989 63. Art as a Verb, The Studio Museum in Harlem, New York, N.Y. March-June 1989 64. Head, OneTwentyEight, New York, N.Y. May 1989 65. American Resources, Bernice Steinbaum Gallery, New York, N.Y. (traveling) June-July 1989 66. Some Choices, Long Beach Art Museum, Long Beach, Ca. Summer 1989 67. Double Take: A Second Look at Advertising, Cincinnati Contemporary Arts Center, Cincinnati, Ohio July-Sept. 1989 68. Buttinsky, Feature, New York, N.Y. September 1989 69. I Only Want You to Love Me, Feature, New York, N.Y. October 1989 70. L’Art Conceptuel: Une Perspective, Musee d’Art Moderne, Paris, France (traveling) Nov. 1989-Feb. 1990 71. Life is Wonderful, Simon Watson Gallery, New York, N.Y. February 1990 72. Exotism, Zilkha Gallery, Wesleyan University, Middletown, Conn. January-March 1990 73. Insect Politics, Hallwalls Contemporary Arts, Buffalo, N.Y. March-April 1990 74. Signs of the Self: Changing Perceptions, Woodstock Artists Association, Woodstock, N.Y. March-April 1990 75. Words and Images - With a Message, Women’s Studio Workshop, Oneonta, N.Y. April 1990 76. Sarah Charlesworth, Jeanne Dunning, Annette Messager, Adrian Piper, Laurie Simmons, Feigen Gallery, Chicago, Ill. March-April 1990 77. Constructive Anger, Barbara Krakow Gallery, Boston, Mass. May-June 1990 78. Art in Europe and America: The 1960s and 1970s, Wexner Center for the Visual Arts, Ohio State University, Columbus, Oh. May-August 1990 Word as Image: American Art 1960-1990, 79. Milwaukee Art Museum, Milwaukee, Wisconsin June-August 1990 80. Contemporary Arts Center, Houston, Tx. February 1991 81. The Power of Words: An Aspect of Recent Documentary Photography, P.P.O.W., New York, N.Y. June-July 1990 82. The Thing Itself, Feature Gallery, New York, N.Y. July-August 1990 83. Presumed Identities, Real Art Ways, Hartford, Conn. November 1990 84. The Art of Drawing, Lehman College Art Gallery, New York, N.Y. Sept.-Nov. 1990 85. Gender and Representation, Zoller Gallery, Penn State University, University Park, Pa. February 1991 86. The Political Arm, John Weber Gallery, New York, N.Y. February 1991 87. Show of Strength, Anne Plumb Gallery, New York, N.Y. April-May 1991 88. The Art of Advocacy, The Aldrich Museum of Contemporary Art, Ridgefield, Conn. May-Sept. 1991 20
Adrian Margaret Smith Piper: Curriculum Vitae Awards in the Visual Arts, 89. Hirshhorn Museum, Washington DC June-Sept. 1991 90. The Albuquerque Museum of Art, History and Science, Albuquerque, New Mexico Sept.-December 1991 91. The Toledo Museum of Art, Toledo, Oh. Dec.-January 1991 92. Visions/Revisions, Denver Art Museum, Denver, Col. April-August 1991 93. What It’s Like, What It Is, #3, Dislocations, Museum of Modern Art, New York, N.Y. October 1991 94. Open Mind: The LeWitt Collection, Wadsworth Atheneum, Hartford, Conn. August-Dec. 1991 95. Salvage Utopia, AC Project Room, New York, N.Y. October 1991 96. Affirmative Re-Actions, Iris and B. Gerald Cantor Art Gallery, Worcester, Mass. November 1991 97. Artists of Conscience: 16 Years of Social and Political Commentary, New York, N.Y. November-Jan. 1991 98. Dispossessed Installations, Florida State University, Tallahassee, Fla. August-Sept. 1992 99. Will/Power: New Works by Papo Colo, Jimmie Durham, David Hammons, Hachivi Edgar Heap of Birds, Adrian Piper, Aminah Brenda Lynn Robinson, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio September-Dec. 1992 Dream Singers, Story Tellers: An African American Presence: 100. Fukyui Fine Arts Museum, Fukyui-ken, Japan Nov. 1992-Jan. 1993 101. New Jersey State Museum, Trenton, N.J. Aug.1993-March 1994 102. Then & Now: A Selection of Artists Who Early in Their Museum Careers Exhibited at the Aldrich Museum of Contemporary Art of Ridgefield, Connecticut, Philippe Staib Gallery, New York, N.Y. Curated by Buzz McCall April-May 1992 103. Book Works: A Women’s Perspective, New Loom House, London, England March-April 1992 104. Documenta 9, Kassel, Germany (withdrew) May-August 1992 105. Adrian Piper/Carl Pope, Herron Gallery, Indiana University, Indianapolis, IN May-June 1992 106. Artist as Catalyst, The Alternative Museum, New York. N.Y. Nov. 1992-Feb. 1993 107. Will/Power, Wexner Center For The Arts, Ohio State University, Columbus, Ohio Sept.-Dec. 1992 Mistaken Identities, 108. University Art Museum, University of California at Santa Barbara, Santa Barbara, CA, Nov.-December 1992 109. Kunstverein, Graz, Austria April-May 1993 110. 44 th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, N.Y. Nov.-December 1992 111. The Boundary Rider: 9 th Biennale of Sydney, Gallery of New South Wales, Sydney, Australia Dec. 1992-March 1993 112. Here’s Looking at Me: Contemporary Self Portraits, Espace Lyonnais D’Art Contemporain, Lyon, France January-April 1993 113. The Theater of Black Refusal: Black Art and Mainstream Criticism, University of California, Irvine, Fine Arts Gallery, Irvine, Cal. April-May 1993 114. 25 Years, Cleveland Center for Contemporary Art, Cleveland, Ohio Sept.-Nov. 1993 115. Kontext Kunst, Neue Galerie, Graz, Austria October 1993 116. Ciphers of Identity, Fine Arts Gallery, University of Maryland, Baltimore County (traveling) Nov. 1993-Jan. 1994 117. L’Hiver de l’Amour, Musee d’Art Moderne de Ville de Paris, Paris, France Feb.-March 1994 118. Can You Always Believe Your Eyes? Museum of Contemporary Art, De Beyerd, Breda, Holland April-May 1994 119. Dignity for All: Reflections on Humanity, Artimo, Zeist, Holland June-August 1994 120. Thirty Years, Larry Aldridge Museum of Contemporary Art, 21
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CURRICULUM VITAE Adrian Margaret Smith ... - Brooklyn Museum

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