CURRICULUM VITAE Adrian Margaret Smith ... - Brooklyn Museum

Adrian Margaret Smith Piper: Curriculum Vitae
Wallach, Amei, “Images of Black Males: A Reflection on Society,” New York Newsday (November
11, 1994)
Wallis, Brian, “Will/Power at Wexner Center”, Art in America, (February 1993), 116-117
Ward, Frazer, “Adrian Piper, Thomas Erben Gallery, “ Frieze, Issue 45, (March /April 1999),
80, illustrated
Wark, Jane, “Conceptual Art and Feminism, “ Women’s Art Journal 22, Number 1
(Spring/Summer 2001), 44-50
Wark, Jane, Radical Gestures. Feminism and Performance Art in North America (Montreal & Kingston:
McGill-Queen’s University Press, 2006), 23n 57, 76, 139, 140-144, 191-2, 195
Watkin, Mel, “Adrian Piper: The Racist Within: Some Personal Observations,” What It’s Like,
What It Is, #1 (brochure to accompany exhibition at the Washington Project for the Arts),
(June 1991)
Weil, Benjamin, “Interview With Adrian Piper,” Purple Prose 3 (Paris: Summer 1993), 74-79
Weintraub, Joanne, “College Philosopher’s Artwork Anything But Black and White,” The
Milwaukee Journal, (October 14, 1993), B3
Welish, Marjorie, “In This Corner, Adrian Piper’s Agitprop,” Arts Magazine 65, 7, (March 1991),
cover and 43-47
Weser, Marcia Goren, “Artist’s work deals with society’s prejudices and fears,” San Antonio
Light, (March 29, 1992), L-5
Wetzel, Anita, Words and Images With A Message, (catalogue to accompany exhibition at the
Women’s Studio Workshop, 1990)
Willemson, Roger, “Adrian Piper,” Premiere (November 5, 1992, Hamburg Cable TV).
Wilson, Judith, “Adrian Piper,” Black Arts Annual 1987/1988, Ed. Donald Bogle (New York,
N.Y.: Garland Press 1989) 5, 17, 19, 40-41
Wilson, Judith, “Optical Illusions: Images of Miscegenation in Nineteenth and Twentieth Century
Art,” American Art, (Summer 1991), 88-107
Wilson, Judith, “’In Memory of the News and of Ourselves’: The Art of Adrian Piper,” Third
Text 16/17, (Autumn/Winter 1991), 39-62
Wilson, Judith, “Beauty Rites: Towards an Anatomy of Culture in African American Women’s
Art,” in Image and Identity: The African American Experience in 20 th Century Art, The
International Review of African American Art XI, 3 (1994), 11-18
Wilson, Rhonda, “Angry Art,” Everywoman, (December 1991/January 1992)
Williams, Val, “Adrian Piper,” Creative Camera, 27, (month/year?)
Winn, Alice, “Color Wheel, “ Pittsburgh City Paper (March 14, 2001)
Winston, Heidi, “Piper, Adrian: Out of Order, Out of Sight,” Library Journal (July 1996)
Wood, Joe, “Talking Back to Malcolm,” Elle (November 1992), 130
Wood, Paul, Conceptual Art (New York: Delano Greenidge Editions, 2002), 63-64, 66, 70, 72
Wood, William, “What Business Are You In?,” in What Business Are You In?” (exhibition
catalogue) (Atlanta Contemporary Art Center, January 2005)
Wooster, Ann-Sargent, “Making Their Mark,” Making Their Mark: Women Enter the Mainstream
1970-1985 (New York, N.Y.: Abbeville Press, 1989)
Wye, Deborah, Thinking Print: Books to Billboards, 1980-95 (New York: The Museum of Modern
Art, 1996), 86, 116
Young, Paul, “Imponderella, “ Angeleno Magazine (July/August 2000), 158-159
Zabunyan, Elvan, Black Is A Color, Une histoire de l’art africain-américain contemporain (Paris : Dis
Voir, 2004), 126-133, 188-202
Zabunyan, Elvan, "Portraits: Adrian Piper," Critique d'art, no 22, (Autumn 2003), 112
Zelanski, Paul, and Fisher, Mary Pat, Shaping Space: The Dynamics of Three-Dimensional
Design (Second Edition) (New York: Harcourt Brace College Publishers, 1995), 192
Zimmer, William, “Perceptions of the Other,” The New York Times, (February 11, 1990), 32
Zimmer, William, “The Public and the Private in Robust Dialogue,” The New York Times
(Westchester Edition), (October 28, 1990)
21. FELLOWSHIPS AND AWARDS IN ART:
At The School of Visual Arts:
First Prize in Drawing, Annual Student Exhibition 1968
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