CURRICULUM VITAE Adrian Margaret Smith ... - Brooklyn Museum

Adrian Margaret Smith Piper: Curriculum Vitae
Mendelssohn, Joanna, “Collusion Course,” The Bulletin with Newsweek (Australia, December
22, 1992), 78
Mercer, Kobena, “Decentering and Recentering: Adrian Piper’s Spheres of Influence,” in Maurice
Berger, Adrian Piper: A Retrospective (catalogue to accompany retrospective) (Baltimore:
University of Maryland Baltimore County Press, 1999), 46-59
Merritt, Lissa, “Interview: Adrian Piper,” Aurora, (Yale University: Winter 1992), 6-8, 21-22
Metzger, Rainer, “Collagiertes Elend: Adrian Piper im Kunstverein München”, Der Standard
(Kultur, November 19, 1992)
Metzger, Rainer, “Adrian Piper,” Kunstforum 121, 435 (1993), 435-6
Meyers-Kingsley, Dara, “MEDI(t)Ations: Adrian Piper’s Videos, Installations, Performances, and
Soundworks 1968-1992,” in Berger, Maurice, Adrian Piper: A Retrospective (catalogue to
accompany retrospective) (Baltimore: University of Maryland Baltimore County Press,
1999), 169-181
Michalka, Matthias, “’Face à l’ Histoire’: Der Geschichte einen ins Museum treten,” Springer
III, 1 (März/Mai 1997), 44
Mignone, Christof, “(Untitled Performance): A Lexicon of False Starts and Failed Advances,” in
Brandon LaBelle and Christof Mignone, Eds. Writing Aloud, (California: Errant Bodies
Press, 2001), 159-171
Miller, Donald, “Artists master technologies at city galleries,” Pittsburgh Post-Gazette,
(March 13, 1993)
Miller, John, “Etre ici et maintenant: l’image de l’histoire,” Face à l’Histoire: L’artiste moderne
devant l’évenement historique (Paris: Flammarion/Centre Georges Pompidou, 1996), 517-
518; 536, etc.
Miller-Keller, Andrea, “Adrian Piper,” Matrix 56, (Hartford, Conn.: Wadsworth Atheneum
Press), (March 1980)
Mirzoeff, Nicholas, "The Shadow and the Substance: Race, Photography and the Index," in: Coco
Fusco and Brian Wallis, Eds. Only Skin Deep: Changing Visions of the American Self,
(New York: Harry N. Abrams 2003), 126
Mishlove, Robert, “Out of Order, Out of Sight,” The New Art Examiner 25, 1 (September 1997),
71-72
Mittringer, Markus, “Die Arbeit des Künstlers,” Der Standard.at (May 28, 2002)
“Mistaken Identities: ‘a politically extremely correct exhibition,’” [ruimte] 10, 4 (1993), Holland
Molina, Angela, “Kant viene a cenar esta noche,” El País (October 25, 2003), 18
Morgan, Robert, “Adrian Piper,” Arts Magazine 63, 10 (Summer 1989), 99
Morisiani, Paola, “New York,” Juliet Art Magazine, (December/January 1991), 56
Morra, Joanne, “Review of Out of Order, Out of Sight, “Paralax 8 (1998)
Morrison, Ewan, “Vote/Emote,” Variant, (Winter 1991), 22-23
Moss, Karen, “Altered Egos: Making Art as an Other,” in Altered Egos (Santa Monica: Santa
Monica Museum of Art, 1994), 5-14
Moya, Eva, "Espectaculo Antirracista," Viernes el Periodico (September 1, 2003), 17
Mullis, Melissa, “’Lay On Top of Me’ and Other Art Works at the Nexus Center,” The Technique,
(October 28, 1988), 17
“Museum of Contemporary Art at the Temporary Contemporary,” The Print Collector’s Newsletter
(January/February 1996)
Myers, Terry R, “Route 66 to Kassel,” Fort/Myers Publication Number One (July 1992)
Nalley, Jon, “What We Pretend Not To Know: The Power of Adrian Piper,” Downtown 212,
(October 3, 1990), cover and 20
Neumaier, Diane, Ed. Reframings: New American Feminist Photographies (Philadelphia: Temple
University Press, 1995), 102-105
Niegelhell, Franz, “Humor ist die Waffe der Entwaffnung,” Der Standard (December 21, 2004)
Niman, Michael and McClusky, Laura, “Response to Persuasion: Tales of Commerce in the
Avant Garde,” in University at Buffalo Art Gallery Overview (Buffalo: New York 2001),
47-54
Nochlin, Linda, “Learning from ‘Black Male’,” Art in America 83, 3 (March 1995), 86-91
Noland, Cady, "Artists Curate: Back at You," Art Forum (January 2002), 106-113
Nollert, Angelika et al., A.C.A.D.E.M.Y., initiated by Siemens Arts Program, (Frankfurt am
Main: Revolver, 2006)
Norklun, Kathi, “An Art Problem,” Art Week 15, 18, (May 5, 1984), 12
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