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Vocal Music Grade 2

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Curriculum Map<br />

Teacher: Erin Egan <strong>Grade</strong>: 2 Subject: General <strong>Music</strong><br />

This curriculum is based on the National Standards for <strong>Music</strong> Education.<br />

Lessons based on the materials provided by Silver Burdett: Making <strong>Music</strong> (music textbook series).<br />

Month Content Skills Assessment Standards<br />

August UNIT 1<br />

Lesson 1: Loud and Soft Sounds<br />

“Heigh-Ho” p. 7<br />

NS: 1B, 2A, 5C,<br />

6E, 8B<br />

-Identify and describe loud<br />

and soft dynamics<br />

-Sing louder and softer<br />

dynamics<br />

-Describe how dynamics<br />

can make a song more<br />

interesting<br />

-Students will perform the<br />

song; observe their ability to<br />

sing with the correct<br />

dynamics practiced<br />

-When asked to show<br />

dynamics with movement,<br />

observe the accuracy of their<br />

movements<br />

Lesson 2: The Beat Goes On<br />

“Time To Sing” p. 8<br />

Interview with Liam Burke (recording)<br />

-Perform steady beat and<br />

melodic rhythm using<br />

movement and body<br />

percussion<br />

-Discuss rhythm in tap<br />

dancing<br />

-As students perform “Time<br />

To Sing,” assess whether<br />

they can shift accurately<br />

from beat to rhythm<br />

-Observe whether they can<br />

distinguish between beat &<br />

rhythm in performances<br />

NS: 1A, 6B, 6C,<br />

6D, 6E, 8A<br />

September<br />

Lesson 3: Get the Rhythm<br />

“Go Around the Corn, Sally” p. 12<br />

-Perform rhythms from<br />

notation that include quarter<br />

and eighth notes<br />

-Discuss the role of work<br />

songs in African American<br />

culture<br />

-<strong>Music</strong> Reading Worksheet<br />

(Resource book p. D-2):<br />

Have children create original<br />

16-beat rhythm phrases with<br />

the rhythms we have learned<br />

-Choose students to play<br />

their compositions; have<br />

others play along/assess their<br />

accuracy<br />

NS: 1A, 2B, 5A,<br />

5D, 9C


September<br />

cont.<br />

Lesson 4: Rhythms at Rest<br />

“Silver Moon Boat” p. 14<br />

“Xiao yin chuan” p. 14<br />

-Read and perform quarter<br />

note, eighth notes, and<br />

quarter rests in a song<br />

-Discuss the Chinese Moon<br />

Festival and songs that are<br />

sung as a part of it<br />

--<strong>Music</strong> Reading<br />

Worksheet (Resource book<br />

p. D-3): Have children<br />

create their own phrases<br />

with rhythms learned<br />

-Observe their rhythmic<br />

accuracy as students perform<br />

the song “Silver Moon Boat”<br />

NS: 1C, 2B, 5A,<br />

5D, 6E<br />

<strong>Music</strong> Theory, <strong>Grade</strong> 2:<br />

Lesson 1 – Low & High<br />

Lesson 3 – Up & Down<br />

-Identify pictures that best<br />

match the pitch that sounds<br />

-Identify the contour of a<br />

melody by circling the most<br />

accurate picture<br />

-Students will submit these<br />

worksheets for a graded<br />

assessment<br />

NS: 5, 6<br />

Lesson 6: Let the Spirit Move You<br />

“Michael, Row the Boat Ashore” p. 18<br />

-Move to show the different<br />

sections in a call-andresponse<br />

song<br />

-Discuss African-American<br />

spirituals as they relate to<br />

history and culture<br />

-Have children sing the<br />

song; encourage them to<br />

move, and observe that they<br />

use one movement for the<br />

call and another for the<br />

response<br />

NS: 1A, 1B, 6A,<br />

6E, 9B<br />

Lesson 7: Up and Down the <strong>Music</strong> Trail<br />

“Lone Star Trail” p. 20<br />

Buckaroo Holiday (recording), listening<br />

map p. 23<br />

-Listen to a melody with<br />

high and low pitches<br />

-Identify high and low<br />

pitches in music notation<br />

-Observe whether students<br />

can identify high and low<br />

pitches in notation and on a<br />

listening map<br />

NS: 1B, 2B, 2F,<br />

5B, 6B, 6E, 8B,<br />

9D


October<br />

Lesson 8: Follow the Direction<br />

“My Father’s House” p. 25<br />

(listening map, p. 24)<br />

-Sing a melody while<br />

moving to indicate changes<br />

in direction<br />

-Explore and discuss gospel<br />

music<br />

-Observe accuracy of student<br />

movements to show the<br />

pitches of the melody<br />

moving downward, upward,<br />

and repeating<br />

NS: 1B, 6B, 9A<br />

Lesson 9: Three Pitches<br />

“Lucy Locket” p. 27<br />

-Read and sing the pitches<br />

sol, mi, and la from notation<br />

-Have children read text at<br />

bottom of p. 27 and answer<br />

the question<br />

-Ask them to read and sing<br />

melodic excerpt using pitch<br />

syllables and hand signs;<br />

assess accuracy of the<br />

performance<br />

NS: 1A, 1E, 5B,<br />

6C, 8B, 9C<br />

Lesson 10: Read Pizza, Play Pizza<br />

“Pizza, Pizza, Daddy-O” pp. 28-29<br />

-Identify sol, mi, and la in<br />

different staff locations<br />

-Discuss a fine art painting<br />

that represents children<br />

playing a singing game<br />

-Have children sing patterns<br />

1 & 2 in “Show What You<br />

Know!” (on p. 31)<br />

-Ask them to show where<br />

the pitches are on the staff,<br />

observe their accuracy<br />

NS: 2D, 5B, 5D,<br />

8B<br />

Lesson 11: You Are the <strong>Music</strong><br />

“Down, Down, Baby” pp. 32-33<br />

-Listen for and identify vocal<br />

and body percussion sounds<br />

in the accompaniment of a<br />

song<br />

-Discuss and describe<br />

hambone style<br />

-Journal Writing: while<br />

children listen to “Down,<br />

Down, Baby,” they should<br />

write down the vocal sounds<br />

and body percussion they<br />

can hear<br />

-Collect these answers to<br />

assess their listening skills<br />

NS: 1C, 3D, 6B,<br />

6D, 7B, 9D<br />

Lesson 12: Thin to Thick<br />

“Riddle Ree” p. 34<br />

-Identify thin and thick<br />

texture through performing<br />

a speech piece with multiple<br />

ostinatos<br />

-Describe what an ostinato<br />

-Have children perform in<br />

groups using all three parts<br />

(song plus two ostinatos)<br />

-Ask other children to<br />

describe the texture<br />

NS: 1A, 1D, 4B,<br />

6B


October<br />

cont.<br />

is and why it is useful in<br />

music<br />

accurately<br />

Lesson 1: Speed Up, Slow Down<br />

“Miss Mary Mack” p. 42<br />

-Move to a song that gets<br />

faster and slower<br />

-Hand Game: Students will<br />

play with partners,<br />

maintaining steady beat even<br />

when the tempo changes<br />

occur<br />

-Observe that the children<br />

recognize the tempo changes<br />

move faster/slower when<br />

necessary to match the song<br />

NS: 1B, 6E, 8A<br />

UNIT 12<br />

Lesson 2: Ooh, It’s Halloween!<br />

“Skin and Bones” p. 376<br />

“The Owl and the Pumpkin” p. 377<br />

Pumpkin Picking, p. 376<br />

November <strong>Music</strong> Theory, <strong>Grade</strong> 2:<br />

Lesson 4 – Lines & Spaces<br />

Lesson 5 – Line/Space Numbers of Notes<br />

Lesson 6 – Fun Sheet: <strong>Music</strong>al Alphabet<br />

Lesson 7 – Steps, Skips, Repeated Notes<br />

-Sing two Halloween songs<br />

with appropriate dynamic<br />

mood changes and contrast<br />

-Perform a Halloween poem<br />

with dynamic expression<br />

-Read and notate symbols<br />

on the lines & spaces of the<br />

staff<br />

-Identify letter names in the<br />

musical alphabet<br />

-Notate steps, skips, and<br />

repeated pitches<br />

-Observe that students use<br />

dynamic expression in their<br />

singing (while performing<br />

both songs)<br />

-Students will submit these<br />

worksheets as a graded<br />

assessment<br />

NS: 1A, 1B, 1E<br />

NS: 4, 5, 6<br />

UNIT 2<br />

Lesson 3: Pick a Pattern<br />

“Four in a Boat” p. 46<br />

Allegro non troppo, No. 33 (recording)<br />

-Play rhythm patterns that<br />

include quarter notes, eighth<br />

notes, and quarter rests<br />

-Observe and discuss<br />

rhythm in visual arts<br />

-Class should clap rhythms<br />

on p. 49 to show their<br />

knowledge, then play on<br />

percussion instruments<br />

-Observe performances to<br />

determine their<br />

understanding of the<br />

rhythms<br />

NS: 2A, 4C, 5A,<br />

6A, 6E, 8B


November<br />

cont.<br />

Lesson 4: Get on the Beat<br />

“Way Down in the Schoolyard” p. 50<br />

“Way Down Yonder in the Brickyard” p.<br />

51<br />

-Move on the strong beats<br />

while listening and singing<br />

-Discuss the importance of<br />

preserving cultural heritage<br />

in music<br />

-Compare and contrast two<br />

versions of the same song<br />

-Observe that students know<br />

where the strong beats occur<br />

in the song; have students<br />

move on those strong beats<br />

while singing<br />

NS: 1B, 6B, 7A<br />

UNIT 12<br />

Lesson 4: Celebrate Thanksgiving<br />

“Thanksgiving is Near” p. 380<br />

Setting the Thanksgiving Table, p. 381<br />

-Create a verse that fits the<br />

rhythm patterns of a song<br />

-Read and explore rhythm in<br />

a Thanksgiving poem<br />

-Play an ostinato pattern<br />

throughout the song<br />

-Have student groups present<br />

and perform their new verse<br />

of the song; the whole class<br />

can assess the success of<br />

these performances<br />

NS: 1A, 2B, 3B<br />

UNIT 2<br />

Lesson 9: Melodic Pathways<br />

“Down the Ohio” pp. 60-61<br />

Shenandoah (recording), listening map on<br />

pp. 62-63<br />

-Identify the skips, steps,<br />

and repeated pitches in a<br />

song and a listening<br />

selection<br />

-Ask children to point to<br />

words in the song “Down the<br />

Ohio” that are (a) sung on<br />

repeated pitches, (b) sung<br />

when three pitches move up<br />

or down by a step, or (c)<br />

sung when the pitches move<br />

by skips<br />

-Observe that students<br />

perform this activity<br />

correctly<br />

NS: 1A, 5B, 6B,<br />

9C<br />

Lesson 5: Singin’ the Blues<br />

“Good Mornin’, Blues” p. 52<br />

When a Man’s a Long Way from Home<br />

(recording), p. 53<br />

-Sing a blues song in AAB<br />

form<br />

-Listen to blues songs and<br />

identify characteristics of<br />

this music<br />

-Ask students to sing “doo”<br />

during the A section, use<br />

“la” for B section<br />

-Assess that they switch<br />

syllables at the correct time<br />

NS: 1B, 3D, 6A,<br />

9A


December UNIT 12<br />

Lesson 6: Celebrate Christmas<br />

“Come Running, You Shepards” p. 384<br />

“It’s Santa-Again!” p. 385<br />

-Describe melodic direction<br />

after listening to a song<br />

-Discuss historical origin of<br />

Santa Claus<br />

-Play instruments to match<br />

certain lyrics in the songs<br />

-Written Assessment:<br />

Students can answer<br />

questions about “It’s Santa-<br />

Again!” (located on p. 385)<br />

-Collect their answers; can<br />

be drawn or written<br />

NS: 2A, 6B, 9A<br />

Lesson 7: A Christmas Waltz<br />

“Christmas, Don’t Be Late” pp. 386-387<br />

Les patineurs (recording), p. 387<br />

-Move to the strong beat in<br />

sets of three<br />

-Relate qualities in a<br />

painting to a piece of music<br />

-Note which children are<br />

able to show the downbeat in<br />

sets of three through<br />

tapping/whole body<br />

movement<br />

-Observe if children can<br />

accompany music in meter<br />

in 3 and keep their pattern<br />

going accurately<br />

NS: IB, 2B, 6E,<br />

8B<br />

Lesson 5: Chanukah, The Festival of<br />

Lights<br />

“Chanukah is Here” p. 382<br />

“Ner li (The Light)” p. 383<br />

January UNIT 3<br />

Lesson 1: Accents!<br />

“Boogie Chant and Dance” p. 78<br />

“Two Little Sausages” p. 79<br />

UNIT 12<br />

Lesson 10: Living the Dream<br />

“A Kid Like Me” pp. 394-395<br />

“Free At Last” p. 396<br />

The Dream Keeper, p. 397<br />

-Sing two Chanukah songs<br />

and identify phrases and<br />

sections<br />

-Sing with a full, relaxed<br />

sound and accurate<br />

intonation<br />

-Move to show accented and<br />

unaccented beats<br />

-Discuss accents in a<br />

painting<br />

-Create a call-and-response<br />

composition about dreams<br />

for the future<br />

-Discuss the life of Martin<br />

-Observe that students<br />

breathe at phrase endings<br />

and vocally shape phrases<br />

while singing<br />

-Have each child perform<br />

during these two speech<br />

pieces; observe that they are<br />

using movements to<br />

accurately represent<br />

accented and unaccented<br />

words<br />

-Have groups practice their<br />

compositions; allow each<br />

group to perform for class<br />

-Review the compositions<br />

NS: 1B, 6A, 9A<br />

NS: 4A, 6B, 8B<br />

NS: 1C, 2A, 4B,<br />

6A, 9A


January<br />

cont.<br />

When I Grow Up, p. 397<br />

Luther King, Jr.<br />

-Perform speech pieces<br />

about MLK<br />

and evaluate together with<br />

the following questions:<br />

(a)Was it in call-andresponse<br />

form?<br />

(b) Did the composition<br />

develop the topic?<br />

UNIT 3<br />

Lesson 2: Hear a New Rhythm<br />

“Tideo” p. 80<br />

February <strong>Music</strong> Theory, <strong>Grade</strong> 2:<br />

Lesson 15 – Spaces<br />

Lesson 16 – Lines & Spaces<br />

Lesson 17 – Combination “Fun Sheet”<br />

-Read and perform sixteenth<br />

notes in a song<br />

-Describe the cultural<br />

background of play-party<br />

games<br />

-Move and dance to portray<br />

the beat<br />

-Read and notate the lines &<br />

spaces of the treble clef<br />

-Have children point to the<br />

sixteenth note pattern while<br />

singing “Tideo”<br />

-Observe that they are<br />

pointing and also singing<br />

accurately<br />

-Students will submit these<br />

worksheets as a graded<br />

assessment<br />

NS: IA, 5A, 9C<br />

NS: 4, 5, 6<br />

UNIT 12<br />

Lesson 11: Valentine’s Day<br />

“Valentines” p. 398-399<br />

-Sing a Valentine’s day song<br />

in verse-and-refrain form<br />

-Identify the difference<br />

between verse & refrain<br />

-Split class into two groups<br />

to sing the refrain and<br />

verses, then switch<br />

-Observe that students know<br />

when each of these sections<br />

begins and ends<br />

NS: 1A, 2A, 5D<br />

UNIT 3<br />

Lesson 3: That Rhythm Again<br />

“Amarillo Armadillo” p. 82<br />

“Jelly in a Dish” p. 83<br />

-Perform sixteenth note<br />

patterns from notation<br />

-Perform rhythms on p. 85<br />

with the class; then ask<br />

students to identify which<br />

line is from which song<br />

(use Resource Book p. B-10<br />

for further assessment)<br />

NS: 1A, 5A, 5D,<br />

6E, 9A


March<br />

Lesson 4: Takes Two to Crawfish<br />

“Crawfish!” p. 86-87<br />

Mud Bug Boogie Dance ( the instructions<br />

on p. 88)<br />

-Move to show meter in 2<br />

-Discuss Cajun culture in<br />

Louisiana<br />

-While performing their<br />

dance, observe that children<br />

move accurately to the beat,<br />

demonstrating their<br />

understanding of meter in 2<br />

NS: 1A, 1C, 4B,<br />

6B, 9A<br />

April<br />

Preparation for Spring Concert<br />

-various songs for performance<br />

Preparation for Spring Concert<br />

-various songs for performance<br />

-Sing accurately with good<br />

pitch and tone<br />

-Describe appropriate<br />

concert etiquette<br />

-Sing accurately with good<br />

pitch and tone<br />

-Describe appropriate<br />

concert etiquette<br />

-Observe and listen in order<br />

to edit/finesse the<br />

performances<br />

-Observe and listen in order<br />

to edit/finesse the<br />

performances<br />

NS: 1A, 1B, 1D,<br />

6A, 6E<br />

NS: 1A, 1B, 1D,<br />

6A, 6E<br />

May<br />

Lesson 8: Read a New Pitch<br />

“Rocky Mountain” p. 98<br />

-Read and learn the pitch<br />

named Re<br />

-Identify the pitch Re within<br />

a song<br />

-Observe that students are<br />

singing “Rocky Mountain”<br />

accurately with pitch<br />

syllables and hand signs<br />

NS: 1A, 4C, 5B<br />

Lesson 10: Colorful Sounds<br />

“Ise oluwa” p. 102<br />

Nangape (recording)<br />

Gamelan Instruments Montage (recording)<br />

Ujan mas (recording), listening map p. 105<br />

-Listen to and compare the<br />

timbres of a marimba piece<br />

and a gamelan piece<br />

-Discuss and read about the<br />

role of percussion<br />

instruments in various<br />

cultures<br />

-Venn diagram, Resource<br />

Book p. C-6: Instruct<br />

children to work in groups<br />

and discuss the similarities<br />

and differences between<br />

instrument timbres<br />

-Students should fill in the<br />

Venn diagrams using<br />

material descriptors<br />

NS: 1C, 2F, 6B,<br />

6D, 9A<br />

Lesson 11: Creating Textures<br />

“Waiting for the Traffic Light” p. 107<br />

-Play two-part ostinatos<br />

accurately and recognize<br />

how they create thicker<br />

textures<br />

-Split group into xylophone<br />

players and singers; assess<br />

the accuracy of both group<br />

performances<br />

-Have students switch roles<br />

to experience both<br />

assessments<br />

NS: 1A, 2B, 4A


May cont.<br />

Lesson 12: Playing Lullaby Layers<br />

“Abiyoyo” p. 108<br />

-Play an African-style<br />

accompaniment to a lullaby<br />

-Discuss a folk tale<br />

character from Africa<br />

-Have children perform song<br />

and accompaniment; ask for<br />

texture descriptor words to<br />

show their understanding<br />

(for example: layers, thick,<br />

thin, etc.)<br />

NS: 1B, 2B, 3B<br />

UNIT 4<br />

Lesson 3: Cooking with Rhythm<br />

“Old Bras Wagon” p. 122<br />

-Create and perform rhythm<br />

patterns that include quarter<br />

notes, eighth notes, and<br />

sixteenth notes<br />

-Discuss how pioneers<br />

traveled west<br />

-Have children perform their<br />

body percussion rhythms<br />

-Observe their ability to<br />

accurate perform the<br />

rhythms they write<br />

-Use resource book p. B-14<br />

for formal written<br />

assessment<br />

NS: 2F, 4D, 5A

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