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English Section - Persian Cultural Center

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Editorial<br />

128<br />

By: Shahri Estakhry<br />

WHO?<br />

I really would prefer to get back to what I love most…my philanthropy/charity work instead of<br />

nagging about who, what, why… and on and on. I had planned to write this editorial about the<br />

enormous need of over one billion hungry human beings that are struggling for survival but then<br />

we were given a gift by an American friend that diverted my thoughts and thus this editorial.<br />

At a gathering, this friend had been “sold” a book of arranged music of well known Iranian<br />

songs. I was lucky and happy to receive this book as a gift from this friend. I knew all of the<br />

songs and have enjoyed them with different arrangements through the years. Looking through<br />

the pages, I began to realize that none of the “arrangements” had the name of the original<br />

composers mentioned; only the name of the arranger. It sent a shiver down my spine and it<br />

struck the wrong cord with me!<br />

It brings up a question to which we should try to find an answer. What happens to the rights of<br />

Iranian artists who don’t live here, but whose works are used and rearranged for profit without<br />

their consent or knowledge or share of any funds?<br />

I remember having a conversation about this, with the late poet Feridoun Moshiri when he was<br />

in San Diego. He was deeply concerned and, through his own experience, felt often enough<br />

his work was being used without his consent. He expressed that this concern existed amongst<br />

many of his other poet, composer, lyricist friends back home. He was adamant about giving me<br />

a power of attorney to represent and protect his work here. I felt it was best for him to have legal<br />

representation from the start.<br />

Unfortunately, non-resident artists have no rights to their own creations. Actually, they do<br />

under the laws of this country, so perhaps it is best to say that the artists have no representation.<br />

This brings forth the question of WHO should look into this problem and protect their rights<br />

and interests? Should it be an organization? A legal team? We can’t talk about caring about our<br />

cultural heritage without protecting its artists who are part of this heritage. I don’t want to be<br />

just proud of my “past” cultural heritage, I want to hold my head up high because of who we can<br />

be now.<br />

We are civilized human beings, surely we can and must recognize the rights of others. If the work<br />

of an artist is misused or abused here, you can be certain there will be hell to pay. In America,<br />

an artist and generations of his children benefit from his creativity time after time. With laws<br />

to protect these rights why can’t we do something to protect the rights of our amazing and<br />

wonderful artists that have brought so much pleasure and enjoyment for us throughout the<br />

years?<br />

I should have been a lawyer; without doubt this would take priority for me! Everything in our<br />

lives cannot be for self profit. It is incumbent upon us to find, as a community, a proper solution<br />

to this enormous problem. Certainly, this situation is nothing we can be proud of, it has been<br />

kept under the rug for much too long! However, it is one that we can remedy by promoting fair<br />

play in protecting the rights of all.<br />

<strong>Persian</strong> <strong>Cultural</strong> <strong>Center</strong>’s<br />

Bilingual Magazine<br />

Is a bi-monthly publication organized for<br />

literary, cultural and information purposes<br />

Partially Funded By<br />

The San Diego Commission for Arts and Culture<br />

<strong>Persian</strong> <strong>Cultural</strong> <strong>Center</strong><br />

9265 Dowdy Dr. # 105 • San Diego, CA 92126<br />

Tel :( 858) 653-0336<br />

Fax & Message: (619) 374-7335<br />

Email: pcc@pccsd.org<br />

Web site: www.pccus.org<br />

www.pccsd.org<br />

July-August 2010<br />

Vol. XX1 No. 128<br />

Circulation: 6000<br />

<strong>Persian</strong> <strong>Cultural</strong> <strong>Center</strong><br />

A non-profit national corporation<br />

Established in 1989. San Diego, California<br />

Board of Directors:<br />

Fariba Babakhani-Ghazi, Rosita Bagheri,<br />

Abdy Salimi, Shaghayegh Hanson,<br />

Maryam Iravanian, Hamid Rafizadeh,<br />

Ali Sadr and Shahla Salah<br />

Editorial Board<br />

Shahri Estakhry, Aria Fani,<br />

Shaghayegh Hanson, Sara Hosseinizad,<br />

Maryam Iravanian, Shahrzad Julazadeh,<br />

Reza Khabazian and Rachel Tait<br />

Editor–In–Chief: Ali Sadr<br />

Graphic Design: Saeed Jalali<br />

Peyk reserves the right to edit all materials<br />

at its sole discretion. Materials submitted<br />

will not be rturned to sender, even if not<br />

used, and the contributor will be deemed<br />

to have given consent and license for<br />

the reproduction and publication of such<br />

submission in Peyk magazine and / or the<br />

Peyk website<br />

PCC Foundation<br />

Charitable Organization<br />

Affiliate of <strong>Persian</strong> <strong>Cultural</strong> <strong>Center</strong><br />

Tel:(858) 653-0336<br />

Fax & Message: ( 619) 374-7335<br />

Cover Design: Saeed Jalali<br />

No. 128/ July-August 2010 5

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