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Number One Fan<br />
Compromises<br />
Pat’s Rec<strong>or</strong>d Company<br />
This small-town Wisconsin<br />
quintet has a sweet, pop-rock<br />
bliss, punctuated <strong>by</strong> crisp vocals<br />
and undulating guitar<br />
riffs. They’re one of the first<br />
bands signed with the newly<br />
established LA-based indie<br />
label – Pat’s Rec<strong>or</strong>d Company,<br />
founded <strong>by</strong> Pat<br />
Magnarella (Green Day, Goo<br />
Goo Dolls, All American Rejects). Intermixed among the lyrics<br />
are w<strong>or</strong>ds like heaven, praying and sin – but there’s a<br />
whole lot of lonely, s<strong>or</strong>ry, distance, change and love lingo.<br />
It’s mostly an album about indecision and heartache. And<br />
we do feel their pain through the Jimmy Eat W<strong>or</strong>ld wholesome<br />
vocal approach and Dashboard Confessional reflective<br />
stance that explode and retract appropriately. “Call anytime<br />
you need/ I <strong>have</strong> been waiting/ I will be waiting,” Nicholas<br />
Ziemann vies f<strong>or</strong> sympathy on “Come On.” By the end of<br />
it, we actually want this guy to get the girl. Number One Fan<br />
earned a spot on the next Warped Tour, where you can decide<br />
if their live perf<strong>or</strong>mance jerks at <strong>your</strong> heart strings as<br />
much as this debut. numberonefanonline.com - Monica Cady<br />
The Cooper Temple Clause<br />
Kick Up the Fire, and Let the<br />
Flames Loose<br />
RCA<br />
Everyone talks about the new<br />
“genre defying” act. In an eff<strong>or</strong>t<br />
to avoid the cliché rock<br />
critique of uselessly combining<br />
ten music categ<strong>or</strong>ies to<br />
define a sound – let it be<br />
said, that these six Reading,<br />
England blokes deliver exhilarating,<br />
eerie, danceable and delectable audio. CTC recently<br />
made their mark in the U.S. touring with Black Rebel<br />
Mot<strong>or</strong>cycle Club. At times this second LP f<strong>or</strong> CTC is a<br />
Radiohead electronic experimentation with drifting cry-boy<br />
vocals and Nine Inch Nail moody darkness. On one track<br />
we’re slam dancing ‘90s thrasher style, the next, enveloped<br />
in a deep meditation sputtering with an alluring trip-hop beat.<br />
“We came/ We played/ We drifted away… What’s happening<br />
to us?” Ben Gautrey glides us through “New Toys,” a steady<br />
fuzz of beats and digital melodies. The repeat option on <strong>your</strong><br />
stereo was made f<strong>or</strong> songs like “Talking to a Brick Wall,” an<br />
industrial power ballad with dist<strong>or</strong>ted vocal peaks (“The flowers<br />
look like glitter/ But then so do you, my dear”). A Spiritualized<br />
“Home of the Brave” isolation is felt on “Into My Arms”<br />
(“Everything is the same only you’re not around/…One night<br />
is never enough with you”). Sometimes it’s like these guys<br />
left us in a mystical wasteland punctured <strong>by</strong> random hums,<br />
bleeps, chants and claps. If this all seems absurd, not to<br />
w<strong>or</strong>ry – there’s much diversity here. Chances are, if you<br />
don’t fancy one track, the next may suit you m<strong>or</strong>e. Seriously<br />
give it a go. thecoopertempleclause.com – Monica<br />
Cady<br />
The Beautiful Mistake<br />
This Is Who You Are<br />
The Militia Group<br />
These Christian punk rockers<br />
provide some sturdy melodies<br />
of stop-start guitar riffs and<br />
surging ch<strong>or</strong>uses with enunciated<br />
lyrics that make their message<br />
obvious. “Oh how blessed<br />
we are/ to share in everything,” a<br />
clear-headed Josh Hagquist harmonizes<br />
on “My Reminder Lyrics.”<br />
Most of the songs offer equally direct religious sentiments. “The<br />
light will call you/ To wrap its arms around you,” the ch<strong>or</strong>us echoes in<br />
“The Great Div<strong>or</strong>ce.” Hagquist rejoices about being protected from<br />
the “doubt that’s in our heart” on “Walking Wounded.” While the music<br />
punches and kicks in all the right places, the holy lyrical content will no<br />
doubt turn away nonbelievers. But f<strong>or</strong> those who try this 10-song<br />
deliverance, it could be mosh-pit heaven.<br />
thebeautifulmistake.com - Monica Cady<br />
All Night Radio<br />
Spirit Stereo Frequency<br />
Sub Pop<br />
Like Prozac f<strong>or</strong> the ears, this<br />
10-song pack from All Night<br />
Radio conjures up sunny-day<br />
feelings of picking flowers and<br />
skipping through the park. The<br />
first track glides into place with<br />
a series of catchy bum-bumbum’s<br />
and warm, light pitchaltering<br />
vocals. Carefree <strong>guitars</strong><br />
parade along with a swirly, psychedelic kaleidoscope that is<br />
the music’s mainstay. It all brings back the delightful echoing<br />
eeriness of Pink Floyd’s Meddle and its middle-of-the-night mysterious<br />
energy. Spirit Stereo Frequency would be the perfect<br />
soundtrack f<strong>or</strong> <strong>your</strong> next acid trip, <strong>or</strong> just a cool break from top-40<br />
radio. – Monica Cady<br />
The Von Bondies<br />
Pawn Shop Heart<br />
Reprise<br />
Lead singer Jason Stollsteimer<br />
got his ass kicked <strong>by</strong> The White<br />
Stripes’ Jack White – so what?<br />
Here, Stollsteimer makes a<br />
good point, “You really <strong>have</strong>n’t<br />
lived life yet, if you ain’t got no<br />
regrets” – a statement he<br />
proudly wails on the first track<br />
of this maj<strong>or</strong> label debut f<strong>or</strong> the<br />
Bondies. We get lots of hand clapping and cheerleader-chanty<br />
lyrics from these boys and girls, whose style veers toward glam<br />
garage rock with a Billy Idol heart. All this vintage flav<strong>or</strong> is tied to<br />
spunky attitudes and girly rebel ch<strong>or</strong>uses (“You’re not that social,<br />
just a good drinker”). Acc<strong>or</strong>ding to Stollsteimer, the concept<br />
Pawn Shop Heart, is based on the fact that people will get rid of<br />
an ex-lover’s belongings – no matter how much it hurts. The<br />
only pain sensed here is the sigh from exhaustion after this<br />
high-spirited rock album ends. – Monica Cady<br />
20• <strong>RAG</strong> MAGAZINE • APRIL 2004