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Number One Fan<br />

Compromises<br />

Pat’s Rec<strong>or</strong>d Company<br />

This small-town Wisconsin<br />

quintet has a sweet, pop-rock<br />

bliss, punctuated <strong>by</strong> crisp vocals<br />

and undulating guitar<br />

riffs. They’re one of the first<br />

bands signed with the newly<br />

established LA-based indie<br />

label – Pat’s Rec<strong>or</strong>d Company,<br />

founded <strong>by</strong> Pat<br />

Magnarella (Green Day, Goo<br />

Goo Dolls, All American Rejects). Intermixed among the lyrics<br />

are w<strong>or</strong>ds like heaven, praying and sin – but there’s a<br />

whole lot of lonely, s<strong>or</strong>ry, distance, change and love lingo.<br />

It’s mostly an album about indecision and heartache. And<br />

we do feel their pain through the Jimmy Eat W<strong>or</strong>ld wholesome<br />

vocal approach and Dashboard Confessional reflective<br />

stance that explode and retract appropriately. “Call anytime<br />

you need/ I <strong>have</strong> been waiting/ I will be waiting,” Nicholas<br />

Ziemann vies f<strong>or</strong> sympathy on “Come On.” By the end of<br />

it, we actually want this guy to get the girl. Number One Fan<br />

earned a spot on the next Warped Tour, where you can decide<br />

if their live perf<strong>or</strong>mance jerks at <strong>your</strong> heart strings as<br />

much as this debut. numberonefanonline.com - Monica Cady<br />

The Cooper Temple Clause<br />

Kick Up the Fire, and Let the<br />

Flames Loose<br />

RCA<br />

Everyone talks about the new<br />

“genre defying” act. In an eff<strong>or</strong>t<br />

to avoid the cliché rock<br />

critique of uselessly combining<br />

ten music categ<strong>or</strong>ies to<br />

define a sound – let it be<br />

said, that these six Reading,<br />

England blokes deliver exhilarating,<br />

eerie, danceable and delectable audio. CTC recently<br />

made their mark in the U.S. touring with Black Rebel<br />

Mot<strong>or</strong>cycle Club. At times this second LP f<strong>or</strong> CTC is a<br />

Radiohead electronic experimentation with drifting cry-boy<br />

vocals and Nine Inch Nail moody darkness. On one track<br />

we’re slam dancing ‘90s thrasher style, the next, enveloped<br />

in a deep meditation sputtering with an alluring trip-hop beat.<br />

“We came/ We played/ We drifted away… What’s happening<br />

to us?” Ben Gautrey glides us through “New Toys,” a steady<br />

fuzz of beats and digital melodies. The repeat option on <strong>your</strong><br />

stereo was made f<strong>or</strong> songs like “Talking to a Brick Wall,” an<br />

industrial power ballad with dist<strong>or</strong>ted vocal peaks (“The flowers<br />

look like glitter/ But then so do you, my dear”). A Spiritualized<br />

“Home of the Brave” isolation is felt on “Into My Arms”<br />

(“Everything is the same only you’re not around/…One night<br />

is never enough with you”). Sometimes it’s like these guys<br />

left us in a mystical wasteland punctured <strong>by</strong> random hums,<br />

bleeps, chants and claps. If this all seems absurd, not to<br />

w<strong>or</strong>ry – there’s much diversity here. Chances are, if you<br />

don’t fancy one track, the next may suit you m<strong>or</strong>e. Seriously<br />

give it a go. thecoopertempleclause.com – Monica<br />

Cady<br />

The Beautiful Mistake<br />

This Is Who You Are<br />

The Militia Group<br />

These Christian punk rockers<br />

provide some sturdy melodies<br />

of stop-start guitar riffs and<br />

surging ch<strong>or</strong>uses with enunciated<br />

lyrics that make their message<br />

obvious. “Oh how blessed<br />

we are/ to share in everything,” a<br />

clear-headed Josh Hagquist harmonizes<br />

on “My Reminder Lyrics.”<br />

Most of the songs offer equally direct religious sentiments. “The<br />

light will call you/ To wrap its arms around you,” the ch<strong>or</strong>us echoes in<br />

“The Great Div<strong>or</strong>ce.” Hagquist rejoices about being protected from<br />

the “doubt that’s in our heart” on “Walking Wounded.” While the music<br />

punches and kicks in all the right places, the holy lyrical content will no<br />

doubt turn away nonbelievers. But f<strong>or</strong> those who try this 10-song<br />

deliverance, it could be mosh-pit heaven.<br />

thebeautifulmistake.com - Monica Cady<br />

All Night Radio<br />

Spirit Stereo Frequency<br />

Sub Pop<br />

Like Prozac f<strong>or</strong> the ears, this<br />

10-song pack from All Night<br />

Radio conjures up sunny-day<br />

feelings of picking flowers and<br />

skipping through the park. The<br />

first track glides into place with<br />

a series of catchy bum-bumbum’s<br />

and warm, light pitchaltering<br />

vocals. Carefree <strong>guitars</strong><br />

parade along with a swirly, psychedelic kaleidoscope that is<br />

the music’s mainstay. It all brings back the delightful echoing<br />

eeriness of Pink Floyd’s Meddle and its middle-of-the-night mysterious<br />

energy. Spirit Stereo Frequency would be the perfect<br />

soundtrack f<strong>or</strong> <strong>your</strong> next acid trip, <strong>or</strong> just a cool break from top-40<br />

radio. – Monica Cady<br />

The Von Bondies<br />

Pawn Shop Heart<br />

Reprise<br />

Lead singer Jason Stollsteimer<br />

got his ass kicked <strong>by</strong> The White<br />

Stripes’ Jack White – so what?<br />

Here, Stollsteimer makes a<br />

good point, “You really <strong>have</strong>n’t<br />

lived life yet, if you ain’t got no<br />

regrets” – a statement he<br />

proudly wails on the first track<br />

of this maj<strong>or</strong> label debut f<strong>or</strong> the<br />

Bondies. We get lots of hand clapping and cheerleader-chanty<br />

lyrics from these boys and girls, whose style veers toward glam<br />

garage rock with a Billy Idol heart. All this vintage flav<strong>or</strong> is tied to<br />

spunky attitudes and girly rebel ch<strong>or</strong>uses (“You’re not that social,<br />

just a good drinker”). Acc<strong>or</strong>ding to Stollsteimer, the concept<br />

Pawn Shop Heart, is based on the fact that people will get rid of<br />

an ex-lover’s belongings – no matter how much it hurts. The<br />

only pain sensed here is the sigh from exhaustion after this<br />

high-spirited rock album ends. – Monica Cady<br />

20• <strong>RAG</strong> MAGAZINE • APRIL 2004

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