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to write, we’ll wait until we get into the right moment<br />

when we’ll kick into overdrive.”<br />

“The lyrics can go anywhere, when you start the music<br />

you can kind of guide it to be any setting that you<br />

want, once you get that setting it’s kind of easy f<strong>or</strong> the<br />

lyrics to find their place.” When it comes to songwriting,<br />

the climax can be unpredictable, perhaps in comparison<br />

to making love, <strong>or</strong> being massaged <strong>by</strong> a beautiful<br />

woman. “It’s just like if a beautiful chick is giving you<br />

a massage,” Cass says, “and all of a sudden she just<br />

gets into the right spot, it shoots through <strong>your</strong> body—<br />

the same thing with music. We’re<br />

sitting there listening to our new<br />

demo on the couch and I’m sitting<br />

there getting chills. Sometimes<br />

there will be w<strong>or</strong>ds where<br />

I’ll get too picky with where I’m<br />

not feeling too much there. Then<br />

you <strong>have</strong> to come to the realization<br />

that sometimes those are<br />

w<strong>or</strong>ds that are meant to be, not<br />

to necessary give you chills but<br />

they’re setting up the big moment.”<br />

and Maynard James Keenan, they’ve created this signature<br />

<strong>by</strong> their uniqueness, their speaking voice sings<br />

their lyrics and speaking it has become their own thing.<br />

Theref<strong>or</strong>e, their voice becomes an instrument and it<br />

becomes needed on this planet.” Ashley Red gives their<br />

listeners a lot of credit to come to their own interpretations<br />

with the lyrics. “Face Me” is one song that immediately<br />

darts out and grabs <strong>your</strong> attention. The main<br />

guitar riff has great potential, and Cass’s vocal lines<br />

are very emotional. “I just had the riff in mind I had this<br />

thing going in my head,” explains Michael, “I had been<br />

going through some things personally anyway, it was<br />

With the transition down South,<br />

Ashley Red looks f<strong>or</strong>ward to entertaining<br />

a new audience that<br />

awaits them. There’s a lot of integrity<br />

with bands from south<br />

Fl<strong>or</strong>ida; an unwillingness to compromise<br />

with not only their music,<br />

but their overall message, despite<br />

the changes throughout the industry.<br />

Cass explains how the industry<br />

doesn’t affect their sound, “We<br />

<strong>have</strong> something here, even if they<br />

come chasing after us, [we’ll] let<br />

this evolve into what it is. We write<br />

strictly f<strong>or</strong> us, we write what feels<br />

good.” Ashley Red are at a point<br />

where pretty soon they’re going to<br />

be ready f<strong>or</strong> the industry, but now<br />

they’re concentrating on building<br />

a strong fan base and some foundation<br />

in south Fl<strong>or</strong>ida. “None of<br />

us <strong>have</strong> ever had rich families,”<br />

says Cass, “everything we’ve got<br />

we’ve had to w<strong>or</strong>k f<strong>or</strong>, we’ve had<br />

to be very honest and we’ve all got<br />

good hearts with it. I think the<br />

hard part is pushing the w<strong>or</strong>ld to<br />

the side and allowing <strong>your</strong>self to<br />

do it, and once you get past that,<br />

it’s easy.”<br />

“People like Bono, Brandon Boyd,<br />

36 • <strong>RAG</strong> MAGAZINE • APRIL 2004

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