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to write, we’ll wait until we get into the right moment<br />
when we’ll kick into overdrive.”<br />
“The lyrics can go anywhere, when you start the music<br />
you can kind of guide it to be any setting that you<br />
want, once you get that setting it’s kind of easy f<strong>or</strong> the<br />
lyrics to find their place.” When it comes to songwriting,<br />
the climax can be unpredictable, perhaps in comparison<br />
to making love, <strong>or</strong> being massaged <strong>by</strong> a beautiful<br />
woman. “It’s just like if a beautiful chick is giving you<br />
a massage,” Cass says, “and all of a sudden she just<br />
gets into the right spot, it shoots through <strong>your</strong> body—<br />
the same thing with music. We’re<br />
sitting there listening to our new<br />
demo on the couch and I’m sitting<br />
there getting chills. Sometimes<br />
there will be w<strong>or</strong>ds where<br />
I’ll get too picky with where I’m<br />
not feeling too much there. Then<br />
you <strong>have</strong> to come to the realization<br />
that sometimes those are<br />
w<strong>or</strong>ds that are meant to be, not<br />
to necessary give you chills but<br />
they’re setting up the big moment.”<br />
and Maynard James Keenan, they’ve created this signature<br />
<strong>by</strong> their uniqueness, their speaking voice sings<br />
their lyrics and speaking it has become their own thing.<br />
Theref<strong>or</strong>e, their voice becomes an instrument and it<br />
becomes needed on this planet.” Ashley Red gives their<br />
listeners a lot of credit to come to their own interpretations<br />
with the lyrics. “Face Me” is one song that immediately<br />
darts out and grabs <strong>your</strong> attention. The main<br />
guitar riff has great potential, and Cass’s vocal lines<br />
are very emotional. “I just had the riff in mind I had this<br />
thing going in my head,” explains Michael, “I had been<br />
going through some things personally anyway, it was<br />
With the transition down South,<br />
Ashley Red looks f<strong>or</strong>ward to entertaining<br />
a new audience that<br />
awaits them. There’s a lot of integrity<br />
with bands from south<br />
Fl<strong>or</strong>ida; an unwillingness to compromise<br />
with not only their music,<br />
but their overall message, despite<br />
the changes throughout the industry.<br />
Cass explains how the industry<br />
doesn’t affect their sound, “We<br />
<strong>have</strong> something here, even if they<br />
come chasing after us, [we’ll] let<br />
this evolve into what it is. We write<br />
strictly f<strong>or</strong> us, we write what feels<br />
good.” Ashley Red are at a point<br />
where pretty soon they’re going to<br />
be ready f<strong>or</strong> the industry, but now<br />
they’re concentrating on building<br />
a strong fan base and some foundation<br />
in south Fl<strong>or</strong>ida. “None of<br />
us <strong>have</strong> ever had rich families,”<br />
says Cass, “everything we’ve got<br />
we’ve had to w<strong>or</strong>k f<strong>or</strong>, we’ve had<br />
to be very honest and we’ve all got<br />
good hearts with it. I think the<br />
hard part is pushing the w<strong>or</strong>ld to<br />
the side and allowing <strong>your</strong>self to<br />
do it, and once you get past that,<br />
it’s easy.”<br />
“People like Bono, Brandon Boyd,<br />
36 • <strong>RAG</strong> MAGAZINE • APRIL 2004