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CONTENTS Notes on contributors Crime fiction: a chronology page vii x Introduction: crime fiction and detective fiction 1 martin priestman 1 Eighteenth-century crime writing 7 ian a. bell 2 The Newgate novel and sensation fiction, 1830–1868 19 lyn pykett 3 The short story from Poe to Chesterton 41 martin a. kayman 4 French crime fiction 59 sita a. schütt 5 The golden age 77 stephen knight 6 The private eye 95 dennis porter 7 Spy fiction 115 david seed 8 The thriller 135 david glover v
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Page 8: THE CAMBRIDGE COMPANION TO CRIME FI
Page 14: contents 9 Post-war American police
Page 18: notes on contributors book on cinem
Page 22: CRIME FICTION: A CHRONOLOGY (No lis
Page 26: crime fiction: a chronology 1908 Ri
Page 30: crime fiction: a chronology 1947 Mi
Page 34: crime fiction: a chronology 1976 Ca
Page 40: MARTIN PRIESTMAN Introduction: crim
Page 44: Introduction and writers, and draw
Page 48: Introduction interest and where cri
Page 52: 1 IAN A. BELL Eighteenth-century cr
Page 56: Eighteenth-century crime writing al
Page 60: Eighteenth-century crime writing In
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Eighteenth-century crime writing th
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Eighteenth-century crime writing a
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Eighteenth-century crime writing 12
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lyn pykett ranged from castles to
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lyn pykett London criminals and das
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lyn pykett is naked - do you clothe
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lyn pykett admirable light, and add
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lyn pykett crime. Fagin also has hi
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lyn pykett separate. Thus, critics
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lyn pykett was prompted to do so by
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lyn pykett Hall, Dombey and Son, an
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lyn pykett Critics of sensation fic
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lyn pykett 18 Edward Bulwer Lytton,
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3 MARTIN A. KAYMAN The short story
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The short story from Poe to Chester
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Page 132:
Page 136:
Page 140:
Page 144:
Page 148:
Page 152:
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4 SITA A. SCHÜTT French crime fict
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French crime fiction followed by eq
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French crime fiction Emile Gaboriau
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French crime fiction predominantly
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French crime fiction The criminal,
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French crime fiction Narrated by Ro
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French crime fiction cheating socie
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French crime fiction longer a hulki
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French crime fiction non-scientific
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5 STEPHEN KNIGHT The golden age The
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The golden age There will be a rang
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The golden age as in Mary Braddon
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The golden age The perfected clue-p
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The golden age that validates the j
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The golden age action and detection
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The golden age essentially ‘Purit
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The golden age for ‘fair play’,
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The golden age 38 Janet Hitchman, S
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6 DENNIS PORTER The private eye Giv
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The private eye It is characteristi
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The private eye by the Anaconda Cop
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The private eye found in a kind of
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The private eye self-consciousness
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The private eye knowingly and sugge
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The private eye nowhere. When offer
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The private eye upper-middle-class
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The private eye soon degenerated in
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The private eye intelligent, tough-
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david seed is set in the war betwee
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david seed The one ‘invasion scar
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david seed to his furtive customers
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david seed is a suave, engaging, an
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david seed ‘constructions’ in C
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david seed is a consumer as well as
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david seed secret service malfuncti
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david seed aggressor with sequences
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david seed 15 E. Phillips Oppenheim
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david seed 63 Ibid., p. 250. 64 Gra
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david glover currency of contempora
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david glover one that is radically
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david glover People’ and the inha
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david glover similarly equivocal st
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david glover creating a highly char
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david glover in the early 1940s wit
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david glover Thompson was not the o
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david glover of fantasy scenarios i
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david glover 11 See John G. Cawelti
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9 LEROY L. PANEK Post-war American
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Post-war American police fiction Un
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Post-war American police fiction th
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Post-war American police fiction no
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Post-war American police fiction Bl
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Post-war American police fiction It
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Post-war American police fiction Le
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Post-war American police fiction of
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Post-war American police fiction 7
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martin priestman because it is stil
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martin priestman bigwigs exploit th
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martin priestman drop-everything-el
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martin priestman tricked when one o
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martin priestman the path between p
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martin priestman while exploring su
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martin priestman At the opposite en
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martin priestman radical implicatio
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11 MAUREEN T. REDDY Women detective
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Women detectives While there were m
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Women detectives likely to identify
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Women detectives that equal pay was
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Women detectives glories in her phy
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Women detectives to Forrest, Naiad
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Women detectives series of police p
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Women detectives maintains that bei
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Women detectives NOTES 1 Raymond Ch
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andrew pepper collapsed onto one an
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andrew pepper views, and by implica
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andrew pepper Maybe it was an uncon
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andrew pepper others whom they seek
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andrew pepper both predates and ove
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andrew pepper yet acknowledge that
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andrew pepper the subversive possib
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andrew pepper does not correspond w
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andrew pepper 39 Ibid., p. 92. 40 W
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nickianne moody narratives. Christo
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nickianne moody disorganised, under
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nickianne moody 1930s. They respond
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nickianne moody points to the way i
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nickianne moody trajectory to the s
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nickianne moody increasingly relian
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nickianne moody evolved into the he
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nickianne moody The American series
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14 LAURA MARCUS Detection and liter
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Detection and literary fiction ‘T
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Detection and literary fiction form
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Detection and literary fiction whol
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Detection and literary fiction but
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Detection and literary fiction ‘a
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Detection and literary fiction Doyl
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Detection and literary fiction the
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Detection and literary fiction the
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Detection and literary fiction Lebl
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Detection and literary fiction 9 Ib
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Detection and literary fiction 62 J
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guide to reading Pyrhönen, Heta, M
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guide to reading Stead, Philip John
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guide to reading Post-war American
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guide to reading Irwin, John T., Th
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index Bloch, Robert, xiv, 146 Block
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index Dostoievski, Fyodor, 110 Doub
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index Hood, Robin, 70 hooks, bell,
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index Nathan, George Jean, see Blac
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index Softly, Softly (TV series), 2
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CAMBRIDGE COMPANIONS TO LITERATURE
Page 618:
The Cambridge Companion to Virginia
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