cambridge-crime-fiction

More documents

Recommendations

Info

<strong>crime</strong> <strong>fiction</strong>: a chronology 1976 Capital punishment restored in some states (US) Race Relations Act (UK) Dell Shannon, Streets of Death (US) 1977 Rendell, AJudgement in Stone (UK) Marcia Muller, Edwin of the Iron Shoes (US) Ellis Peters, A Morbid Taste for Bones (UK) Elmore Leonard, Unknown Man 89 (US) 1977–82 Charlie’s Angels (US TV series) 1978 William Hjortsberg, Falling Angel (US) 1979 Conservative victory under Margaret Thatcher (UK) 1980 Liza Cody, Dupe (UK) 1981 Republican victory under Ronald Reagan (US) Thomas Harris, Red Dragon (US) 1981–7 Magnum PI (US TV series) 1982 Sara Paretsky, Indemnity Only (US) 1982–8 Cagney and Lacey (US TV series) 1984 Barbara Wilson, Murder in the Collective (US) Katherine V. Forrest, Amateur City (US) William Caunitz, One Police Plaza (US) Umberto Eco, The Name of the Rose (It.) James Ellroy, Blood on the Moon (US) 1985 Leonard, Glitz (US) 1985–90 Miami Vice (US TV series) 1986 Sue Grafton, Aisfor Alibi (US) 1987 Paul Auster, The New York Trilogy (US) Ian Rankin, Knots and Crosses (UK) Caroline Graham, The Killings at Badger’s Drift (UK) Val McDermid, Report for Murder (UK) 1987–2000 Inspector Morse (UK TV series) 1988 Michael Dibdin, Ratking (UK) Eleanor Taylor Bland, See No Evil (US) Elizabeth George, A Great Deliverance (UK) 1989 End of the Cold War Thomas Harris, The Silence of the Lambs (US) James Lee Burke, Heaven’s Prisoners (US) 1990 Patricia Cornwell, Postmortem (US) Walter Mosley, Devil in a Blue Dress (US) Valerie Wilson Wesley, When Death Comes Stealing (US) R. D. Wingfield, ATouch of Frost (UK) Goodfellas (US film) xvi
Page 2: This page intentionally left blank
Page 8: THE CAMBRIDGE COMPANION TO CRIME FI
Page 12: CONTENTS Notes on contributors Crim
Page 16: NOTES ON CONTRIBUTORS ian a. bell i
Page 20: notes on contributors the Early Twe
Page 24: crime fiction: a chronology 1842 De
Page 28: crime fiction: a chronology John Di
Page 32: crime fiction: a chronology US embr
Page 40: MARTIN PRIESTMAN Introduction: crim
Page 44: Introduction and writers, and draw
Page 48: Introduction interest and where cri
Page 52: 1 IAN A. BELL Eighteenth-century cr
Page 56: Eighteenth-century crime writing al
Page 60: Eighteenth-century crime writing In
Page 64: Eighteenth-century crime writing th
Page 68: Eighteenth-century crime writing a
Page 72: Eighteenth-century crime writing 12
Page 78: lyn pykett ranged from castles to
Page 82: lyn pykett London criminals and das
Page 86:
lyn pykett is naked - do you clothe
Page 90:
lyn pykett admirable light, and add
Page 94:
lyn pykett crime. Fagin also has hi
Page 98:
lyn pykett separate. Thus, critics
Page 102:
lyn pykett was prompted to do so by
Page 106:
lyn pykett Hall, Dombey and Son, an
Page 110:
lyn pykett Critics of sensation fic
Page 114:
lyn pykett 18 Edward Bulwer Lytton,
Page 120:
3 MARTIN A. KAYMAN The short story
Page 124:
The short story from Poe to Chester
Page 128:
Page 132:
Page 136:
Page 140:
Page 144:
Page 148:
Page 152:
Page 156:
4 SITA A. SCHÜTT French crime fict
Page 160:
French crime fiction followed by eq
Page 164:
French crime fiction Emile Gaboriau
Page 168:
French crime fiction predominantly
Page 172:
French crime fiction The criminal,
Page 176:
French crime fiction Narrated by Ro
Page 180:
French crime fiction cheating socie
Page 184:
French crime fiction longer a hulki
Page 188:
French crime fiction non-scientific
Page 192:
5 STEPHEN KNIGHT The golden age The
Page 196:
The golden age There will be a rang
Page 200:
The golden age as in Mary Braddon
Page 204:
The golden age The perfected clue-p
Page 208:
The golden age that validates the j
Page 212:
The golden age action and detection
Page 216:
The golden age essentially ‘Purit
Page 220:
The golden age for ‘fair play’,
Page 224:
The golden age 38 Janet Hitchman, S
Page 228:
6 DENNIS PORTER The private eye Giv
Page 232:
The private eye It is characteristi
Page 236:
The private eye by the Anaconda Cop
Page 240:
The private eye found in a kind of
Page 244:
The private eye self-consciousness
Page 248:
The private eye knowingly and sugge
Page 252:
The private eye nowhere. When offer
Page 256:
The private eye upper-middle-class
Page 260:
The private eye soon degenerated in
Page 264:
The private eye intelligent, tough-
Page 270:
david seed is set in the war betwee
Page 274:
david seed The one ‘invasion scar
Page 278:
david seed to his furtive customers
Page 282:
david seed is a suave, engaging, an
Page 286:
david seed ‘constructions’ in C
Page 290:
david seed is a consumer as well as
Page 294:
david seed secret service malfuncti
Page 298:
david seed aggressor with sequences
Page 302:
david seed 15 E. Phillips Oppenheim
Page 306:
david seed 63 Ibid., p. 250. 64 Gra
Page 310:
david glover currency of contempora
Page 314:
david glover one that is radically
Page 318:
david glover People’ and the inha
Page 322:
david glover similarly equivocal st
Page 326:
david glover creating a highly char
Page 330:
david glover in the early 1940s wit
Page 334:
david glover Thompson was not the o
Page 338:
david glover of fantasy scenarios i
Page 342:
david glover 11 See John G. Cawelti
Page 348:
9 LEROY L. PANEK Post-war American
Page 352:
Post-war American police fiction Un
Page 356:
Post-war American police fiction th
Page 360:
Post-war American police fiction no
Page 364:
Post-war American police fiction Bl
Page 368:
Post-war American police fiction It
Page 372:
Post-war American police fiction Le
Page 376:
Post-war American police fiction of
Page 380:
Post-war American police fiction 7
Page 386:
martin priestman because it is stil
Page 390:
martin priestman bigwigs exploit th
Page 394:
martin priestman drop-everything-el
Page 398:
martin priestman tricked when one o
Page 402:
martin priestman the path between p
Page 406:
martin priestman while exploring su
Page 410:
martin priestman At the opposite en
Page 414:
martin priestman radical implicatio
Page 420:
11 MAUREEN T. REDDY Women detective
Page 424:
Women detectives While there were m
Page 428:
Women detectives likely to identify
Page 432:
Women detectives that equal pay was
Page 436:
Women detectives glories in her phy
Page 440:
Women detectives to Forrest, Naiad
Page 444:
Women detectives series of police p
Page 448:
Women detectives maintains that bei
Page 452:
Women detectives NOTES 1 Raymond Ch
Page 458:
andrew pepper collapsed onto one an
Page 462:
andrew pepper views, and by implica
Page 466:
andrew pepper Maybe it was an uncon
Page 470:
andrew pepper others whom they seek
Page 474:
andrew pepper both predates and ove
Page 478:
andrew pepper yet acknowledge that
Page 482:
andrew pepper the subversive possib
Page 486:
andrew pepper does not correspond w
Page 490:
andrew pepper 39 Ibid., p. 92. 40 W
Page 494:
nickianne moody narratives. Christo
Page 498:
nickianne moody disorganised, under
Page 502:
nickianne moody 1930s. They respond
Page 506:
nickianne moody points to the way i
Page 510:
nickianne moody trajectory to the s
Page 514:
nickianne moody increasingly relian
Page 518:
nickianne moody evolved into the he
Page 522:
nickianne moody The American series
Page 528:
14 LAURA MARCUS Detection and liter
Page 532:
Detection and literary fiction ‘T
Page 536:
Detection and literary fiction form
Page 540:
Detection and literary fiction whol
Page 544:
Detection and literary fiction but
Page 548:
Detection and literary fiction ‘a
Page 552:
Detection and literary fiction Doyl
Page 556:
Detection and literary fiction the
Page 560:
Detection and literary fiction the
Page 564:
Detection and literary fiction Lebl
Page 568:
Detection and literary fiction 9 Ib
Page 572:
Detection and literary fiction 62 J
Page 578:
guide to reading Pyrhönen, Heta, M
Page 582:
guide to reading Stead, Philip John
Page 586:
guide to reading Post-war American
Page 590:
guide to reading Irwin, John T., Th
Page 594:
index Bloch, Robert, xiv, 146 Block
Page 598:
index Dostoievski, Fyodor, 110 Doub
Page 602:
index Hood, Robin, 70 hooks, bell,
Page 606:
index Nathan, George Jean, see Blac
Page 610:
index Softly, Softly (TV series), 2
Page 614:
CAMBRIDGE COMPANIONS TO LITERATURE
Page 618:
The Cambridge Companion to Virginia
show all

cambridge-crime-fiction

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?